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Author Darryl W. Bullock presents an hour of terrible records. From the dawn of recorded music right up to some of today’s most hateful aural atrocities, spend 60 minutes with some of the worst, and most hysterically funny, records ever made.
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August 6, 2020: The World's Worst Records presents The Pansy Craze and other LGBT-themed music from the 20s-40s
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Artist | Track | Album | Label | Year | Format | Comments | Images | Approx. start time |
---|---|---|---|---|---|---|---|---|
Fred Rich and his Orchestra | He’s So Unusual | Columbia | 1929 | 10" | 0:00:00 (Pop-up) | |||
Merritt Brunies and his Friar’s Inn Orchestra | Masculine Women, Feminine Men | Okeh | 1926 | 10" | 0:04:17 (Pop-up) | |||
Bud Freeman and the Summa Cum Laude Orchestra | Can’t Help Lovin’ Dat Man | Okeh | 1929 | 10" | 0:07:27 (Pop-up) | |||
The Durium Dance Band | Let’s All Be Fairies | Durium | 1933 | 10" | 0:11:27 (Pop-up) | |||
Orchester mit Refraingesang | Das Lila Lied | Homokord | 1921 | 10" | 0:14:00 (Pop-up) | |||
Music behind DJ: New Mayfair Dance Orchestra |
Fairy on the Clock |
His Mater's Voice |
1929 |
10" |
0:16:36 (Pop-up) |
|||
The Golden Gate Orchestra | The Right Kind of Man | Velvet Tone | 1929 | 10" | 0:17:14 (Pop-up) | |||
Bing Crosby | Gay Love | Columbia | 1929 | 10" | 0:20:04 (Pop-up) | |||
Paul Whiteman and his Orchestra | There Ain't No Sweet Man That's Worth The Salt Of My Tears | Victor | 1928 | 10" | Featuring Bing Crosby and Bix Beiderbecke | 0:23:07 (Pop-up) | ||
Music behind DJ: New Mayfair Dance Orchestra |
Fairy on the Clock |
His Master’s Voice |
1929 |
10" |
0:26:35 (Pop-up) |
|||
Jean Malin | I’d Rather be Spanish than Mannish | Columbia | 1933 | 10" | 0:27:14 (Pop-up) | |||
Jean Malin | That’s What’s the Matter With Me | Columbia | 1933 | 10" | 0:30:21 (Pop-up) | |||
Earl Gresh and his Gangplank Orchestra | Help! | Columbia | 1925 | 10" | 0:33:19 (Pop-up) | |||
Sam Lanin and his Famous Players | The Man I Love | Okeh | 1927 | 10" | 0:36:48 (Pop-up) | |||
Beatrice Lillie | There Are Fairies At the Bottom Of Our Garden | Varieties | 1934 | 10" | 0:39:47 (Pop-up) | |||
Music behind DJ: Fairy on the Clock |
New Mayfair Dance Orchestra |
His Master’s Voice |
1929 |
10" |
0:42:04 (Pop-up) |
|||
Noel Coward | Mad About The Boy | His Master’s Voice | 1932 | 10" | 0:42:43 (Pop-up) | |||
Douglas Byng and Lance Lister | Cabaret Boys | Zonophone | 1928 | 10" | 0:45:38 (Pop-up) | |||
Fred Barnes | Black Sheep of the Family | Aircraft Products Ltd. | 1932 | Flexi | 0:49:22 (Pop-up) | |||
Noël Coward | We All Wear a Green Carnation | His Master's Voice | 1934 | 12" | The Green Carnation was a homosexual symbol, popularised by Oscar Wilde | 0:51:00 (Pop-up) | ||
Judd Rees | The King’s a Queen at Heart | Liberty Music Shop | 1936 | 10" | the first song to mention the word 'homosexual' | 0:52:41 (Pop-up) | ||
Douglas Byng | I’m One of the Queens of England | Zonophone | 1930 | 10" | 0:53:46 (Pop-up) | |||
Leslie Hutchinson | Let’s Do It | Parlaphone | 1935 | 10" | 0:56:29 (Pop-up) | |||
Dwight Fiske | Mrs Pettibone | Gala | 1934 | 10" | 0:59:47 (Pop-up) | |||
Music behind DJ: New Mayfair Dance Orchestra |
Fairy on the Clock |
His Master's Voice |
1929 |
10" |
1:03:35 (Pop-up) |
|||
Max Hansen | War’n Sie Schon Mal In Mich Verliebt? | Grammophon | 1928 | 10" | 1:04:22 (Pop-up) | |||
Paul O’Montis | I Can’t Give You Anything But Love, Baby | Odeon | 1929 | 10" | 1:08:13 (Pop-up) | |||
Marlene Dietrich | Falling In Love Again | Victor | 1931 | 10" | 1:11:13 (Pop-up) | |||
Bessie Smith | Foolish Man Blues | Columbia | 1927 | 10" | 1:14:25 (Pop-up) | |||
Tampa Red’s Hokum Jazz Band | My Daddy Rocks Me With One Steady Roll | Vocalion | 1929 | 10" | 1:17:50 (Pop-up) | |||
Gladys Bentley | Worried Blues | Okeh | 1928 | 10" | 1:21:55 (Pop-up) | |||
Ma Rainey | Prove It On Me Blues | Paramount | 1928 | 10" | 1:24:55 (Pop-up) | |||
Bessie Jackson | B.D. Women’s Blues | Perfect | 1935 | 10" | B.D stands for Bull Dyke or Bull Dagger | 1:27:33 (Pop-up) | ||
Bruz Fletcher | Lei From Hawaii | Liberty Music Shop | 1934 | 10" | 1:30:56 (Pop-up) | |||
Rae Bourbon | Gigolo | Liberty Music Shop | 1936 | 10" | 1:33:38 (Pop-up) | |||
John Ryan and Orchestra | I Wish I Were a Fairy | Varsity | 1940 | 10" | 1:36:09 (Pop-up) | |||
Nan Blakstone | A Lady’s a Lady No Matter What Cooks | Gala | 1945 | 10" | 1:39:21 (Pop-up) | |||
Charley Drew | Lord Stuffit and Lord Stickit | Charley Drew and His Witty Ditties | Gala | 1945 | 10" | 1:41:50 (Pop-up) | ||
The Don Carper Quintette, vocal by the Shed House Boys | What Color Are Pansies (Whoo, Whoo Whoo) | A-Mus-Ing Records | 1940 | 10" | 1:44:44 (Pop-up) | |||
Ruth Wallis | Queer Things (are Happening) | French Postcards Set To Music | Wallis Originals | 1952 | LP | 1:47:15 (Pop-up) | ||
Bruz Fletcher | Keep an Eye On His Business | Liberty Music Shop | 1934 | 10" | 1:50:07 (Pop-up) | |||
Ruth Wallis | He’d Rather Be a Girl | Hot Songs For Cool Knights | Wallis Originals | 1956 | LP | 1:53:00 (Pop-up) | ||
Rae Bourbon | I Don’t Want To Be a Madam | Let Me Tell You About My Operation | Under the Counter | 1956 | LP | 1:56:12 (Pop-up) |
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