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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:27 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:53 (Pop-up) | ||||
GTO's: Girls Together Outrageously | The Captain's Fat Theresa Shoes | 1969 | 0:03:23 (Pop-up) | |||
Skip Bifferty | Inside The Secret | 1967 | 0:05:15 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The Fat And Home Spring Whose spring is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her spring a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:08:07 (Pop-up) |
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Spring | Down Home | 0:08:59 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Beefheart - A Haiku Eternal wet spring A magic beefheart captain before the captain |
0:12:05 (Pop-up) |
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Captain Beefheart and His Magic Band | Ah Feel Like Ahcid | 1968 | 0:12:28 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Beefheart, Part 2 - A Haiku Beautiful springtime A magic beefheart captain watching the lightnin |
0:15:31 (Pop-up) |
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Lightnin' Hopkins | Got Her Letter This Morning | 1968 | 0:16:06 (Pop-up) | |||
Peter Kelley | Apricot Brandy | 1969 | 0:21:01 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I cannot help but stop and look at the yugoslavian tito. Does the tito make you shiver? does it? Gibbs, however hard they try, Will always be british. Do gibbs make you shiver? do they? The fat miguel sings like gomez colonies |
0:23:45 (Pop-up) |
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Amon Düül | Eternal Flow | 1970 | 0:24:34 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
American - A Haiku Early dampen spring A pan, american band on the electric |
0:28:41 (Pop-up) |
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the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 0:29:25 (Pop-up) | ||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:30:33 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
One afternoon I said to myself, "Why aren't whereabouts more unsuspected?" Do whereabouts make you shiver? do they? I saw the the total go away of my generation destroyed, How I mourned the absent. Now overall is just the thing, To get me wondering if the absent is absolute. |
0:33:38 (Pop-up) |
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Frumious Bandersnatch | Hearts to Cry | 1968 | 0:34:32 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Instant Request |
0:40:28 (Pop-up) |
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Forever Amber | The Talking: Better Things Are Bound To Come | 1969 | Requested by: Franco Twinkie | 0:40:30 (Pop-up) | ||
Andromeda | Day Of The Change | 1969 | 0:43:54 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Whereabouts, however hard they try, Will always be not. Do whereabouts make you shiver? do they? One afternoon I said to myself, "Why isn't the stolen more white?" Now crimson is just the thing, To get me wondering if the stolen is colorful. |
0:48:51 (Pop-up) |
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The Collectors | Don't Turn Away (From Me) | 1969 | 0:49:44 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Collectors - A Haiku Depressing springtime A tax, feathered collectors fish in spite of the half |
0:52:46 (Pop-up) |
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The Other Half | Feathered Fish | 1968 | 0:53:26 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 0:55:54 (Pop-up) | ||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:57:46 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Twentieth - A Haiku Showery springtime then twentieth remember by the century |
1:00:28 (Pop-up) |
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Twentieth Century Zoo | You Don't Remember | 1967 | 1:01:21 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
The scarcity that's really apparent, Above all others is the paucity. Now plain is just the thing, To get me wondering if the paucity is evident. Pay attention to the presence, the presence is the most immediate being of all. Does the presence make you shiver? does it? |
1:04:10 (Pop-up) |
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Groep 1850 | look around | 1966 | 1:04:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
One afternoon I said to myself, "Why isn't the eddie more unregretful?" Are you upset by how distressing it is? Does it tear you apart to see the eddie so drear? A kevin, however hard it tries, Will always be dear. Are you upset by how near it is? Does it tear you apart to see the kevin so good? |
1:07:18 (Pop-up) |
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Jason Crest | A Place In The Sun | 1969 | 1:07:57 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Arnold - A Haiku Early dampen spring A dear, groovy arnold think betrayed by the youre |
1:11:45 (Pop-up) |
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P.P. Arnold | (If You Think You're) Groovy | 1968 | 1:12:18 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I cannot help but stop and look at right anyways. Now moral is just the thing, To get me wondering if anyways are satisfactory. I cannot help but stop and look at the nonny hey. Does the hey make you shiver? does it? One afternoon I said to myself, "Why isn't the heck more lean?" |
1:15:09 (Pop-up) |
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Spirits And Worm | Fanny Firecracker | Spirits & Worm | 1:15:49 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Firecracker - A Haiku Beautiful springtime A small firecracker flake into the spirits |
1:18:23 (Pop-up) |
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Small Faces | Ogdens' Nut Gone Flake | 1968 | 1:18:46 (Pop-up) | |||
GTO's: Girls Together Outrageously | TV Lives | 1969 | 1:21:05 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Ramsey - A Haiku Showery springtime A woody, small ramsey flake beyond the ogdens |
1:21:59 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 1:22:33 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:25:15 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at the young coogan. Does the coogan make you shiver? does it? A justine, however hard it tries, Will always be good. Down, down, down into the darkness of the justine, Gently it goes - the upright, the practiced, the close. When I think of the macmillan, I see an ibadan collier. |
1:27:46 (Pop-up) |
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Skip Bifferty | Clearway 51 | 1967 | 1:28:39 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
How happy are silent disappearances! Are you upset by how quiet they are? Does it tear you apart to see the disappearances so talking? A disappearance, however hard it tries, Will always be magical. Down, down, down into the darkness of the disappearance, Gently it goes - the magic, the wizardly, the wizard. Whereabouts, however hard they try, |
1:31:40 (Pop-up) |
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Spring | Sweet Mountain | 1:32:38 (Pop-up) | ||||
Mind's Eye | I'm Lost | 2014 | 1:36:44 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
All that is ill is not gone, gone, by all account is well. Now sick is just the thing, To get me wondering if the gone is fine. The failure that's really palpable, Above all others is the failing. Down, down, down into the darkness of the failing, Gently it goes - the tangible, the obvious, the perceptible. |
1:39:00 (Pop-up) |
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Amon Düül | Paramechanical World | 1970 | 1:39:53 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
How happy is the conspicuous absentee! Now eye-catching is just the thing, To get me wondering if the absentee is blazing. How happy is the late deceased! Now modern is just the thing, To get me wondering if the deceased is former. The lack that's really wooly, Above all others is the absence. |
1:45:33 (Pop-up) |
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Octopus | I Think it's Understood | 1969 | 1:46:10 (Pop-up) | |||
Frumious Bandersnatch | Misty Cloudy | 1968 | 1:49:12 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Conspiracy - A Haiku Early dampish spring How conspiracy butter near the octopus |
1:51:06 (Pop-up) |
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The Peanut Butter Conspiracy | Floating Dream | 1967 | 1:51:32 (Pop-up) | |||
The Outsiders | Happyville | 1968 | 1:53:41 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Determination - A Haiku Beautiful springtime floating determination the conspiracy |
1:56:04 (Pop-up) |
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Andromeda | Gold And Silver Turns To Dust / 3 Parts: a. Discovery; b. Sanctury; c. Determination | 1969 | 1:56:35 (Pop-up) | |||
The Third Bardo | Rainbow life | 1967 | 2:03:21 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Determination, Part 2 - A Haiku Perpetual spring silver determination the andromeda |
2:05:52 (Pop-up) |
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The Other Half | I Need You | 1968 | 2:06:46 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The Half And Dead Peter Whose peter is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her peter a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:09:23 (Pop-up) |
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Peter Kelley | The Man Is Dead | 1969 | 2:10:14 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
The Man And Dead Expedition Whose expedition is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her expedition a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:17:02 (Pop-up) |
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The Lewis and Clarke Expedition | House of My Sorrow | 1967 | 2:17:47 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Expedition - A Haiku Showery springtime then expedition sorrow by the twentieth |
2:23:09 (Pop-up) |
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Twentieth Century Zoo | Love In Your Face | 1968 | 2:23:30 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Twentieth - A Haiku Eternal springtime suddenly twentieth ground near the century |
2:25:30 (Pop-up) |
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My Solid Ground | dirty yellow mist | 1971 | 2:25:55 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The Yellow And Ground Ground Whose ground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his ground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:38:53 (Pop-up) |
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Jason Crest | Black Mass | 1969 | 2:39:49 (Pop-up) | |||
Jefferson Airplane | Martha | 1967 | 2:44:31 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Brainticket - A Haiku Perpetual spring before black brainticket black because of the black |
2:47:52 (Pop-up) |
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Brainticket | Black Sand | 1971 | 2:48:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Why would you think the left is bottom? the left is the most top place of all. Now peak is just the thing, To get me wondering if the left is clear. Omissions, however hard they try, Will always be unintended. Omissions are unplanned. omissions are fortuitous, omissions are uncaused, however. |
2:52:19 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 2:53:01 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
2:55:42 (Pop-up) |
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GTO's: Girls Together Outrageously | The Original GTO's | 1969 | 2:56:14 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 2:58:12 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
3:00:27 (Pop-up) |
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Frumious Bandersnatch | Chesire | 1968 | 3:00:54 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Bandersnatch - A Haiku Inclement springtime suddenly bandersnatch sound by the expression |
3:07:54 (Pop-up) |
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The Human Expression | Optical Sound | 1967 | 3:08:20 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Expression - A Haiku Depressing springtime A full, expression reason the andromeda |
3:10:52 (Pop-up) |
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Andromeda | The Reason | 1969 | 3:11:15 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Andromeda - A Haiku Eternal wet spring shall andromeda reason after the reason |
3:16:07 (Pop-up) |
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Pink Floyd | Flaming | 1967 | 3:16:34 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Rossby - A Haiku Inclement springtime An unspoken rossby word in spite of the floyd |
3:19:18 (Pop-up) |
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The Unspoken Word | Rossby | 1968 | 3:19:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Rossby, Part 2 - A Haiku Beautiful springtime An unspoken rossby word at the perfect half |
3:22:21 (Pop-up) |
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The Other Half | Bad Day | 1968 | 3:22:44 (Pop-up) | |||
Rotary Connection | Trip I (cont.) : Didn't Want To Have To Do It | 1967 | 3:24:57 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
The Bad And Half Half Whose half is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his half a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:28:03 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:28:53 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
3:31:16 (Pop-up) |
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The Family | San Francisco Waits | 1968 | 3:31:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Whose half is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his half a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:34:27 (Pop-up) |
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Alice Cooper | Lay Down and Die, Goodbye | 1970 | 3:35:01 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Twentieth - A Haiku Early dampish spring before twentieth cooper near the century |
3:43:34 (Pop-up) |
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Twentieth Century Zoo | Quiet Before the Storm | 1969 | 3:43:54 (Pop-up) | |||
the stooges | Down On The Street | 1970 | 3:48:45 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Generation - A Haiku Overcast springtime A third, generation storm near the twentieth |
3:51:20 (Pop-up) |
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JACKS | Love Generation | 1968 | 3:52:02 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
An omission, however hard it tries, Will always be only. Does the omission make you shiver? does it? The scarceness that's really characteristic, Above all others is the paucity. Now diagnostic is just the thing, To get me wondering if the paucity is uncharacteristic of. |
3:55:27 (Pop-up) |
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The Picadilly Line | I Know She Believes (mono 45) | 1968 | 3:56:04 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 3:59:03 (Pop-up) | |||
Peter Kelley | Path Of The Wave | 1969 | 4:01:45 (Pop-up) | |||
The Lewis and Clarke Expedition | Destination Unknown | 1967 | 4:04:21 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
One afternoon I said to myself, "Why aren't weathers more happy?" Are you upset by how mournful they are? Does it tear you apart to see the weathers so unhappy? One afternoon I said to myself, "Why aren't looms more narrow?" Never forget the sweeping and narrow looms. How happy is the big confronting! |
4:07:06 (Pop-up) |
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Small Faces | Song Of A Baker | 1968 | 4:07:57 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Treatment - A Haiku Eternal springtime A present treatment present into the present |
4:12:09 (Pop-up) |
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GTO's: Girls Together Outrageously | The Ghost Chained To The Past, Present, And Future (Shock Treatment) | 1969 | 4:12:46 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Treatment, Part 2 - A Haiku Overcast springtime A present treatment present despite the present |
4:14:29 (Pop-up) |
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The Far Cry | Listen To The Walls | 1968 | 4:15:02 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The Far And Plastic Plastic Whose plastic is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his plastic a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:21:48 (Pop-up) |
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Lewis and Clarke | Daddy's Plastic Child | 1968 | 4:22:34 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The people that are really little, Above all others is the lost. Does the lost make you shiver? does it? I saw the the private individual of my generation destroyed, How I mourned the deceased. A deceased is insular. a deceased is secret, a deceased is tete-a-tete, however. |
4:25:33 (Pop-up) |
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Andromeda | Go Your Way | 1969 | 4:26:11 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I cannot help but stop and look at the afghan amin. Does the amin make you shiver? does it? How happy is the nearby cali! Does the cali make you shiver? does it? One afternoon I said to myself, "Why aren't wednesdays more large?" |
4:29:14 (Pop-up) |
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Amon Düül | Eternal Flow | 1970 | 4:29:50 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Walkin' |
Incorporation - A Haiku Perpetual spring then incorporation sound the satisfaction |
4:33:57 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 4:34:23 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Incorporation, Part 2 - A Haiku Early dampen spring why incorporation sound the satisfaction |
4:37:29 (Pop-up) |
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Rotary Connection | Trip I (cont.) : Ruby Tuesday | 1967 | 4:37:56 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Pay attention to the thursday, the thursday is the most monday weekday of all. Does the thursday make you shiver? does it? The gregorian calendar month that's really due, Above all others is the january. Does the january make you shiver? does it? |
4:42:11 (Pop-up) |
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The Human Expression | Calm Me Down | 1967 | 4:45:09 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Expression - A Haiku Overcast springtime A human expression mind under the zepplin |
4:47:33 (Pop-up) |
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Graf Zepplin | You're In My Mind | 1968 | 4:47:58 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:35 (Pop-up) | ||||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners |
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