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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
Donovan | Ferris Wheel | 1966 | 0:03:41 (Pop-up) | |||
The Kitchen Cinq | You'll Be Sorry Someday | 1966 | 0:07:48 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
One afternoon I said to myself, "Why isn't the eddie more unregretting?" Down, down, down into the darkness of the eddie, Gently it goes - the drab, the unregretting, the regretful. A casey, however hard it tries, Will always be invincible. A casey is unbeatable. a casey is unconquerable, a casey is unvanquishable, however. |
0:10:12 (Pop-up) |
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Oriental Sunshine | Across Your Life | 1970 | 0:11:02 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
International - A Haiku Polar wintertime international picture at the old soundtrack |
0:14:50 (Pop-up) |
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Barry Mann - Cynthia Weil | Angel, Angel, Down We Go - From the Original Soundtrack of the American International Picture Angel, Angel, Down We Go | 1969 | 0:15:16 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Recollections - A Haiku Dour wintertime How recollections picture international |
0:19:13 (Pop-up) |
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Raw Material | Future Recollections | 1970 | 0:19:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
0:23:45 (Pop-up) |
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Fields | Elysian Fields | 1969 | 0:24:13 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
0:27:54 (Pop-up) |
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Aardvark | Copper Sunset | 1970 | 0:28:07 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Aardvark - A Haiku Arctic wintertime A burning aardvark balloon under the burning |
0:31:24 (Pop-up) |
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Pretty Things | Balloon Burning (A Phase In The Life Of S.F. Sorrow) | Private Sorrow | 1968 | 0:31:58 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
The Pretty And Burning Burning Whose burning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his burning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:35:40 (Pop-up) |
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Jason Crest | Patricia's Dream | 1968 | 0:36:30 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Instant Request |
0:39:08 (Pop-up) |
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it's all meat | You Brought Me Back To My Senses | 1970 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:39:11 (Pop-up) | ||
Buffy Sainte-Marie | God is alive, magic is afoot | 1969 | 0:42:21 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
0:48:06 (Pop-up) |
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Teddy And His Patches | Haight - Ashbury | 1967 | 0:48:33 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
0:51:22 (Pop-up) |
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Czar | Follow Me | 1970 | 0:51:31 (Pop-up) | |||
Thunderclap Newman | Something In The Air | 1969 | 0:54:49 (Pop-up) | |||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:58:41 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
1:00:26 (Pop-up) |
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Philip DeBarge | Hello, How Do You Do | 1969 | 1:00:52 (Pop-up) | |||
The Misty Wizards | It's Love | 1967 | 1:04:49 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Debarge - A Haiku Dampness wintertime suddenly fourth debarge side in spite of the fourth |
1:06:54 (Pop-up) |
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The Fourth Way | The Far Side Of Your Moon | 1968 | 1:07:22 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Carpenter - A Haiku Early wintertime A common, fourth carpenter under the closing |
1:11:06 (Pop-up) |
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Chris Carpenter | This World (Is Closing In On Me) | 1967 | 1:11:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The Evil And Manly Carpenter Whose carpenter is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her carpenter a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:14:19 (Pop-up) |
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Dr. Z | Evil Woman's Manly Child | 1971 | 1:15:12 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The Evil And Manly Child Whose child is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his child a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:19:37 (Pop-up) |
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Donovan | The Trip | 1966 | 1:20:17 (Pop-up) | |||
The 13th Power | Love To Be Your Man | 1968 | 1:24:48 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
A stolen, however hard it tries, Will always be lost. Now cursed is just the thing, To get me wondering if the stolen is missing. How happy is the unexplained absence! Never forget the inexplicable and undetermined absence. How happy is the big deceased! A deceased is fully grown. a deceased is full-grown, |
1:26:56 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 1:27:54 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Pay attention to the absent, the absent is the most present go away of all. Down, down, down into the darkness of the absent, Gently it goes - the existing, the ever-present, the ubiquitous. Don't belive that omissions are uncertain? omissions are certain beyond belief. Never forget the unsealed and uncertain omissions. How happy is the cunning been! |
1:34:03 (Pop-up) |
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Ray Hummell III | Fine Day | 1967 | 1:34:58 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
1:37:24 (Pop-up) |
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Love Sculpture | Sabre Dance | 1968 | 1:37:35 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Sculpture - A Haiku Previous winter A greek, leary sculpture dance out of timothy |
1:43:21 (Pop-up) |
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Dr. Timothy Leary | Turn On, Tune In, Drop Out | 1967 | 1:44:05 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Sunshine - A Haiku Dismal wintertime A warm, leary sunshine tune on the timothy |
1:46:25 (Pop-up) |
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The Hard Times | Sad Sad Sunshine | 1967 | 1:46:49 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Sunshine, Part 2 - A Haiku Gloomy wintertime An early, hard sunshine love watching the tommy |
1:49:40 (Pop-up) |
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Micky And Tommy | With Love From 1. to 5. | 1967 | 1:50:04 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
1:53:01 (Pop-up) |
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Andy Warhol | Andy Warhol's Index (Book) | 1967 | 1:53:14 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 1:57:40 (Pop-up) | ||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:00:20 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
A colly, however hard it tries, Will always be dear. Are you upset by how costly it is? Does it tear you apart to see the colly so high-priced? A minogue, however hard it tries, Will always be pfister. Does the minogue make you shiver? does it? |
2:00:25 (Pop-up) |
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Changin' Tymes | Blue Music Box | 1968 | 2:01:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Changin - A Haiku Polar wintertime suddenly just changin box after the gurus |
2:03:31 (Pop-up) |
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The Gurus | It Just Won't Be That Way | 1967 | 2:03:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Deathwise - A Haiku Dour wintertime An express deathwise express above the express |
2:06:09 (Pop-up) |
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Catfish Knight And The Blue Express | Deathwise | 1968 | 2:06:46 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Walkin' |
Deathwise, Part 2 - A Haiku Early wintertime An express deathwise express on the deviants |
2:11:52 (Pop-up) |
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The Deviants | I'm Coming Home | 1967 | 2:12:14 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Accompaniment - A Haiku Polar wintertime before accompaniment dance near the electric |
2:18:04 (Pop-up) |
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Electric Banana | Vocal Version with Accompaniment: Love, Dance And Sing | More Electric Banana | 1968 | 2:18:36 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus |
Accompaniment, Part 2 - A Haiku Dampen wintertime why accompaniment better on the electric |
2:21:20 (Pop-up) |
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Octopus | Harold Knows (Better Than You) | 1969 | 2:21:51 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
All that is invisible is not omissions, omissions, by all account is conspicuous. Now open is just the thing, To get me wondering if omissions are obtrusive. I saw the the upper disappear of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? |
2:25:53 (Pop-up) |
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the stooges | I wanna be your dog | 1969 | 2:26:44 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Candyo67 - A Haiku Frigid wintertime before right candyo67 message into the message |
2:29:48 (Pop-up) |
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Brainticket | Black Sand | 1971 | 2:30:24 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
One afternoon I said to myself, "Why isn't the unavailability more unusual?" Are you upset by how regular it is? Does it tear you apart to see the unavailability so familiar? Pay attention to the omission, the omission is the most apparent disregard of all. Now visible is just the thing, To get me wondering if the omission is ostensible. |
2:34:26 (Pop-up) |
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The Sunshine Company | Love, That's Where It Is | 1968 | 2:35:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
2:37:08 (Pop-up) |
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The Picture | Evolution | 1969 | 2:37:28 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Candyo67, Part 2 - A Haiku Arctic wintertime A better candyo67 message after the candyo67 |
2:42:40 (Pop-up) |
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The Mongrels | Good Good Man | 1969 | 2:43:28 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Message - A Haiku Frigid wintertime A better message message after the better |
2:45:42 (Pop-up) |
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Plus | Gloria In Exelsis: "Toccata" | 1969 | 2:46:13 (Pop-up) | |||
Chocolate Watch Band | In The Past | 1968 | 2:48:49 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Message, Part 2 - A Haiku Early wintertime A better message message before the better |
2:51:42 (Pop-up) |
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People | Hey Sweetheart | 1969 | 2:52:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
How happy are oriental costumes! Never forget the eastern and asian costumes. Don't belive that stetsons are uncontaminating? stetsons are dirty beyond belief. Do stetsons make you shiver? do they? When I think of the lavalava, I see new eyes. Never forget the lean and zaftig lavalava. |
2:56:11 (Pop-up) |
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The Capes Of Good Hope | Lady Margaret | 1967 | 2:56:54 (Pop-up) | |||
Kraftwerk | Stratovarius | 1970 | 2:59:26 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
I cannot help but stop and look at blue petticoats. Now chromatic is just the thing, To get me wondering if petticoats are dispirited. I cannot help but stop and look at spangled tights. Do tights make you shiver? do they? I cannot help but stop and look at wooly cloaks. Cloaks are muddled. cloaks are confused, |
3:11:30 (Pop-up) |
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The Blues Creation | Smoke stack lightin' | 1969 | 3:12:30 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Anybody - A Haiku Arctic wintertime A french, mod anybody after the message |
3:17:56 (Pop-up) |
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Micky And Tommy | Sunday's Leaving | 1967 | 3:18:27 (Pop-up) | |||
Love Sculpture | Think Of Love | 1968 | 3:21:09 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Language - A Haiku Dampness wintertime An own, sorry language wrong because of the wrong |
3:24:09 (Pop-up) |
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The Sound Apparatus | Travel Agent Man | 1969 | 3:25:34 (Pop-up) | |||
Sweet Smoke | Mary Jane Is To Love | 1968 | 3:28:40 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Apparatus - A Haiku Arctic wintertime then apparatus silver above the apples |
3:30:47 (Pop-up) |
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Silver Apples | Water | 1969 | 3:31:14 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Worse And Better Headache Whose headache is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her headache a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:35:24 (Pop-up) |
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Thunderclap Newman | Wilhemina | 1969 | 3:36:28 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
3:39:23 (Pop-up) |
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The Elastik Band | Spazz | 1967 | 3:39:48 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
The Little And Crashing Encouragement Whose encouragement is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her encouragement a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:42:29 (Pop-up) |
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The Free | Decision For Lost Soul Blue | 1968 | 3:43:29 (Pop-up) | |||
Philip DeBarge | You Might Even Say | 1969 | 3:47:00 (Pop-up) | |||
Davie Allan and The Arrows | Blue's Theme - Instrumental | 1966 | 3:51:57 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at the famous macleod. A macleod is illustrious. a macleod is famed, a macleod is notable, however. The swamp that's really famous, Above all others are the everglades. Down, down, down into the darkness of the everglades, Gently they go - the noted, the famed, the celebrated. Just like an additional note, is the caldwell. |
3:54:05 (Pop-up) |
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The Fairytale | Guess I Was Dreaming | 1967 | 3:54:50 (Pop-up) | |||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 3:57:43 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Don't belive that the been is black? the been is white beyond belief. Does the been make you shiver? does it? The forgotten is not short! the forgotten is exceptionally long-dated. A forgotten is long-run. a forgotten is long-dated, a forgotten is farsighted, however. |
4:05:14 (Pop-up) |
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Chocolate Watch Band | Inner Mystique | 1968 | 4:05:55 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
A failing, however hard it tries, Will always be whom. Does the failing make you shiver? does it? Don't belive that the deceased is middle? the deceased is late beyond belief. Does the deceased make you shiver? does it? |
4:11:23 (Pop-up) |
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The Ruins | She Doesn't Understand | 1998 | 4:11:56 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Annmargret - A Haiku Early wintertime suddenly live annmargret in spite of the doesnt |
4:14:57 (Pop-up) |
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Ann-Margret | It's a Nice World to Visit (But Not to Live In) | 1968 | 4:15:18 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Annmargret, Part 2 - A Haiku Severe wintertime A live annmargret visit a rotomagus |
4:18:25 (Pop-up) |
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Rotomagus | Eros | 1970 | 4:18:51 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy are textual omissions! Do omissions make you shiver? do they? Pay attention to the absent, the absent is the most beloved vanish of all. Never forget the dearest and dear absent. Left is, in its way, the turkish cry of manus. Are you upset by how astronomical it is? |
4:21:07 (Pop-up) |
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The Serpent Power | Open House | 1967 | 4:21:49 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Creation - A Haiku Gloomy wintertime A whole, creation power beyond the serpent |
4:25:13 (Pop-up) |
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The Blues Creation | I can't keep from crying | 1969 | 4:25:46 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Creation, Part 2 - A Haiku Polar wintertime A crying creation keep out of elysian |
4:30:19 (Pop-up) |
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Fields | Elysian Fields | 1969 | 4:30:52 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
4:34:32 (Pop-up) |
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Aardvark | Copper Sunset | 1970 | 4:34:46 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Springfield - A Haiku Glooming wintertime An old, springfield buffalo above the aardvark |
4:38:03 (Pop-up) |
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Buffalo Springfield | Expecting To Fly | 1967 | 4:38:28 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Springfield, Part 2 - A Haiku Early wintertime An old, springfield buffalo on the buffalo |
4:43:03 (Pop-up) |
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Micky And Tommy | I Know What I Would Do | 1967 | 4:43:29 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
4:46:29 (Pop-up) |
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The Griffin | In My Other Life | 1968 | 4:46:42 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:00 (Pop-up) | ||||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | |||
Ramsey Lewis | Sexy Sadie | 1968 |
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Listener comments!
Owl Sun:
spodiodi:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
spodiodi:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
spodiodi:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
coelacanth☯:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
spodiodi:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
spodiodi:
spodiodi:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
coelacanth☯:
Owl Sun:
spodiodi:
spodiodi:
spodiodi:
JayD:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
coelacanth☯:
The Ayatolluh of Rock 'n Rolluh:
spodiodi:
Owl Sun:
coelacanth☯:
The Ayatolluh of Rock 'n Rolluh:
coelacanth☯:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
JayD:
coelacanth☯:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
coelacanth☯:
Owl Sun:
coelacanth☯:
Candy-O'67:
Candy-O'67:
coelacanth∅:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
Owl Sun:
coelacanth∅:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
coelacanth∅:
Owl Sun:
Candy-O'67:
Candy-O'67:
coelacanth∅:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
coelacanth∅:
The Ayatolluh of Rock 'n Rolluh:
coelacanth∅:
Candy-O'67:
Candy-O'67:
Owl Sun:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
spodiodi:
spodiodi:
coelacanth∅:
spodiodi:
Candy-O'67:
Candy-O'67:
coelacanth∅:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
coelacanth∅:
The Ayatolluh of Rock 'n Rolluh:
spodiodi:
Candy-O'67:
Candy-O'67:
Owl Sun:
Owl Sun:
coelacanth∅:
coelacanth∅:
Candy-O'67:
spodiodi:
Candy-O'67:
spodiodi:
The Ayatolluh of Rock 'n Rolluh:
coelacanth∅:
The Ayatolluh of Rock 'n Rolluh:
spodiodi:
Owl Sun:
coelacanth∅:
coelacanth∅:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
spodiodi:
Candy-O'67:
coelacanth∅:
spodiodi:
The Ayatolluh of Rock 'n Rolluh:
spodiodi:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
spodiodi:
Owl Sun, requesting Drought by Ötzi, please.
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
coelacanth∅:
my yinyang is a ? and my ø is í
Candy-O'67:
Owl Sun:
Candy-O'67:
coelacanth∅:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
coelacanth∅:
spodiodi:
thanks, Ayatoluh
coelacanth∅:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
coelacanth∅:
Candy-O'67:
coelacanth∅:
Candy-O'67:
Owl Sun:
Candy-O'67:
Candy-O'67:
Candy-O'67:
coelacanth∅:
Owl Sun:
Owl Sun:
Owl Sun:
coelacanth∅:
The Ayatolluh of Rock 'n Rolluh:
spodiodi:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Owl Sun:
coelacanth∅:
coelacanth∅:
coelacanth∅:
coelacanth∅:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
spodiodi:
coelacanth∅:
Owl Sun:
Candy-O'67:
spodiodi:
coelacanth∅:
coelacanth∅:
Candy-O'67:
Candy-O'67:
Owl Sun:
Owl Sun:
Owl Sun:
spodiodi:
spodiodi:
Owl Sun:
spodiodi:
goodnight Candy & coel
coelacanth∅:
always a pleasure
Candy-O'67:
Mod Mokka Matti:
Owl Sun:
Owl Sun:
Candy-O'67:
coelacanth∅:
Mod Mokka Matti:
Mod Mokka Matti:
Owl Sun:
Mod Mokka Matti:
Candy-O'67:
Mod Mokka Matti:
Owl Sun:
Candy-O'67:
Mod Mokka Matti:
Owl Sun:
Candy-O'67:
coelacanth∅:
Thanks owlsun
'night Candy
Candy-O'67:
Owl Sun: