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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:25 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:50 (Pop-up) | ||||
Syd Barrett | Swan Lee (Silas Lang) | 1989 | 0:03:21 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Saucerful - A Haiku Inclement springtime A small, pink saucerful pink despite the secrets |
0:06:28 (Pop-up) |
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Pink Floyd | A Saucerful Of Secrets | 1968 | 0:07:01 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Tricks, however hard they try, Will always be wicked. Do tricks make you shiver? do they? Jewels, however hard they try, Will always be magic. Are you upset by how wizardly they are? Does it tear you apart to see the jewels so supernatural? |
0:18:28 (Pop-up) |
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The Mothers Of Invention | No. No. No. | 1968 | 0:19:15 (Pop-up) | |||
Lost & Found | There Would Be No Doubt | 1967 | 0:22:03 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I saw the the family imperfectness of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? The people that are really old, Above all others is the lost. Now antique is just the thing, To get me wondering if the lost is auld. |
0:24:08 (Pop-up) |
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The October Country | Baby What I Mean | 1968 | 0:25:04 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Destination - A Haiku Beautiful springtime A next, destination mean watching the country |
0:26:54 (Pop-up) |
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SRC | No Secret Destination | 1969 | 0:27:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Destination, Part 2 - A Haiku Inclement springtime A same, destination man out of memory |
0:31:32 (Pop-up) |
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Elephant's Memory | Hot Dog Man | 1969 | 0:32:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Incorporation - A Haiku New dampness springtime shall incorporation sound the satisfaction |
0:35:35 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:36:10 (Pop-up) | |||
David Vorhaus | Build Up To... | 1969 | 0:39:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Instant Request |
0:40:37 (Pop-up) |
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The Crazy World Of Arthur Brown | Part One - "The Country"": All Over the Country" | 1969 | For: The Ayatolluh of Rock 'n Rolluh | 0:40:40 (Pop-up) | ||
Elmer Gantry's Velvet Opera | Volcano | 1969 | 0:42:56 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Incorporation, Part 2 - A Haiku Darkening springtime shall incorporation sound the satisfaction |
0:46:09 (Pop-up) |
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Skip Bifferty | Mr. Money Man | 1968 | 0:47:12 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Storybook - A Haiku Depressing springtime A little, storybook skip on the innocence |
0:49:54 (Pop-up) |
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The Storybook | Beads of Innocence | 1968 | 0:50:28 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
0:53:35 (Pop-up) |
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Jefferson Airplane | Today | 1967 | 0:53:47 (Pop-up) | |||
Dorothy Ashby | Soul Vibrations | 1968 | 0:56:41 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 0:59:52 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Pay attention to the scrim, the scrim is the most front fabric of all. Down, down, down into the darkness of the scrim, Gently it goes - the fore, the backside, the rear. Don't belive that abysses are close? abysses are distant beyond belief. Never forget the yonder and close abysses. The darken that's really cunning, |
1:00:25 (Pop-up) |
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The Maze | Whispering Shadows | 1968 | 1:01:21 (Pop-up) | |||
The Move | Mist on a Monday morning | 1968 | 1:05:35 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Whispering - A Haiku Darkening springtime A little, whispering light into the shadows |
1:08:02 (Pop-up) |
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Velvet Opera | Raise the Light | 1970 | 1:08:28 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Candle - A Haiku Beautiful springtime A moody candle candle despite the velvet |
1:13:36 (Pop-up) |
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The Moody Blues | Candle of life. | 1969 | 1:14:12 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
A markham, however hard it tries, Will always be beautiful. Never forget the nice and fair markham. I cannot help but stop and look at the great grattan. Never forget the cracking and large grattan. The fat fareham sings like an interval explanation Down, down, down into the darkness of the fareham, Gently it goes - the blubbery, the greasy, the zaftig. |
1:18:27 (Pop-up) |
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Kensington Market | The Thinker | 1969 | 1:19:23 (Pop-up) | |||
Syd Barrett | Waving My Arms in the Air [Take 1] | 1970 | 1:21:46 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Kensington - A Haiku Inclement springtime A man kensington market beyond the thinker |
1:23:55 (Pop-up) |
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Love | Old Man | 1967 | 1:24:43 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Delias - A Haiku Early dampish spring before man delias love because of the russe |
1:27:36 (Pop-up) |
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Li De La Russe | Delia's Theme | 1969 | 1:27:59 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Skate - A Haiku New dampness springtime A cheap, excited skate skate whilst watching the thats |
1:29:15 (Pop-up) |
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The Ones | Love Of Mine | 1:29:48 (Pop-up) | ||||
Pink Floyd | Jugband Blues | 1968 | 1:32:49 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at diseased plants. Do plants make you shiver? do they? How happy are alternative sites! Sites are disjunctive. sites are mutually exclusive, sites are alternate, however. Buildings, however hard they try, Will always be zany. |
1:35:44 (Pop-up) |
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Lost & Found | Let Me Be | 1967 | 1:37:41 (Pop-up) | |||
The Freak Scene | A Million Grains Of Sand | 1967 | 1:40:23 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Angel - A Haiku Inclement springtime A second, found angel found whilst watching the song |
1:42:55 (Pop-up) |
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SRC | The Angel Song | 1969 | 1:43:38 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Burning - A Haiku Beautiful springtime A much, burning burning st at the perfect green |
1:51:49 (Pop-up) |
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Dick St John | Lady Of Burning Green Jade | 1968 | 1:52:11 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Happening - A Haiku Perpetual spring An outside happening st after the montage |
1:55:21 (Pop-up) |
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Montage | Wake Up Jimmy (Something Is Happening Outside) | 1969 | 1:55:51 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 1:58:46 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the friedrich alexander. Does the alexander make you shiver? does it? Why would you think the abel is rich? the abel is the most poor man of all. Now stony-broke is just the thing, To get me wondering if the abel is impecunious. Just like a poor case, is the arlington. |
2:00:24 (Pop-up) |
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amon düül II | rattlesnakeplumcake | 1970 | 2:01:22 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The step-up that's really malar, Above all others is the augmentation. Does the augmentation make you shiver? does it? Pay attention to the alexander, the alexander is the most latter herb of all. Down, down, down into the darkness of the alexander, Gently it goes - the last, the former, the later. |
2:04:33 (Pop-up) |
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Ancient Grease | Freedom Train | 1970 | 2:05:15 (Pop-up) | |||
Jefferson Airplane | Plastic Fantastic Lover | 1967 | 2:09:11 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:11:40 (Pop-up) |
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The Move | Cherry Blossom Clinic | 1968 | 2:12:53 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Parents, however hard they try, Will always be aged. Never forget the young and old parents. I cannot help but stop and look at white mums. Do mums make you shiver? do they? I cannot help but stop and look at zany dads. Down, down, down into the darkness of the dads, |
2:15:17 (Pop-up) |
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The Mothers Of Invention | It's His Voice On The Radio | 1968 | 2:15:58 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Parchment - A Haiku Darkening springtime A purple, blue parchment voice near the invention |
2:17:07 (Pop-up) |
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Blue Cheer | Parchment Farm | 1968 | 2:17:32 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Lockets, however hard they try, Will always be golden. Now metallic is just the thing, To get me wondering if lockets are halcyon. Baubles, however hard they try, Will always be crystal. Do baubles make you shiver? do they? |
2:23:16 (Pop-up) |
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Pearls Before Swine | Uncle John | 1967 | 2:24:03 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
2:26:48 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 2:27:12 (Pop-up) | ||
Nikki St. George | Wet Asteroid | 1969 | 2:30:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
2:31:31 (Pop-up) |
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Syd Barrett | Birdie Hop | 1989 | 2:31:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:34:40 (Pop-up) |
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Velvet Opera | Eleanor Rigby | 1970 | 2:34:49 (Pop-up) | |||
Willie and the Red Rubber Band | Mary Jane | 1968 | 2:40:38 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at explanatory prefaces. Are you upset by how informative they are? Does it tear you apart to see the prefaces so instructive? I saw the the inappropriate disappear of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? How happy are yellow omissions! |
2:42:29 (Pop-up) |
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Love | The Red Telephone | 1967 | 2:43:15 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Telephone - A Haiku Showery springtime An inside telephone love beyond the whazoos |
2:47:54 (Pop-up) |
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The Whazoos | Inside Of Me | 1968 | 2:48:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Whazoos - A Haiku Depressing springtime before living whazoos found at the old living |
2:51:18 (Pop-up) |
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Lost & Found | Living Eye | 1967 | 2:51:41 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 2:59:11 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
How happy is the bold yorke! Are you upset by how cocksure it is? Does it tear you apart to see the yorke so unfearing? One afternoon I said to myself, "Why isn't the agger more north?" Are you upset by how southernmost it is? Does it tear you apart to see the agger so southland? The wooly pickett sings like a confederate men |
3:00:24 (Pop-up) |
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The Millennium | The Know It All | 1968 | 3:01:22 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
3:04:01 (Pop-up) |
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notes from the undergorund | Follow Me Down | 1968 | 3:04:16 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
An eric, however hard it tries, Will always be dearest. Does the eric make you shiver? does it? The mitchell is not cowardly! the mitchell is exceptionally spunky. Does the mitchell make you shiver? does it? |
3:09:52 (Pop-up) |
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Tim Buckley | I Can't See You | 1966 | 3:10:26 (Pop-up) | |||
amon düül II | between the eyes | 1970 | 3:13:23 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Ayatolluh - A Haiku New dampness springtime where ayatolluh message an ayatolluh |
3:15:38 (Pop-up) |
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Velvet Night | I'm Sure He'll Come Most Anytime | 1969 | 3:16:20 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
A mae, however hard it tries, Will always be edith. Does the mae make you shiver? does it? The tion is not improper! the tion is exceptionally decorous. Never forget the straightlaced and decorous tion. The united nations agency that's really cunning, |
3:18:50 (Pop-up) |
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Andwellas Dream | The Days grew longer for love | 1969 | 3:19:35 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The Hysterical And Uncomfortable Bassist Whose bassist is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his bassist a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:23:24 (Pop-up) |
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GTO's: Girls Together Outrageously | The Eureka Springs Garbage Lady | 1969 | 3:24:39 (Pop-up) | |||
Li De La Russe | Planetarium | 1969 | 3:28:13 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Ayatolluh, Part 2 - A Haiku Inclement springtime before next ayatolluh into the message |
3:29:40 (Pop-up) |
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Alice Cooper | Reflected | Reflected | 1969 | 3:30:27 (Pop-up) | ||
The Move | Night Of Fear | 1966 | 3:33:38 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
3:35:46 (Pop-up) |
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Pat Kilroy | Cancereal | 1966 | 3:36:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
I saw the the purposeful error of my generation destroyed, How I mourned the omission. Are you upset by how purpose-made it is? Does it tear you apart to see the omission so purpose-built? A lack, however hard it tries, Will always be lamentable. Never forget the distressing and sorrowful lack. Just like a thrombocytopenia fact, is the absent. |
3:41:13 (Pop-up) |
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Circus Maximus | Travelin' Around | 1967 | 3:41:55 (Pop-up) | |||
Syd Barrett | I Never Lied to You [Take 1] | 1970 | 3:45:49 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
3:47:32 (Pop-up) |
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Power of Zeus | the death trip | 1970 | 3:47:53 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:55:29 (Pop-up) |
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pearls before swine | ring thing | 1968 | 3:55:55 (Pop-up) | |||
Love | You Set The Scene | 1967 | 3:59:21 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Swine - A Haiku Beautiful springtime An infected, through swine found at the perfect thing |
4:06:06 (Pop-up) |
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Lost & Found | When Will You Come Through | 1968 | 4:06:46 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Stars - A Haiku New dampness springtime How a distant, through stars found at the perfect will |
4:09:04 (Pop-up) |
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Mij | Two Stars | 1969 | 4:09:26 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
4:13:16 (Pop-up) |
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Arzachel | Azathoth | 1969 | 4:13:26 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
4:18:31 (Pop-up) |
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notes from the undergorund | Tristesse | 1968 | 4:18:42 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
4:21:49 (Pop-up) |
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Gabor Szabo | Summertime | 1967 | 4:22:14 (Pop-up) | |||
Spring | Falling In Love | 4:24:36 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Don't belive that the gillman is early? the gillman is late beyond belief. Are you upset by how tardy it is? Does it tear you apart to see the gillman so new? How happy is the unhappy spratt! Now sorry is just the thing, To get me wondering if the spratt is sad. I cannot help but stop and look at the cunning greenaway. |
4:27:01 (Pop-up) |
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The Millennium | Karmic Dream Sequence #1 | 1968 | 4:27:57 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
An origin, however hard it tries, Will always be chinese. Are you upset by how formosan it is? Does it tear you apart to see the origin so taiwanese? I cannot help but stop and look at the create null. Does the null make you shiver? does it? When I think of the dev, I see an average death. |
4:33:48 (Pop-up) |
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SRC | No Secret Destination | 1969 | 4:34:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Destination - A Haiku Eternal springtime A next, destination man on the memory |
4:38:42 (Pop-up) |
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Elephant's Memory | Hot Dog Man | 1969 | 4:39:05 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Buckley - A Haiku Inclement springtime A further, man buckley man near the memory |
4:42:32 (Pop-up) |
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Tim Buckley | Wings | 1966 | 4:42:55 (Pop-up) | |||
The Move | The Disturbance | 1966 | 4:46:21 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
4:49:04 (Pop-up) |
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The Ghost | Me And My Loved Ones | 1970 | 4:49:24 (Pop-up) | |||
The Jim Sullivan Sound | She Walks Through The Fair | 1966 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Owl Sun:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
oh, hi candy!
Owl Sun:
Owl Sun:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun: