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Hex Reduction Hour.
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Artist | Track | Album | Label | Year | Approx. start time | |||||
---|---|---|---|---|---|---|---|---|---|---|
Die Form |
Are You Before
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Mutazione: Italian Electronic & New Wave Underground 1980-1988 | Strut | 2013 | 0:00:00 (Pop-up) | |||||
DAF |
Der Räuber und der Prinz
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12" | Virgin | 1981 | 0:03:35 (Pop-up) | |||||
Zad Kokar & Les Combi |
La Pire Denrée Du Monde
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La Pire Denrée Du Monde | Pecan Crazy Records | 2018 | 0:06:58 (Pop-up) | |||||
Teddy and His Patches |
Suzy Creamcheese
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0:08:11 (Pop-up) | ||||||||
Animals & Men |
Don't Misbehave in the New Age
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7" | TW Records | 1979 | 0:11:25 (Pop-up) | |||||
Bill Nelson |
Rooms With Brittle Views
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7" | Les Disques Du Crepuscule | 1980 | 0:13:16 (Pop-up) | |||||
The Sound |
I Can't Escape Myself
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Jeopardy | 1980 | 0:17:52 (Pop-up) | ||||||
Kebab |
Life It's a Joke
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7" | Barakkenplaten | 1982 | 0:21:33 (Pop-up) | |||||
Gabi Delgado |
Victim
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Mistress | Virgin | 1982 | 0:24:50 (Pop-up) | |||||
Brenda Ray |
Rahmatullah
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D’Ya Hear Me! : Naffi Years, 1979-1983 | EM Records | 2012 | 0:30:42 (Pop-up) | |||||
Haroumi Hosono & Yellow Magic Band |
Shambhala Signal
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Paraiso | 1978 | 0:32:46 (Pop-up) | ||||||
So-Do |
Hashiru
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Case of Telegraph Vol. 1 | Cocteau Records | 1984 | 0:36:16 (Pop-up) | |||||
Polyphonic Size |
Nagasaki Mon Amour
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7" | Radical Records | 1980 | 0:41:54 (Pop-up) | |||||
Raymond Scott |
Twilight in Turkey
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The Music of Raymond Scott – Reckless Nights and Turkish Twilights | Columbia Records | 1992 | 0:45:22 (Pop-up) | |||||
Dreams |
Milk By Myself
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Morbido | Kill Shaman | 2011 | 0:52:07 (Pop-up) | |||||
Burundi Black |
Burundi Black (Second Part)
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Barclay | 1981 | 0:56:00 (Pop-up) | ||||||
Fun Boy Three w/ Bananarama | It Ain’t What You Do it’s the Way that you do it | Chrysalis | 1982 | 1:02:39 (Pop-up) | ||||||
Bill Nelson |
Dada Guitars
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The Two-Fold Aspect of Eve | 1:05:14 (Pop-up) | |||||||
Golden Palominos |
Clean Plate
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The Golden Palaminos | Celluloid | 1983 | 1:06:56 (Pop-up) | |||||
Nina Hagen Band |
African Reggae
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Nina Hagen Band | Columbia | 1980 | 1:12:47 (Pop-up) | |||||
23 Skidoo |
The Gospel Comes To New Guinea
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12" | Fetish Records | 1981 | 1:17:56 (Pop-up) | |||||
Cachao |
Ko-Wo
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Ko-Wo | Salsoul Records | 1977 | 1:26:51 (Pop-up) | |||||
Braen & Raskovick |
Ultimo Istante
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Drammatico | Panda Records | 2017 | 1:32:22 (Pop-up) | |||||
Section 25 |
Haunted
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7" | Factory Benelux | 1980 | 1:35:57 (Pop-up) | |||||
S.M. Nurse |
Fruitta
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30th Anniversary: 1980-1983 | Domestica | 2013 | 1:39:24 (Pop-up) | |||||
Siobhan |
New Wave Retailing
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Southgate | Opal Tapes | 2014 | 1:47:35 (Pop-up) | |||||
Neon Judgement |
Miss Brown
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7" | Play it Again Sam Records | 1987 | 1:53:15 (Pop-up) | |||||
Scars |
Adult/ery
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7" | Fast Product | 1979 | 1:58:00 (Pop-up) | |||||
Xmal Deutschland |
Geheimnis
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Fetisch | 4AD | 1984 | 2:00:26 (Pop-up) | |||||
Badaboum |
Cookie
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Live on Electrique TV | 2018 | 2:08:02 (Pop-up) | ||||||
Blaine L. Reininger |
Ash and Bone
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Night Air | Another Side | 1984 | 2:11:11 (Pop-up) | |||||
Bloodless Pharoahs |
Nowhere Fast
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Bloodless Pharaohs 1978-1979 | Distortions Records | 1996 | 2:16:55 (Pop-up) | |||||
robert quine / fred maher |
Summer Storm
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Basic | Editions EG | 1984 | 2:20:49 (Pop-up) | |||||
Giampiero Boneschi |
Music to Come
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A New Sensation in Sound | CAM | 1974 | 2:24:44 (Pop-up) | |||||
The Hellers |
Life Story
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Singers Talkers Players Swingers & Doers | Command | 1968 | 2:27:43 (Pop-up) | |||||
Tim McKenna |
Where Are You?
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7" | Distortion | 1971 | 2:29:51 (Pop-up) | |||||
High Risk |
Common Woman
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Jazzagression Records | 1974 | 2:37:32 (Pop-up) | ||||||
USA/Mexico |
Anxious Whitey
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Mstamoros | 12XU | 2019 | 2:53:12 (Pop-up) |
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Listener comments!
RomanDogBird:
coelacanth∅:
Emily L:
Ken From Hyde Park:
coelacanth∅:
'works okay for the gamelan but not not everything else.
thought you'd like to know.
Emily L:
coelacanth∅:
(i know this probably doesn't help!)
coelacanth∅:
Guillermo:
David in London:
Hey Coelacanth.
Emily L:
Stanley:
Good morning David.
The sound is like the 'secret' transistor listening under my pillow as a teenager.
tortilladc:
David in London:
coelacanth∅:
...i like that Stanley. i was thinking the sound is like when i clandestinely recorded from my brother's 1/2 decent stereo with a panasonic lecture recorder, and played it back on same.
...and i'm thinking how happy i was to have that when i was little.
i'm so spoiled.
dano59:
dano59:
Stanley:
coel - a sign of how much we must have dug music as children. A bit like you, I recorded music with a microphone from the tv onto my father's reel-to-reel.
Stanley:
coelacanth∅:
coelacanth∅:
and, a reel to reel! wish my father had gotten into those.
Stanley:
dano59:
Emily L:
coelacanth∅:
David in London:
coelacanth∅:
coelacanth∅:
dano59:
coelacanth∅:
David in London:
dano59:
In reel to reel deck then cassette pressed up to the 2-in TV speaker. I rem taping Elton John and some Midnight Special off the TV,
coelacanth∅:
dano59:
coelacanth∅:
Stanley:
coelacanth∅:
dano59:
David in London:
Stanley, yeah, yesterday’s horrors are today’s ‘Wow, what great songwriting’.
coelacanth∅:
Emily L:
Stanley:
dano59:
coelacanth∅:
... the bar i used to go to had t-shirts that read "we know why you're here" - and i'm thinking that'd work with wfmu as well!
Emily L:
dano59:
dano59:
coelacanth∅:
dano59:
coelacanth∅:
Thanks Emily! take care everyone and good luck with assorted technical difficulties!
Emily L:
David in London:
dano59:
queems:
Tookie Wuthry Guffy:
Emily L:
ben abs:
Emily L:
tom from Glasgow:
Emily L:
listener james from westwood:
Stanley:
Hopefully catch you next week.
Time to Wake n Bake
Emily L:
John from Madison: