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Twangs of all stripes and stuff that ends in -billy.
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Artist | Track | Label | Format | Approx. start time |
---|---|---|---|---|
Music behind DJ: Louis Armstrong and His Hot Five |
Muskrat Ramble |
0:00:00 (Pop-up) |
||
Big Joe Turner | Rebecca | Decca | 78 | 0:03:48 (Pop-up) |
Hank Snow | The Rhumba Boogie | RCA Victor | 78 | 0:06:54 (Pop-up) |
Bulawayo Sweet Rhythms | In The Mood | London | 78 | 0:09:06 (Pop-up) |
Jimmie Rodgers | My Rough and Rowdy Ways | Montgomery Ward | 78 | 0:11:51 (Pop-up) |
Todd Rhodes Orchestra | Rocket 69 | King | 78 | 0:14:21 (Pop-up) |
Music behind DJ: Louis Armstrong and His Hot Five |
Heebie Jeebies |
0:17:27 (Pop-up) |
||
The Gene Autry Trio | Tumbling Tumbleweeds | Okeh | 78 | 0:21:25 (Pop-up) |
Gene Autry | I'm Thinking Tonight Of My Blue Eyes | Okeh | 78 | 0:23:39 (Pop-up) |
Golden Gate Quartet | Shadrack | Columbia | 78 | 0:26:00 (Pop-up) |
Tito Puente | Rainfall | Tico | 78 | 0:28:40 (Pop-up) |
Music behind DJ: Louis Armstrong |
Struttin' with Some Barbecue |
0:32:43 (Pop-up) |
||
Moon Mullican | I'll Sail My Ship Alone | King | 7" | 0:35:29 (Pop-up) |
Mills' Blue Rhythm Band | Jungle Madness | Variety | 78 | 0:38:17 (Pop-up) |
Lefty Frizzell | My Baby's Just Like Money | Columbia | 78 | 0:41:20 (Pop-up) |
Larry Birdsong | Oh, Oh My Darling | Vee-Jay | 78 | 0:44:24 (Pop-up) |
Texas Ruby | Ain't You Sorry That You Lied | Columbia | 78 | 0:46:16 (Pop-up) |
Music behind DJ: Louis Armstrong and His Hot Five |
Got No Blues |
0:48:42 (Pop-up) |
||
Hank Williams | I Can't Help It If I'm Still In Love With You | MGM | 78 | 0:52:32 (Pop-up) |
Little Miss Cornshucks | Keep Your Hand On Your Heart | Deluxe | 78 | 0:54:34 (Pop-up) |
Marty Robbins | I'll Go On Alone | Columbia | 78 | 0:57:39 (Pop-up) |
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Listener comments!
ultradamno:
Faster vinyl! Faster!
PigeonsAndRust:
Sweet Corn Lizzie:
adamp:
P-90:
Lothianman:
Becky:
adamp:
Becky:
PigeonsAndRust:
Pauly from Clifton:
Scott Williams:
PigeonsAndRust:
steveo:
listener 126464:
steveo:
ultradamno:
johnk77:
sound like fish cheer/
feel like i'm fixin to die
lukavino:
good rn.
Mitzi_in_Bowie:
mariano:
P-90:
Mitzi_in_Bowie:
Becky:
Mitzi_in_Bowie:
Becky:
Mitzi_in_Bowie:
steveo:
Ken From Hyde Park:
johnk77:
listening to broadcast 91.1
in mono
Mitzi_in_Bowie:
Mitzi_in_Bowie:
Mitzi_in_Bowie:
Becky:
Tumble Reed:
PigeonsAndRust:
Scott Williams:
lukavino:
Tommy in Neversink:
The Butterman:
PigeonsAndRust:
johnk77:
we get good results
w/shure78 cartridge
mounting each alternative
cartridge in it's own headshell
makes things simpler
if u do not have a separate
78 machine
mariano:
johnk77:
PigeonsAndRust:
Tumble Reed:
Tumble Reed:
Sweet Corn Lizzie:
Becky:
ultradamno:
Hackensack Slim:
Butterman, it was Scharpling who conversed with the scratchy records. His show, The Best Show, followed the Antique Phonograph Hour.
mariano:
johnk77:
i have provided gear
and roadied for pro djs
mac usually has very cool
rigs
Tumble Reed:
PigeonsAndRust:
johnk77:
acoustic players
w/small mics in the horn
and used electrical
sound reinforcement
in addition
Becky:
mariano:
ultradamno:
McGroovey:
Becky:
McGroovey:
PigeonsAndRust:
johnk77:
can provide some benefits
on the engineering tip:>
if you keep the grooves far
enough apart
The Butterman:
mariano:
In the late 90s I went to a presentation by George Martin, he said that when he first started in the business that they used a weight system to record directly to the record. Basically a weight that would slowly drop from the ceiling, powering the recording device's spin. since in those days gravity was more stable and steady than any mechanical means for turning a record.
johnk77:
used 2inch 8track
analog tape
great show tonight
yippie:
johnzo:
Ken From Hyde Park:
Becky:
PigeonsAndRust:
listener 126464:
yippie:
johnk77:
a great book called
perfecting sound forever
reflects on these issues
PigeonsAndRust:
mariano:
Tumble Reed:
Becky:
ultradamno:
P-90:
McGroovey:
adamp:
Ken From Hyde Park: