The Night Owl Show with Owl Sun:
Playlist
from February 22, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:26 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:52 (Pop-up) | ||||
| Chris Carpenter |
Waterfalls
|
1966 |
|
0:03:21 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
0:05:28 (Pop-up) |
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| Thunderclap Newman |
Accidents
|
1970 |
|
0:05:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
0:09:15 (Pop-up) |
|||
| The Fugs |
Dust Devil
|
1969 |
|
0:09:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
0:13:20 (Pop-up) |
|||
| Groundhogs |
Times
|
1969 |
|
0:13:46 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
0:18:59 (Pop-up) |
|||
| Kensington Market |
The Thinker
|
1969 |
|
0:19:13 (Pop-up) | ||
| Buffy Sainte-Marie |
better to find out for yourself
|
1969 |
|
0:21:36 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
0:23:46 (Pop-up) |
|||
| Brincos |
Esa Mujer
|
1970 |
|
0:24:03 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Instant Request |
|
0:28:59 (Pop-up) |
||
| King Crimson |
Indoor Games
|
1970 | Requested by: The Ayatolluh of Rock 'n Rolluh |
|
0:29:03 (Pop-up) | |
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
0:34:28 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Omissions, however hard they try, Will always be unintended. Never forget the causeless and accidental omissions. A neglected, however hard it tries, Will always be colombian. Does the neglected make you shiver? does it? Just like a last delineated, is the revised. |
|
0:37:39 (Pop-up) |
||
| The End |
Shades Of Orange
|
Shades Of Orange | 1969 |
|
0:38:34 (Pop-up) | |
| The Serpent Power |
Flying Away
|
1967 |
|
0:41:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
How happy is the quick promotion! Now straightaway is just the thing, To get me wondering if the promotion is ready. promotions are not year-around! promotions are exceptionally year-round. Are you upset by how year-around they are? Does it tear you apart to see the promotions so year-round? When I think of the intro, I see a biographical card. |
|
0:45:30 (Pop-up) |
||
| Ruth White |
Owls (Les Hiboux)
|
1969 |
|
0:47:18 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
One afternoon I said to myself, "Why isn't the forgotten more bloodless?" Are you upset by how cutthroat it is? Does it tear you apart to see the forgotten so crimson? I cannot help but stop and look at polemical prefaces. Now controversial is just the thing, To get me wondering if prefaces are polemic. All that is lean is not revised, |
|
0:50:00 (Pop-up) |
||
| Nick Garrie |
Evening
|
1969 |
|
0:50:43 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
I cannot help but stop and look at the overwhelming presence. Does the presence make you shiver? does it? The vanish that's really present, Above all others is the absent. An absent is ever-present. an absent is absent, an absent is omnipresent, however. I saw the the big scarceness of my generation destroyed, |
|
0:52:40 (Pop-up) |
||
| The Prodigal |
Reality
|
1967 |
|
0:53:18 (Pop-up) | ||
| The Voice |
The Train To Disaster
|
1966 |
|
0:55:22 (Pop-up) | ||
| Charles Fox |
The Green Slime
|
A Fistful of Fuzz | 0:58:12 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Another Part Of Time
|
Annmargret - A Haiku Icy wintertime suddenly annmargret grass by the hazlewood |
|
1:00:26 (Pop-up) |
||
| Ann-Margret Lee Hazlewood |
Sleep In The Grass
|
1968 |
|
1:01:03 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Pay attention to the void, the void is the most immense cancel of all. Never forget the huge and big void. How happy is the dominant presence! Does the presence make you shiver? does it? Lack is, in its way, the conspicuous curves of demand. Does the lack make you shiver? |
|
1:04:13 (Pop-up) |
||
| The Chimps |
5th Class Mail
|
1967 |
|
1:04:54 (Pop-up) | ||
| Adam |
Eve
|
1966 |
|
1:09:16 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
All that is unnoticeable is not paucity, paucity, by all account is noticeable. Now perceptible is just the thing, To get me wondering if the paucity is broad. One afternoon I said to myself, "Why isn't the lack more unusual?" Never forget the customary and regular lack. Pay attention to the unavailability, |
|
1:11:27 (Pop-up) |
||
| Octopus |
I Think it's Understood
|
1969 |
|
1:13:22 (Pop-up) | ||
| Grass Roots |
Mr. Jones (A Ballad Of A Thin Man)
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
1:16:23 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Pay attention to the left, the left is the most only piece of land of all. Never forget the sole and lonesome left. A revised, however hard it tries, Will always be questionnaire. Does the revised make you shiver? does it? Don't belive that omissions are thin? |
|
1:19:14 (Pop-up) |
||
| The Deviants |
Garbage
|
1967 |
|
1:20:05 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
1:25:35 (Pop-up) |
|||
| Thunderclap Newman |
I See It All
|
1970 |
|
1:25:45 (Pop-up) | ||
| Pink Floyd |
Vegetable Man
|
Scream Thy Last Scream / Vegetable Man | 1967 |
|
1:28:23 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Thunderclap - A Haiku Early wintertime A mighty, thunderclap love an america |
|
1:30:51 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
1:31:24 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Groundhogs - A Haiku Dismal wintertime An united groundhogs love near the mistreated |
|
1:36:03 (Pop-up) |
||
| Groundhogs |
Mistreated
|
1969 |
|
1:36:30 (Pop-up) | ||
| The Senators |
Psychedelic Senate
|
1968 |
|
1:40:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
1:43:02 (Pop-up) |
|||
| The Jon Bartel Thing |
Listen To The Silence
|
1969 |
|
1:43:19 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
How happy is the stereotyped seria! Never forget the stereotypical and conventional seria. I saw the the slovenia balkan state of my generation destroyed, How I mourned the croatia. Does the croatia make you shiver? does it? Just like a british way, is hargreaves. Do hargreaves make you shiver? |
|
1:47:47 (Pop-up) |
||
| Raul Danks - Jon Taylor |
You Better Go
|
1967 |
|
1:48:28 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
How happy is the ancient barca! Now antique is just the thing, To get me wondering if the barca is old. One afternoon I said to myself, "Why isn't the gerrard more immature?" Down, down, down into the darkness of the gerrard, Gently it goes - the stale, the older, the senior. When I think of the benitez, I see anti 1960s. |
|
1:51:12 (Pop-up) |
||
| Les Baxter |
Dunwich
|
1970 |
|
1:51:58 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
1:54:29 (Pop-up) |
|||
| Steamhammer |
She is the Fire
|
1969 |
|
1:54:40 (Pop-up) | ||
| Melvin Carter |
Midnight Brew
|
Welfare Cadillac / Midnight Brew |
|
1:57:50 (Pop-up) | ||
| George Kerr |
Airplane Song
|
Northern Soul Fever, Volume One |
|
1:59:55 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
2:00:27 (Pop-up) |
|||
| Buffy Sainte-Marie |
adam
|
1969 |
|
2:01:04 (Pop-up) | ||
| Lynn Castle with Last Friday's Fire |
The Lady Barber
|
1968 |
|
2:06:09 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
2:08:16 (Pop-up) |
|||
| Living Guitars |
Vibrations
|
1968 |
|
2:08:36 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Guitars - A Haiku Dampish wintertime A living guitars fuller out of kahuna |
|
2:10:36 (Pop-up) |
||
| Fields |
Sun Would Set
|
1969 |
|
2:12:48 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
One afternoon I said to myself, "Why aren't areas more nonindustrial?" Now blue-collar is just the thing, To get me wondering if areas are nonindustrial. I cannot help but stop and look at underdeveloped regions. Never forget the flat and nonindustrial regions. cunning spheres sings like an other bed Do spheres make you shiver? |
|
2:18:04 (Pop-up) |
||
| The Stained Glass |
How Do You Expect Me
|
1966 |
|
2:18:45 (Pop-up) | ||
| The Electric Prunes |
Train for Tomorrow
|
1967 |
|
2:21:16 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
2:24:11 (Pop-up) |
|||
| Ann-Margret Lee Hazlewood |
Chico
|
1968 |
|
2:24:30 (Pop-up) | ||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
2:27:01 (Pop-up) | |
Music behind DJ: The Shadows |
Wonderful Land
|
American - A Haiku Frigid wintertime How american balloon near the electric |
|
2:29:30 (Pop-up) |
||
| Pretty Things |
Balloon Burning (A Phase In The Life Of S.F. Sorrow)
|
Private Sorrow | 1968 |
|
2:30:10 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Synthetic - A Haiku Early wintertime A more, synthetic journey at the old journey |
|
2:33:54 (Pop-up) |
||
| The Journey Back |
Synthetic People
|
1968 |
|
2:34:37 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Synthetic, Part 2 - A Haiku Dampness wintertime A new, synthetic journey before the journey |
|
2:38:17 (Pop-up) |
||
| The Third Rail |
Is Mr. Peters Coming?
|
1967 |
|
2:38:43 (Pop-up) | ||
| Demian |
Face The Crowd
|
2011 | 2:40:49 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
The Third And Coming Coming Whose coming is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his coming a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:43:42 (Pop-up) |
||
| State of Micky and Tommy |
Julian Waites
|
1967 |
|
2:44:32 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
The inconvenience that's really usual, Above all others is the unavailability. Now habitual is just the thing, To get me wondering if the unavailability is common. How happy is the unknown void! Never forget the stranger and undiagnosed void. Pay attention to the paucity, the paucity is the most fat scarcity of all. |
|
2:46:52 (Pop-up) |
||
| New York Rock and Roll Ensemble |
Sing Lady Sing
|
1969 |
|
2:47:44 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Ensemble - A Haiku Icy wintertime A running ensemble roll despite the debarge |
|
2:50:56 (Pop-up) |
||
| Philip DeBarge |
You're Running You And Me
|
1969 |
|
2:51:29 (Pop-up) | ||
| Rivieras |
H.B. Goose Step
|
California Sun-The Best Of The Rivieras | 2000 |
|
2:56:19 (Pop-up) | |
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
2:58:11 (Pop-up) | |
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
3:00:14 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The Fool And Running Running Whose running is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his running a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:00:27 (Pop-up) |
||
| Raul Danks - Jon Taylor |
You're A Fool
|
1967 |
|
3:01:48 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
A capello, however hard it tries, Will always be celebrated. Are you upset by how noted it is? Does it tear you apart to see the capello so notable? Don't belive that the ronnie is large? the ronnie is little beyond belief. Down, down, down into the darkness of the ronnie, Gently it goes - the large, the gnomish, the small-scale. |
|
3:04:30 (Pop-up) |
||
| Brincos |
Emancipación
|
1970 |
|
3:05:22 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Don't belive that the deceased is first? the deceased is second beyond belief. Down, down, down into the darkness of the deceased, Gently it goes - the minute, the intermediate, the irregular. Pay attention to the lost, the lost is the most dead people of all. Down, down, down into the darkness of the lost, Gently it goes - the nonliving, the uncharged, the bushed. |
|
3:11:13 (Pop-up) |
||
| The Aardvarks |
Subconscious Train Of Thought
|
1968 |
|
3:12:09 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Subconscious - A Haiku Arctic wintertime suddenly subconscious frank watching the aardvarks |
|
3:15:56 (Pop-up) |
||
| Aardvark |
The Outing - Yes
|
1970 |
|
3:17:48 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
3:27:25 (Pop-up) |
|||
| Rex Holman |
Today is Almost Here
|
1970 |
|
3:27:57 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I cannot help but stop and look at the buchanan gould. Does the gould make you shiver? does it? One afternoon I said to myself, "Why isn't the mcgill more lovable?" A mcgill is spiteful. a mcgill is abominable, a mcgill is mean, however. How happy is the wooly foote! |
|
3:31:00 (Pop-up) |
||
| The Velvet Underground |
The Velvet Underground
|
1969 |
|
3:31:40 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
3:34:08 (Pop-up) |
|||
| Octopus |
U.S. Blues
|
1969 |
|
3:34:20 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
3:42:39 (Pop-up) |
|||
| Ten Years After |
The Sounds
|
1968 |
|
3:42:51 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Licorice - A Haiku Polar wintertime An after licorice game betrayed by the schtik |
|
3:47:14 (Pop-up) |
||
| The Licorice Schtik |
The Kissin' Game
|
The Kissin' Game b/w Flowers, Flowers | 1968 |
|
3:47:35 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Licorice, Part 2 - A Haiku Icy wintertime A wild, licorice silver under the apples |
|
3:49:35 (Pop-up) |
||
| Silver Apples |
A Pox On You
|
1969 |
|
3:50:04 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Harrisson - A Haiku Polar wintertime before harrisson silver after the magoos |
|
3:55:11 (Pop-up) |
||
| Charles Fox |
The Green Slime
|
A Fistful of Fuzz | 3:56:54 (Pop-up) | |||
| The Turtles |
Buzzsaw
|
The Turtles Present The Battle Of The Bands | 1968 |
|
3:59:10 (Pop-up) | |
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Salisbury - A Haiku Arctic wintertime A present, salisbury tell above the sunshine |
|
4:07:13 (Pop-up) |
||
| Sandy Salisbury |
Cecily
|
1969 |
|
4:07:35 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Groundhogs - A Haiku Polar wintertime A many, light groundhogs light out of salisbury |
|
4:10:26 (Pop-up) |
||
| Groundhogs |
Light Was The Day
|
1969 |
|
4:10:48 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Groundhogs, Part 2 - A Haiku Dour wintertime An electric groundhogs light by the electric |
|
4:18:18 (Pop-up) |
||
| Pretty |
The Electric Hand
|
1969 |
|
4:18:40 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Electric - A Haiku Foggy wintertime A steam, electric thunder after the thunder |
|
4:22:42 (Pop-up) |
||
| Thunder And Roses |
Moon Child
|
1969 |
|
4:23:14 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Walkin'
|
Thunder - A Haiku Icy wintertime A tweedy thunder thunder in spite of the wrong |
|
4:27:15 (Pop-up) |
||
| The New Tweedy Bros! |
What's Wrong With That
|
1968 |
|
4:27:38 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Aardvark - A Haiku Icy wintertime A young, tweedy aardvark wrong at the perfect wrong |
|
4:30:51 (Pop-up) |
||
| Aardvark |
Once Upon A Hill
|
1970 |
|
4:31:13 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
4:34:09 (Pop-up) |
|||
| Kensington Market |
The Thinker
|
1969 |
|
4:34:30 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Walkin'
|
A matchup, however hard it tries, Will always be game. Never forget the gamy and spirited matchup. One afternoon I said to myself, "Why isn't the playing more unprofessional?" Are you upset by how pro it is? Does it tear you apart to see the playing so unprofessional? Matches, however hard they try, |
|
4:36:54 (Pop-up) |
||
| King Crimson |
Indoor Games
|
1970 |
|
4:37:39 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Underground - A Haiku Gloomy wintertime A dark, underground crimson near the invention |
|
4:43:04 (Pop-up) |
||
| The Mothers Of Invention... |
Absolutely Free (#1 in a Series of Underground Oratorios): The Duke Of Prunes
|
1967 |
|
4:43:31 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Underground, Part 2 - A Haiku Muddy wintertime An urban, underground free by the invention |
|
4:46:41 (Pop-up) |
||
| Groep 1850 |
zero
|
1968 |
|
4:47:11 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:35 (Pop-up) | ||||
| Egyptian Combo |
Gale Winds
|
Greaser Instrumentals 03 |
|
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