The Night Owl Show with Owl Sun:
Playlist
from June 12, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:17 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:42 (Pop-up) | ||||
| The Triangle |
Rolling Stone
|
1969 |
|
0:03:12 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Triangle - A Haiku Eternal springtime A black, triangle forest beyond the forest |
|
0:05:58 (Pop-up) |
||
| The Dirty Filthy Mud |
The Forest Of Black
|
1968 |
|
0:06:23 (Pop-up) | ||
| Cream |
Strange Brew
|
1967 |
|
0:09:22 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Electric - A Haiku Perpetual spring A steam, electric forest in spite of the prunes |
|
0:12:06 (Pop-up) |
||
| The Grammy Fones |
Now He's Here
|
1967 |
|
0:13:46 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Carpet - A Haiku Beautiful springtime A persian, carpet carpet before the grammy |
|
0:15:59 (Pop-up) |
||
| Eire Apparent |
Magic Carpet
|
1969 |
|
0:16:30 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Eclectic - A Haiku Perpetual spring A true, eclectic carpet in spite of the hounds |
|
0:19:17 (Pop-up) |
||
| The Eclectic Mouse |
Where Do The Hounds Go
|
1969 |
|
0:19:42 (Pop-up) | ||
| The Outcasts |
1523 Blair
|
1967 |
|
0:22:11 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
How happy is the beastly bounder! Down, down, down into the darkness of the bounder, Gently it goes - the brutish, the bestial, the unpleasant. Beasts, however hard they try, Will always be shaggy. Do beasts make you shiver? do they? zany hunters sings like a fur telling |
|
0:23:55 (Pop-up) |
||
| The Byrds |
Lady Friend
|
Lady Friend | 1967 |
|
0:24:44 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
0:27:11 (Pop-up) |
|||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:27:31 (Pop-up) | |
Music behind DJ: David Axelrod |
The Fly
|
Velvett - A Haiku Wickedness springtime A crimson, long velvett while in spite of the while |
|
0:33:35 (Pop-up) |
||
| Big Joe Long |
Just For A While
|
1966 |
|
0:33:58 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Opera - A Haiku Perpetual spring A chinese, long opera earth because of the earth |
|
0:37:24 (Pop-up) |
||
| Earth Opera |
To Care At All
|
1968 |
|
0:37:44 (Pop-up) | ||
| Aorta |
Sleep Tight
|
1969 |
|
0:41:13 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
0:45:57 (Pop-up) |
|||
| Whatt Four |
Dandelion Wine
|
1967 |
|
0:46:22 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
How happy is the strong presence! Are you upset by how broad it is? Does it tear you apart to see the presence so hobnailed? I cannot help but stop and look at the suggestive absent. Are you upset by how implicational it is? Does it tear you apart to see the absent so indicative? The inconvenience that's really wooly, Above all others is the unavailability. |
|
0:49:29 (Pop-up) |
||
| Bee Gees |
In my own time
|
1967 |
|
0:50:14 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Madd - A Haiku Eternal springtime How an used, raving madd own at the perfect gees |
|
0:52:25 (Pop-up) |
||
| The Raving Madd |
Boundaries
|
1967 |
|
0:53:07 (Pop-up) | ||
| The Liberty Bell |
Recognition
|
1969 |
|
0:55:44 (Pop-up) | ||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
0:58:25 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Exceptions - A Haiku Eternal springtime A raving exceptions see because of the madd |
|
1:00:16 (Pop-up) |
||
| The Exceptions |
As Far As I Can See
|
1966 |
|
1:00:52 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Exceptions, Part 2 - A Haiku Perpetual spring A rare, far exceptions see watching the mushrooms |
|
1:03:06 (Pop-up) |
||
| Bedlam Four |
Hydrogen Atom (Or Mushrooms Are In)
|
1967 |
|
1:03:40 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
A morel, however hard it tries, Will always be fresh. A morel is smart. a morel is unspoiled, a morel is wet, however. How happy is the poisonous fungus! Never forget the uneatable and malevolent fungus. Why would you think the fungi is large? the fungi is the most little kingdom of all. |
|
1:05:46 (Pop-up) |
||
| The Chambers Brothers |
Uptown
|
1967 |
|
1:06:41 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Brothers - A Haiku Darkening springtime A twin, uptown brothers flock beyond the uptown |
|
1:10:27 (Pop-up) |
||
| The Flock |
I Like You
|
1967 |
|
1:10:50 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Orange - A Haiku Perpetual spring A red, orange orange flock under the river |
|
1:13:03 (Pop-up) |
||
| mad river |
Orange Fire
|
1967 |
|
1:13:28 (Pop-up) | ||
| Bob Grimm |
Never Stays The Same
|
|
1:16:55 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address
|
Angels - A Haiku Early wet springtime A blessed, fallen angels room despite the orange |
|
1:19:56 (Pop-up) |
||
| The Fallen Angels |
Room At The Top
|
1967 |
|
1:20:21 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:22:56 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
American - A Haiku Eternal springtime A young, american band near the electric |
|
1:23:12 (Pop-up) |
||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
1:23:51 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I cannot help but stop and look at former simons. Do simons make you shiver? do they? Why would you think the tool is flat? the tool is the most sharp fairy swallow of all. Are you upset by how penetrative it is? Does it tear you apart to see the tool so incisive? Don't belive that the shaft is small? |
|
1:26:20 (Pop-up) |
||
| Bedpost Oracle |
The Break Of Dawn
|
1970 |
|
1:27:09 (Pop-up) | ||
| Layne Martine Jr. |
Surabian Lament
|
|
1:30:26 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at the wide escalator. Never forget the wide of the mark and nationwide escalator. Don't belive that footsteps are soft? footsteps are loud beyond belief. Footsteps are loud-mouthed. footsteps are loud-voiced, footsteps are tawdry, however. When I think of curbs, I see a legislative line. Are you upset by how lily-livered they are? |
|
1:32:05 (Pop-up) |
||
| The Moving Sidewalks |
I Want To Hold Your Hand
|
1968 |
|
1:33:00 (Pop-up) | ||
| Candy Store Prophets |
The Time Of Day
|
1966 |
|
1:36:13 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
One afternoon I said to myself, "Why aren't platforms more natural?" Do platforms make you shiver? do they? How happy are rutted roads! Are you upset by how rutty they are? Does it tear you apart to see the roads so furrowed? Crossings are daily lines. |
|
1:38:09 (Pop-up) |
||
| Hank Shifter |
Saturday Noontime
|
1967 |
|
1:39:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Noontime - A Haiku Perpetual spring A warm, outside noontime hank by the saturday |
|
1:41:47 (Pop-up) |
||
| The Dickens |
Inside - Outside
|
1968 |
|
1:42:11 (Pop-up) | ||
| The David |
Tell Me More
|
1968 |
|
1:44:36 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Cobblestones - A Haiku Eternal springtime An outside cobblestones down above the dickens |
|
1:47:03 (Pop-up) |
||
| The Cobblestones |
Down With It
|
1967 |
|
1:47:43 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
1:49:58 (Pop-up) |
|||
| Bobby Jameson |
See Dawn
|
1967 |
|
1:50:11 (Pop-up) | ||
| Montage |
Grand Pianist
|
1969 |
|
1:53:06 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Medicine - A Haiku Eternal dull spring before high medicine mike watching the jameson |
|
1:55:30 (Pop-up) |
||
| Medicine Mike |
I've Never Been (So High)
|
1969 |
|
1:56:04 (Pop-up) | ||
| Bobby Fuller And The Fanatics |
Our Favorite Martian
|
2018 | 1:58:50 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout
|
Northwest - A Haiku Eternal springtime A far, northwest northwest mike out of medicine |
|
2:00:16 (Pop-up) |
||
| The Northwest Company |
Hard To Cry
|
1967 |
|
2:01:00 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
The Hard And Northwest Northwest Whose northwest is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his northwest a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:03:20 (Pop-up) |
||
| Jeremy & The Satyrs |
In The World Of Glass Teardrops
|
1968 |
|
2:04:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Whose northwest is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his northwest a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:09:24 (Pop-up) |
||
| Jerry Corbitt |
Out Of The Question
|
1969 |
|
2:10:01 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
2:15:27 (Pop-up) |
|||
| The Myddle Class |
Who Does He Love
|
1967 |
|
2:15:37 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Connection - A Haiku Darkening springtime A working connection love watching the working |
|
2:17:37 (Pop-up) |
||
| Rotary Connection |
I Got My Mojo Working
|
1969 |
|
2:18:03 (Pop-up) | ||
| Les (Bel) Kanto |
A Kind Of Breakdown
|
1969 |
|
2:20:28 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Connection, Part 2 - A Haiku Threatening springtime A working connection turn above the answers |
|
2:23:20 (Pop-up) |
||
| The Answers |
Fool Turn Around
|
1965 |
|
2:23:51 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
An advice, however hard it tries, Will always be expert. An advice is skilful. an advice is proficient, an advice is practiced, however. One afternoon I said to myself, "Why isn't the address more unlogical?" Down, down, down into the darkness of the address, Gently it goes - the rational, the unlogical, the sensible. |
|
2:26:22 (Pop-up) |
||
| The What-Nots |
Morning
|
1966 |
|
2:27:07 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy is the mule jenny! Does the jenny make you shiver? does it? I cannot help but stop and look at the divine mysterium. Down, down, down into the darkness of the mysterium, Gently it goes - the godly, the superhuman, the inspired. When I think of the pelagia, I see poor orders. Down, down, down into the darkness of the pelagia, |
|
2:29:27 (Pop-up) |
||
| Noah's Ark |
Love In
|
1996 | 2:30:25 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces
|
Kaleidoscope - A Haiku Overcast springtime A whole, good kaleidoscope at the old fairies |
|
2:33:16 (Pop-up) |
||
| Peter Pan & The Good Fairies |
Kaleidoscope
|
1967 |
|
2:33:39 (Pop-up) | ||
| The Tingling Mother's Circus |
Act I: 90 Magic Wonders
|
1968 |
|
2:37:20 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Kaleidoscope, Part 2 - A Haiku Overcast springtime A vast, white kaleidoscope the litianies |
|
2:39:44 (Pop-up) |
||
| Ruth White |
The Litanies Of Satan (Les Litianies de Satan)
|
1969 |
|
2:40:15 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
The White And Frantic White Whose white is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his white a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:47:01 (Pop-up) |
||
| Frantic |
Baby
|
1970 |
|
2:47:58 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Whose white is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his white a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:51:05 (Pop-up) |
||
| Baldwin |
Beautiful Butterfly
|
1967 |
|
2:51:40 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Butterfly - A Haiku Perpetual spring A little, butterfly edge despite the baldwin |
|
2:53:55 (Pop-up) |
||
| Stoney & The Jagged Edge |
Can't Find The Key
|
1968 |
|
2:54:25 (Pop-up) | ||
| Ginger Baker's Air Force |
Let Me Ride
|
1970 |
|
3:00:37 (Pop-up) | ||
| Ron Elliott |
Molly In The Middle
|
1969 |
|
3:04:58 (Pop-up) | ||
| Don Norman and the Other Four |
Low Man
|
1966 |
|
3:09:02 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Weavers - A Haiku Overcast springtime A middle weavers answer by the elliott |
|
3:11:06 (Pop-up) |
||
| Family |
The Weavers Answer
|
1969 |
|
3:11:32 (Pop-up) | ||
| Captain Beefheart and His Magic Band |
Don't Start Me Talkin'
|
1966 |
|
3:17:26 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Mongrels - A Haiku Threatening springtime A such, good mongrels answer despite the weavers |
|
3:19:39 (Pop-up) |
||
| The Mongrels |
Good Good Man
|
1969 |
|
3:20:27 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Northwest - A Haiku Threatening springtime A great, northwest northwest get under the mongrels |
|
3:22:41 (Pop-up) |
||
| The Northwest Company |
Get Away From It All
|
1967 |
|
3:23:14 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Motherhood - A Haiku Overcast springtime A northwest motherhood free under the northwest |
|
3:26:00 (Pop-up) |
||
| The Motherhood |
I Feel Free
|
1969 |
|
3:26:20 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
One afternoon I said to myself, "Why isn't the leah more unsure?" Are you upset by how for sure it is? Does it tear you apart to see the leah so careful? I saw the the york city of my generation destroyed, How I mourned the houston. Does the houston make you shiver? does it? |
|
3:30:19 (Pop-up) |
||
| Washington Merry-Go-Round |
Got-Ta Got-Ta
|
1968 |
|
3:30:56 (Pop-up) | ||
| The Weird Street Carnival |
The Inner Truth
|
1968 |
|
3:33:36 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
3:35:40 (Pop-up) |
|||
| Justin Heathcliff |
You All Should Think More
|
1971 |
|
3:35:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
3:39:05 (Pop-up) |
|||
| Colors of Night |
C-O-L-O-R-S
|
1967 |
|
3:39:21 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
3:41:00 (Pop-up) |
|||
| Circus |
Wishing
|
1970 |
|
3:41:13 (Pop-up) | ||
| The Baroque Inevitable |
Sunny
|
1966 |
|
3:44:30 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
3:46:28 (Pop-up) |
|||
| Dragonfly |
Blue Monday
|
1968 |
|
3:46:45 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Dragonfly - A Haiku Threatening springtime A small, live dragonfly live at the old runnin |
|
3:49:46 (Pop-up) |
||
| Love Live Life + One |
Runnin' Free
|
1971 |
|
3:50:24 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Runnin - A Haiku Overcast springtime suddenly sweet runnin sight at the perfect sweet |
|
3:53:58 (Pop-up) |
||
| The Bit' A Sweet |
Out Of Sight, Out Of Mind
|
1967 |
|
3:54:30 (Pop-up) | ||
| The Shadows |
36-24-36
|
1996 |
|
3:57:02 (Pop-up) | ||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
3:58:38 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The eject that's really apparent, Above all others is the void. Never forget the obvious and ostensible void. The omission is not usual! the omission is exceptionally unique. Does the omission make you shiver? does it? Paucity is usual cause. |
|
4:03:18 (Pop-up) |
||
| Frantic |
Scitnarf
|
1970 |
|
4:04:02 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Scitnarf - A Haiku Eternal springtime A frantic scitnarf delight under the corbitt |
|
4:05:55 (Pop-up) |
||
| Jerry Corbitt |
Delight In Your Love
|
1969 |
|
4:06:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Corbitt - A Haiku Depressing springtime before sweet corbitt delight before the delight |
|
4:10:04 (Pop-up) |
||
| Ginger Baker's Air Force |
Sweet Wine
|
1970 |
|
4:10:24 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Accompaniment - A Haiku Threatening springtime when accompaniment ginger near the electric |
|
4:13:58 (Pop-up) |
||
| electric banana |
Vocal Version with Accompaniment: Street Girl
|
1968 |
|
4:14:23 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Accompaniment, Part 2 - A Haiku Perpetual spring before accompaniment edge watching the rainbows |
|
4:17:04 (Pop-up) |
||
| Stoney & The Jagged Edge |
Rainbows
|
1968 |
|
4:17:32 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Rainbows - A Haiku Overcast springtime A little, jagged rainbows speak because of the sweet |
|
4:22:39 (Pop-up) |
||
| Bit 'A Sweet |
Speak Softly
|
1968 |
|
4:23:04 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
4:28:05 (Pop-up) |
|||
| The Outcasts |
1523 Blair
|
1967 |
|
4:28:15 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
4:30:00 (Pop-up) |
|||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
4:30:14 (Pop-up) | |
| Family |
Hung Up Down
|
1969 |
|
4:36:17 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Institute - A Haiku Early dampness spring then institute institute near the national |
|
4:39:27 (Pop-up) |
||
| Captain Beefheart and His Magic Band |
The Sun Is Shining
|
1966 |
|
4:40:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Beefheart - A Haiku Threatening springtime A magic beefheart captain despite the captain |
|
4:43:35 (Pop-up) |
||
| UFO |
Star Storm
|
1995 | 4:43:59 (Pop-up) | |||
| The Motherhood |
Soul Town
|
1969 |
|
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