View Owl Sun's profile |
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:27 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | ||||
Popera Cosmic | La Chanson Du Liévre De Mars | 1969 | 0:03:24 (Pop-up) | |||
Le Stelle Di Mario Schifano | molto alto | 1967 | 0:07:52 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
A revised, however hard it tries, Will always be questionnaire. Does the revised make you shiver? does it? I cannot help but stop and look at the precautions neglected. Does the neglected make you shiver? does it? All that is lean is not been, |
0:11:00 (Pop-up) |
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Jason Crest | Patricia's Dream | 1968 | 0:11:43 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Scoundrels - A Haiku Shivering winter A many, sound scoundrels sound under the scoundrels |
0:14:21 (Pop-up) |
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The Soft Machine | Rivmic Melodies: Hibou Anemone And Bear | 1969 | 0:20:29 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
Satisfaction - A Haiku Wintry wintertime waterproof satisfaction out of waterproof |
0:26:28 (Pop-up) |
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Waterproof Tinkertoy | Satisfaction | 1967 | 0:26:52 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
Instant Request |
0:29:44 (Pop-up) |
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Little John and The Monks | Black Winds (Blue River, OR, U.S.A.) | 2002 | For: The Ayatolluh of Rock 'n Rolluh | 0:29:47 (Pop-up) | ||
Czar | Tread Softly On My Dreams | 1970 | 0:31:55 (Pop-up) | |||
Baby Ray And The Ferns | The World's Greatest Sinner | 1963 | 0:38:32 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:40:53 (Pop-up) | ||
The Moles | We Are The Moles (Part 1) | We Are The Moles (Part 1) | 1968 | 0:43:29 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
A freckle, however hard it tries, Will always be brown. Are you upset by how brownish it is? Does it tear you apart to see the freckle so chromatic? I saw the the large blemish of my generation destroyed, How I mourned the blackhead. Down, down, down into the darkness of the blackhead, Gently it goes - the prodigious, the astronomical, the greatest. |
0:47:51 (Pop-up) |
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Iota | Love Come Wicked | 1971 | 0:48:51 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Soundtrack - A Haiku Dismal wintertime An optical, soundtrack space a kamerasong |
0:52:27 (Pop-up) |
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The Inner Space and Rosy Rosy | Kamera-Song (Original Film Soundtrack aus dem Film "Agilok & Blubbo") | 1968 | 0:52:47 (Pop-up) | |||
The Third Booth | Mysteries | 1968 | 0:55:13 (Pop-up) | |||
Bob Guy | Letter From Jeepers | 1963 | 0:56:55 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:59:13 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Soundtrack, Part 2 - A Haiku Gloomy wintertime An audio, soundtrack space the kamerasong |
1:00:26 (Pop-up) |
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The End | Under The Rainbow | 1969 | 1:01:25 (Pop-up) | |||
The 13th Power | Fourteen Or Fight | 1968 | 1:05:12 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
The In And Wild Rainbow Whose rainbow is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his rainbow a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:07:52 (Pop-up) |
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Jerry Howard | Wild In The Streets | 1968 | 1:08:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
The Wild And Second Second Whose second is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his second a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:12:05 (Pop-up) |
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The Second Time | Listen To The Music | 1968 | 1:12:49 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Second - A Haiku Muddy wintertime A second second second after the music |
1:15:30 (Pop-up) |
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Tyde | Lost | 1:15:50 (Pop-up) | ||||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
1:18:48 (Pop-up) |
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Popera Cosmic | Poursuite | 1969 | 1:18:57 (Pop-up) | |||
Le Stelle Di Mario Schifano | e dopo | 1967 | 1:21:50 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
1:23:59 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 1:24:16 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
How happy is the socialist hardie! Does the hardie make you shiver? does it? How happy is the rich beckford! Now poor is just the thing, To get me wondering if the beckford is deep. I cannot help but stop and look at wooly phyllis. Do phyllis make you shiver? |
1:26:58 (Pop-up) |
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Ray Hummell III | Fine Day | 1967 | 1:27:34 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
I cannot help but stop and look at the classical tata. Does the tata make you shiver? does it? I cannot help but stop and look at the 28th aar. Does the aar make you shiver? does it? The wooly mila sings like poor friends Are you upset by how confused it is? |
1:30:00 (Pop-up) |
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The Soft Machine | Rivmic Melodies: Dada Was Here | 1969 | 1:30:48 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Melodies - A Haiku Nighttime wintertime A clean melodies machine watching the machine |
1:35:08 (Pop-up) |
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Mr. Clean | Mr. Clean | 1964 | 1:35:43 (Pop-up) | |||
Small Faces | (Tell Me) Have You Ever Seen Me | 1967 | 1:37:48 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Deviants - A Haiku Muddy wintertime A such, clean deviants clean at the perfect clean |
1:39:51 (Pop-up) |
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The Deviants | Slum Lord | 1968 | 1:40:33 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
The absent is not paranormal! the absent is exceptionally abnormal. Down, down, down into the darkness of the absent, Gently it goes - the average, the abnormal, the typical. The belief that's really physical, Above all others is the presence. Are you upset by how mental it is? Does it tear you apart to see the presence so forceful? |
1:42:48 (Pop-up) |
|||
The Wrongh Black Bag | Wake Me, Shake Me | 1968 | 1:43:30 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
I cannot help but stop and look at the father absence. Does the absence make you shiver? does it? A gone, however hard it tries, Will always be notice. Does the gone make you shiver? does it? Just like private 1950s, is the deceased. |
1:46:01 (Pop-up) |
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Czar | Follow Me | 1970 | 1:46:49 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
1:50:07 (Pop-up) |
||||
Andy Warhol | Andy Warhol's Index (Book) | 1967 | 1:50:20 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:54:45 (Pop-up) |
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The Zodiac | Cancer - The Moon Child | 1967 | 1:55:10 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 1:58:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Candyo67 - A Haiku Dismal wintertime A better candyo67 better above the better |
2:00:26 (Pop-up) |
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The Holy Modal Rounders | The Second-Hand Watch: The I. W. W. Song | 1967 | 2:01:08 (Pop-up) | |||
Jason Crest | (Here We Go Round) The Lemon Tree | 1968 | 2:05:14 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Secondhand - A Haiku Dampen wintertime A modal secondhand watch out of jefferson |
2:08:12 (Pop-up) |
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Jefferson Airplane | Hey Fredrick | 1969 | 2:08:44 (Pop-up) | |||
The Gurus | Shelly In Camp | 1968 | 2:17:45 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
2:19:20 (Pop-up) |
||||
The Ceylibe People | Changes (Tygstl): from "Tanyet" | 1968 | 2:19:39 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
A forgotten, however hard it tries, Will always be deep. Down, down, down into the darkness of the forgotten, Gently it goes - the inscrutable, the distant, the cryptic. I must submit with the plato revised again, Pause to submit, like the revised does. The wooly neglected sings like miserable faces Are you upset by how hirsute it is? |
2:21:48 (Pop-up) |
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The End | What Does It Feel Like | 1969 | 2:22:36 (Pop-up) | |||
The Byrds | Renaissance Fair | 1967 | 2:25:18 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
A forgotten, however hard it tries, Will always be deep. Down, down, down into the darkness of the forgotten, Gently it goes - the inscrutable, the distant, the cryptic. I must submit with the plato revised again, Pause to submit, like the revised does. The wooly neglected sings like miserable faces Are you upset by how hirsute it is? |
2:27:05 (Pop-up) |
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The Elastik Band | Spazz | 1967 | 2:27:53 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Why would you think the deceased is intermediate? the deceased is the most first somebody of all. Are you upset by how forward it is? Does it tear you apart to see the deceased so low? I cannot help but stop and look at the whom failing. Does the failing make you shiver? does it? How happy are wooly whereabouts! |
2:30:35 (Pop-up) |
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Brainticket | Black Sand | 1971 | 2:31:12 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Message - A Haiku Hazy wintertime A last, safe message message at the old candy |
2:35:13 (Pop-up) |
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Donovan | Bert's Blues | 1966 | 2:35:43 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
How happy is the liberal left! Does the left make you shiver? does it? The disappear that's really dead, Above all others is the absent. An absent is nonextant. an absent is nonresonant, an absent is animate, however. Just like a consonant part, is omissions. |
2:39:38 (Pop-up) |
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The Blues Creation | Checkin' up on my baby | 1969 | 2:41:11 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Sunshine - A Haiku Muddy wintertime A golden, sunshine message near the positive |
2:46:01 (Pop-up) |
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Third World War | Ascension Day | 1971 | 2:46:44 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The cardinal compass point that's really developed, Above all others is the west. Are you upset by how highly-developed it is? Does it tear you apart to see the west so mature? I saw the the happy shelter of my generation destroyed, How I mourned the asylum. Down, down, down into the darkness of the asylum, Gently it goes - the paradisiacal, the pleased, the euphoric. |
2:51:31 (Pop-up) |
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Le Stelle Di Mario Schifano | molto lontano (a colori) | 1967 | 2:52:20 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
prefaces are not descriptive! prefaces are exceptionally diachronic. Do prefaces make you shiver? do they? A neglected, however hard it tries, Will always be colombian. Does the neglected make you shiver? does it? |
2:55:04 (Pop-up) |
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Blonde on Blonde | Goodbye | 1969 | 2:55:43 (Pop-up) | |||
Thee Midniters | Down Whittier Blvd. | 2:57:50 (Pop-up) | ||||
Charles Fox | The Green Slime | A Fistful of Fuzz | 3:00:08 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Don't belive that the forgotten is big? the forgotten is small beyond belief. Never forget the narrow and low forgotten. A left, however hard it tries, Will always be blank. Down, down, down into the darkness of the left, Gently it goes - the white, the empty, the dummy. Just like a subject end, is the omission. |
3:00:27 (Pop-up) |
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Yochanan | M Uck M Uck (Matt Matt) | 1957 | 3:01:21 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Message - A Haiku Parky wintertime A gospel, message message despite the shiver |
3:04:05 (Pop-up) |
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The Mojo | Crazy Midnight | 1969 | 3:04:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Pay attention to the sept, the sept is the most mid descent of all. Does the sept make you shiver? does it? I cannot help but stop and look at the australian november. Does the november make you shiver? does it? January is lst government. |
3:07:06 (Pop-up) |
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Czar | A Day In September | 1970 | 3:07:48 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Encouragement - A Haiku Parky wintertime A more, encouragement smoke betrayed by the scott67 |
3:15:41 (Pop-up) |
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Warm Sounds | Nite Is A Comin' b/w Smeta Murgaty | 1967 | 3:17:15 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Kitchen - A Haiku Sunless wintertime A common, kitchen complete despite the message |
3:22:55 (Pop-up) |
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Mecki Mark Men | Is He Safe? | 1969 | 3:23:48 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Jefferson - A Haiku Heavy wintertime A great, blue jefferson mark under the airplane |
3:27:54 (Pop-up) |
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Jefferson Airplane | Eskimo Blue Day | 1969 | 3:28:27 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Jefferson, Part 2 - A Haiku Sunless wintertime An aged, well jefferson tell beyond the airplane |
3:34:57 (Pop-up) |
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The Zipps | When You Tell It, Tell It Well | 1969 | 3:35:22 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 3:38:26 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Nonsense - A Haiku Dismal wintertime A better nonsense message before the nonsense |
3:39:34 (Pop-up) |
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The Fun and Games | Close To Carmel | 1968 | 3:40:28 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
How happy is the mere play! Are you upset by how simple it is? Does it tear you apart to see the play so bare? Pay attention to the match, the match is the most first family of all. Are you upset by how first-year it is? Does it tear you apart to see the match so oldest? How happy are big contests! |
3:42:59 (Pop-up) |
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The End | Don't Take Me | 1969 | 3:43:49 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
3:47:05 (Pop-up) |
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Donovan | The Fat Angel | 1966 | 3:49:59 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Donovan - A Haiku Gloomy wintertime A young, donovan silver before the apples |
3:54:06 (Pop-up) |
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Silver Apples | Ruby | 1969 | 3:54:29 (Pop-up) | |||
Fathers Angels | Bok to Bach | Bok To Bach / Disco Trucking | 3:56:52 (Pop-up) | |||
Thee Midniters | Down Whittier Blvd. | 3:59:30 (Pop-up) | ||||
The Byrds | Mind Gardens | 1967 | 4:01:46 (Pop-up) | |||
The Kitchen Cinq | Determination | 1966 | 4:05:00 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
4:06:58 (Pop-up) |
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Joyfull Noise | People Get Together | 1968 | 4:07:16 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
How happy is the free happy! Does the happy make you shiver? does it? A merry, however hard it tries, Will always be disgruntled. Does the merry make you shiver? does it? Just like a little lovely, is the lovely. |
4:09:43 (Pop-up) |
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John Fitch and Associates | Romantic Attitude | 1969 | 4:10:35 (Pop-up) | |||
The Spike Drivers | Baby Won't You Let Me Tell You | 1966 | 4:13:44 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
4:16:02 (Pop-up) |
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Yochanan | Hot Skillet Mama | 1957 | 4:16:35 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
An absent, however hard it tries, Will always be very. Now rattling is just the thing, To get me wondering if the absent is real. I cannot help but stop and look at the precautions neglected. Does the neglected make you shiver? does it? Prefaces are original article. |
4:19:45 (Pop-up) |
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Steamhammer | Windmill | 1969 | 4:20:24 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy is the might been! Does the been make you shiver? does it? I cannot help but stop and look at inadvertent omissions. Do omissions make you shiver? do they? Like a manual structure, the revised likes to submit. Does the revised make you shiver? |
4:24:48 (Pop-up) |
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The Soft Machine | Rivmic Melodies: Hibou Anemone And Bear | 1969 | 4:25:37 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I cannot help but stop and look at the immediate presence. Are you upset by how contiguous it is? Does it tear you apart to see the presence so fast? A lack, however hard it tries, Will always be resultant. A lack is sequent. a lack is consequent, a lack is ensuant, however. I saw the the zany cognition of my generation destroyed, |
4:31:36 (Pop-up) |
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Jason Crest | Patricia's Dream | 1968 | 4:32:21 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
4:35:00 (Pop-up) |
||||
Rupert's People | I've Got The Love | 1968 | 4:35:10 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Documentary - A Haiku Icy wintertime documentary people into the excerpts |
4:39:05 (Pop-up) |
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Jefferson Airplane | Meadowlands | 1969 | 4:43:16 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
4:44:15 (Pop-up) |
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Montage | Grand Pianist | 1969 | 4:44:38 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
4:47:03 (Pop-up) |
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Wonderland | Moscow | 1968 | 4:47:19 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:00 (Pop-up) | ||||
The United States Of America | Hard Coming Love | The United States Of America | 1968 |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Mod Mokka Matti:
Owl Sun:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
northguineahills:
tom tom the pipers son:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
bill hanke:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Candy-O'67:
coelacanth∅:
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
coelacanth∅:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Owl Sun:
Candy-O'67:
coelacanth∅:
Candy-O'67:
tom tom the pipers son:
coelacanth∅:
("upstate")
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Andrew Hollywood:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
northguineahills:
tom tom the pipers son:
Owl Sun:
Candy-O'67:
Candy-O'67:
Candy-O'67:
northguineahills:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
coelacanth∅:
Scott67:
Hubig Pie:
Owl Sun:
coelacanth∅:
yeah i just gave up trying to find my fm antenna... because i do (usually) have the option of listening top the main stream that way.
...but it's buried
Scott67:
Owl Sun:
coelacanth∅:
Scott67:
Hubig Pie:
Scott67:
Owl Sun:
Owl Sun:
Scott67:
coelacanth∅:
coelacanth∅:
coelacanth∅:
Scott67:
Scott67:
coelacanth∅:
Scott67:
coelacanth∅:
Scott67:
Scott67:
coelacanth∅:
Scott67:
Owl Sun:
Owl Sun:
Owl Sun:
coelacanth∅:
this apartment has no switched outlets; and my fm signal is spotty anyway.
coelacanth∅:
Thank You!
Scott67:
coelacanth∅:
it's a veritable dream home.
Scott67:
Scott67:
Owl Sun:
Scott67:
coelacanth☯:
Owl Sun:
Owl Sun:
coelacanth☯:
Owl Sun:
Owl Sun:
Scott67:
coelacanth☯:
coelacanth☯:
no he's away, for 9? days now so far...which makes him quite tolerable!
Scott67:
Scott67:
coelacanth☯:
Scott67:
Scott67:
Owl Sun:
Owl Sun:
coelacanth☯:
too much to get into; but i think i'm only a semi-idiot.
Scott67:
Scott67:
Owl Sun:
Scott67:
coelacanth☯:
Thanks owl sun g'night everone
Scott67:
Owl Sun: