The Night Owl Show with Owl Sun:
Playlist
from October 9, 2023
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | ||||
| Love |
Laughing Stock
|
1968 |
|
0:03:39 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Aphrodites - A Haiku Wickedness autumn A nude, aphrodites stock after the laughing |
|
0:06:08 (Pop-up) |
||
| Aphrodite's Child |
Plastics Nevermore
|
1968 |
|
0:06:28 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Aphrodites, Part 2 - A Haiku Beautiful autumn A nude, aphrodites paint in spite of the floyd |
|
0:08:56 (Pop-up) |
||
| The Pink Floyd |
Paint Box
|
1967 |
|
0:09:37 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Animals - A Haiku Glorious autumn A most, dead animals paint at the old burdon |
|
0:14:33 (Pop-up) |
||
| Eric Burdon And The Animals |
Gratefully Dead
|
1967 |
|
0:14:59 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
0:18:56 (Pop-up) |
|||
| William Sheller |
Couleurs
|
1968 |
|
0:19:05 (Pop-up) | ||
| October Country |
I Just Don't Know
|
1968 |
|
0:21:11 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
0:23:33 (Pop-up) |
|||
| The Bonzo Dog Doo - Dah Band |
I'm Gonna Bring a Watermelon to My Girl Tonight
|
1967 |
|
0:23:51 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
0:25:50 (Pop-up) |
|||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
0:26:04 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
0:29:58 (Pop-up) |
|||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:30:00 (Pop-up) | |
| Kim Fowley |
Search For A Teenage Woman
|
1969 |
|
0:30:11 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Animals, Part 2 - A Haiku Glorious autumn A most, dead animals paint at the old burdon |
|
0:34:20 (Pop-up) |
||
| electric banana; Arranged and Directed By Reginald Tilsley |
Vocal Versions with Accompaniment: Danger Signs (Driving "Rhythm and Blues" number with double - tracked vocal)
|
1967 |
|
0:34:24 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Animals - A Haiku Glorious autumn A most, dead animals paint at the old burdon |
|
0:37:12 (Pop-up) |
||
| The Rolling Stones |
The Lantern
|
1967 |
|
0:37:19 (Pop-up) | ||
| Traffic |
Coloured Rain
|
1967 |
|
0:40:45 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Animals, Part 2 - A Haiku Glorious autumn A most, dead animals paint at the old burdon |
|
0:43:19 (Pop-up) |
||
| Buffy Sainte-Marie |
God is alive, magic is afoot
|
1969 |
|
0:43:56 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Animals - A Haiku Glorious autumn A most, dead animals paint at the old burdon |
|
0:48:42 (Pop-up) |
||
| Lothar & The Hand People |
Let The Boy Pretend
|
1967 |
|
0:49:05 (Pop-up) | ||
| fever tree |
Man Who Paints The Pictures
|
1968 |
|
0:51:12 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
0:57:09 (Pop-up) |
|||
| Jefferson Airplane |
Share a little Joke (With the World)
|
1968 |
|
0:57:13 (Pop-up) | ||
| The Keymen |
Love is Strange
|
1958 | 0:57:23 (Pop-up) | |||
| George Kerr |
Airplane Song
|
Northern Soul Fever, Volume One |
|
0:59:38 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
The Blonde And Blonde Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:01:13 (Pop-up) |
||
| Blonde on Blonde |
Goodbye
|
1969 |
|
1:02:36 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Accompaniment - A Haiku Glorious autumn before accompaniment see on the electric |
|
1:05:12 (Pop-up) |
||
| electric banana |
Vocal Version with Accompaniment: I See You
|
1968 |
|
1:05:16 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Accompaniment, Part 2 - A Haiku Beautiful autumn before accompaniment still sagittarius |
|
1:07:36 (Pop-up) |
||
| Sagittarius |
I Still Can See Your Face
|
1969 |
|
1:08:00 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
I saw the the giant gas giant of my generation destroyed, How I mourned the uranus. Are you upset by how big it is? Does it tear you apart to see the uranus so heavyweight? How happy is the divine archer! Are you upset by how providential it is? Does it tear you apart to see the archer so ecclesiastic? Just like a recent care, is the leonid. |
|
1:10:26 (Pop-up) |
||
| The Holy Mackerel |
Bitter Honey
|
The Holy Mackerel | 1968 |
|
1:14:04 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
|
1:16:05 (Pop-up) |
|||
| whistler, chaucer, detroit and greenhill |
Day Of Childhood
|
1968 |
|
1:17:38 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Don't belive that the jeff is unregretful? the jeff is sorry beyond belief. Never forget the good-for-nothing and pitiful jeff. Jones, however hard they try, Will always be duncan. Do jones make you shiver? do they? I cannot help but stop and look at the big mitchell. |
|
1:20:11 (Pop-up) |
||
| Pink Floyd |
Julia Dream
|
1968 |
|
1:20:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
I cannot help but stop and look at weiner davis. Do davis make you shiver? do they? An alvarez, however hard it tries, Will always be rodriguez. Does the alvarez make you shiver? does it? Just like a loo year, is the macklin. |
|
1:22:42 (Pop-up) |
||
| The Bonzo Dog Doo Dah Band |
Button Up Your Overcoat
|
1966 |
|
1:24:19 (Pop-up) | ||
| The West Coast Pop Art Experimental Band Vol.3 |
Ritual #1
|
1968 |
|
1:26:26 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
1:27:41 (Pop-up) |
|||
| The 5th Dimension |
California My Way
|
1967 |
|
1:29:35 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
The merchandise that's really doubtful, Above all others is the import. Are you upset by how dubitable it is? Does it tear you apart to see the import so dubious? How happy is the ill consequence! Now giddy is just the thing, To get me wondering if the consequence is seasick. One afternoon I said to myself, |
|
1:32:07 (Pop-up) |
||
| Screamin' Jay Hawkins |
I'm Lonely
|
1970 |
|
1:32:49 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Screamin - A Haiku Glorious autumn A lonely screamin paper on the elastik |
|
1:37:02 (Pop-up) |
||
| The Elastik Band |
Paper Mache
|
1967 |
|
1:37:05 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
The cloth that's really lightweight, Above all others is the crepe. Never forget the light and unimportant crepe. I saw the the floating flowering tree of my generation destroyed, How I mourned the balsa. Does the balsa make you shiver? does it? Radish is, in its way, the shredded woman of root vegetable. |
|
1:39:45 (Pop-up) |
||
| St. Giles's System |
Swedish Tears
|
1969 |
|
1:39:48 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Pay attention to the whereabouts, whereabouts are the most alleged location of all. Do whereabouts make you shiver? do they? Pay attention to the deceased, the deceased is the most private mortal of all. Does the deceased make you shiver? does it? |
|
1:42:26 (Pop-up) |
||
| Judy Henske & Jerry Yester |
Snowblind
|
1969 |
|
1:43:18 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Snowblind - A Haiku Beautiful autumn before soulful snowblind long near the bhagavad |
|
1:45:42 (Pop-up) |
||
| Bhagavad Gita |
Long Hair Soulful
|
1967 |
|
1:47:15 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Beefheart - A Haiku Wickedness autumn A soulful beefheart captain on the bhagavad |
|
1:52:04 (Pop-up) |
||
| Captain Beefheart and His Magic Band |
Who Do You Think You're Fooling?
|
1966 |
|
1:52:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Beefheart, Part 2 - A Haiku Previous autumn before short beefheart captain above the captain |
|
1:54:41 (Pop-up) |
||
| The id |
Short Circut
|
1967 |
|
1:55:19 (Pop-up) | ||
| Fathers Angels |
Bok to Bach
|
Bok To Bach / Disco Trucking |
|
1:58:14 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
One afternoon I said to myself, "Why aren't omissions more noncrucial?" Are you upset by how determining they are? Does it tear you apart to see the omissions so decisive? All that is intensive is not prefaces, prefaces, by all account is extensive. Down, down, down into the darkness of the prefaces, Gently they go - the intensive, the sweeping, the big. |
|
2:00:25 (Pop-up) |
||
| The Velvet Underground & Nico |
Sunday Morning
|
1966 |
|
2:01:17 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
2:04:06 (Pop-up) |
|||
| The United States Of America |
The American Metaphysical Circus
|
1968 |
|
2:05:01 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
American - A Haiku Previous autumn A young, american pale the america |
|
2:09:12 (Pop-up) |
||
| Procol Harum |
A Whiter Shade Of Pale
|
1967 |
|
2:09:48 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Glitterhouse - A Haiku Beautiful autumn A vocal glitterhouse love the generation |
|
2:14:41 (Pop-up) |
||
| The Bob Crewe Generation Orchestra |
I Love All The Love In You (Vocal: The Glitterhouse)
|
1968 |
|
2:14:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Glitterhouse, Part 2 - A Haiku Beautiful autumn before glitterhouse balloon a generation |
|
2:18:47 (Pop-up) |
||
| Pretty Things |
Balloon Burning (A Phase In The Life Of S.F. Sorrow)
|
Private Sorrow | 1968 |
|
2:19:23 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Burning - A Haiku Depressing autumn A drunken burning balloon at the old balloon |
|
2:23:07 (Pop-up) |
||
| monks |
Drunken Maria
|
1966 |
|
2:23:34 (Pop-up) | ||
| The Ceylibe People |
Changes (Tygstl): from "Tanyet"
|
1968 |
|
2:25:16 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Maria - A Haiku Darkening autumn A drunken maria like after the lady |
|
2:27:30 (Pop-up) |
||
| lee hazlewood |
You Look Like A Lady
|
1972 |
|
2:28:54 (Pop-up) | ||
| Blood Sweat & Tears |
My Days Are Numbered
|
Blood, Sweat And Tears | 1968 |
|
2:31:37 (Pop-up) | |
Music behind DJ: The Beatles |
The Bus
|
|
2:33:13 (Pop-up) |
|||
| The Head Shop |
Head Shop
|
1969 |
|
2:34:29 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
2:38:18 (Pop-up) |
|||
| daughters of albion |
hey, you, wait, stay
|
1968 |
|
2:38:22 (Pop-up) | ||
| The Weeds |
Little Girl
|
1966 |
|
2:40:12 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Nitzsche - A Haiku Glorious autumn suddenly merry nitzsche hound watching the clayton |
|
2:43:29 (Pop-up) |
||
| Jack Nitzsche |
Poor White Hound Dog - Vocal by Merry Clayton
|
1970 |
|
2:43:51 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
The Merry And Growing Concern Whose concern is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his concern a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:46:40 (Pop-up) |
||
| The Growing Concern |
Other Side Of Life
|
1968 |
|
2:47:55 (Pop-up) | ||
| The Velvet Underground |
White Light / White Heat
|
1967 |
|
2:52:25 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Yardbirds - A Haiku Glorious autumn A growing yardbirds concern despite the concern |
|
2:55:08 (Pop-up) |
||
| The Yardbirds |
Ha Ha Said The Clown
|
1967 |
|
2:55:38 (Pop-up) | ||
| Johnny Pearson |
Grand Prix
|
1968 | 2:57:56 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
How happy are lcd tvs! Do tvs make you shiver? do they? A digital, however hard it tries, Will always be oral. Never forget the aboral and spoken digital. I cannot help but stop and look at the yellow switcher. Does the switcher make you shiver? |
|
3:00:25 (Pop-up) |
||
| Smokey & His Sister |
A Lot of Lovin'
|
1967 |
|
3:01:14 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
3:03:35 (Pop-up) |
|||
| Blossom Toes |
Love Is
|
1967 |
|
3:03:53 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Electric - A Haiku Glorious autumn A steam, electric blossom watching the blossom |
|
3:06:25 (Pop-up) |
||
| The Electric Banana |
(Vocal Tracks): It'll Never Be Me (Catchy - strong rhythm - medium tempo)
|
1969 |
|
3:07:53 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Electric, Part 2 - A Haiku Beautiful autumn A pan, electric travel watching the gandalf |
|
3:11:59 (Pop-up) |
||
| Gandalf |
Can You Travel In The Dark Alone
|
1969 |
|
3:13:23 (Pop-up) | ||
| The Red Krayola |
Save The House
|
1968 |
|
3:15:19 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Tomorrow - A Haiku Glorious autumn A brown tomorrow travel under the colonel |
|
3:16:27 (Pop-up) |
||
| Tomorrow |
Colonel Brown
|
1968 |
|
3:17:55 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Elevators - A Haiku Glorious autumn A brown elevators floor on the tomorrow |
|
3:20:31 (Pop-up) |
||
| The 13th Floor Elevators |
She Lives In (A Time Of Her Own)
|
1967 |
|
3:20:51 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Pay attention to the stairway, the stairway is the most graceful way of all. Does the stairway make you shiver? does it? Floors, however hard they try, Will always be ocean. Do floors make you shiver? do they? |
|
3:23:25 (Pop-up) |
||
| The Byrds |
Child Of The Universe
|
1969 |
|
3:24:13 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Accompaniment - A Haiku Beautiful autumn before accompaniment love near the electric |
|
3:26:45 (Pop-up) |
||
| Electric Banana |
Vocal Version with Accompaniment: I Love You
|
More Electric Banana | 1968 |
|
3:27:43 (Pop-up) | |
| Daughters Of Albion |
Story Of Sad
|
1968 |
|
3:29:50 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Accompaniment, Part 2 - A Haiku Early dampness fall before accompaniment love by the reflections |
|
3:31:53 (Pop-up) |
||
| The Millennium |
It's You
|
1968 |
|
3:33:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
3:36:06 (Pop-up) |
|||
| McGough & McGear |
Ex-Art Student
|
1968 |
|
3:37:03 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
3:42:35 (Pop-up) |
|||
| July |
Dandelion Seeds
|
1968 |
|
3:42:56 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Dandelion - A Haiku Glorious autumn A false, dandelion still at the perfect still |
|
3:46:06 (Pop-up) |
||
| The Moody Blues |
Sun is still shining.
|
1969 |
|
3:46:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
River - A Haiku Beautiful autumn A merciful river still betrayed by the monks |
|
3:50:19 (Pop-up) |
||
| Mad River |
Merciful Monks
|
1968 |
|
3:50:54 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Moles - A Haiku Wickedness autumn A large, merciful moles part because of the moles |
|
3:54:15 (Pop-up) |
||
| The Moles |
We Are The Moles (Part 2)
|
1968 |
|
3:54:53 (Pop-up) | ||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
3:57:18 (Pop-up) | |
| Ramblers |
Soulful Jerk
|
Northern Soul Fever 2b | 3:59:21 (Pop-up) | |||
| The Aquarian Age |
10,000 Words In A Cardboard Box
|
1968 |
|
4:02:54 (Pop-up) | ||
| Moby Grape |
He
|
1967 |
|
4:04:51 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Lovecraft - A Haiku Glorious autumn A pure, cardboard lovecraft get before the cardboard |
|
4:07:55 (Pop-up) |
||
| H.P. Lovecraft |
Let's Get Together
|
1967 |
|
4:08:25 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
4:13:50 (Pop-up) |
|||
| Aphrodite's Child |
Rain And Tears
|
1968 |
|
4:15:39 (Pop-up) | ||
| New York Rock & Roll Ensemble |
Suddenly
|
1967 |
|
4:17:45 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Goddesses, however hard they try, Will always be ancient. Down, down, down into the darkness of the goddesses, Gently they go - the age-old, the antique, the old. I saw the the demeter greek deity of my generation destroyed, How I mourned the persephone. Does the persephone make you shiver? does it? |
|
4:19:13 (Pop-up) |
||
| Aorta |
Sleep Tight
|
1969 |
|
4:20:36 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Pay attention to the omission, the omission is the most complete error of all. Now self-contained is just the thing, To get me wondering if the omission is good. How happy is the calcium absent! Does the absent make you shiver? does it? I cannot help but stop and look at cunning prefaces. |
|
4:25:07 (Pop-up) |
||
| Musique De William Sheller |
Erotissimo
|
1969 |
|
4:25:46 (Pop-up) | ||
| The Bonzo Dog Doo - Dah Band |
I'm Gonna Bring a Watermelon to My Girl Tonight
|
1967 |
|
4:29:58 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
How happy is the wonderful jennifer! Down, down, down into the darkness of the jennifer, Gently it goes - the tremendous, the howling, the extraordinary. Pay attention to the gold, the gold is the most bright yellow of all. A gold is beamy. a gold is beadlike, a gold is light, however. Benefit is, in its way, the personal resources of performance. |
|
4:31:17 (Pop-up) |
||
| Kim Fowley |
Search For A Teenage Woman
|
1969 |
|
4:32:33 (Pop-up) | ||
| Eric Burdon And The Animals |
Sky Pilot Part 2
|
1968 |
|
4:35:13 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
4:38:44 (Pop-up) |
|||
| William Sheller |
Leslie Simone
|
1969 |
|
4:40:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
4:42:42 (Pop-up) |
|||
| The Merry-Go-Round |
She Laughed Loud
|
1967 |
|
4:43:28 (Pop-up) | ||
| Lothar and the Hand People |
Milkweed Love
|
1968 |
|
4:45:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I saw the the relative inconvenience of my generation destroyed, How I mourned the unavailability. Down, down, down into the darkness of the unavailability, Gently it goes - the relational, the absolute, the proportional. A dearth, however hard it tries, Will always be temporary. Never forget the visiting and pro tem dearth. The cunning inability sings like a parental authority |
|
4:47:32 (Pop-up) |
||
| The Plague |
Looking For The Sun
|
1968 |
|
4:48:27 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:43 (Pop-up) | ||||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
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