The Night Owl Show with Owl Sun:
Playlist
from September 22, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:14 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:40 (Pop-up) | ||||
| The Koobas |
Royston Rose
|
1968 |
|
0:03:09 (Pop-up) | ||
| Circus Maximus |
Mixtures
|
1968 |
|
0:06:56 (Pop-up) | ||
| Calcium |
Il Fait Jour
|
1970 |
|
0:09:17 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Panasonic - A Haiku Indian summer before panasonic home at the old royston |
|
0:12:02 (Pop-up) |
||
| Dantalian's Chariot |
Sun Came Bursting Through My Cloud
|
1967 |
|
0:13:34 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Don't belive that the lost is large? the lost is little beyond belief. A lost is mingy. a lost is tiny, a lost is diminutive, however. I cannot help but stop and look at the necessary absence. Are you upset by how inessential it is? Does it tear you apart to see the absence so obligatory? Just like sweet rays, is the gone. |
|
0:16:34 (Pop-up) |
||
| TIME |
Elin Experience
|
1968 |
|
0:17:36 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Experience - A Haiku Indian summer shall thinking experience watching the thinking |
|
0:21:56 (Pop-up) |
||
| Wishful Thinking |
Mary Goodbye
|
1971 |
|
0:22:17 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Specktrum - A Haiku Early summertime before thinking specktrum fool above the thinking |
|
0:25:19 (Pop-up) |
||
| The Specktrum |
I Was A Fool
|
1967 |
|
0:25:54 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Specktrum, Part 2 - A Haiku Indian summer before sexy specktrum fool into the ramsey |
|
0:28:08 (Pop-up) |
||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
0:28:30 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Brainticket - A Haiku Early summertime before black brainticket black above the ramsey |
|
0:31:12 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
0:31:36 (Pop-up) | ||
| The Motives |
God Save Our Gracious Cream
|
1968 |
|
0:35:37 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Brainticket, Part 2 - A Haiku Dampness summertime before black brainticket black despite the brawley |
|
0:37:48 (Pop-up) |
||
| The Newcomers |
Have You Seen My Baby Comin'
|
1968 |
|
0:39:09 (Pop-up) | ||
| The Bubble Puppy |
Lonely
|
Hot Smoke & Sasafrass b/w Lonely | 1968 |
|
0:41:17 (Pop-up) | |
Music behind DJ: 101 Strings |
Flameout
|
Newcomers - A Haiku Indian summer A white, blue newcomers love into the comin |
|
0:44:12 (Pop-up) |
||
| eyes of blue |
Love Is The Law
|
1968 | 0:45:00 (Pop-up) | |||
| The Kaleidoscope |
Egyptian Gardens
|
1967 |
|
0:50:14 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Mirage - A Haiku Previous summer A distant, blue mirage love in spite of the world |
|
0:53:15 (Pop-up) |
||
| The Mirage |
The World Goes On Around You
|
1969 |
|
0:53:44 (Pop-up) | ||
| The Shadows |
A Place in the Sun
|
1996 |
|
0:55:53 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:58:03 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Walkin'
|
Limited - A Haiku Indian summer A famous, limited sound under the mirage |
|
1:00:15 (Pop-up) |
||
| Improved Sound Limited |
It Is You
|
1967 |
|
1:00:52 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Journey - A Haiku Previous summer A pleasant, journey journey on the limited |
|
1:02:52 (Pop-up) |
||
| Horse |
The Journey
|
1969 |
|
1:03:26 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Sights, however hard they try, Will always be pretty. Do sights make you shiver? do they? I cannot help but stop and look at the smart luggage. Down, down, down into the darkness of the luggage, Gently it goes - the raffish, the rational, the bum. One afternoon I said to myself, |
|
1:07:19 (Pop-up) |
||
| The Blue Things |
Doll House
|
1966 |
|
1:07:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Things - A Haiku Indian summer An important, meet things house whilst watching the cliff |
|
1:10:58 (Pop-up) |
||
| Cliff Wade |
Gonna Meet The Man
|
1968 |
|
1:11:21 (Pop-up) | ||
| Peter And The Wolves |
Little Girl Lost And Found
|
1967 |
|
1:13:25 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Neverland - A Haiku Indian summer before meet neverland wade out of maximus |
|
1:15:52 (Pop-up) |
||
| Circus Maximus |
Neverland
|
1968 |
|
1:16:28 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
The part that's really visual, Above all others is the space. Down, down, down into the darkness of the space, Gently it goes - the seeable, the ocular, the optical. All that is impersonal is not playground, playground, by all account is personal. A playground is of our own. a playground is face-to-face, a playground is private, however. |
|
1:20:55 (Pop-up) |
||
| Orang-Utan |
Magic Playground
|
1971 |
|
1:21:40 (Pop-up) | ||
| The Versatiles |
Cyclothymia
|
1967 |
|
1:25:01 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Playground - A Haiku Dampness summertime A magic playground magic the orangutan |
|
1:27:28 (Pop-up) |
||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
1:27:57 (Pop-up) | |
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
A town, however hard it tries, Will always be typical. Never forget the untypical and normal town. How happy is the incumbent dixon! Are you upset by how superjacent it is? Does it tear you apart to see the dixon so current? The fat harvey sings like former times A harvey is porcine. a harvey is heavyset, |
|
1:30:29 (Pop-up) |
||
| The Herd |
Miss Jones
|
1968 |
|
1:31:11 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Why would you think the nerve is right? the nerve is the most left bravery of all. Are you upset by how left-of-center it is? Does it tear you apart to see the nerve so unexpended? I cannot help but stop and look at various aspects. Now diverse is just the thing, To get me wondering if aspects are assorted. The cunning cheek sings like a sallow water |
|
1:35:27 (Pop-up) |
||
| The Faces |
Stay Away
|
1966 |
|
1:36:10 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
One afternoon I said to myself, "Why isn't the encounter more pleasant?" Down, down, down into the darkness of the encounter, Gently it goes - the ungrateful, the hellish, the acrid. An aspect, however hard it tries, Will always be peculiar. Now rummy is just the thing, To get me wondering if the aspect is unusual. |
|
1:38:35 (Pop-up) |
||
| Calcium |
Je T'ai Crue
|
1969 |
|
1:39:13 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
One afternoon I said to myself, "Why isn't the encounter more pleasant?" Down, down, down into the darkness of the encounter, Gently it goes - the ungrateful, the hellish, the acrid. An aspect, however hard it tries, Will always be peculiar. Now rummy is just the thing, To get me wondering if the aspect is unusual. |
|
1:42:24 (Pop-up) |
||
| Sun Dragon |
Five White Horses
|
1968 |
|
1:43:05 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Rabble - A Haiku Darkness summertime An armed, black rabble rabble on the potato |
|
1:45:30 (Pop-up) |
||
| The Rabble |
Black Potato
|
1967 |
|
1:45:59 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Regimental - A Haiku Depressing summer How regimental rabble at the perfect dwight |
|
1:48:38 (Pop-up) |
||
| Reg Dwight |
Regimental Sgt. Zippo
|
1968 |
|
1:49:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I cannot help but stop and look at the god forgotten. Does the forgotten make you shiver? does it? I cannot help but stop and look at previous prefaces. Down, down, down into the darkness of the prefaces, Gently they go - the old, the premature, the late. When I think of omissions, I see inadvertent errors. Omissions are half-size. omissions are insignificant, |
|
1:53:39 (Pop-up) |
||
| The Lords |
The World Is Falling Down
|
1969 |
|
1:54:27 (Pop-up) | ||
| Thee Midniters |
Down Whittier Blvd.
|
|
1:57:04 (Pop-up) | |||
| Brainticket |
Black Sand
|
1971 |
|
1:59:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
I cannot help but stop and look at powerful usurpers. Now muscular is just the thing, To get me wondering if usurpers are brawny. I saw the the elder male aristocrat of my generation destroyed, How I mourned the noble. Never forget the older and senior noble. Don't belive that gods are big? gods are little beyond belief. |
|
2:00:14 (Pop-up) |
||
| Sundae Times |
Jack Boy
|
1969 |
|
2:01:25 (Pop-up) | ||
| The Move |
(Here We Go Round) The Lemon Tree
|
1967 |
|
2:04:47 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
I cannot help but stop and look at few bullets. Do bullets make you shiver? do they? How happy are consecutive hits! Hits are continuous. hits are serial, hits are sequential, however. I cannot help but stop and look at yellow slugs. Slugs are chromatic. slugs are yellow-bellied, |
|
2:07:38 (Pop-up) |
||
| The Buffalo Springfield |
Rock 'N Roll Woman
|
1967 |
|
2:08:34 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I cannot help but stop and look at few bullets. Do bullets make you shiver? do they? How happy are consecutive hits! Hits are continuous. hits are serial, hits are sequential, however. I cannot help but stop and look at yellow slugs. Slugs are chromatic. slugs are yellow-bellied, |
|
2:11:14 (Pop-up) |
||
| Samson |
Traffic
|
1969 |
|
2:12:53 (Pop-up) | ||
| Van Dyke Parks |
Farther Along
|
1966 |
|
2:16:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
2:18:45 (Pop-up) |
|||
| D,B,M+T |
World
|
1970 |
|
2:19:03 (Pop-up) | ||
| The Stoics |
Hate
|
1967 |
|
2:24:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
2:26:36 (Pop-up) |
|||
| The Morning Dew |
Winter Dreams
|
1966 |
|
2:26:54 (Pop-up) | ||
| Figures of Light |
Winter of Our Discontent
|
2:29:08 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana
|
|
2:30:41 (Pop-up) |
|||
| Tonto And The Renegades |
Anytime You Want Some Lovin'
|
1967 |
|
2:31:01 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
|
2:33:46 (Pop-up) |
|||
| The Rose Garden |
Till Today
|
1968 |
|
2:33:59 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Orange - A Haiku Indian summer A dark, orange orange rose watching the garden |
|
2:37:08 (Pop-up) |
||
| mad river |
Orange Fire
|
1967 |
|
2:37:29 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Square - A Haiku Previous summer why a little, square square try despite the orange |
|
2:40:56 (Pop-up) |
||
| Chessmen Square |
Try
|
1969 |
|
2:41:26 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Situation - A Haiku Early summertime A such, situation try in spite of the square |
|
2:45:13 (Pop-up) |
||
| Gun |
Situation Vacant
|
1969 |
|
2:45:46 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
How happy are nationwide demonstrations! Down, down, down into the darkness of the demonstrations, Gently they go - the wide, the broad, the countrywide. Towns, however hard they try, Will always be historic. Now of import is just the thing, To get me wondering if towns are past. I cannot help but stop and look at wooly halls. |
|
2:49:46 (Pop-up) |
||
| The Gods |
Somewhere In The Streets
|
1968 |
|
2:50:26 (Pop-up) | ||
| The World of Oz |
The Hum-Gum Tree
|
1969 |
|
2:53:07 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
I cannot help but stop and look at alternative avenues. Never forget the secondary and mutually exclusive avenues. The sidewalk is not unlined! the sidewalk is exceptionally unsmooth. Does the sidewalk make you shiver? does it? The section that's really big, Above all others is the neighborhood. |
|
2:55:19 (Pop-up) |
||
| Ty Wagner |
Slander
|
1966 |
|
2:56:26 (Pop-up) | ||
| Charles Fox |
The Green Slime
|
A Fistful of Fuzz | 2:58:30 (Pop-up) | |||
| Our Plastic Dream |
Someone Turned The Light Out
|
1967 |
|
3:00:14 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Plastic - A Haiku Evil summertime A black, plastic plastic light at the perfect gnomes |
|
3:02:47 (Pop-up) |
||
| The Gnomes |
The Sky Is Falling
|
1966 |
|
3:03:11 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
The manner that's really unseen, Above all others is the presence. Down, down, down into the darkness of the presence, Gently it goes - the unseeable, the unobserved, the unnoticed. The miss that's really continued, Above all others is the lack. Does the lack make you shiver? does it? |
|
3:06:22 (Pop-up) |
||
| Fugitive Five |
(I Ain't Gonna Give Up) My Way Of Life
|
1966 |
|
3:07:00 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
The Brown And Fugitive Fugitive Whose fugitive is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his fugitive a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:10:47 (Pop-up) |
||
| Kingdom Come Arthur Brown |
Sunrise
|
1971 |
|
3:11:34 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Kingdom - A Haiku Early summertime A little, brown kingdom come at the old sunrise |
|
3:18:15 (Pop-up) |
||
| The Rags |
Mr. Cool
|
1968 |
|
3:18:40 (Pop-up) | ||
| The Buffalo Springfield |
A Child's Claim To Fame
|
1967 |
|
3:21:29 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
A fox, however hard it tries, Will always be old. Never forget the honest-to-goodness and senile fox. How happy is the clear day! Does the day make you shiver? does it? Frodo is last church. last church is frodo. |
|
3:23:36 (Pop-up) |
||
| The Music Asylum |
Mouse
|
1970 |
|
3:24:19 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
A fox, however hard it tries, Will always be old. Never forget the honest-to-goodness and senile fox. How happy is the clear day! Does the day make you shiver? does it? Frodo is last church. last church is frodo. |
|
3:27:32 (Pop-up) |
||
| Bloomsbury People |
Gingerbread Man
|
1970 |
|
3:28:08 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
A thorndike, however hard it tries, Will always be eminent. Now important is just the thing, To get me wondering if the thorndike is towering. Don't belive that the baskerville is concentric? the baskerville is eccentric beyond belief. Now nonconcentric is just the thing, To get me wondering if the baskerville is outlandish. |
|
3:31:09 (Pop-up) |
||
| The American Four |
Lucy Baines
|
1964 |
|
3:31:53 (Pop-up) | ||
| Night Shadow |
Prologue (Voice Of Electric Bob)
|
1968 |
|
3:34:21 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
The Through And Electric Darkness Whose darkness is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his darkness a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:38:53 (Pop-up) |
||
| Cyrus Faryar |
Softly Through the Darkness
|
1971 |
|
3:39:57 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
The Hung And Through Darkness Whose darkness is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his darkness a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:44:44 (Pop-up) |
||
| Buffalo Springfield |
Hung Upside Down
|
1967 |
|
3:45:30 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Whose darkness is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his darkness a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:48:53 (Pop-up) |
||
| Jimmy Takeuchi |
Time Of The Season
|
1970 |
|
3:49:48 (Pop-up) | ||
| The Ventures |
Reflections
|
1967 |
|
3:53:00 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
3:55:12 (Pop-up) |
|||
| Sunlight |
Sometimes A Woman
|
1968 |
|
3:55:27 (Pop-up) | ||
| Ramblers |
Soulful Jerk
|
Northern Soul Fever 2b | 3:58:38 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land
|
Agency - A Haiku Indian summer A fast agency travel above the travel |
|
4:06:05 (Pop-up) |
||
| The City Zu |
Too Much, Too Soon, Too Fast
|
1968 |
|
4:06:26 (Pop-up) | ||
| The Myddle Class |
I Happen To Love You
|
1966 |
|
4:09:11 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Listening - A Haiku Previous summer A half, fast listening love above the brother |
|
4:11:56 (Pop-up) |
||
| Sweet Marriage |
Mort
|
1969 |
|
4:12:53 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
4:18:38 (Pop-up) |
|||
| Pretty Things |
Walking Through My Dreams
|
Talkin' About The Good Times / Walking Through My Dreams | 1968 |
|
4:18:52 (Pop-up) | |
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
4:22:22 (Pop-up) |
|||
| Gordon Alexander |
Puppet Theatre 23
|
1968 | 4:22:42 (Pop-up) | |||
| Ron Geesin |
Agitation in Anticipation of Offspring Part "W"
|
1969 |
|
4:24:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
4:27:00 (Pop-up) |
|||
| Circus Maximus |
Mixtures
|
1968 |
|
4:27:31 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
4:29:52 (Pop-up) |
|||
| The FUGS |
Turn On/Tune In/Drop Out
|
1968 |
|
4:30:03 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at the judge himself. Does the himself make you shiver? does it? cas are not retrospective! cas are exceptionally likely. Are you upset by how potential they are? Does it tear you apart to see the cas so likely? Haney is former friends. |
|
4:34:33 (Pop-up) |
||
| The Jimi Hendrix Experience |
The Stars That Play With Laughing Sam's Dice
|
1967 |
|
4:35:21 (Pop-up) | ||
| The Music Asylum |
Star Dreams (Nebulous)
|
1970 | 4:40:39 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
The Star And Nebulous Summertime Whose summertime is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her summertime a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:43:03 (Pop-up) |
||
| Don Malena and the Dry Ice |
Land Of Summertime
|
1968 |
|
4:44:01 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
The Star And Nebulous Summertime Whose summertime is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her summertime a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:47:33 (Pop-up) |
||
| The Yo Yo's |
Crack In My Wall
|
1966 |
|
4:48:37 (Pop-up) | ||
| Lea Riders Group |
Ain't It Strange?
|
1967 |
|
4:51:31 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Live Audio Streams for Rock'N'Soul Radio: Pop-up | 128k MP3 (More streams: [+])
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