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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | ||||
Syd Barrett | I Never Lied to You [Take 1] | 1970 | 0:03:20 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
A frazier, however hard it tries, Will always be conde. Does the frazier make you shiver? does it? One afternoon I said to myself, "Why isn't the jeremy more large?" Now small-scale is just the thing, To get me wondering if the jeremy is gnomish. |
0:05:02 (Pop-up) |
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Love | The Red Telephone | 1967 | 0:05:52 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Walkin' |
Millennium - A Haiku Early foggy spring A last, millennium love near the telephone |
0:10:31 (Pop-up) |
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The Millennium | Karmic Dream Sequence #1 | 1968 | 0:10:53 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Millennium, Part 2 - A Haiku New dampish springtime A new, millennium grease after the children |
0:18:25 (Pop-up) |
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Ancient Grease | Women And Children First | 1970 | 0:18:49 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Children - A Haiku Eternal wet spring A normal, strange children grease at the old ancient |
0:25:20 (Pop-up) |
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Street | What A Strange Town | 1968 | 0:25:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The Cant And Strange Street Whose street is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her street a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:31:50 (Pop-up) |
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Tim Buckley | I Can't See You | 1966 | 0:32:44 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Pay attention to the gilbert, the gilbert is the most nin librettist of all. Does the gilbert make you shiver? does it? How happy is the devastating mitch! Never forget the withering and disrespectful mitch. A becky, however hard it tries, Will always be wooly. |
0:35:21 (Pop-up) |
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Andwellas Dream | The Days grew longer for love | 1969 | 0:35:59 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 0:39:47 (Pop-up) | ||
Pink Floyd | See Emily Play | See Emily Play b/w Scarecrow | 1967 | 0:41:36 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Andwellas - A Haiku Eternal springtime before through andwellas sound on the sullivan |
0:44:24 (Pop-up) |
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The Jim Sullivan Sound | She Walks Through The Fair | 1966 | 0:45:06 (Pop-up) | |||
Arzachel | Azathoth | 1969 | 0:48:40 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Hurricane - A Haiku New foggy springtime A great, plane hurricane plane near the arzachel |
0:52:54 (Pop-up) |
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Red Crayola, The | Hurricane Fighter Plane | 2008 | 0:53:26 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:57:04 (Pop-up) | ||
GTO's: Girls Together Outrageously | Who's Jim Sox? | 1969 | 1:00:26 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Cancereal - A Haiku Early foggy spring before plane cancereal plane by the hurricane |
1:00:43 (Pop-up) |
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Pat Kilroy | Cancereal | 1966 | 1:01:37 (Pop-up) | |||
notes from the undergorund | What Am I Doing Here | 1968 | 1:05:55 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Scoundrels - A Haiku New cloudy springtime A many, sound scoundrels sound beyond the scoundrels |
1:08:08 (Pop-up) |
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The Ashes | Dark On You Now | 1967 | 1:14:10 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Landscape - A Haiku Depressing springtime A whole, grown landscape landscape watching the maffitt |
1:18:08 (Pop-up) |
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Maffitt | Landscape Grown Cold | 1968 | 1:18:49 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The Cold And Grown Landscape Whose landscape is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his landscape a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:23:09 (Pop-up) |
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Syd Barrett | Wined and Dined [Take 10] | 1970 | 1:23:53 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
How happy is the ton armstrong! Does the armstrong make you shiver? does it? I saw the the bright reproductive structure of my generation destroyed, How I mourned the gemma. Now glittery is just the thing, To get me wondering if the gemma is effulgent. The wooly louise sings like a marguerite bernardine |
1:26:42 (Pop-up) |
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Love | You Set The Scene | 1967 | 1:27:21 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Craig - A Haiku Eternal springtime A little, mad craig love whilst watching the scene |
1:34:06 (Pop-up) |
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The Craig | I Must Be Mad | 1967 | 1:34:35 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:37:13 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
Friendly - A Haiku Beautiful springtime A gay, friendly friendly touch because of the touch |
1:39:15 (Pop-up) |
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Touch | Friendly Birds | 1969 | 1:39:44 (Pop-up) | |||
Tim Buckley | Wings | 1966 | 1:45:33 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I saw the the striped pass of my generation destroyed, How I mourned the skirt. Does the skirt make you shiver? does it? I saw the the feathered bandy of my generation destroyed, How I mourned the shuttlecock. Now featherless is just the thing, To get me wondering if the shuttlecock is decorated. |
1:48:01 (Pop-up) |
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The Shindogs | Someday, Someday | 1965 | 1:48:55 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
1:50:58 (Pop-up) |
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Andwellas Dream | Cocaine | 1969 | 1:51:12 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
1:56:07 (Pop-up) |
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Winston G. | Riding With The Milkman | 1967 | 1:56:17 (Pop-up) | |||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 1:58:22 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
2:00:27 (Pop-up) |
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Arzachel | Leg | 1969 | 2:00:48 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
2:06:22 (Pop-up) |
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Affinity | Night Flight | 1970 | 2:06:48 (Pop-up) | |||
The Monkees | You And I | 1969 | 2:13:58 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:16:08 (Pop-up) |
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GTO's: Girls Together Outrageously | The Eureka Springs Garbage Lady | 1969 | 2:17:28 (Pop-up) | |||
MC5 | Looking At You | 1968 | 2:21:04 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:23:52 (Pop-up) |
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Skip Bifferty | Jeremy Carbine | 1967 | 2:24:09 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
2:26:30 (Pop-up) |
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Mij | Look Into The (K)Night | 1969 | 2:26:40 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
America - A Haiku New brumous springtime A white, america knight because of the states |
2:34:37 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 2:35:19 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
America, Part 2 - A Haiku Darkening springtime A white, america mouse at the old wicker |
2:39:58 (Pop-up) |
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Mouse And The Traps | Wicker Wine | 1969 | 2:40:28 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The Lanky And Wicker Wicker Whose wicker is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his wicker a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:42:57 (Pop-up) |
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Syd Barrett | Lanky (Part One) | 1989 | 2:43:38 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I cannot help but stop and look at adorable jennings. Down, down, down into the darkness of the jennings, Gently they go - the endearing, the lovable, the lovely. I cannot help but stop and look at the faithful andrea. Never forget the true and firm andrea. The cunning lauren sings like sorry potatoes Never forget the attractive and sly lauren. Refresh until you're happy with your poem. |
2:50:02 (Pop-up) |
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pearls before swine | lepers and roses | 1968 | 2:51:01 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:56:16 (Pop-up) |
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The Glass Harp | Where Did My World Come From? | 1969 | 2:56:37 (Pop-up) | |||
Tim Buckley | It Happens Every Time | 1966 | 2:59:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
3:00:27 (Pop-up) |
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King Crimson | Epitaph including March For No Reason and Tomorrow And Tomorrow | 1969 | 3:00:48 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:09:22 (Pop-up) |
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notes from the undergorund | Tristesse | 1968 | 3:09:40 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy is the scarce been! Now rare is just the thing, To get me wondering if the been is abundant. I cannot help but stop and look at the god forgotten. Does the forgotten make you shiver? does it? Don't belive that omissions are small? omissions are big beyond belief. |
3:12:47 (Pop-up) |
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Andwellas Dream | Shades of Grey | 1969 | 3:13:26 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Andwellas - A Haiku Perpetual spring before grey andwellas spring whilst watching the spring |
3:18:01 (Pop-up) |
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Spring | Falling In Love | 3:18:34 (Pop-up) | ||||
Erasmo Carlos | Agora Ninguém Chora Mais | 1971 | 3:20:59 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Blankman - A Haiku New dampen springtime suddenly high blankman spring whilst watching the spring |
3:23:27 (Pop-up) |
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High Tide | Blankman Cries Again | 1970 | 3:24:08 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Blackwell - A Haiku Eternal springtime A young, shorty blackwell tide at the old blankman |
3:32:21 (Pop-up) |
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The Monkees | Shorty Blackwell | 1969 | 3:32:45 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
A tomlin, however hard it tries, Will always be etowah. Does the tomlin make you shiver? does it? A jacobsen, however hard it tries, Will always be famous. Now noted is just the thing, To get me wondering if the jacobsen is known. |
3:38:19 (Pop-up) |
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The Bethlehem Exit | Walk Me Out | 1966 | 3:38:56 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
A morristown, however hard it tries, Will always be historic. A morristown is of import. a morristown is important, a morristown is past, however. I cannot help but stop and look at the novel vineland. Never forget the original and refreshing vineland. All that is nonfat is not scranton, scranton, by all account is fat. |
3:41:24 (Pop-up) |
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Brainticket | Black Sand | 1971 | 3:42:08 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Brainticket - A Haiku Eternal moist spring before black brainticket black near the oooooo |
3:46:09 (Pop-up) |
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GTO's: Girls Together Outrageously | I'm In Love With The Ooo-Ooo Man | 1969 | 3:46:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Bifferty - A Haiku Eternal moist spring before man bifferty track out of oooooo |
3:50:19 (Pop-up) |
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Skip Bifferty | Time Track | 1967 | 3:50:47 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
How happy are apparent disappearances! Are you upset by how patent they are? Does it tear you apart to see the disappearances so manifest? The imperfection that's really never, Above all others is the failing. Does the failing make you shiver? does it? Disappearance is, in its way, the apparent cause of going. |
3:54:13 (Pop-up) |
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Bill Soden | Rainy Day | 1967 | 3:54:53 (Pop-up) | |||
The Saints | Husky Team | An Outbreak Of Twangin' - Phantom Guitars Vol. Two | 3:57:43 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 3:59:33 (Pop-up) | ||
Syd Barrett | Effervescing Elephant [Take 9] | 1970 | 4:01:47 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Standing - A Haiku New dampen springtime A social, standing standing on the elephant |
4:03:13 (Pop-up) |
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Lord Sitar | Have You Seen Your Mother, Baby, Standing In The Shadow | 1967 | 4:03:34 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Jefferson - A Haiku Early cloudy spring A young, jefferson shadow above the airplane |
4:05:33 (Pop-up) |
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Jefferson Airplane | If You Feel Like China Breaking | 1968 | 4:05:59 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
How happy is the american boone! Does the boone make you shiver? does it? All that is peripheral is not dayton, dayton, by all account is central. Never forget the bifocal and local dayton. When I think of the lincoln, I see a dear hero. A lincoln is cowardly. a lincoln is irrational, |
4:10:09 (Pop-up) |
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Brian Willson and Dee Rovell | Spring Promotion | 4:10:51 (Pop-up) | ||||
Music behind DJ: Sagittarius |
Pisces |
Quicksilver - A Haiku Early dampness spring A more, quicksilver service on the messenger |
4:24:41 (Pop-up) |
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Quicksilver Messenger Service | The Fool | 1968 | 4:25:05 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Quicksilver, Part 2 - A Haiku Showery springtime A much, quicksilver service near the messenger |
4:37:06 (Pop-up) |
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notes from the undergorund | Who Needs Me | 1968 | 4:37:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
4:43:03 (Pop-up) |
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Andwellas Dream | Felix | 1969 | 4:43:22 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Walkin' |
How happy is the dame lloyd! Does the lloyd make you shiver? does it? How happy are vaughan williams! Do williams make you shiver? do they? How happy is the big fedor! Down, down, down into the darkness of the fedor, |
4:47:35 (Pop-up) |
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Pink Floyd | See Emily Play | See Emily Play b/w Scarecrow | 1967 | 4:48:08 (Pop-up) | ||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:56 (Pop-up) | ||||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 |
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