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The Failure of Noise
The Failure of Sound
The Failure of Rock
The Failure of the Avant Garde
The Failure of the Space Age
The Failure of Jazz
The Failure of Psychedelia
The Failure of Krautrock
The Failure of Electronic
The Failure of Pop
The Failure of Free-form
The Failure of the 20th Century
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Artist | Track | Album | Approx. start time | |||||||
---|---|---|---|---|---|---|---|---|---|---|
James Last | Mr. Giant Man | Voodoo Party | 0:00:00 (Pop-up) | |||||||
Curtis Mayfield | We People Who Are Darker Than Blue | Curtis | 0:08:34 (Pop-up) | |||||||
Arthur Doyle, Edward Perraud & Dan Warburton | A Prayer For Peace | The Basement Tapes | 0:10:37 (Pop-up) | |||||||
John Coltrane | Alabama | The Gentle Side Of John Coltrane | 0:15:19 (Pop-up) | |||||||
Brother Ah | Celestial Strings | Move Ever Onward | 0:17:29 (Pop-up) | |||||||
Noah Howard Quartet | Apotheosis | Noah Howard Quartet | 0:26:31 (Pop-up) | |||||||
Frederic Rzewski | Coming Together | Coming Together / Attica / Les Moutons De Panurge | 0:44:10 (Pop-up) | |||||||
L. Voag | The Tuned Knife and Fork Toned Down to a Light Lunch | The Way Out | 1:16:57 (Pop-up) | |||||||
Astral Social Club | Neon Pibroch (excerpt) | Neon Pibroch | 1:17:35 (Pop-up) | |||||||
Band of Holy Joy | Mental | More Favourite Fairytales | 1:34:45 (Pop-up) | |||||||
BJ Nilsen | Let Me KNow when it's over | Fade to White | 1:43:48 (Pop-up) | |||||||
Pierre Henry | La Religion | Fragments Pour Artaud | 1:48:27 (Pop-up) | |||||||
Brunhild Ferrari | Tranquilles Impatiences edit | Tranquilles Impatiences | 1:55:48 (Pop-up) | |||||||
Stephan Mathieu & Ekkehard Ehlers | Supertramp | Heroin | 2:08:27 (Pop-up) | |||||||
Biota | Old Reason Road (Part 5) | Almost Never | 2:13:18 (Pop-up) | |||||||
Broadcast | chord simple | The Future Crayon | 2:16:58 (Pop-up) | |||||||
GUM | Outfits For Agony | Vinyl Anthology | 2:21:13 (Pop-up) | |||||||
Valerio Tricoli / Thomas Ankersmit | Takht-e Tâvus | Forma II | 2:36:28 (Pop-up) | |||||||
Andrew Wilkes-Krier | Untitled | Labyrinths And Jokes | 2:46:48 (Pop-up) | |||||||
Genken & Craig | Laminator Unplugged | Live Radio | 2:51:21 (Pop-up) | |||||||
SWANS | COP | FILTH | 2:52:30 (Pop-up) |
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Listener comments!
Bas NL:
chresti:
TDK60:
G:
duke:
steveo:
Rev. Turnip Druid:
Peter from Dover NJ:
JtotheK:
kpx:
Mike Sin:
Jim the Poet:
listener phillip in PAIN:
TDK60:
ben abs:
ami ad:
kpx:
ami ad:
mariano:
Fabio:
steveo:
I feel like it's rainin' all over the world
markie_post:
markie_post:
David in London:
northguineahills:
David in London:
northguineahills:
kpx:
goyim in the am:
ami ad:
coelacanth∅:
northguineahills:
David in London:
Devin B.:
TDK60:
northguineahills:
ami ad:
peckinpah:
northguineahills:
Rev. Turnip Druid:
listener phillip in pain:
mariano:
Jack:
northguineahills:
Bryce:
WR:
chresti:
mariano:
doctorrock:
listener 126464:
David in London:
WR:
mariano:
jeanlil:
Santos L. Halper:
goyim in the am:
jeanlil:
https://qualityofmercy.com/blog/2018/09/27/attica-coming-together/
coelacanth∅:
ben abs:
common:
coelacanth∅:
royvis:
jeanli:
WR:
One of those was Samuel Melville (born Grossman; he borrowed Melville from the American novelist), a draftsman who became radicalized by apartheid when his company put him to work on new bank offices in South Africa. He became increas- ingly active in political demonstrations, which escalated into a series of bombings in 1969. Melville pleaded guilty to conspira- cy and bombing the Federal Office Building in Manhattan and was transferred to Attica, where he became one of the leaders of the prison rebellion. He was shot and killed during the retaking of the complex. A book of letters he wrote from prison was posthu- mously published, and Rzewski took his text for Coming Together from Melville’s letter of May 16, 1971 (which was first published separately in a magazine):
I think the combination of age and the greater coming together is responsible for the speed of the passing time. it’s six months now and i can tell you truthfully few periods in my life have passed so quickly. i am in excellent physical and emotional health. there are doubtless subtle surprises ahead but i feel secure and ready. As lovers will contrast their emotions in times of crisis, so am i dealing with my environment. in the indifferent brutality, incessant noise, the experimental chem- istry of food, the ravings of lost hysterical men, i can act with clarity and meaning. i am deliberate – sometimes even cal- culating – seldom employing histrionics except as a test of the reactions of oth- ers. i read much, exercise, talk to guards and inmates, feeling for the inevitable direction of my life
northguineahills:
ben abs:
royvis:
Kat in Chicago:
northguineahills:
David in London:
kpx:
Rev. Turnip Druid:
jeanli:
Carmichael:
northguineahills:
nic:
David in London:
goyim in the am:
David in London:
TDK60:
TDK60:
Ken From Hyde Park:
kpx:
Carmichael:
ami ad:
Carmichael:
northguineahills:
maestroso:
northguineahills:
Zetti:
On the Silver Globe
O-bi O-ba: The End of Civilization
Dead Man's Letters / Letters from a Dead Man
Stalker
Direct link exmilitai.re...
duke:
northguineahills:
oh, and Astral Social Club!
spanatopika:
royvis:
Rev. Turnip Druid:
It did not, i say enthusiastically, disappoint.
duke:
YETI BOB:
Rev. Turnip Druid:
David in London:
Rev. Turnip Druid:
Miss G:
Bas NL:
TDK60:
mariano:
hydrant:
steveo:
wolfette:
hydrant:
Kat in Chicago:
steveo:
People Like Us:
chresti:
ami ad:
People Like Us:
David in London:
Mariano, gag of the day to you sir.
People Like Us:
People Like Us:
WoodsOfNH:
Jonah:
Miss G:
People Like Us:
Jonah:
mariano:
markinbrooklyn:
People Like Us:
juan:
David in London:
Jason from Houston:
Yesterday, the Criterion Channel opened up free access to stream about a dozen films in their collection that were either made by African American directors or convey something of the Black experience. I found that information on these free films was a little difficult to gather/navigate, so I’ve compiled an easy guide here with info, abridged descriptions, and direct links for viewing each (no subscription or sign up necessary), in case its helpful. Feel free to save/share by copy-and-paste.
Early cinema:
BODY AND SOUL (1925, Dir. Oscar Micheaux)
Directed by the legendary African American filmmaker Oscar Micheaux, this 1925 silent film is a direct critique of the power of the cloth, starring Paul Robeson (in his film debut) in dual roles as a jackleg preacher and a well-meaning inventor.
www.criterionchannel.com...
Narrative Feature Films, 1980s-90s:
CANE RIVER (1982, Dir. Horace Jenkins)
A recently re-discovered and restored landmark of American independent cinema written and directed by Horace B. Jenkins and crafted by an entirely African American cast and crew. This charmingly laid-back, socially incisive love story set in the heart of Louisiana centers on a forbidden romance caught between two black communities: wealthy Creoles and working-class descendants of slaves.
www.criterionchannel.com...
MY BROTHER’S WEDDING (1983, Dir. Charles Burnett)
Charles Burnett’s second feature (after his 1978 film, Killer of Sheep) is wise, funny, and heartbreaking. Pierce works at his parents’ South Central dry cleaners, with no prospects for the future and his childhood buddies in prison or dead, and navigates conflicting obligations while trying to figure out what he really wants in life.
www.criterionchannel.com...
LOSING GROUND (1982, Dir. Kathleen Collins)
A landmark of independent cinema and one of the first feature films directed by an African American woman, Losing Ground is a deeply personal exploration of love, race, and gender through the story of a marriage between two remarkable people at crossroads in their lives.
www.criterionchannel.com...
DAUGHTERS OF THE DUST (1991, Dir. Julie Dash)
Julie Dash’s vision of black womanhood and vanishing ways of life in the turn-of-the-century South was the first film directed by an African American woman to receive a wide release. In 1902, a multigenerational family in the Gullah community struggle to maintain their cultural heritage while contemplating a migration to the mainland, even further from their roots.
www.criterionchannel.com...
THE WATERMELON WOMAN (1996, Dir. Cheryl Dunye)
Cheryl Dunye’s funny, deeply personal feature film debut is a landmark look at the black lesbian experience. The director herself stars as Cheryl, a twenty-something lesbian struggling to make a documentary about Fae Richards, a beautiful and elusive 1930s black film actress popularly known as the Watermelon Woman.
www.criterionchannel.com...
DOWN IN THE DELTA (1998, Dir. Maya Angelou)
The only film directed by writer, poet, and activist Maya Angelou. A warm, bittersweet drama celebrating the resilience of black southern family. A floundering, drug-addicted mother living in Chicago is sent to stay with an uncle in the Mississippi Delta, where she gradually reconnects with her heritage and discovers strength in her roots.
www.criterionchannel.com...
Documentary Films, 1970s-2010s:
BLACK PANTHERS (1970, Dir. Agnès Varda)
French filmmaker Agnès Varda documents a 1968 Oakland demonstration protesting the imprisonment of activist and Black Panthers cofounder Huey P. Newton, as well as a conversation with Newton, filmed in jail.
www.criterionchannel.com...
A WELL SPENT LIFE (1971, Dir. Les Blank)
Les Blank’s intimate 45-minute film portrait of the Navasota, Texas blues singer, guitarist, and violinist Mance Lipscomb (1895–1976).
www.criterionchannel.com...
PORTRAIT OF JASON (1967, Dir. Shirley Clarke)
Underground filmmaker Shirley Clarke and a tiny crew spent 12 straight hours in her Chelsea Hotel apartment filming this documentary portrait of remarkable, charming, and tortured former gay hustler and aspiring cabaret performer, Jason Holliday.
www.criterionchannel.com...
SUZANNE, SUZZANNE (1982, Dir. Camille Billops and James Hatch)
A 30-minute documentary film by African American sculptor, painter, and filmmaker Camille Billops (with her husband James Hatch) about her niece who’s haunted by abuse she suffered as a child and the passivity of family members who allowed it to continue.
www.criterionchannel.com...
AND WHEN I DIE, I WON’T STAY DEAD (2015, Dir. Billy Woodberry)
Feature-length documentary about the life and work of African American Beat poet Bob Kaufman, directed by Billy Woodberry (whose 1983 LA Rebellion landmark film Bless Their Little Hearts is also available to stream on the Criterion Channel, though not for free).
www.criterionchannel.com...
BLACK MOTHER (2018, Dir. Khalik Allah)
Feature-length experimental documentary–a deep-dive into Jamaican identity by photographer/filmmaker Khalik Allah (who directed the daring essay film “Field Niggas” and did cinematography work on Beyoncé’s “Lemonade.”)
www.criterionchannel.com...
mariano:
WoodsOfNH:
Chris from DC:
whiteslice:
mariano:
WoodsOfNH:
ami ad:
dale:
Chris from DC:
John from Madison:
dale:
Bas NL:
John from Madison:
Miss G:
Handy Haversack:
ami ad:
Handy Haversack:
@Mariano (4:38): Agreed!
ami ad:
dale:
Handy Haversack:
mariano:
dale:
ami ad:
Handy Haversack:
There have been some nice pbk. editions of the Strugatsky bros. novels published in the last few years. Roadside Picnic is excellent. Chicago Review Press, 2012.
TDK60:
Bas NL:
Rev. Turnip Druid:
dale:
David in London:
Hey again Handloid.
Rev. Turnip Druid:
dale:
dale:
Rev. Turnip Druid:
Many skeletons in the closet/LP collections. Love my skeletons.
Handy Haversack:
Hey, David.
Handy Haversack:
dale:
www.youtube.com...
David in London:
https://youtu.be/h3QgTYm_ohw
dale:
Bryce:
Tome:
Bryce:
johnzo:
Megaroni:
listener phillip in pain:
Bas NL:
dale:
johnzo:
Bryce:
Bryce:
dale:
steveo:
Bas NL:
Rev. Turnip Druid:
Rev. Turnip Druid:
listener phillip in pain:
David in London:
dale:
Rev. Turnip Druid:
Bryce:
Rev. Turnip Druid:
DrHeinrich:
dale:
listener phillip In pain:
Jennica:
Rev. Turnip Druid:
Tome:
Tome:
johnzo:
hoeg:
dale:
nic:
dale:
David in London:
TDK60:
listener phillip in pain:
Bas NL:
steveo:
David in London:
Jennica:
Ken From Hyde Park:
northguineahills:
dale:
listener 126464:
Handy Haversack:
Take it easy, all.
Bryce:
Rev. Turnip Druid:
Bryce:
David in London:
Glad you liked them. They were on the same bill as us some years back, and I was blown away by how good they were.
Bas NL:
Jennica:
coelacanth∅:
ciao
chresti:
Carmichael:
ami ad:
dale:
David in London:
Bryce:
thank you, dark lord fabio!
Carmichael:
dale:
David in London:
mariano: