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Andrew Sandoval's Come To The Sunshine is the home of the bah bah bah's and the la la la's. Each week he ushers you into his record room for a two-hour tour of scintillating 1960's sounds by a stunning array of no-hit wonders. Hear beat, psych, folk-rock, garage, soft pop, baroque, singer-songwriters and so much more (mostly in MONO).
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Artist | Track | Album | Label | Year | Format | Images | Approx. start time |
---|---|---|---|---|---|---|---|
The Nicols | Delighted To See You | Philips (Holland) | 1968 | 45 | 0:00:00 (Pop-up) | ||
Teenagers | I Can Hear Them Play | Columbia (Sweden) | 1966 | 45 | 0:04:07 (Pop-up) | ||
J.J. Cale | After Midnight | Liberty | 1966 | 45 | 0:06:40 (Pop-up) | ||
Our Future Feelings | Dead Love's Fight | Platina (Sweden) | 1969 | 45 | 0:08:29 (Pop-up) | ||
The Seeds | Mr. Farmer (mono 45) | GNP Crescendo | 1966 | 45 | 0:11:01 (Pop-up) | ||
The Griffin | The World's Filled With Love | ABC | 1968 | 45 | 0:15:46 (Pop-up) | ||
Six Mile Chase | Never In A Month Of Sundays | Dot | 1968 | 45 | 0:18:45 (Pop-up) | ||
Sandy | All I Really Have Is A Memory | Our Phonograph Records? | 1967 | 45 | 0:21:01 (Pop-up) | ||
Summer Children | Everybody's Been Talkin' | Apt | 1965 | 45 | 0:23:10 (Pop-up) | ||
Bobby Jameson | Your Sweet Lovin' | Current | 1964 | 45 | 0:28:02 (Pop-up) | ||
The Applejacks | Like Dreamers Do | London | 1964 | 45 | 0:29:49 (Pop-up) | ||
The Lancastrians | Let's Lock The Door (And Throw Away The Key) | Pye (UK) | 1965 | 45 | 0:32:09 (Pop-up) | ||
The Roulettes | Can You Go | United Artists | 1964 | 45 | 0:34:33 (Pop-up) | ||
The Goodthings | I've Got Eyes For You | Condor | 1965 | 45 | 0:36:41 (Pop-up) | ||
The Shillings | Lying And Trying | Three Rivers | 1966 | 45 | 0:41:10 (Pop-up) | ||
The Sidekicks | Not Now | RCA Victor | 1966 | 45 | 0:43:25 (Pop-up) | ||
The Purple Gang | Bring Your Own Self Down | MGM | 1966 | 45 | 0:46:09 (Pop-up) | ||
The Waphphle | Goin' Down | Elektra | 1967 | 45 | 0:48:46 (Pop-up) | ||
The Third Booth | I Need Love | Independence | 1968 | 45 | 0:50:22 (Pop-up) | ||
The Appletree Theatre | ...in the beginning... | Playback (mono) | 0:55:45 (Pop-up) | ||||
The Appletree Theatre | Hightower Square (mono LP mix) | Playback (mono) | Verve Forecast | 1968 | LP | 1:02:04 (Pop-up) | |
The Appletree Theatre | Lullaby | Playback (mono) | Verve Forecast | 1968 | LP | 1:02:53 (Pop-up) | |
The Appletree Theatre | Saturday Morning | Playback (mono) | Verve Forecast | 1968 | LP | 1:03:34 (Pop-up) | |
The Appletree Theatre | Nevertheless It Was Italy | Playback (mono) | Verve Forecast | 1968 | LP | 1:04:15 (Pop-up) | |
The Appletree Theatre | I Wonder If Louise Is Home | Playback (mono) | Verve Forecast | 1968 | LP | 1:04:46 (Pop-up) | |
The Appletree Theatre | E-Train (The Jello Song) | Playback (mono) | Verve Forecast | 1968 | LP | 1:05:21 (Pop-up) | |
The Appletree Theatre | Meanwhile | Playback (mono) | Verve Forecast | 1968 | LP | 1:05:51 (Pop-up) | |
The Appletree Theatre | Brother Speed | Playback (mono) | Verve Forecast | 1968 | LP | 1:06:20 (Pop-up) | |
The Appletree Theatre | You're The Biggest Thing In My Life | Playback (mono) | Verve Forecast | 1968 | LP | 1:08:39 (Pop-up) | |
The Appletree Theatre | Don't Blame It On Your Wife | Playback (mono) | Verve Forecast | 1968 | LP | 1:12:27 (Pop-up) | |
The Appletree Theatre | Barefoot Boy | Playback (mono) | Verve Forecast | 1968 | LP | 1:15:03 (Pop-up) | |
The Appletree Theatre | What A Way To Go | Playback (mono) | Verve Forecast | 1968 | LP | 1:18:20 (Pop-up) | |
Rick Nelson | Suzanne On Sunday Morning | Decca | 1967 | 45 | 1:21:57 (Pop-up) | ||
Gary Lewis | Look, Here Comes The Sun (Mono) | Listen | Liberty | 1967 | LP | 1:23:32 (Pop-up) | |
Rick Nelson | Dream Weaver | Decca | 1967 | 45 | 1:26:06 (Pop-up) | ||
The Appletree Theatre | Who Do You Think I Am | Verve Forecast | 1967 | 45 | 1:28:54 (Pop-up) | ||
The Epic Splendor | She's High On Life | The Hot Biscuit Disc Company | 1968 | 45 | 1:33:00 (Pop-up) | ||
Rick Nelson | The Lady Stayed With Me | Perspective | Decca | 1968 | LP | 1:35:50 (Pop-up) | |
The Epic Splendor | Cowboys And Indians | The Hot Biscuit Disc Company | 1967 | 45 | 1:37:56 (Pop-up) | ||
Gary Lewis | Bring The Whole Family | Listen | Liberty | 1967 | LP | 1:40:50 (Pop-up) | |
Bear | Greetings | Verve Forecast | 1968 | 45 | 1:44:39 (Pop-up) | ||
The Association | Goodbye Columbus | Warner Bros. | 1969 | 45 | 1:47:20 (Pop-up) | ||
The Epic Splendor | It Could Be Wonderful | The Hot Biscuit Disc Company | 1968 | 45 | 1:49:17 (Pop-up) | ||
The Dillards | Brother John | Copperfields | Elektra | 1970 | LP | 1:52:42 (Pop-up) | |
The Baronets | Here Comes The Sun | Sonet | 1968 | 45 | 1:55:26 (Pop-up) | ||
Rick Nelson | Promenade In Green | Another Side Of Rick | Decca | 1967 | LP | 1:58:12 (Pop-up) |
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Listener comments!
AngieBeachBaby:
uptown jen:
cometothesunshine:
mce1965:
cometothesunshine:
sw2442:
cometothesunshine:
Beantown Doug:
dreamer:
cometothesunshine:
cometothesunshine:
sw2442:
Beantown Doug:
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AngieBeachBaby:
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Sweet Corn Lizzie:
myron feld:
Steve Anderson:
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Beantown Doug:
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Steve Anderson:
Natalie:
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Natalie:
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Natalie:
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Beantown Doug:
Amy Linton:
cometothesunshine:
cometothesunshine:
sw2442:
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Amy Linton:
Beantown Doug:
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Gaylord Fields:
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Gaylord Fields:
Glynis GirlGroupGirl:
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Gaylord Fields:
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Glynis GirlGroupGirl:
Gaylord Fields:
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Beantown Doug:
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Glynis GirlGroupGirl:
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Beantown Doug:
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Amy Linton:
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Amy Linton:
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Woof:
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tbird:
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Woof:
tbird:
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tbird:
tbird:
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tbird:
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tbird:
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tbird:
Beantown Doug:
Marc Francis:
cometothesunshine:
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sw2442:
Santos L Halper:
Woof:
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Olivia Greene:
look forward to listening to the archived entirety.
cometothesunshine:
mce1965:
cometothesunshine:
cometothesunshine:
cometothesunshine:
Amy Linton:
Rao:
Brian in UK:
Bought Playback around 69/70 over here. It still stands the test of time.
I think that the first trick was to get jazz musicians playing so the music is tight.
Then John Boylan already an embryo engineer/producer who loved playing with flanging/phasing and other studio techniques.
Then top notch songs from both the brothers & some playful ideas.
I did get to heat Boona's album some years later & the eventual followup. His record label called Spinnaker seemed appropriately named.
You mention at 7.45 a musician. I am guessing that it might be Pat Campbell-Lyons. Loved their early albums, bought the Pentecost Hotel single around Oct '68.
Ah well back to reality, love what you do.