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May 3, 2020: Tommy Uzzo: A Tribute to A Sound Recording Engineer
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Artist | Track | Album | Label | Year | Comments | Approx. start time | ||||
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Tommy Uzzo: His Early Influences |
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Berliner Philharmoniker, Herbert von Karajan | Symphony No. 5 i C Minor, Op. 67 III. Allegro | Beethoven: The 9 Symphonies | Deutsche Grammophon | 1962 | 0:03:07 (Pop-up) | |||||
Led Zeppelin | Good Times Bad Times | Led Zeppelin I | Atlantic | 1968 | 0:04:46 (Pop-up) | |||||
Prince / Bill Harts | Soft And Wet / Talking About Teenage Years with Tommy Uzzo | For You | Warner | 1978 | 0:07:28 (Pop-up) | |||||
Herbie Hancock | Watermelon Man | Takin Off | Blue Note | 1962 | Butch Warren (bass), Billy Higgins (drums), Herbie Hancock (piano), Dexter Gordon (tenor sax), Freddie Hubbard (trumpet) | 0:09:38 (Pop-up) | ||||
Stanley Clarke / Bill Harts | Silly Putty / Talking Music | Journey To Love | Epic | 1975 | 0:16:33 (Pop-up) | |||||
Bill Evans Trio | We Will Meet Again (For Harry) | You Must Believe In Spring | Warner Bros. | 1981 | Bill Evans (piano), Eddie Gomez (bass), Eliot Zigmund (drums) / Tommy Uzzo studied bass with Eddie Gomez | 0:21:20 (Pop-up) | ||||
Chick Corea / Bill Harts | My One And Only / On Chick Corea | Now He Sings, Now He Sobs | Solid State | 1968 | 0:25:18 (Pop-up) | |||||
Herbie Mann / Bill Harts | Hold On, I'm Comin' / On the Uzzo Household | Live Montreux Jazz Festival | Atlantic | 1972 | Herbie Mann (flute), Larry Coryell (guitar), Roy Ayers (vibes), Sonny Sharrock (guitar) / Produced by Tom Dowd / Written by: David Porter & Isaac Hayes / From Mike Hogan: We actually got to record Roy Ayers in studio C at Mirror Image with Tommy Uzzoengineering | 0:28:51 (Pop-up) | ||||
Traffic | Glad | John Barleycorn Must Die | Island | 1970 | Jim Capaldi (drums & percussion), Steve Winwood (organ, piano, & percussion), Chris Wood (saxophone, flute, saxophone [electric], Percussion ) / Written-by: Steve Winwood | 0:30:54 (Pop-up) | ||||
Miles Davis / Bill Harts | John McLaughlin / About Playing The Tuba | Bitches Brew | Columbia | 1970 | Dave Holland (bass), Harvey Brooks (bass [Fender]), Bennie Maupin (bass clarinet), Miles Davis (trumpet), Don Alias, Jack DeJohnette, Lenny White (drums), John McLaughlin (electric guitar), Larry Young (piano), Jim Riley (percussion), Wayne Shorter (soprano sax) | 0:37:46 (Pop-up) | ||||
Cream | Sunshine Of Your Love | Disraeli Gears | ATCO | 1967 | 0:39:19 (Pop-up) | |||||
Blood, Sweat And Tears / Bill Harts | God Bless The Child / About Jazz Rock | Blood, Sweat And Tears | Columbia | 1968 | 0:43:22 (Pop-up) | |||||
Chicago | I'm A Man | Chicago Transit Authority | CBS | 1969 | 0:44:47 (Pop-up) | |||||
The Tubes | Talk To Ya Later | The Completion Backward Principle | Capitol | 1981 | 0:52:15 (Pop-up) | |||||
Music behind DJ: Quincy Jones / Steve Uzzo (brother) |
The Dude / About Tommy Uzzo |
The Dude |
A&M |
1981 |
0:56:57 (Pop-up) |
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Tommy Uzzo |
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Howard Stern & Robin with Tommy Uzzo & John Bastianelli / John Bastianelli | Summer Camp / Talking About A Bar Fight with Sigue Sigue Sputnik & Dee Snider | Live In London | no label | About the bar fight in London: Sigue Sigue Sputnik was at this Mexican Restaurant & I think they got tipped off that the Howard Stern crew were going to be there, so they showed up and were heckling Dee Snider, who was sitting in with the band singing "Johnny B Goode." That's how the fight started. One of the guys threw the chip bowl at Dee and hit him...-John Bastianelli | 1:01:54 (Pop-up) | |||||
Tommy Uzzo & John Bastianelli | Heavin' On A Jet Plane | no album | no label | 1:08:48 (Pop-up) | ||||||
Monet / Mark Liggett | My Heart Gets All The Breaks / About Working With Tommy Uzzo & Way Too Much Coffee | 12" | Ligosa | 1987 | Mixed & co-produced by Tommy Uzzo / Mixed at Mirror Image Recorders / this record was Tommy Uzzo's first big mix that launched his career - it was for the producer team - Liggett and Barbosa | 1:11:27 (Pop-up) | ||||
Jimi Tunnell / Mike Lorello | U-Turn / About Working With Tommy Uzzo | 12" | MCA | 1984 | Song written by Tommy Uzzo | 1:17:54 (Pop-up) | ||||
Shannon | Sabotage My Heart | Love Goes All The Way | Atlantic | 1986 | Track engineered by Tommy Uzzo | 1:22:36 (Pop-up) | ||||
K7 | Come Baby Come! | Swing Batta Swing | Tommy Boy | 1993 | Mixed by Tommy Uzzo & Joey Gardner / Programmed By Mike Lorello / Recorded at Mirror Image Studio in Dix Hills | 1:27:33 (Pop-up) | ||||
LaKiesha Berri | Like This And Like That | 12" | Hollywood | 1997 | Mixed by Tommy Uzzo / Written by Mike Lorello & Emosia | 1:31:21 (Pop-up) | ||||
Ian Iyce / John Bastianelli | Fatal Attraction / About carting 16-track tape recorder | no album | Smokin' | Recorded, mixed & produced by Tommy Uzzo / Written by John Bastianelli & Larry Lange | 1:35:23 (Pop-up) | |||||
Thomas Dolby / John Bastianelli | She Blinded Me With Science / How They Were Inspired By This Record | The Golden Age Of Wireless | Capitol | 1982 | 1:40:01 (Pop-up) | |||||
Psychodrama | I'm Not Your Doormat | 12" | Personal | 1984 | Written by Tommy Uzzo, John Bastianelli & Randy Glaser / Tommy Uzzo (bass), John Bastianelli (vocals & sax), Randy Glaser (drums), Hal Goldstein (synth) & Peter Zale (synth) / Mixed by Tommy Uzzo & Dave Brody | 1:42:54 (Pop-up) | ||||
Coco / John Bastianelli | Cross Your Heart / About A Recording Session at Mirror Image | No album | No label | Engineered & recorded by Tommy Uzzo & John Bastianelli at Mirror Image Recording in Dix Hills | 1:47:19 (Pop-up) | |||||
Redman, Method Man, Cypress Hill & War | Cisco Kid | How High (The Soundtrack) | Def Jam | 2001 | Track mixed by Tommy Uzzo | 1:49:36 (Pop-up) | ||||
Music behind DJ: Lea Castel |
Pressee de vivre / from Mike Hogan |
Pressee de vivre |
Street Skillz / Universal |
Tommy Uzzo mixed this album |
1:53:11 (Pop-up) |
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Music behind DJ: Karen Young |
Hot Shot |
12" |
West End |
1978 |
Tommy Uzzo toured with Karen Young playing bass |
1:57:26 (Pop-up) |
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Cover Girls / Mike Lorello | Sometimes Love Can Be A Surprise / About Recording & Life At Avon Court & Mirror Image Studio | Satisfy | Quality | 1996 | Album mixed by Tommy Uzzo | 1:59:36 (Pop-up) | ||||
Paul Hefner, Tommy Uzzo & Tara Nova | Love Is In Flight | No album | Paul Hefner | Tommy Uzzo recorded & played upright bass on the track / Tommy played MANY gigs with Paul Hefner over their 45 year history together & Hefner was a close family friend | 2:03:59 (Pop-up) | |||||
Phat Hat / John Bastianelli | Locked Together In Love / About Working With Tom Brechtlein | No album | No label | Track mixed by Tommy Uzzo | 2:07:22 (Pop-up) | |||||
Tom Brechtlein, Tommy Uzzo & John Bastianelli | We Play The Funk | No album | No label | Track written by Tommy Uzzo & John Bastianelli / Tommy recorded & mixed / Tommy Uzzo on bass, John Bastianelli on sax & Tom Brechtlein on drums | 2:09:54 (Pop-up) | |||||
Joey Starr | Cours | Gare Au Jaguarr | Jive/Epic | 2006 | Album mixed by Tommy Uzzo | 2:16:23 (Pop-up) | ||||
Kurt Stankus | Bad Choice (excerpt) / About Tommy's Club Date Years | No album | No label | Tommy Uzzo recorded & mixed record at Mirror Image Recording Studio | 2:20:07 (Pop-up) | |||||
Adolfo Paul | La Musica (Remix) | No album | No label | Track written byTommy Uzzo, Mike Lorello & Adolfo Paul / Mixed by Tommy Uzzo / Mike Lorello on keyboards | 2:23:19 (Pop-up) | |||||
Keith Murray | Candi Bar | He's Keith Murray | Def Jam | 2003 | Track mixed by Tommy Uzzo | 2:27:31 (Pop-up) | ||||
Coolio | Fantastic Voyage | 12" | Tommy Boy | 1994 | Track mixed by Tommy Uzzo / Tommy Boy Records had Joey Gardiner re-do the album version with Tommy Uzzo & Mike Lorello. This became the single / Many thanks to producer Joey Gardiner, who fronted a large portion of a record budget so we could build the 9th Ave studio, our first in Manhattan. - Mike Hogan | 2:31:12 (Pop-up) | ||||
Erick Sermon (feat. Marvin Gaye) | Music | Music | J Records | 2001 | Mixed by Tommy Uzzo & Erick Sermon / This song is by The green eyed bandit Erick Sermon. Amazing. Marvin's family wouldn't allow his voice to be sampled, so Erick arranged for the original 2" tape to be sent from Cali. Jimmy Iovine wouldn't send it, HE BROUGHT IT HIMSELF On A PLANE directly to studio D-Mike Hogan / Thanks to Tom Chianti, who brought Erick Sermon to Avon Court to meet with Tommy. That was a big part of our ability to expand into NYC-Mike Hogan | 2:36:47 (Pop-up) | ||||
Redman | Jersey Yo! | Doc's Da Name 2000 | Def Jam | 1998 | Track mixed by Tommy Uzzo | 2:40:35 (Pop-up) | ||||
Music behind DJ: |
Shout out to TROY HIGHTOWER, who was a major part of the success of Mirror Image Recording Studios-Mike Hogan |
2:44:34 (Pop-up) |
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Michael Jackson | Billie Jean (Remix) | Blood on the Dance Floor, History in the Mix | Sony | Track mixed by Tommy Uzzo & produced by Tony Moran / I spent 13 hours timing up Michael Jackson!:)-Mike Lorello | 2:46:07 (Pop-up) | |||||
Music behind DJ: Gloria Estefan |
Everlasting Love (Moran's Marathon Love Mix) |
12" |
Epic |
1995 |
Mixed by Tommy Uzzo |
2:53:58 (Pop-up) |
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Listener comments!
CarolCrow:
MikeLorello:
Liz:
12539:
Nulsh:
How ya' doin' Carol?
Sylvia (France-NYC):
Stanley:
How is everybody?
David in London:
Wilmot:
Ruth Booth:
Nulsh:
Stanley!
David!
Wilmot:
Peter from Dover NJ:
duke:
lisa:
CarolCrow:
Wilmot:
CarolCrow:
Stanley:
CarolCrow:
Liz:
John Bastianelli:
MikeLorello:
BVP:
Liz:
David in London:
CarolCrow:
Wilmot:
CarolCrow:
MikeLorello:
Wilmot:
John Bastianelli:
MikeLorello:
Brian in UK:
Stanley, in the pink. Page might have been 24 but I was 16. Bet he could not have listened to it when he was that age. Time for a lie down.
Ruth Booth:
John Bastianelli:
UncleMarty:
Stanley:
John Bastianelli:
Stanley:
David in London:
CarolCrow:
CarolCrow:
John Bastianelli:
CarolCrow:
Wilmot:
CarolCrow:
CarolCrow:
John Bastianelli:
CarolCrow:
Nulsh:
Brian in UK:
Some Singapore Laksa for me, please.
Wilmot (Bill Harts):
Stanley:
Wilmot (Bill Harts):
John Bastianelli:
Nulsh:
Liz:
David in London:
Brian in UK:
Hey Nulsh. Fully clothed and dancing?
Wilmot (Bill Harts):
Nulsh:
Liz:
John Bastianelli:
CarolCrow:
Wilmot (Bill Harts):
John Bastianelli:
12539:
John Bastianelli:
Nulsh:
Brian in UK:
upstate sean:
Peter from Dover NJ:
CarolCrow:
CarolCrow:
Mike Hogan:
CarolCrow:
John Bastianelli:
CarolCrow:
Liz:
CarolCrow:
David in London:
Wilmot:
Peter from Dover NJ:
Liz:
John Bastianelli:
Wilmot (Bill Harts):
lisa:
Pablexa™:
Nulsh:
Stanley:
upstate sean:
I missed the first part, but now I see. Very sorry to hear about your brother's passing. Something tells me this will be more celebratory than sorrowful, though. Sounds like an amazing family you grew up in. :)
suzzo:
Liz:
David in London:
Mike Hogan:
lisa:
John Bastianelli:
Wilmot (Bill Harts):
Mike Hogan:
Stanley:
suzzo:
lisa:
12539:
Nulsh:
Wilmot (Bill Harts):
fred:
Pablexa™:
I'm so sorry Carol
CarolCrow:
CarolCrow:
Liz:
John Bastianelli:
CarolCrow:
CarolCrow:
CarolCrow:
Emily:
Guido from Cologne:
Brian in UK:
Wilmot (Bill Harts):
ignatatus666:
Long time caller first time listener
CarolCrow:
Liz:
CarolCrow:
Mike Hogan:
John Bastianelli:
CarolCrow:
Wilmot (Bill Harts):
John from NP:
CarolCrow:
Mike Hogan:
Emily:
CarolCrow:
MikeLorello:
John from NP:
CarolCrow:
John Bastianelli:
MikeLorello:
Wilmot:
CarolCrow:
John Bastianelli:
Emily:
suzzo:
suzzo:
Pablexa™:
Wilmot:
John Bastianelli:
Emily:
suzzo:
MikeLorello:
John Bastianelli:
Buddha of Suburbia:
Lisa J B:
Wilmot:
suzzo:
UncleMarty:
Carol, your show archives have helped pull me through my encounter with the bug. Thanks
Nulsh:
We're celebrating Carol's brother Tom, who sadly passed away. He sounds like an amazing character!
Pablexa™:
Wilmot:
Doug in JC:
David in London:
John from NP:
Baja Joe:
Mike Hogan:
Ignatatus666:
Missed the first 10 minutes and thought there was a fill in
Great tribute Carol
To his family and friends
My condolences
John from NP:
Liz:
Jeffrey Davison:
My condolences.
Wilmot:
Elaine:
John Bastianelli:
Mike Hogan:
John Bastianelli:
Nulsh:
TDK60:
Buddha of Suburbia:
Wilmot (Bill Harts):
12539:
Pablexa™:
John Bastianelli:
David in London:
Hey TDK.
Nulsh:
Buddha of Suburbia:
Baja Joe:
Ignatatus666:
lisafair1:
John Bastianelli:
John Bastianelli:
John Bastianelli:
Ignatatus666:
lisafair1:
Ignatatus666:
suzzo:
David Sky Brody:
Mike Hogan:
Emily:
Doris from Droitwich:
Mike Hogan:
CarolCrow:
Ken From Hyde Park:
suzzo:
TDK60:
John Bastianelli:
suzzo:
suzzo:
Emily:
Wilmot (Bill Harts):
John Bastianelli:
HAHAHAHA that's right Wilmot, the dude almost trashed your car.
John from NP:
Mike Hogan:
suzzo:
John Bastianelli:
Mike Hogan:
MikeLorello:
Doug in JC:
Listener Robert:
MikeLorello:
Mike Hogan:
Doug in JC:
MikeLorello:
Mike Hogan:
Ignatatus666:
dale:
Wilmot (Bill Harts):
Mike Hogan:
MikeLorello:
John Bastianelli:
Phillippe Bastille:
John Bastianelli:
suzzo:
Wilmot (Bill Harts):
CarolCrow:
suzzo:
Wilmot (Bill Harts):
Phillippe Bastille:
suzzo:
Mike Hogan:
Mike Hogan:
Listener Robert:
suzzo:
Brian in UK:
Guido from Cologne:
I'm so sorry!
Liz:
Phillippe Bastille:
John Bastianelli:
David Sky Brody:
The Uzzo Family Studio and the Couch of Eternal Slumber
When it came time for Tommy to renovate the garage studio in Dix Hills, I was privileged to be his co-designer and “guy with the soldering iron.” Tom’s dad Tony, a legendary electrical engineer and scientist with Space Program cred, insisted upon an arcane and perfect and uncommon wire cable type and grounding scheme that had the local electrician – and me – scratching our heads. It would prove to be the essential foundation of the beautiful, powerful sounds that came out of that room for years after.
That a large Long Island family would open their home (and especially their kitchen) to us – the great unwashed masses of musicians, sound-people and their various girlfriends, boyfriends and squeezes that would eventually flow through that place – was unique and amazing. All us studio rats would come to know Tom’s sisters, brother and most particularly Mama Bea, the calm, unflappable matriarch.
To renovate the studio, Tom directed us to gut the garage down to the frame, flipping what had been the “control room” and “studio.” I was an acoustics freak and convinced him to let me execute a wasp-waisted room plan with very few parallel surfaces, to run all cabling through troughs in the floor, and then to fill that floor with sand. That place was built by the loving flavor of many friends – in some ways a jazz-hippie barn-raising straight out of the Whole Earth Catalog. We would find tasks that fit anybody who walked through the door. Nobody asked for money; that wasn’t the point. We would all be more than compensated for out time later on.
Tom insisted one feature of the original studio had to stay: a fat, heavy, overstuffed couch. I think it had come down from the family house and was simply too massive to consider lifting back up and in. Now, my acoustic design had one major shortcoming: Low frequencies – especially prevalent in the hip-hop genre that would come to define Mirror Image Recorders – tend to pile up in the right angles between walls and floors, compromising the accuracy of what musicians and engineers are hearing. And I hadn’t yet figured out a way to build enough low-frequency absorption with stealing too much area from that already tight working interior space. That couch provided the answer. Situating it at the back of the room, it became a near perfect “bass trap.”
And the super-sofa had one other unique feature: It was so comfortable, it was impossible to sit on it for more than 15 minutes without falling fast asleep, no matter how loud the studio monitors were blaring. We, therefore, dubbed it “The Couch of Eternal Slumber.” Lord knows how many of us slept on it over the years.
Tommy was nothing if not practical, in his choice of equipment, musical motifs or girlfriends. Through that studio-build experience, he taught me one of the most useful life lessons: Never let the quest for the “flawless” outweigh the true demands of the here and now. In other words: “Don’t let ‘Perfection’ become the enemy of the ‘Good Enough.’”
As he once said to me: “Man, like I only fear that like, man, look at me. I’m a fat piece of shit. And yet I get laid all the time!”
That was how he approached every mix: There’s an infinite number of ways this can go. He never fell victim to the paralysis of indecision. Narrow your choices and live with the consequences. That was one of Tom’s many gifts to us.
I guess “Eternal Slumber” has a new meaning now for Tommy. But he lives just as vibrantly as ever in your mind and mine; and in the sounds he left for us – and others – to enjoy and ponder forever.
– Dave Brody
Wilmot (Bill Harts):
nana:
12539:
Mike Hogan:
Wilmot (Bill Harts):
Mike Hogan:
Mike Hogan:
duck:
Mike Hogan:
Wilmot (Bill Harts):
Mike Hogan:
John Bastianelli:
David Sky Brody:
Emily:
MikeLorello:
John Bastianelli:
John Bastianelli:
Mike Hogan:
CarolCrow:
John Bastianelli:
Sylvia (France-NYC):
suzzo:
Mike Hogan:
Wilmot (Bill Harts):
Sylvia (France-NYC):
Mike Hogan:
Wilmot (Bill Harts):
Sylvia (France-NYC):
John Bastianelli:
Mike Hogan:
Listener Robert:
Mike Hogan:
Mike Hogan:
Mike Hogan:
Listener Robert:
Mike Hogan:
suzzo:
suzzo:
Mike Hogan:
Emily:
Wilmot (Bill Harts):
CarolCrow:
Tom Brechtlein:
Bell Peppers! You know what I mean! Love you! T
Liz:
Mike Hogan:
suzzo:
MikeLorello:
CarolCrow:
Wilmot (Bill Harts):
Mike Hogan:
Brian in UK:
Mary Wendel:
Mike Hogan:
David Sky Brody:
Listener Robert:
Wilmot (Bill Harts):
Liz:
CarolCrow:
adampsyche:
CarolCrow:
Liz:
Baja Joe:
Earth Walker:
MikeLorello:
adampsyche:
CarolCrow:
Mike Hogan:
CarolCrow:
John Bastianelli:
12539:
Be well, everyone.
CarolCrow:
Emily:
adampsyche:
Mike Hogan:
The Rev:
suzzo:
John Bastianelli:
lisafair1:
MikeLorello:
Brian in UK:
John Bastianelli:
Cooh John:
MikeLorello:
Mike Hogan:
David Sky Brody:
Mike Hogan:
John from NP:
John Bastianelli:
Emily:
MikeLorello:
Nulsh:
I really enjoyed all the stories.
See you next week!
Bye amigos!
John Bastianelli:
Baja Joe:
suzzo:
Wilmot (Bill Harts):
Lisa J B:
suzzo:
This has been amazing. Thank you, thank you thank you! <3
Wilmot (Bill Harts):
Pablexa™:
adampsyche:
Mike Hogan:
suzzo:
Emily:
David Sky Brody:
Mike Hogan:
Stanley:
John Bastianelli:
Ken From Hyde Park:
John from NP:
lisafair1:
Mary Wendel:
MikeLorello:
TDK60:
adampsyche:
David in London:
CarolCrow:
Earth Walker:
CarolCrow:
CarolCrow:
CarolCrow:
CarolCrow:
Vinnie Caggiano:
Ron Smith:
CarolCrow:
CarolCrow: