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Hex Reduction Hour.
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Artist | Track | Album | Label | Year | Format | Approx. start time | ||||
---|---|---|---|---|---|---|---|---|---|---|
Fehlfarben | Ein Jahr (Es geht voran) | 12" | Welt-Rekord | 1982 | 0:00:00 (Pop-up) | |||||
Spherical Objects | Elliptical Optimism | Past and Parcel/Elliptical Optimism | Boutique | 2008 | 0:02:13 (Pop-up) | |||||
Pitch | What Am I Gonna Do for Fun | 12" | On/Off Records | 1982 | 0:05:34 (Pop-up) | |||||
Joachim Witt | Strenges Mädchen | Edelweiss | WEA | 1982 | 0:10:03 (Pop-up) | |||||
Normil Hawaiians | Obedience | Gala Failed | Red Rhino Records | 1981 | 0:15:12 (Pop-up) | |||||
Joy Division | Sound of Music | Peel Session | 1979 | 0:18:05 (Pop-up) | ||||||
Alan Vega and the Revolutionary Corps of Teenage Jesus | American | Nouvelle Vague: Pocket Radiodrops Volume One | Creeping Bent | 2002 | 0:22:21 (Pop-up) | |||||
Else Nabu | Angst on 33 | Else Nabu | Pool | 1982 | 0:26:31 (Pop-up) | |||||
Trisomie 21 | Breaking Down | The First Songs Vol. II- Le Repos Des Enfants Heureux | LD Records | 1988 | 0:34:56 (Pop-up) | |||||
Subject | Be Careful! | An Introduction to the World of Alain Neffe | STROOM | 2016 | 0:38:17 (Pop-up) | |||||
The System | Find it in Your Eyes | The System EP | Music from Memory | 2016 | 0:40:25 (Pop-up) | |||||
OTO | Anyway | Les Disques Du Soleil Et De L’Acier | 1984 | 0:44:37 (Pop-up) | ||||||
M.S.L. | Enterprise | Periphery | Les Yeux Orange | 2019 | 0:49:12 (Pop-up) | |||||
Mall Grab | I've Always Liked Grime | 0:54:01 (Pop-up) | ||||||||
Vanessa Worm | Satisfaction | 1:00:42 (Pop-up) | ||||||||
Powder | Alien | Spray | Born Free Records | 2015 | 1:06:38 (Pop-up) | |||||
TNT Roots | Africa Science | Raw Dub Creator | Bokeh Versions | 2020 | 1:12:30 (Pop-up) | |||||
Frank Bretschneider | The October Game | Rythm | Raster-Noton | 2007 | 1:15:46 (Pop-up) | |||||
The Dreams | Sick Palms Dub | Morbido | Kill Shaman | 2011 | 1:22:11 (Pop-up) | |||||
Abwärts | Für Mutti | Roboter In Der Nacht 7" | Zickzack Platten | 1981 | 1:24:41 (Pop-up) | |||||
Nina Harker | L’affreuse | Nina Harker | Le Syndicat des Scorpions | 2016 | 1:30:03 (Pop-up) | |||||
Cosa Rosa | Traumstation | Traumstation | CBS | 1983 | 1:34:39 (Pop-up) | |||||
The Eurythmics | Love is a Stranger | Sweet Dreams (Are Made Of This) | RCA | 1983 | 1:38:19 (Pop-up) | |||||
Splash | Tommi Ging Zum Film | Wahnsinn, Wahnsinn – Ich Heb Ab / Tommi Ging Zum Film | EMI | 1983 | 1:41:56 (Pop-up) | |||||
Can | E.F.S. 108 | The Lost Tapes | Spoon Records | 2012 | 1:46:09 (Pop-up) | |||||
Haimat | Wieder Ja! | Heimat | Teenage Menopause Records | 2016 | 1:48:01 (Pop-up) | |||||
Hans Hass | Welche Farbe Hat Der Wind | Kaufen Sie Blumen | UA | 1974 | 1:53:43 (Pop-up) | |||||
Colin Newman | We Means We Starts | 7" | 4AD | 1982 | 2:01:51 (Pop-up) | |||||
Bedhead | Sickbreaker | Sickbreaker | 2012 | 2:04:44 (Pop-up) | ||||||
My Bloody Valentine | Drive it All Over Me | You Made Me Realize | Creation Records | 1988 | 2:08:38 (Pop-up) | |||||
Dean Blunt | 100 | Black Metal | Rough Trade | 2014 | 2:11:26 (Pop-up) | |||||
The Icicle Works | Birds Fly (Whisper to a Scream) | The Icicle Works | Beggar's Banquet | 2:14:44 (Pop-up) | ||||||
Red House Painters | Mistress | Red House Painters | 4AD | 1992 | 2:18:25 (Pop-up) | |||||
Galaxie 500 | Spook | This is Our Music | Rough Trade | 1990 | 2:22:21 (Pop-up) | |||||
Tommy Roe | Baby, I Love You | Tommy Roe's Greatest Hits | Gusto Records | 1981 | 2:26:56 (Pop-up) | |||||
Malör | Bali | Malor | Terz | 1985 | 2:32:59 (Pop-up) | |||||
Los Cassettis | Paris | Los Cassettis | Baff | 10" | 2:36:52 (Pop-up) | |||||
May East | Maraka | Remota Batucada | EMI | 1985 | 2:41:07 (Pop-up) | |||||
Die Doraus & Die Marinas | Fred vom Jupiter | 7" | Ata Tak | 1981 | 2:45:19 (Pop-up) | |||||
Mekanik Kommando | Dress Grey | It Would Be Quiet In The Woods If Only A Few Birds Sing | Torso | 1981 | 2:47:54 (Pop-up) | |||||
Claudine Chirac | Nautilus | 7" | Bambi Productions | 1983 | 2:50:28 (Pop-up) | |||||
Liquid Canoe | Ant Parade | 2:54:37 (Pop-up) |
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Listener comments!
Guillermo from Barcelona:
B Wad:
Emily L:
Guillermo from Barcelona:
irmakoski:
Aitch:
Emily L:
egould310:
And then I hear a song and it’s growing on me, and then I’m like, “Damn this is a good song.” And I check the playlist and it’s Joy Division.
Emily L:
B/wad:
chaos_in_la_la:
Guillermo from Barcelona:
chaos_in_la_la:
This set feels like a continuation of that. What is there not to love?
Emily L:
chaos_in_la_la:
Emily L:
egould310:
chaos_in_la_la:
chaos_in_la_la:
Emily L:
B/wad:
chaos_in_la_la:
B/wad:
nematomorpha:
Emily L:
chaos_in_la_la:
Much like this set of music!
Hugo (NL):
chaos_in_la_la:
@Hugo is something weird happening in Belarus tonite?
Hugo (NL):
chaos_in_la_la:
chaos_in_la_la:
There weren't many roles available for him, but drugs coloured Tommi's film.
"A film's a film," thought Tommi, "why not shoot some porn every now and then?"
His body was his asset; his face wasn't shown.
Hollywood, how far away it is! And Tommi crawled from bed to bed.
Tommi then became a film actor.
chaos_in_la_la:
chaos_in_la_la:
nematomorpha:
oh fred
Emily L:
Barnaby:
chaos_in_la_la: