The Stork Club with Stork:
Playlist
from September 17, 2023
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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
Sunday
Noon - 3pm
(EDT)
|
On
WFMU's
Give the Drummer Radio
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September 17, 2023: Brother Jack McDuff Lays On; Perry Robinson Speaks Softly and Carries a Black Stick
Brother Jack McDuff from Champaign, Illinois a giant of the B-3 Hammond organ who started with Joe Farrell and Denny Zeitlin and nabbed a hot young George Benson for his first band; and New-York native clarinetist Perry Robinson, son of composer Earl, who played with Badal Roy, Jeanne Lee, Archie Shepp, and many others... a birthday twin-bill!
Listen to this show:
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| Artist | Track | Album | Comments | Images | Approx. start time |
|---|---|---|---|---|---|
| Brother Jack McDuff |
McDuff Speaking
|
Goodnight, It's Time To Go | Jack McDuff - organ • Harold Vick - tenor saxophone • Grant Green - guitar • Joe Dukes - drums • Recorded July 14, 1961 • Van Gelder Studio, Englewood Cliffs, New Jersey |
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| Brother Jack McDuff |
Mr. Lucky
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The Honeydripper | Jack McDuff - organ • Jimmy Forrest - tenor saxophone • Grant Green - guitar • Ben Dixon - drums Recorded in Englewood Cliffs, NJ; February 3, 1961 |
|
0:06:49 (Pop-up) |
| Joe Williams |
The Comeback
|
Nothin' but the Blues | Joe Williams - vocals • Red Holloway - tenor sax • Eddie "Cleanhead" Vinson - alto sax • Jack McDuff - organ & piano • Phil Upchurch - guitar • Ray Brown - bass • Gerryck King - drums • Recorded November 16 & 17, 1983, in Hollywood |
|
0:11:51 (Pop-up) |
| Brother Jack McDuff |
A Kettle Of Fish
|
Prelude | Jack McDuff - organ • Jerry Kail, Danny Stiles - trumpet • Billy Byers, Burt Collins, Tom McIntosh - trombone • Don Ashworth, Bob Northern - French horn • Red Holloway - tenor saxophone • Marvin Holliday, George Marge - baritone saxophone • George Benson - guitar • Richard Davis - bass • Joe Dukes, Mel Lewis - drums • Benny Golson - conductor, arranger • Recorded December 24, 1963 • New York City |
|
0:16:57 (Pop-up) |
| Jack McDuff |
Mini Pads
|
Sophisticated Funk | Jack McDuff - organ; Bass – Frank Prescod; Congas, Percussion – Craig Derry; Drums – Arnold Ramsey: Guitar – Billy Jones; Recorded and mixed at All Platinum Studio, Englewood, N.J. 1976 |
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0:20:44 (Pop-up) |
| Kenny Burrell With The Brother Jack McDuff Quartet |
We'll Be Together Again
|
Crash! | Kenny Burrell – guitar • Brother Jack McDuff – organ • Joe Dukes – drums • Recorded at Van Gelder Studio in Englewood Cliffs, New Jersey on February 26, 1963 |
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0:26:30 (Pop-up) |
| Brother Jack McDuff |
And The Angels Sing
|
Tobacco Road | Jack McDuff - organ, arranger • Danny Turner - flute (tracks 3, 4, 6, 8 & 9) • Calvin Green - guitar • Joe Dukes - drums • Recorded • August 22 & 23, 1966 Chess Studios, Chicago, Illinois |
|
0:31:09 (Pop-up) |
| DJ Yours, Come What May | 0:35:20 (Pop-up) | ||||
| Willis Jackson |
Gator's Tail
|
Blue Gator | Willis Jackson – tenor saxophone • Jack McDuff – organ • Bill Jennings – guitar • Tommy Potter – bass • Alvin Johnson – drums • • Recorded at Van Gelder Studio in Hackensack, New Jersey on May 25, 1959 |
|
0:41:10 (Pop-up) |
| Roland Kirk |
Kirk's Work
|
Kirk's Work | Roland Kirk – tenor saxophone, manzello, stritch [sic], flute, siren • Jack McDuff – Hammond organ • Joe Benjamin – bass • Arthur Taylor – drums • Recorded July 11, 1961 Van Gelder Studio, Englewood Cliffs, NJ |
|
0:44:48 (Pop-up) |
| Betty Roché |
Day by Day
|
Singin' & Swingin' | Betty Roché – vocals • Jimmy Forrest – tenor saxophone • Jack McDuff – organ • Bill Jennings – guitar • Wendell Marshall – double bass • Roy Haynes – drums • Recorded June 3, 1960 • Van Gelder Studio, Englewood Cliffs, New Jersey |
|
0:48:42 (Pop-up) |
| Brother Jack McDuff |
Soulful Drums
|
Screamin' | Jack McDuff - organ • Leo Wright - alto saxophone • Kenny Burrell - guitar • Joe Dukes - drums • Recorded October 23, 1962 Van Gelder Studio, Englewood Cliffs, New Jersey |
|
0:52:37 (Pop-up) |
| Jack McDuff |
Who's Pimpin' Who?
|
Who Knows What Tomorrow's Gonna Bring? | Brother Jack McDuff – organ • Randy Brecker, Olu Dara – trumpet • Dick Griffin, John Pierson – trombone • Paul Griffin – piano • Joe Beck – guitar • Tony Levin – electric bass • Donald McDonald – drums • Mike Mainieri – percussion • Ray Draper – percussion, vocals, tuba, arranger • Recorded • December 1–3, 1970 |
|
0:56:51 (Pop-up) |
| Brother Jack McDuff |
Can't Find The Keyhole Blues
|
A Change Is Gonna Come | Jack McDuff - organ • Johnny Grimes - trumpet • Danny Turner - alto saxophone • George Coleman - tenor saxophone • Cornell Dupree - guitar, congas • Jimmy Tyrell - bass • Joe Dukes - drums • Arranged by J.J. Jackson • Recorded • May 4 & 5, 1966 • New York City 0ß0ß0ß0ß0ß0ß0ß0ß0 |
|
1:02:26 (Pop-up) |
| Brother Jack McDuff |
Rock Candy
|
Live! | Jack McDuff - organ • Red Holloway - tenor saxophone • George Benson - guitar • Joe Dukes - drums • Recorded June 5, 1963 The Front Room, Newark, New Jersey |
|
1:09:42 (Pop-up) |
| DJerk | 1:16:05 (Pop-up) | ||||
| Perry Robinson |
Sprites Delight
|
Funk Dumpling | Bass – Henry Grimes; Clarinet – Perry Robinson; Drums – Paul Motian; Piano – Kenny Barron - - Recorded at Savoy studio, Newark, N.J., 1962 |
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1:20:28 (Pop-up) |
| Bobby Jones, Perry Robinson, Peter Trunk, Palle Danielsson |
Walk Softly, Carry a Black Stick
|
Baden Baden New Jazz Meeting 1973 | Bobby Jones - clarinet; Perry Robinson - Clarinet; Peter Trunk - bass, Palle Danielsson - bass - - recorded at a public performance on December 7, 1973 at Kurfürstliches Schloss in Mainz |
|
1:27:43 (Pop-up) |
| Ray Anderson |
Elegy For Joe Scott
|
It Just So Happens | Ray Anderson – trombone • Stanton Davis – trumpet • Perry Robinson – clarinet • Bob Stewart – tuba • Mark Dresser – bass • Ronnie Burrage – drums • Recorded • January 31 and February 1, 1987 at Van Gelder Studio, Englewood Cliffs, NJ |
|
1:34:20 (Pop-up) |
| Anat Fort |
As Two / Something 'bout Camels
|
A Long Story | Anat Fort — piano • Perry Robinson - clarinet, ocarina • Ed Schuller — double bass • Paul Motian - drums • Recorded • March 2004, Systems Two Studio, Brooklyn |
|
1:39:42 (Pop-up) |
| Annette Peacock |
Daddy's Boat
|
I Belong To A World That's Destroying Itself. (Aka Revenge) | Alto Saxophone – Mark Whitecage; Bass – Gary Peacock, Glen Moore, Richard Youngstein, Stu Woods; Clarinet – Perry Robinson; Drums – Barry Altschul, Laurence Cook, Rick Marotta, Steve Haas; Electric Piano – Bob Mason; Guitar – Tom Cosgrove; Piano [Prepared] – Apache Rose Peacock; Piano, Organ – Mike Garson; Synthesizer, Electric Piano – Paul Bley; Tenor Saxophone – Michael Moss; Vocals [Acoustic And Synthesized], Moog Synthesizer Moog, Vibraphone, Producer, Written-By, Arranged By – Annette Peacock - — Recorded simultaneously live at various studios in New York, 1968-9 |
|
1:45:31 (Pop-up) |
| Perry Robinson - Nana Vasconcelos - Badal Roy |
Always Backwards
|
Kundalini | Berimbau [Birembau], Conch [Shells], Congas, Talking Drum [African Talking (squeeze) Drum], Tambourine – Vasconcelos Clarinet – Robinson Composed By – Badal Roy, Nana Vasconcelos, Perry Robinson Tabla – Roy 15:45 Recorded at Longtoe Studios / New York City / February 2 & 9, 1978 |
|
1:52:59 (Pop-up) |
| DJ Bayou Back-Bay Bunny Bordelais | 2:08:39 (Pop-up) | ||||
| German Clarinet Duo |
Touch of Strange
|
Materialized Perception | Bass Clarinet [Selmer] – Eckard Koltermann; Clarinet [Amati] – Perry Robinson Clarinet [Kolbe] – Theo Jörgensmann - -recorded live at Werkschau für zeitgenössische Improvisationsmusik, Bottrop, September 6, 1991 |
|
2:11:54 (Pop-up) |
| Steve Swell and Perry Robinson |
Patterns Will Be Revealed Outside Iron Sheds
|
Invisible Cities | Clarinet – Perry Robinson Trombone – Steve Swell - - Recorded September 18, 2002 at Andre Strobert Studios |
|
2:18:38 (Pop-up) |
| Jeanne Lee |
Sundance
|
Conspiracy | Jeanne Lee - vocal; Gunter Hampel - flute, piano, vibraphone, alto clarinet, bass clarinet; Sam Rivers - soprano saxophone, tenor saxophone, flute; Steve McCall - drums; Alan Praskin - clarinet ; Perry Robinson - clarinet ; Jack Gregg - Bass ; Mark Whitecage - alto clarinet ; Marty Cook -trombone - - Recorded in New York, 1974 |
|
2:23:04 (Pop-up) |
| Lou Grassi's PoBand and Joseph Jarman |
Zephyr
|
The Joy of Being | Bass – Wilber Morris; Clarinet, Ocarina – Perry Robinson; Drums – Lou Grassi; Flute, Alto Saxophone – Joseph Jarman; Trombone – Steve Swell; Trumpet – Paul Smoker - - — Recorded at The Spirit Room, Rossie, NY, June 12 & 13, 2000 |
|
2:27:43 (Pop-up) |
| Clarinet Summit |
Tales Of Trolls
|
You Better Fly Away - Clarinet Summit Live | Bass – J.F. Jenny-Clark, Kai Kanthak; Bass Clarinet – Gianluigi Trovesi; Bass Clarinet, Contrabass Clarinet – Bernd Konrad; Clarinet – John Carter, Perry Robinson, Theo Jörgensmann; Clarinet, Flute [Romanian] – Ernst-Ludwig Petrowsky; Drums – Aldo Romano, Günter "Baby" Sommer; Piano – Stan Tracey; Trombone – Eje Thelin; Violin – Didier Lockwood - - - Recorded Live at New Jazz Meeting Baden-Baden, November 26-30, 79 in Südwestfunk Studio, Baden Baden and in Old Castle Mainz, Germany |
|
2:35:21 (Pop-up) |
| Perry Robinson & Burton Greene |
Der Kats Zogt A Miowke
|
Two Voices In The Desert | Clarinet, Ocarina, Flute [Wooden Flute], Clarinet [Sopranino] – Perry Robinson Piano – Burton Greene - -released 2009 |
|
2:43:07 (Pop-up) |
| Perry Robinson |
Home Is Where the Hearth Is
|
Funk Dumpling |
|
2:48:22 (Pop-up) | |
| Licorice Factory |
Dandelion Wine
|
Licorice Factory |
|
2:51:56 (Pop-up) | |
| DJ Hits the Bricks | 2:54:34 (Pop-up) |
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Listener comments!
Stork:
Jeff Golick:
Stork:
Andrew in Toronto:
Michael 98145:
Dean:
Stork:
Revolution Rabbit Nov63:
' Eugene McDuff (September 17, 1926 – January 23, 2001), known professionally as "Brother" Jack McDuff or "Captain" Jack McDuff, was an American jazz organist and organ trio bandleader who was most prominent during the hard bop and soul jazz era of the 1960s, often performing with an organ trio. He is also credited with giving guitarist George Benson his first break. '
⦿Sun in ♍︎Virgo, Year of Earth 🐅Tiger
' Perry Morris Robinson (September 17, 1938 – December 2, 2018) was an American jazz clarinetist and composer. He was the son of composer Earl Robinson. '
Stork:
Stork:
Dean:
Revolution Rabbit Nov63:
- with a visual background of happy nuclear family activities :
Side Effects may include but are not limited to profuse bleeding & violent defecation
- local restrictions may apply...
Essentially not noticeably different than an average round of Glenn Passaic...
Stork:
Dean:
Katharsis:
Revolution Rabbit Nov63:
doctorjazz:
Listening at home for a few minutes, then the drive to Long Island for lunch, will listen in the car.
Stork:
Stork:
doctorjazz:
doctorjazz:
doctorjazz:
_Ike_:
Stork:
Dean:
Andrew in Toronto:
Dean:
Stork:
Revolution Rabbit Nov63:
Stork:
Michael 98145:
Michael 98145:
chresti:
Stork:
Revolution Rabbit Nov63:
Katharsis:
Stork:
BenZ WPB:
chresti:
Stork:
Dean:
Revolution Rabbit Nov63:
Dean:
Dean:
headcleaner:
Richard from Venezuela:
Stork:
Stork:
Stork:
adamdoesit:
Stork:
Dean:
http://www.harveyalbums.com/
adamdoesit:
Stork:
Michael 98145:
adamdoesit:
2oz Glen Passaic
juice of 1 lime
ginger beer
a surly mule
In a tin cup, combine Glen Passaic and lime. Add ice, and top with ginger beer. Cajole mule into delivering a kick in the head; this softens the blow of the Glen Passaic to come. (Hint: tell the mule it's not even rented, but a previously totalled write-off mule sold at auction. This makes them extra surly.)
Stork:
Dean:
Michael 98145:
Stork:
adamdoesit:
Dean:
Dean:
Dean:
Dean:
Andrew in Toronto:
Michael 98145:
erik (vt):
Faves are “I’m the One” (1972?) solo debut and “I Have No Feelings (1986?). - & many in-between. Haha
Stork:
adamdoesit:
Jeff Moore:
No, just me? Okay, never mind, carry on.
(I think I had the exact same reaction to another track from this same damn album last week)
Michael 98145:
Michael 98145:
erik (vt):
- “oh, they are very worthy as well”…
it’s fun to have a conversation with oneself. Ha 🤪
Michael 98145:
coelacanth∅:
Dean:
erik (vt):
Stork:
Stork:
Mxter Baba:
Dean:
Revolution Rabbit Nov63:
adamdoesit:
Dean:
Dean:
Revolution Rabbit Nov63:
fred:
Michael 98145:
Revolution Rabbit Nov63:
coelacanth∅:
Jeff Moore:
And I can imagine getting to a place where I appreciate it...
...but I'm not there at this time.
chresti:
chresti:
coelacanth∅:
erik (vt):
Mxter Baba:
Andrew in Toronto:
coelacanth∅:
Andrew in Toronto:
Dean:
Michael 98145:
adamdoesit:
Dean:
coelacanth∅:
Mxter Baba:
Michael 98145:
Dean:
Dean:
Revolution Rabbit Nov63:
...yes little one, vast continents of Irritainment await your fervent exploration
...they've all suffered for their Art - now it's your turn...
Stork:
Michael 98145:
erik (vt):
Michael 98145:
adamdoesit:
Singing in F over the key of C
Screaming your head off where quiet should be
Painting in ketchup and calling it Klee
That's irritainment!
Dean:
Dean:
Jeff Moore:
coelacanth∅:
fred:
Dean:
erik (vt):
coelacanth∅:
chresti:
Dean:
coelacanth∅:
chresti:
coelacanth∅:
erik (vt):
Dean:
Dean:
Stork:
Stork:
Dean:
Dean:
adamdoesit:
Dean:
erik (vt):
Revolution Rabbit Nov63:
If (& it is an If of whatever dimensions...) - one accepts the proposition of the book 'This Is Your Brain On Music' that a major contour of Music's appeal to us is in its balance of Familiarity ('I recognize this as Musical') & Novelty ('yet - I am not bored with it')...
fred:
chresti:
Dean:
Revolution Rabbit Nov63:
Twain replied - 'Sure it is. It taint yours & it taint mine'...
Revolution Rabbit Nov63:
Dean:
fred:
Michael 98145:
Revolution Rabbit Nov63:
Stork:
Dean:
tom tom the pipers son:
Revolution Rabbit Nov63:
Dean:
Then there are intentional irritants who excel so completely that the irritation fails maintain transcendence. My example would be The Mentors, whose "Woman from Sodom" is so heinous that I feel ashamed for laughing.
Revolution Rabbit Nov63:
Maybe. :D
Dean:
fred:
But here I go again
tom tom the pipers son:
Stork:
doctorjazz:
Michael 98145:
Stork:
Dean:
Dean:
tom tom the pipers son:
fred:
coelacanth∅:
but after years of gradually diminishing 'tainment i usually am just irritated by her.
coelacanth∅:
or growl!
chresti:
fred:
Dean:
tom tom the pipers son:
adamdoesit:
chresti:
Stork:
Dean:
tom tom the pipers son:
Dean:
chresti:
fred:
adamdoesit:
coelacanth∅:
but , aside from being a detestable human, i don't think she's ever done anything very innovative, and her singing is abominable.
i do like some of her early material though.
Dean:
Revolution Rabbit Nov63:
coelacanth∅:
...i guess that was intentional!
chresti:
Mxter Baba:
Dean:
WR:
coelacanth∅:
chresti:
coelacanth∅:
chresti:
erik (vt):
Michael 98145:
Michael 98145:
Stork:
KimSorise: