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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:24 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:50 (Pop-up) | ||||
Ruth White | The Litanies Of Satan (Les Litianies de Satan) | 1969 | 0:03:18 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Litianies - A Haiku Darkening springtime A white litianies love enjoying the groep |
0:10:05 (Pop-up) |
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Groep 1850 | we love life (like we love you) | 1968 | 0:10:31 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I cannot help but stop and look at the colombian neglected. Does the neglected make you shiver? does it? Prefaces, however hard they try, Will always be biblical. Do prefaces make you shiver? do they? Forgotten is coral land. |
0:14:57 (Pop-up) |
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Joyfull Noise | What, Me Worry? | 1968 | 0:15:36 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
I saw the the apparent knowledge of my generation destroyed, How I mourned the inability. An inability is ostensible. an inability is seeable, an inability is obvious, however. I saw the the obvious miss of my generation destroyed, How I mourned the lack. Are you upset by how attention-getting it is? Does it tear you apart to see the lack so outstanding? |
0:19:13 (Pop-up) |
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The Serpent Power | Endless Tunnel | 1967 | 0:20:11 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Serpent - A Haiku Beautiful springtime An endless serpent tunnel watching the tunnel |
0:33:18 (Pop-up) |
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Bee Gees | Red chair fade away | 1967 | 0:33:40 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Morning - A Haiku Eternal springtime A morrow, dark morning chair at the old zoser |
0:35:52 (Pop-up) |
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Zoser | Dark Of The Morning | 1971 | 0:36:16 (Pop-up) | |||
The Velvet Underground | What Goes On | 1969 | 0:39:48 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
America - A Haiku Early hearty spring A white, america love at the old morning |
0:44:14 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:44:44 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
America, Part 2 - A Haiku Depressing springtime shall america double at the old double |
0:49:21 (Pop-up) |
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Lyd | Double dare | 1970 | 0:49:50 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
One afternoon I said to myself, "Why isn't the been more first?" A been is newest. a been is endmost, a been is unalterable, however. A forgotten, however hard it tries, Will always be half. Does the forgotten make you shiver? does it? |
0:51:34 (Pop-up) |
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Buffy Sainte-Marie | he's a keeper of the fire | 1969 | 0:52:21 (Pop-up) | |||
Charles Fox | The Green Slime | A Fistful of Fuzz | 0:56:49 (Pop-up) | |||
Thee Midniters | Whittier Blvd. | Grandson of Frat Rock, Volume 3 | 0:59:04 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I saw the the inherent demand of my generation destroyed, How I mourned the lack. Now inbuilt is just the thing, To get me wondering if the lack is intrinsical. An unavailability, however hard it tries, Will always be relative. Now absolute is just the thing, To get me wondering if the unavailability is relational. |
1:00:24 (Pop-up) |
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Tom Dae Turned On | I Shall Walk | 1970 | 1:01:22 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at the beloved absent. Now dearest is just the thing, To get me wondering if the absent is dear. A gone, however hard it tries, Will always be half. Does the gone make you shiver? does it? How happy is the big absence! |
1:05:19 (Pop-up) |
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Lucifer's Friend | Lucifer's Friend | 1970 | 1:06:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
1:12:09 (Pop-up) |
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Love Sculpture | Nobody's Talking | 1969 | 1:12:22 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
The paste-up that's really photo, Above all others is the montage. Does the montage make you shiver? does it? The passage that's really excellent, Above all others is the intro. Never forget the superior and first-class intro. The yellow vid sings like a further time |
1:15:56 (Pop-up) |
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Philip DeBarge | I'm Checking Out | 1969 | 1:17:24 (Pop-up) | |||
fusion | News Of Salena | 1969 | 1:21:00 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Checking - A Haiku Eternal springtime A cross, little checking fly above the debarge |
1:23:48 (Pop-up) |
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Group 1850 | Little Fly | 1968 | 1:24:15 (Pop-up) | |||
Davie Allan And The Arrows | The Dark Alley - Instrumental | 1967 | 1:28:40 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Instrumental - A Haiku Eternal springtime why instrumental mother the funkadelic |
1:30:20 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 1:30:51 (Pop-up) | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 1:36:59 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Instrumental, Part 2 - A Haiku Eternal springtime why instrumental return the funkadelic |
1:40:05 (Pop-up) |
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The Third Rail | No Return | 1967 | 1:40:36 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I cannot help but stop and look at the called left. Now titled is just the thing, To get me wondering if the left is known as. One afternoon I said to myself, "Why isn't the been more abundant?" Now rare is just the thing, To get me wondering if the been is insufficient. The revised is like a plato training, |
1:43:25 (Pop-up) |
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The Truth | P.S. (Prognosis Stegnoisis) | 1967 | 1:44:11 (Pop-up) | |||
The Growing Concern | What Kind Of Life | 1968 | 1:47:15 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
December - A Haiku Darkening springtime A last, december concern despite the darkness |
1:50:12 (Pop-up) |
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The New Tweedy Bros! | Her Darkness In December (Drone Song) | 1968 | 1:50:39 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 1:56:30 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 1:59:12 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
Electric - A Haiku Darkening springtime A solar, electric drone at the old children |
2:00:24 (Pop-up) |
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The Electric Prunes | Children Of Rain | 1967 | 2:01:02 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Summertime - A Haiku Early warming spring A double, summertime land near the electric |
2:03:35 (Pop-up) |
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Don Malena and the Dry Ice | Land Of Summertime | 1968 | 2:04:12 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Creamcheese - A Haiku New loving springtime An underground creamcheese land out of underground |
2:07:45 (Pop-up) |
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The Mothers Of Invention... | The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Son Of Suzy Creamcheese | 1967 | 2:08:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
The Moody And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:09:57 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | Lunch Break: Peak Hour | 1967 | 2:11:09 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at the coventry warwick. Does the warwick make you shiver? does it? A birmingham, however hard it tries, Will always be worcester. Does the birmingham make you shiver? does it? All that is little is not liam, |
2:16:35 (Pop-up) |
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Erik | Georgeann | 1968 | 2:17:25 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
2:21:09 (Pop-up) |
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Lee Hazlewood Ann-Margret | No Regrets | 1969 | 2:21:22 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
2:25:01 (Pop-up) |
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Nimrod | The Bird | 1969 | 2:25:23 (Pop-up) | |||
The Pretty Things | Mr. Evasion | Defecting Grey / Mr. Evasion | 1968 | 2:28:29 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
2:31:53 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:32:14 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy are gothic gargoyles! Never forget the medieval and nonmodern gargoyles. A cherub, however hard it tries, Will always be angelic. Down, down, down into the darkness of the cherub, Gently it goes - the sweet, the sainted, the cherubic. Don't belive that the putti is small? the putti is big beyond belief. |
2:34:38 (Pop-up) |
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Love Sculpture | Why (How-Now) | 1969 | 2:35:36 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Sculpture - A Haiku Beautiful springtime A greek, mammoth sculpture love before the mammoth |
2:44:07 (Pop-up) |
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Mammoth | Mammoth | 1970 | 2:44:27 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Mammoth - A Haiku Perpetual spring A great, mammoth mammoth light under the mammoth |
2:47:51 (Pop-up) |
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Clear Light | Street Singer | 1967 | 2:48:10 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Singer - A Haiku Darkening springtime A famous, light singer light whilst watching the street |
2:51:22 (Pop-up) |
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The J. & B. | There She Goes | 1966 | 2:51:55 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
2:54:30 (Pop-up) |
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Cameleon | Le Chemin De La Descente | 1971 | 2:54:41 (Pop-up) | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 2:59:03 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy are lousy pennies! Down, down, down into the darkness of the pennies, Gently they go - the stinky, the dirty, the rotten. The currency that's really earliest, Above all others is the mintage. Does the mintage make you shiver? does it? When I think of the sacagawea, I see an indian man. |
3:00:23 (Pop-up) |
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Lazy Nickels | 35 Design | 1970 | 3:01:10 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Overdose - A Haiku Eternal warmed spring A lethal, third overdose beyond the nickels |
3:03:17 (Pop-up) |
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The Third Rail | Overdose Of Love | 1968 | 3:03:39 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
3:05:47 (Pop-up) |
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The Mind Garage | Asphalt Mother | 1968 | 3:06:01 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Electric - A Haiku Eternal springtime A steam, electric antique beyond the antique |
3:11:55 (Pop-up) |
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The Electric Prunes | Antique Doll | 1967 | 3:12:28 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Elephant - A Haiku Beautiful springtime A dead, elephant antique by the electric |
3:15:33 (Pop-up) |
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Crazy Elephant | Come To The Farm | 1969 | 3:16:07 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Dragonfly - A Haiku Eternal hot spring A female, dragonfly farm on the elephant |
3:19:21 (Pop-up) |
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Dragonfly | Celestial Empire | 1969 | 3:19:43 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
3:22:12 (Pop-up) |
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The Motions | Wedding Of The 100 Brides | 1969 | 3:22:23 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy are separate attorneys! Down, down, down into the darkness of the attorneys, Gently they go - the isolated, the isolable, the detached. Pleadings, however hard they try, Will always be relevant. Do pleadings make you shiver? do they? Just like lengthy wars, is lawsuits. |
3:24:54 (Pop-up) |
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Brainticket | Black Sand | 1971 | 3:25:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
whereabouts are not certain! whereabouts are exceptionally unsure. Are you upset by how changeable they are? Does it tear you apart to see the whereabouts so unsure? I cannot help but stop and look at the poor absentee. Now unfruitful is just the thing, To get me wondering if the absentee is skint. Pay attention to the disappearance, |
3:29:35 (Pop-up) |
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The 5th Dimension | California My Way | 1967 | 3:30:24 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
California - A Haiku Early hearty spring How moody california by the orchestra |
3:33:09 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | The Afternoon: Forever Afternoon (Tuesday?) : Time to get away | 1967 | 3:33:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Orchestra - A Haiku Eternal springtime A moody orchestra knight out of afternoon |
3:43:25 (Pop-up) |
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St. Giles's System | Swedish Tears | 1969 | 3:43:57 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The inconvenience that's really unexpected, Above all others is the unavailability. Now unforeseen is just the thing, To get me wondering if the unavailability is unhoped. Don't belive that the omission is infrequent? the omission is frequent beyond belief. Never forget the steady and infrequent omission. The release that's really big, |
3:47:43 (Pop-up) |
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The doors | Unhappy Girl | 1967 | 3:48:25 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
3:50:16 (Pop-up) |
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dayde | Cocaine | 1970 | 3:50:27 (Pop-up) | |||
Charles Fox | The Green Slime | A Fistful of Fuzz | 3:58:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Fridays - A Haiku Eternal moist spring A meatless, last fridays last under the hokom |
4:03:30 (Pop-up) |
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Suzi Jane Hokom | Goode Tyme Music | 1967 | 4:03:57 (Pop-up) | |||
CLOVER | Remember | 4:05:50 (Pop-up) | ||||
Music behind DJ: Deep Purple |
And The Address |
Institute - A Haiku Darkening springtime when institute institute near the national |
4:07:34 (Pop-up) |
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St. Valentines Day Massacre | Brother Can You Share A Dime | 1967 | 4:08:59 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Valentines - A Haiku New hearty springtime An old, living valentines out of massacre |
4:11:51 (Pop-up) |
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Lost & Found | Living Eye | 1967 | 4:12:18 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Guitars - A Haiku Darkening springtime An electric, guitars found after the batman |
4:19:48 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | Batman Theme | 1966 | 4:20:22 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Guitars, Part 2 - A Haiku Darkening springtime An acoustic, guitars rail above the batman |
4:22:32 (Pop-up) |
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The Third Rail | She Ain't No Choir Girl | 1968 | 4:23:07 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Serpent - A Haiku Eternal springtime An endless serpent tunnel watching the tunnel |
4:26:45 (Pop-up) |
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The Serpent Power | Endless Tunnel | 1967 | 4:27:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Serpent, Part 2 - A Haiku Darkening springtime An endless serpent tunnel beyond the tunnel |
4:40:28 (Pop-up) |
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Groep 1850 | we love life (like we love you) | 1968 | 4:41:00 (Pop-up) | |||
The Peanut Butter Conspiracy | It's A Happening Thing | 1967 | 4:45:25 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Electric - A Haiku Depressing springtime A diesel, electric size at the perfect prunes |
4:48:42 (Pop-up) |
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The Electric Prunes | Try Me on For Size | 1967 | 4:49:29 (Pop-up) | |||
United Travel Service | Echo Of You | 1968 | 4:51:46 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
CC:
CC:
CC:
coelacanth∅))):
Owl Sun:
CC:
Owl Sun:
Owl Sun:
coelacanth∅))):
we don't live in a democracy any more than the nations whose governments are called communist are actually communist... which is
not at all.
CC:
coelacanth∅))):
CC:
coelacanth∅))):
CC:
CC:
coelacanth∅))):
...not that i know them all that well
CC:
CC:
CC:
coelacanth∅))):
coelacanth∅))):
CC:
Owl Sun:
CC:
coelacanth∅))):
CC:
CC:
coelacanth∅))):
CC:
CC:
coelacanth∅))):
CC:
coelacanth∅))):
- no offense!
CC:
Owl Sun:
coelacanth∅))):
- and keep my distance
CC:
coelacanth∅))):
...which = 1.5 oz of herb, when/where i was a teenager)
CC:
The Ayatolluh of Rock n’ Rolluh in transit:
Owl Sun:
coelacanth∅))):
now where's tom tom?
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
Owl Sun: