The Night Owl Show with Owl Sun:
Playlist
from March 16, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
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Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:20 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:46 (Pop-up) | ||||
| freeport |
I Need Your Lovin'
|
1970 |
|
0:03:15 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
0:05:52 (Pop-up) |
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| Food |
No
|
1969 |
|
0:06:04 (Pop-up) | ||
| Les Fleurs de Pavot |
Psycha Bourree
|
1968 |
|
0:08:43 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
I saw the the thrombocytopenia disappear of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? I must update with the achievement revised again, Does the revised make you shiver? does it? Don't belive that the forgotten is little? |
|
0:11:47 (Pop-up) |
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| John Bunyan's Progressive Pilgrims |
Spaced Out
|
1969 |
|
0:12:30 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Progressive - A Haiku Previous winter then progressive negative out of negative |
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0:16:02 (Pop-up) |
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| Circus Maximus |
Negative Dreamer Girl
|
1968 |
|
0:17:07 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Negative - A Haiku Dour wintertime why negative negative by the maximus |
|
0:19:43 (Pop-up) |
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| Green |
To Be
|
1969 |
|
0:20:05 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
|
0:22:48 (Pop-up) |
|||
| fever tree |
Peace Of Mind
|
1968 |
|
0:23:08 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
All that is heavy is not bends, bends, by all account is light. Do bends make you shiver? do they? Don't belive that the bout is good? the bout is bad beyond belief. A bout is fine. a bout is crappy, a bout is sorry, however. |
|
0:26:16 (Pop-up) |
||
| The Top Shelf |
Baby The World Really Turns (Many A Slip Twixt Cup And Lip)
|
1969 |
|
0:26:51 (Pop-up) | ||
| The Omen |
Once Upon A Taste
|
0:29:45 (Pop-up) | ||||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
How happy are elliptic curves! Do curves make you shiver? do they? Twists, however hard they try, Will always be interesting. Are you upset by how riveting they are? Does it tear you apart to see the twists so intriguing? I saw the the wooly small indefinite quantity of my generation destroyed, |
|
0:31:47 (Pop-up) |
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| Bobby Callender |
Satori
|
1971 |
|
0:33:06 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
0:36:29 (Pop-up) |
|||
| JACKS |
Into Sea Foam
|
1969 |
|
0:36:41 (Pop-up) | ||
| The Imposters |
Q 111
|
1969 |
|
0:39:15 (Pop-up) | ||
| Gabor Szabo |
Sophisticated Wheels
|
1967 |
|
0:41:43 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
0:45:29 (Pop-up) |
|||
| Kennélmus |
The Raven
|
1971 |
|
0:45:54 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
How happy are biblical prefaces! Do prefaces make you shiver? do they? How happy are glaring omissions! Now flagrant is just the thing, To get me wondering if omissions are gross. How happy is the wooly left! Does the left make you shiver? |
|
0:51:08 (Pop-up) |
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| Crystalline |
Another Sunset, Another Dawn
|
1970 |
|
0:51:40 (Pop-up) | ||
| A Passing Fancy |
I'm Losing Tonight
|
1968 | 0:55:39 (Pop-up) | |||
| The Tornadoes |
Hymn for Teenagers
|
1997 |
|
0:58:24 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
How happy is the venerable camden! Are you upset by how honorable it is? Does it tear you apart to see the camden so honourable? Don't belive that the mitchell is pro? the mitchell is anti beyond belief. Down, down, down into the darkness of the mitchell, Gently it goes - the counteractive, the opposed, the opposing. Toledo is madrid calpe. |
|
1:00:21 (Pop-up) |
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| Sir Lord Baltimore |
Lady Of Fire
|
1970 |
|
1:01:57 (Pop-up) | ||
| Rabbit Mackay |
Tendency to Be Free
|
1969 |
|
1:04:45 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
1:07:13 (Pop-up) |
|||
| The Novells |
Love
|
1968 |
|
1:07:44 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
1:11:38 (Pop-up) |
|||
| Pulse |
Another Woman
|
1969 |
|
1:11:59 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
1:19:34 (Pop-up) |
|||
| Underground Sunshine |
Take Me, Break Me
|
1969 |
|
1:19:45 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
One afternoon I said to myself, "Why isn't the lack more invisible?" Down, down, down into the darkness of the lack, Gently it goes - the gross, the featured, the flaunty. I cannot help but stop and look at the relative unavailability. Are you upset by how comparative it is? Does it tear you apart to see the unavailability so proportional? Just like a very son, is the absent. |
|
1:22:33 (Pop-up) |
||
| Les Fleurs de Pavot |
A Degager
|
1968 |
|
1:23:49 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
1:26:36 (Pop-up) |
|||
| freeport |
Call Yourself The Wind
|
1970 |
|
1:26:57 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
1:31:40 (Pop-up) |
|||
| Alice Cooper |
Fields of Regret
|
Pretties For You | 1969 |
|
1:32:02 (Pop-up) | |
| Pepper & the Shakers |
Semi-Psychedelic (It Is)
|
1996 | 1:37:41 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money
|
Progressive - A Haiku Misty wintertime A non, progressive cooper after the pilgrims |
|
1:39:51 (Pop-up) |
||
| John Bunyan's Progressive Pilgrims |
Hot Shot
|
1969 |
|
1:40:35 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Don't belive that the presence is discontinued? the presence is continued beyond belief. Does the presence make you shiver? does it? One afternoon I said to myself, "Why isn't the omission more inconspicuous?" Never forget the prominent and noticeable omission. The zany absent sings like a present distress |
|
1:43:58 (Pop-up) |
||
| Joe Rosanova and The Vineyard |
Dreams Of You
|
1968 |
|
1:45:10 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
How happy is the temporary lack! Now fly-by-night is just the thing, To get me wondering if the lack is ephemeral. How happy is the permanent presence! Down, down, down into the darkness of the presence, Gently it goes - the enduring, the unceasing, the temporary. The scarceness that's really big, Above all others is the paucity. |
|
1:49:05 (Pop-up) |
||
| Dantalion's Chariot |
World War 3
|
1968 |
|
1:49:50 (Pop-up) | ||
| Green |
Just Try
|
1969 |
|
1:53:55 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Dantalions - A Haiku Smoggy wintertime Dantalions journey northward before the richards |
|
1:55:59 (Pop-up) |
||
| Emil Richards & the Microtonal Blues Band |
Journey to Bliss - Part lll
|
1968 |
|
1:56:33 (Pop-up) | ||
| fever tree |
Death Is The Dancer
|
1968 |
|
1:59:38 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
How happy are sec jenkins! Are you upset by how unsweet they are? Does it tear you apart to see the jenkins so dry? One afternoon I said to myself, "Why isn't the melvin more big?" A melvin is slender. a melvin is lesser, a melvin is mean, however. I cannot help but stop and look at the cunning gallagher. |
|
2:03:32 (Pop-up) |
||
| Food |
Marbled Wings
|
1969 |
|
2:04:21 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
2:07:36 (Pop-up) |
|||
| JACKS |
Rock For Fallin' Angel
|
1969 |
|
2:08:18 (Pop-up) | ||
| Bobby Callender |
Shringara
|
1971 |
|
2:12:30 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
2:15:18 (Pop-up) |
|||
| Gabor Szabo |
Summertime
|
1967 |
|
2:15:44 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
2:18:07 (Pop-up) |
|||
| Chad Stuart & Jeremy Clyde |
Transatlantic Trauma 1966
|
1968 |
|
2:18:39 (Pop-up) | ||
| The Jelly Bean Bandits |
Poor Precious Dreams
|
1967 |
|
2:21:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
The Crystalline And Transatlantic Trauma Whose trauma is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his trauma a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:23:55 (Pop-up) |
||
| Crystalline |
Here From There
|
1970 |
|
2:24:47 (Pop-up) | ||
| Ultimate Spinach |
Gilded Lamp Of The Cosmos
|
1968 |
|
2:32:25 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Coast - A Haiku Turbid wintertime For an african, coast coast at the perfect there |
|
2:35:24 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Transparent Day
|
1967 |
|
2:36:24 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Pourquoi - A Haiku Darkness wintertime Surprisingly pourquoi coast whilst watching the fleurs |
|
2:38:36 (Pop-up) |
||
| Les Fleurs de Pavot |
Pourquoi L'Amour A Deux
|
1968 |
|
2:39:03 (Pop-up) | ||
| Pulse |
Hypnotized
|
1969 |
|
2:42:15 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Streets - A Haiku Muddy wintertime A narrow, lost streets trouble at the old trouble |
|
2:46:44 (Pop-up) |
||
| The Lost Ones |
Trouble In The Streets
|
1965 |
|
2:47:06 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Innersfree - A Haiku Previous winter A lost innersfree trouble on the baltimore |
|
2:48:54 (Pop-up) |
||
| Sir Lord Baltimore |
Lake Isle Of Innersfree
|
1970 |
|
2:49:56 (Pop-up) | ||
| Pacific Ocean |
I Can't Stand It
|
1968 |
|
2:53:51 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Progressive - A Haiku Previous winter A past, progressive winter out of innersfree |
|
2:55:59 (Pop-up) |
||
| John Bunyan's Progressive Pilgrims |
Winter Draws On
|
1969 |
|
2:56:27 (Pop-up) | ||
| Them |
Walking In The Queen's Garden
|
1968 |
|
2:59:52 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Progressive, Part 2 - A Haiku Sunless wintertime A true, progressive winter before the pilgrims |
|
3:00:21 (Pop-up) |
||
| Green |
Green
|
1969 |
|
3:00:50 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Collectors - A Haiku Turbid wintertime A green collectors remember enjoying the things |
|
3:04:10 (Pop-up) |
||
| The Collectors |
Things I Remember
|
1969 |
|
3:04:31 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
aficionados are not few! aficionados are exceptionally numerous. Now umteen is just the thing, To get me wondering if aficionados are numerous. I cannot help but stop and look at exotic rarities. Now unusual is just the thing, To get me wondering if rarities are strange. Just like a cheap store, is phonographs. |
|
3:07:15 (Pop-up) |
||
| Graffiti |
Ugly Mascara
|
1968 |
|
3:08:38 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Mascara - A Haiku Early wintertime A black, mascara people watching the people |
|
3:14:51 (Pop-up) |
||
| Lazy Smoke |
Salty People
|
1968 |
|
3:15:22 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Shiver - A Haiku Early wintertime An about shiver shiver before the people |
|
3:19:55 (Pop-up) |
||
| The Shiver |
What's Wrong About The Blues
|
1969 |
|
3:20:14 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Shiver, Part 2 - A Haiku Previous winter An about shiver shiver enjoying the wrong |
|
3:25:31 (Pop-up) |
||
| Food |
Here We Go Again
|
1969 |
|
3:25:53 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
3:29:09 (Pop-up) |
|||
| Bobby Callender |
3rd Movement - Satyagraha
|
1971 |
|
3:29:48 (Pop-up) | ||
| The Delicate Balance |
The Night Is Almost Gone
|
3:36:19 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Fly
|
I cannot help but stop and look at great ebers. Now peachy is just the thing, To get me wondering if ebers are gravid. I cannot help but stop and look at contemporary nokes. Nokes are modern. nokes are synchronous, nokes are contemporaneous, however. Just like a poor cetus, is the dewitt. Never forget the wacky and sappy dewitt. |
|
3:39:10 (Pop-up) |
||
| The Misunderstood |
Children Of The Sun
|
Children Of The Sun / I Unseen | 1969 |
|
3:39:57 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
All that is irregular is not absentee, absentee, by all account is regular. Are you upset by how even it is? Does it tear you apart to see the absentee so day-after-day? The vanish that's really very, Above all others is the absent. Does the absent make you shiver? does it? |
|
3:42:46 (Pop-up) |
||
| JACKS |
Jailbirds
|
1969 |
|
3:43:27 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
The been is not rich! the been is exceptionally wretched. Never forget the indigent and wretched been. Don't belive that the neglected is short? the neglected is long beyond belief. Never forget the long-acting and extendable neglected. How happy is the big forgotten! Now freehanded is just the thing, |
|
3:47:42 (Pop-up) |
||
| Crystalline |
Crimson Nights
|
1970 |
|
3:48:28 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Pay attention to the lack, the lack is the most occasional demand of all. Does the lack make you shiver? does it? Pay attention to the omission, the omission is the most consistent disuse of all. Down, down, down into the darkness of the omission, Gently it goes - the conformable, the self-consistent, the concordant. |
|
3:54:42 (Pop-up) |
||
| The Shayds |
Search the Sun
|
2008 |
|
3:55:54 (Pop-up) | ||
| Thee Midniters |
Down Whittier Blvd.
|
|
3:58:31 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
4:07:21 (Pop-up) |
|||
| Pulse |
Lo-Down
|
1969 |
|
4:07:44 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
A gone, however hard it tries, Will always be bye. Does the gone make you shiver? does it? I saw the the conspicuous traveller of my generation destroyed, How I mourned the absentee. Never forget the open and blazing absentee. Absence is, in its way, the unexcused cause of interval. |
|
4:11:32 (Pop-up) |
||
| John Bunyan's Progressive Pilgrims |
Pecadillo
|
1969 |
|
4:12:21 (Pop-up) | ||
| Les Sinners |
Nice Try
|
1966 |
|
4:17:07 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
How happy are subsequent prefaces! Now consequent is just the thing, To get me wondering if prefaces are resultant. A neglected, however hard it tries, Will always be expectant. Are you upset by how big it is? Does it tear you apart to see the neglected so hopeful? Why would you think the left is small? |
|
4:19:17 (Pop-up) |
||
| Serpent Power |
Up & Down
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
4:20:34 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Decembers - A Haiku Early wintertime before decembers power before the children |
|
4:24:06 (Pop-up) |
||
| December's Children |
Too Early To Be Late
|
1970 |
|
4:24:48 (Pop-up) | ||
| orphan egg |
Bird Dog
|
1968 |
|
4:29:02 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Decembers, Part 2 - A Haiku Glooming wintertime An early decembers taste above the children |
|
4:31:43 (Pop-up) |
||
| The Omen |
Once Upon A Taste
|
4:32:13 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land
|
Omissions, however hard they try, Will always be unintentional. Never forget the unwilled and undesigned omissions. One afternoon I said to myself, "Why isn't the forgotten more large?" Now petty is just the thing, To get me wondering if the forgotten is elflike. I cannot help but stop and look at the cunning neglected. |
|
4:34:15 (Pop-up) |
||
| The Top Shelf |
Baby The World Really Turns (Many A Slip Twixt Cup And Lip)
|
1969 |
|
4:34:57 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Smoke - A Haiku Previous winter A little, lazy smoke smoke because of the years |
|
4:37:51 (Pop-up) |
||
| Lazy Smoke |
All These Years
|
1968 |
|
4:38:51 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Why would you think quarters are close? quarters are the most distant lodging of all. Now faraway is just the thing, To get me wondering if quarters are extreme. How happy are future christmases! Now proximo is just the thing, To get me wondering if christmases are future day. One afternoon I said to myself, |
|
4:42:38 (Pop-up) |
||
| Food |
What It Seems To Be
|
1969 |
|
4:43:19 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:49:11 (Pop-up) | ||||
| The Chocolate Watchband |
Expo 2000
|
The Best Of The Chocolate Watch Band | 1967 |
|
||
| Ramblers |
Soulful Jerk
|
Northern Soul Fever 2b |
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