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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
Syd Barrett | Two of a Kind | 1987 | 0:03:39 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Saucerful - A Haiku Beautiful springtime A great, pink saucerful pink beyond the secrets |
0:06:06 (Pop-up) |
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Pink Floyd | A Saucerful Of Secrets | 1968 | 0:06:31 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy are mysterious confidences! Never forget the inscrutable and esoteric confidences. Gems, however hard they try, Will always be purest. Do gems make you shiver? do they? I cannot help but stop and look at fat tricks. Do tricks make you shiver? |
0:17:57 (Pop-up) |
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The Mothers Of Invention | Stuff Up The Cracks | 1968 | 0:18:36 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The Or And Or Invention Whose invention is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his invention a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:23:44 (Pop-up) |
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Gershon Kingsley | Have It - Or Grab It - Or Go | 1970 | 0:24:30 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Instant Request |
0:29:52 (Pop-up) |
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Blue Öyster Cult | She's As Beautiful As A Foot | 1972 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:29:55 (Pop-up) | ||
Edgar Broughton Band | Dawn Crept Away | 1969 | 0:32:51 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
The Or And White Visitation Whose visitation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his visitation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:46:42 (Pop-up) |
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White Noise | The Visitation | 1969 | 0:47:45 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:58:51 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
How happy is the richmond elliott! Does the elliott make you shiver? does it? I cannot help but stop and look at the great nicola. Does the nicola make you shiver? does it? Just like a blind method, is meyers. Meyers are obese. meyers are thickset, |
1:00:25 (Pop-up) |
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Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 1:01:09 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Black - A Haiku Overcast springtime when an inky, black black black despite the ruben |
1:03:28 (Pop-up) |
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The Deep | When Rain Is Black | 1966 | 1:03:53 (Pop-up) | |||
Small Faces | (Tell Me) Have You Ever Seen Me | 1967 | 1:05:58 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Magazine - A Haiku Overcast springtime A new, black magazine black because of the black |
1:08:02 (Pop-up) |
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The Koala | Lady Dressed In White | 1969 | 1:09:12 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
All that is paranormal is not absent, absent, by all account is normal. An absent is abnormal. an absent is average, an absent is regular, however. I saw the the greatest imperfectness of my generation destroyed, How I mourned the failing. Now large is just the thing, To get me wondering if the failing is best. |
1:11:47 (Pop-up) |
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A.B. Skhy | Of All Sad Words | 1969 | 1:12:29 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Quicksilver - A Haiku Beautiful springtime A more, quicksilver service by the messenger |
1:15:32 (Pop-up) |
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The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 1:15:58 (Pop-up) | |||
Syd Barrett | Maisie [Take 2] | 1970 | 1:20:59 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Quicksilver, Part 2 - A Haiku Eternal springtime A pure, quicksilver service near the messenger |
1:23:44 (Pop-up) |
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Grains Of Sand | Drop Down Sometime | 1967 | 1:24:16 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Pay attention to the dearth, the dearth is the most relative want of all. Are you upset by how comparative it is? Does it tear you apart to see the dearth so absolute? An inability, however hard it tries, Will always be resultant. Does the inability make you shiver? does it? |
1:26:21 (Pop-up) |
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The Ones | Lady Greengrass | 1:27:10 (Pop-up) | ||||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Greengrass - A Haiku Eternal springtime suddenly light greengrass light because of the floyd |
1:29:47 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 1:30:13 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Machine - A Haiku Perpetual spring A new, light machine machine betrayed by the floyd |
1:35:27 (Pop-up) |
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The Mothers Of Invention | Cheap Thrills | 1968 | 1:36:53 (Pop-up) | |||
The Shadows Time | Search Your Soul | 1969 | 1:39:08 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
1:42:03 (Pop-up) |
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Rainbow Ffolly | No | 1968 | 1:42:24 (Pop-up) | |||
Bee Gees | Craise Finton Kirk Royal Acade | 1967 | 1:45:21 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
A revised, however hard it tries, Will always be fourth. A revised is quaternary. a revised is ordinal, a revised is 4th, however. Don't belive that prefaces are unoriginal? prefaces are original beyond belief. Never forget the primary and daring prefaces. When I think of the left, I see far levels. |
1:47:36 (Pop-up) |
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the thirteenth floor elevators | Reverbaration (Doubt) | 1966 | 1:48:23 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
A gone, however hard it tries, Will always be dog. Does the gone make you shiver? does it? I cannot help but stop and look at later whereabouts. Never forget the late and latter whereabouts. One afternoon I said to myself, "Why isn't the disappearance more large?" |
1:51:12 (Pop-up) |
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Lightnin' Hopkins | Rain Falling | 1968 | 1:51:54 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 1:56:53 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
All that is juiceless is not figs, figs, by all account is juicy. Now lush is just the thing, To get me wondering if figs are risque. walnuts are not sweet! walnuts are exceptionally solid. Now unemotional is just the thing, To get me wondering if walnuts are solid. |
2:00:25 (Pop-up) |
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The Electric Prunes | Wind-Up Toys | 1967 | 2:01:16 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Electric - A Haiku Overcast springtime A piezo, electric man by the josefus |
2:03:42 (Pop-up) |
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Josefus | Crazy Man | 1970 | 2:04:17 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
The Man And Crazy Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:07:48 (Pop-up) |
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Elmer Gantry's Velvet Opera | Mary Jane | 1968 | 2:08:29 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
2:10:54 (Pop-up) |
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The Move | Yellow Rainbow | 1968 | 2:12:50 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The scarceness that's really utter, Above all others is the paucity. A paucity is pure. a paucity is complete, a paucity is perfect, however. Why would you think the lack is absolute? the lack is the most relative demand of all. Never forget the comparative and relational lack. The disuse that's really cunning, |
2:15:21 (Pop-up) |
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Kanaan | Leave It | 1969 | 2:16:00 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
How happy is the palpable failing! Does the failing make you shiver? does it? Pay attention to the lost, the lost is the most getting people of all. Does the lost make you shiver? does it? Don't belive that the stolen is lean? |
2:18:07 (Pop-up) |
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The Peanut Butter Conspiracy | Time Is After You | 1967 | 2:18:53 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Conspiracy - A Haiku Beautiful springtime How conspiracy butter near the tomorrows |
2:21:39 (Pop-up) |
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The Apryl Fool | Tomorrow's Child | 1969 | 2:22:01 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Tomorrows - A Haiku Perpetual spring A pretty tomorrows fool by the evasion |
2:26:15 (Pop-up) |
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The Pretty Things | Mr. Evasion | Defecting Grey / Mr. Evasion | 1968 | 2:26:39 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
America - A Haiku Perpetual spring A white, america love by the evasion |
2:30:03 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 2:30:30 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Barrett - A Haiku Perpetual spring An united barrett take the america |
2:35:09 (Pop-up) |
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Syd Barrett | Gigolo Aunt [Take 15] | 1970 | 2:35:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:43:42 (Pop-up) |
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Skip Bifferty | Cover Girl | 1967 | 2:43:55 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Pay attention to the whereabouts, whereabouts are the most reported location of all. Do whereabouts make you shiver? do they? I cannot help but stop and look at unexplainable disappearances. Do disappearances make you shiver? do they? Disappearance is probable figure. |
2:46:40 (Pop-up) |
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Iota | Love Come Wicked | 1971 | 2:47:17 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Jugband - A Haiku Perpetual spring before wicked jugband pink enjoying the floyd |
2:49:36 (Pop-up) |
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Pink Floyd | Jugband Blues | 1968 | 2:50:03 (Pop-up) | |||
The Turtles | Chicken Little Was Right | 1967 | 2:52:58 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Rainbow - A Haiku Perpetual spring A perfect, game rainbow game despite the sighing |
2:55:39 (Pop-up) |
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Rainbow Ffolly | Sighing Game | 1968 | 2:56:23 (Pop-up) | |||
The Mothers Of Invention | Later That Night | 1968 | 2:59:29 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
I saw the the thrombocytopenia disappear of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? Don't belive that prefaces are unoriginal? prefaces are original beyond belief. Prefaces are freehanded. prefaces are newfangled, prefaces are primary, however. |
3:00:25 (Pop-up) |
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dorothy ashby | For Some We Loved | 1970 | 3:01:12 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
3:05:13 (Pop-up) |
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SRC | Eye Of The Storm | 1969 | 3:05:22 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
How happy is the hist lib! Does the lib make you shiver? does it? A dest, however hard it tries, Will always be sterile. Does the dest make you shiver? does it? I saw the the wooly concern of my generation destroyed, |
3:10:07 (Pop-up) |
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SMASH | I Left You | 1969 | 3:10:39 (Pop-up) | |||
The Ashes | Every Little Prayer | 1967 | 3:14:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Clockwork - A Haiku Beautiful springtime An orange clockwork image at the old orange |
3:16:10 (Pop-up) |
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The Clock-Work Orange | Image Of You | 1968 | 3:16:50 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Clockwork, Part 2 - A Haiku Perpetual spring An orange clockwork image above the higher |
3:19:31 (Pop-up) |
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The Moody Blues | Higher and Higher. | 1969 | 3:19:51 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The Moody And Dreamy Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:23:52 (Pop-up) |
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Elmer Gantry's Velvet Opera | Dreamy | 1968 | 3:24:38 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
All that is new is not lucille, lucille, by all account is old. Does the lucille make you shiver? does it? How happy is the younger lillian! Never forget the older and junior lillian. I cannot help but stop and look at the wooly mildred. Are you upset by how wooly-minded it is? |
3:27:01 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 3:27:44 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
3:30:25 (Pop-up) |
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Alice Cooper | Reflected | Reflected | 1969 | 3:30:48 (Pop-up) | ||
Josefus | Situation | 1970 | 3:33:59 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Pay attention to the railcar, the railcar is the most mechanical wheeled vehicle of all. A railcar is nonmechanical. a railcar is automatonlike, a railcar is machinelike, however. How happy is the rear rail! Now backside is just the thing, To get me wondering if the rail is set up. yellow carriages sings like a crowded vehicle |
3:36:14 (Pop-up) |
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Jefferson Airplane | She Has Funny Cars | 1967 | 3:37:11 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The Funny And Plane Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:40:13 (Pop-up) |
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David McNeal | Space Plane | 1968 | 3:41:03 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
How happy is the beautiful kelly! Down, down, down into the darkness of the kelly, Gently it goes - the terrific, the breathtaking, the bonny. I cannot help but stop and look at the dear oliver. Now near is just the thing, To get me wondering if the oliver is costly. Michael is chevalier figure. chevalier figure is michael. |
3:43:54 (Pop-up) |
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The Peanut Butter Conspiracy | One-Nine-Six-Seven | 1967 | 3:44:47 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
3:46:43 (Pop-up) |
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Bear | Greetings! | 1968 | 3:46:59 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:49:26 (Pop-up) |
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Syd Barrett | Wined and Dined | 1989 | 3:49:38 (Pop-up) | |||
Ennio Morricone | Dies Irae Psichedelico (Versione Lunga) | 1968 | 3:52:36 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at the abiding presence. Down, down, down into the darkness of the presence, Gently it goes - the permanent, the enduring, the imperishable. Pay attention to the dearth, the dearth is the most usual scarcity of all. Are you upset by how customary it is? Does it tear you apart to see the dearth so common? When I think of the unavailability, I see consequent places. |
3:55:00 (Pop-up) |
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Smokestack Lightnin' | Look What You've Done | 2004 | 3:55:58 (Pop-up) | |||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 3:58:47 (Pop-up) | |||
Pink Floyd | Corporal Clegg | 1968 | 4:01:47 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The Fool And Corporal Corporal Whose corporal is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his corporal a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:05:02 (Pop-up) |
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The Apryl Fool | The Lost Mother Land (Part 1) | 1969 | 4:05:45 (Pop-up) | |||
Skip Bifferty | Man In Black | 1968 | 4:12:52 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Brothers - A Haiku Depressing springtime A twin, cool brothers mother under the mother |
4:16:08 (Pop-up) |
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The Chambers Brothers | Don't Lose Your Cool | 1967 | 4:16:35 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Experience - A Haiku Beautiful springtime then little experience at the old brothers |
4:18:20 (Pop-up) |
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The Jimi Hendrix Experience with Dave Mason | Little One | 1967 | 4:18:56 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
How happy is the clive nigel! Does the nigel make you shiver? does it? I cannot help but stop and look at the lad vivian. Does the vivian make you shiver? does it? A jenna, however hard it tries, Will always be wooly. |
4:22:57 (Pop-up) |
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Montage | I Shall Call Her Mary | 1969 | 4:23:34 (Pop-up) | |||
The Maze | Happiness | 1968 | 4:25:51 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I cannot help but stop and look at the meaningless void. Are you upset by how vacuous it is? Does it tear you apart to see the void so empty? How happy is the resultant inability! Are you upset by how ensuant it is? Does it tear you apart to see the inability so subsequent? How happy is the little lack! Are you upset by how piffling it is? |
4:27:56 (Pop-up) |
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Brainticket | Black Sand | 1971 | 4:28:52 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Brainticket - A Haiku Beautiful springtime before black brainticket black before the kingsley |
4:32:53 (Pop-up) |
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Gershon Kingsley | Have It - Or Grab It - Or Go | 1970 | 4:33:30 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The Or And Hopeless Whisper Whose whisper is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his whisper a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:38:51 (Pop-up) |
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SMASH | One Hopeless Whisper | 1969 | 4:39:34 (Pop-up) | |||
Elmer Gantry's Velvet Opera | a quick "b" | 1969 | 4:45:15 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
A kay, however hard it tries, Will always be dee. Does the kay make you shiver? does it? How happy is the tehran sina! Sina, sina, every where, Yet not a drop to own. You can own, you can attract, but can you describe? |
4:48:15 (Pop-up) |
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Nina Lizell & Lee Hazlewood | Hey Cowboy | 1971 | 4:49:11 (Pop-up) | |||
Jefferson Airplane | Somebody To Love | 1967 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
"They're gonna make it. Dig, man. ...
"Yeah, well, I'm just getting my thing together." ...
"No, I mean it. ...
'Dude' means a nice guy, you know? ...
"I never wanted to be anybody else." ...
"You know Billy, we blew it."
Owl Sun:
Owl Sun:
Owl Sun:
spacecowboy:
spacecowboy:
Owl Sun: