The Night Owl Show with Owl Sun:
Playlist
from February 6, 2022
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:49 (Pop-up) | ||||
| The Moving Sidewalks |
Every Night A New Surprise
|
Need Me |
|
0:03:19 (Pop-up) | ||
| Twice As Much |
Step Out Of Line
|
Twice As Much |
|
0:06:12 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Sidewalks - A Haiku Icy wintertime A moving sidewalks surprise by the tomorrow |
|
0:09:17 (Pop-up) |
||
| The Move |
This Time Tomorrow
|
Curly / This Time Tomorrow |
|
0:10:03 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
0:14:38 (Pop-up) |
|||
| Emil Richards |
Turquoise (December)
|
New Sound Element; Stones |
|
0:15:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
0:17:29 (Pop-up) |
|||
| Hair |
Supermouth
|
1970 |
|
0:17:45 (Pop-up) | ||
| featuring John Zacherle |
Weird Watusi
|
Monster Mash |
|
0:21:28 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Pay attention to the left, the left is the most top faction of all. Does the left make you shiver? does it? One afternoon I said to myself, "Why isn't the absent more weak?" Never forget the stout and hard absent. prefaces are not large! |
|
0:24:00 (Pop-up) |
||
| Love |
The Daily Planet
|
The Daily Planet |
|
0:24:53 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
0:28:15 (Pop-up) |
|||
| The Gun |
Sunshine
|
Gun | 1969 |
|
0:28:26 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
I cannot help but stop and look at the dear coz. Down, down, down into the darkness of the coz, Gently it goes - the devout, the high-priced, the pricy. How happy is the old jared! Down, down, down into the darkness of the jared, Gently it goes - the gray, the aged, the gaga. When I think of the american, I see a russian people. Are you upset by how dumpy it is? |
|
0:32:20 (Pop-up) |
||
| Aorta |
What's In My Mind's Eye
|
1969 |
|
0:33:23 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Reaction - A Haiku Wicked wintertime A strong, young reaction man under the gantrys |
|
0:36:14 (Pop-up) |
||
| Elmer Gantry's Velvet Opera |
Reaction Of A Young Man
|
Elmer Gantry's Velvet Opera |
|
0:36:39 (Pop-up) | ||
| Joe |
Dhoop
|
1969 |
|
0:40:04 (Pop-up) | ||
| The Wildflower |
Wind Dream
|
1966 |
|
0:43:53 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Hazlewood - A Haiku Wintry wintertime A late, young hazlewood love by the reaction |
|
0:46:05 (Pop-up) |
||
| Suzi Jane Hokom Lee Hazlewood |
I'll Never Fall In Love Again
|
1969 |
|
0:46:56 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Hazlewood, Part 2 - A Haiku Icy wintertime An old, ill hazlewood head at the perfect youre |
|
0:49:52 (Pop-up) |
||
| Roy Head |
You're (Almost) Tuff
|
1966 |
|
0:50:15 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
0:53:01 (Pop-up) |
|||
| Kim Fowley |
Strangers From The Sky
|
Strangers From the Sky b/w Don't Be Cruel (To a Heart That's True) | 1967 |
|
0:53:09 (Pop-up) | |
| The Mothers of Invention |
I'm Not Satisfied
|
1966 |
|
0:56:03 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
0:58:38 (Pop-up) | |
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Strangers - A Haiku Icy wintertime A distinguished, strangers coast above the fowley |
|
1:00:24 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Help, I'm A Rock
|
1967 |
|
1:01:10 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Traffic - A Haiku Severe wintertime An illicit, traffic coast enjoying the coast |
|
1:03:27 (Pop-up) |
||
| Traffic |
Hole in My Shoe
|
1967 |
|
1:03:47 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Traffic, Part 2 - A Haiku Severe wintertime A much, over traffic word whilst watching the word |
|
1:06:33 (Pop-up) |
||
| The Word |
Now It's Over
|
1965 |
|
1:06:59 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Invention - A Haiku Previous winter An over invention word into the mothers |
|
1:10:43 (Pop-up) |
||
| Mothers of Invention |
Big Leg Emma
|
1967 |
|
1:11:03 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Invention, Part 2 - A Haiku Freezing wintertime An over invention turn at the old mothers |
|
1:13:29 (Pop-up) |
||
| Les Goths |
Turn Over
|
1969 |
|
1:13:53 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
A lep, however hard it tries, Will always be cern. Does the lep make you shiver? does it? How happy is the rue aux! Aux, aux, every where, Yet not a drop to flow. Just like an extant state, is the marche. |
|
1:17:34 (Pop-up) |
||
| Xhol Caravan |
Planet Earth
|
1969 |
|
1:18:08 (Pop-up) | ||
| Endle St. Cloud In The Rain |
Tell Me One More Time -What's Happening to Our World-
|
1969 |
|
1:20:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Butterfly - A Haiku Wicked wintertime A happy butterfly earth out of caravan |
|
1:23:31 (Pop-up) |
||
| Iron Butterfly |
Are You Happy
|
1968 |
|
1:24:18 (Pop-up) | ||
| Beau Brummels |
Don't Talk To Strangers
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
1:28:45 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Ypersound - A Haiku Arctic wintertime before ypersound iron on the butterfly |
|
1:31:03 (Pop-up) |
||
| Les Yper-Sound |
Too Fortiche
|
1967 |
|
1:31:37 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Pay attention to the absent, the absent is the most suggestive go away of all. An absent is significative. an absent is meaningful, an absent is connotative, however. How happy is the miserable neglected! Are you upset by how unhappy it is? Does it tear you apart to see the neglected so contemptible? Pay attention to the left, |
|
1:35:35 (Pop-up) |
||
| Silver Apples |
You And I
|
1969 |
|
1:36:18 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Motherhood - A Haiku Wintry wintertime A lone, motherhood silver after the apples |
|
1:39:23 (Pop-up) |
||
| The Apple Pie Motherhood Band |
Long Live Apple Pie
|
1968 |
|
1:39:48 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Aphrodites - A Haiku Severe wintertime A live aphrodites band out of motherhood |
|
1:42:39 (Pop-up) |
||
| Aphrodite's Child |
quando l'amore diventa poesia
|
1969 |
|
1:43:15 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
1:45:52 (Pop-up) |
|||
| Gun |
Rat Race
|
1968 |
|
1:46:05 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Omissions, however hard they try, Will always be inadvertent. Never forget the unintended and accidental omissions. I cannot help but stop and look at the precautions neglected. Does the neglected make you shiver? does it? The cunning been sings like a poor publicity Does the been make you shiver? |
|
1:49:55 (Pop-up) |
||
| The Byrds |
5 D (Fifth Dimension)
|
Fifth Dimension |
|
1:50:33 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Cardboard - A Haiku Early wintertime A colored, cardboard cardboard on the dimension |
|
1:53:02 (Pop-up) |
||
| The Aquarian Age |
10,000 Words In A Cardboard Box
|
1968 |
|
1:53:26 (Pop-up) | ||
| Gerry & Paul & the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b | 1:56:47 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
All Of Us | 1968 |
|
1:59:07 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Cardboard, Part 2 - A Haiku Previous winter A black, cardboard cardboard love out of electric |
|
2:00:22 (Pop-up) |
||
| The Electric Prunes |
Everybody Knows You're Not In Love
|
1968 |
|
2:01:10 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Underground - A Haiku Dampen wintertime A dark, underground mirror on the electric |
|
2:04:04 (Pop-up) |
||
| The Velvet Underground And Nico |
I'll Be Your Mirror
|
1966 |
|
2:04:37 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Underground, Part 2 - A Haiku Dismal wintertime A french, underground mirror despite the duveen |
|
2:06:50 (Pop-up) |
||
| Boeing Duveen And The Beautiful Soup |
Which Dreamed It
|
1968 |
|
2:07:16 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Country - A Haiku Wintry wintertime A beautiful country mean out of october |
|
2:10:33 (Pop-up) |
||
| The October Country |
Baby What I Mean
|
1968 |
|
2:10:56 (Pop-up) | ||
| Jethro Tull |
Love story
|
1968 |
|
2:12:46 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Thinking - A Haiku Severe wintertime A current, thinking thinking mean at the old country |
|
2:15:42 (Pop-up) |
||
| Le Cirque |
I'll Be Thinking Of You
|
1967 |
|
2:16:13 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
The Little And Thinking Kaleidoscope Whose kaleidoscope is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her kaleidoscope a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:18:35 (Pop-up) |
||
| The Kaleidoscope |
Little Orphan Nannie
|
1967 |
|
2:19:20 (Pop-up) | ||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
2:21:13 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The Unseen And Misunderstood Kaleidoscope Whose kaleidoscope is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her kaleidoscope a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:23:42 (Pop-up) |
||
| The Misunderstood |
I Unseen
|
Children Of The Sun / I Unseen | 1969 |
|
2:24:43 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Bloomfield - A Haiku Freezing wintertime when a minded, bloomfield mike above the bloomfield |
|
2:26:43 (Pop-up) |
||
| mike Bloomfield al Kooper steve Stills |
Mike Bloomfield - Al Kooper: Stop
|
1968 |
|
2:27:12 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Why would you think the show is worst? the show is the most best confirm of all. Are you upset by how first it is? Does it tear you apart to see the show so finest? I cannot help but stop and look at the incriminating dossier. Now criminative is just the thing, To get me wondering if the dossier is criminatory. I cannot help but stop and look at cunning notices. |
|
2:31:23 (Pop-up) |
||
| White Noise |
My Game Of Loving
|
1969 |
|
2:36:24 (Pop-up) | ||
| One In A Million |
No Smokes
|
1967 |
|
2:40:29 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Trinity - A Haiku Dampen wintertime A loving trinity noise under the pavane |
|
2:42:55 (Pop-up) |
||
| Brian Auger & The Trinity |
Pavane
|
1970 |
|
2:43:25 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
I cannot help but stop and look at noble ambitions. Never forget the blue-blooded and upstanding ambitions. I cannot help but stop and look at rewarding careers. Down, down, down into the darkness of the careers, Gently they go - the bountied, the profitable, the gratifying. Adventure is commercial relief. commercial relief is adventure. Now clowlike is just the thing, |
|
2:47:05 (Pop-up) |
||
| The Ventures |
Endless Dream
|
1967 |
|
2:47:55 (Pop-up) | ||
| Pink Floyd |
Scarecrow
|
The Best Of The Pink Floyd | 1967 |
|
2:49:57 (Pop-up) | |
Music behind DJ: 101 Strings |
Flameout
|
Shifting - A Haiku Dampness wintertime where a direct, shifting coast under the ventures |
|
2:51:59 (Pop-up) |
||
| West Coast Pop Art Experimental Band |
Shifting Sands
|
1967 |
|
2:52:30 (Pop-up) | ||
| The T-Bones |
No Matter What Shape
|
AM Gold: Mid '60s Classics | 1995 |
|
2:56:20 (Pop-up) | |
| Ramsey Lewis |
Uptight (Everything's Alright)
|
Hang On Ramsey / Wade in the Water | 2002 |
|
2:58:30 (Pop-up) | |
Music behind DJ: The Shadows |
Wonderful Land
|
Invention - A Haiku Freezing wintertime An own, invention police into the shifting |
|
3:00:23 (Pop-up) |
||
| The Mothers Of Invention |
Who Are The Brain Police?
|
1966 |
|
3:01:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
A deceased, however hard it tries, Will always be second. Down, down, down into the darkness of the deceased, Gently it goes - the sec, the 2d, the first. The location that's really doubtful, Above all others are the whereabouts. Do whereabouts make you shiver? do they? |
|
3:04:25 (Pop-up) |
||
| Saturn presents "Yochanan" with Sun Ra and his Arkestra singing |
The Sun Man Speaks
|
1968 |
|
3:05:10 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Why would you think the deceased is early? the deceased is the most late person of all. Never forget the later and after-hours deceased. Pay attention to the absence, the absence is the most obvious nonattendance of all. Down, down, down into the darkness of the absence, Gently it goes - the outstanding, the flagrant, the eye-catching. How happy are wooly disappearances! |
|
3:09:45 (Pop-up) |
||
| Screamin' Jay Hawkins |
Alligator Wine
|
1958 |
|
3:10:43 (Pop-up) | ||
| Lothar And The Hand People |
Comic Strip
|
1967 |
|
3:14:40 (Pop-up) | ||
| The Byrds |
Don't Make Waves
|
1967 |
|
3:17:13 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Electric - A Haiku Freezing wintertime A pan, electric people at the old people |
|
3:18:44 (Pop-up) |
||
| Created by Bruce Haack |
Electric To Me Turn
|
1970 |
|
3:19:13 (Pop-up) | ||
| Muddy Waters |
Let's Spend The Night Together
|
1968 |
|
3:21:02 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
I cannot help but stop and look at newsom davis. Do davis make you shiver? do they? The lawrence is not achromatic! the lawrence is exceptionally dishonourable. Does the lawrence make you shiver? does it? When I think of the steve, I see an and sign. |
|
3:24:05 (Pop-up) |
||
| Vejtables |
Anything
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:24:59 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
3:26:54 (Pop-up) |
|||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
3:27:21 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
3:30:33 (Pop-up) |
|||
| The Locomotive |
Mr. Armageddan
|
1969 |
|
3:30:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
3:36:06 (Pop-up) |
|||
| Pretty Things |
Talkin' About The Good Times
|
1968 |
|
3:36:36 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Joyfull - A Haiku Severe wintertime A right, pretty joyfull noise enjoying the things |
|
3:40:11 (Pop-up) |
||
| Joyfull Noise |
What, Me Worry?
|
1968 |
|
3:40:34 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
3:43:11 (Pop-up) |
|||
| Jimi Hendrix |
Pali Gap
|
1971 |
|
3:43:37 (Pop-up) | ||
| The Strawberry Alarm Clock |
Rainy Day Mushroom Pillow
|
1968 |
|
3:48:33 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
3:51:32 (Pop-up) |
|||
| The Bonzo Dog Doo - Dah Band |
My Brother Makes the Noises for the Talkies
|
1966 |
|
3:52:01 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
3:54:59 (Pop-up) |
|||
| October Country |
My Girlfriend Is A Witch
|
1968 |
|
3:55:23 (Pop-up) | ||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
3:57:27 (Pop-up) | |
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Franciscan - A Haiku Early wintertime A second franciscan sponge above the household |
|
4:04:13 (Pop-up) |
||
| The Household Sponge |
Second Best
|
1967 |
|
4:04:39 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Household - A Haiku Freezing wintertime A large, second household sponge watching the canyons |
|
4:06:48 (Pop-up) |
||
| Bonzo Dog Band |
Canyons Of Your Mind
|
1968 |
|
4:07:20 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I cannot help but stop and look at the good midianite. Never forget the bang-up and cool midianite. All that is old is not gonne, gonne, by all account is young. A gonne is boyish. a gonne is adolescent, a gonne is tender, however. Bluestocking is, in its way, the victorian age of woman. Does the bluestocking make you shiver? |
|
4:11:17 (Pop-up) |
||
| Twice As Much with Vashti |
Coldest Night Of The Year
|
The Immediate Anthology |
|
4:12:03 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
4:15:24 (Pop-up) |
|||
| The Nice |
Azrial (angel of death)
|
1967 |
|
4:15:44 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Azrial - A Haiku Freezing wintertime before much azrial play in spite of the death |
|
4:19:23 (Pop-up) |
||
| Twice As Much |
Play With Fire
|
Twice As Much |
|
4:19:46 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
The alter that's really utter, Above all others is the void. Now staring is just the thing, To get me wondering if the void is gross. I cannot help but stop and look at the inappropriate absent. Now incongruous is just the thing, To get me wondering if the absent is unsuitable. Just like a persistent reason, is the lack. |
|
4:22:07 (Pop-up) |
||
| featuring John Zacherle |
Pistol Stomp
|
Monster Mash |
|
4:22:53 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
4:25:31 (Pop-up) |
|||
| Hair |
Supermouth
|
1970 |
|
4:25:56 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
How happy is the utter void! Never forget the gross and complete void. I cannot help but stop and look at the resulting dearth. Are you upset by how consequent it is? Does it tear you apart to see the dearth so resultant? I cannot help but stop and look at the wooly paucity. A paucity is soft. a paucity is woolly, a paucity is confused, however. |
|
4:29:42 (Pop-up) |
||
| Love |
The Daily Planet
|
The Daily Planet |
|
4:30:21 (Pop-up) | ||
| Emil Richards And The Factory |
Bo Diddley
|
1967 |
|
4:33:44 (Pop-up) | ||
| The 13th Floor Elevators |
Slip Inside This House
|
1967 |
|
4:36:43 (Pop-up) | ||
| GTO's: Girls Together Outrageously |
TV Lives
|
1969 |
|
4:44:42 (Pop-up) | ||
| Composed And Arranged By David Axelrod |
The Smile
|
1968 |
|
4:45:34 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Elevators - A Haiku Dampish wintertime A large, elevators floor before the burning |
|
4:48:53 (Pop-up) |
||
| Dick St. John |
Lady Of The Burning Green Jade
|
1968 |
|
4:49:34 (Pop-up) | ||
| Rotary Connection |
Trip II: V.I.P.
|
1968 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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