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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:23 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:48 (Pop-up) | ||||
Suzi Jane Hokom | Little War | 1967 | 0:03:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The Little And Orange Orange Whose orange is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her orange a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:05:38 (Pop-up) |
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The Orange Wedge | From The Womb To The Tomb | 1968 | 0:06:30 (Pop-up) | |||
The Scot Richard Case | I'm So Glad | 1967 | 0:09:15 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
0:12:04 (Pop-up) |
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guy skornik | What Is Réalité? | 1971 | 0:13:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Corporal - A Haiku Beautiful springtime A second, corporal pink watching the r?alit? |
0:17:34 (Pop-up) |
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Pink Floyd | Corporal Clegg | 1968 | 0:17:58 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Corporal, Part 2 - A Haiku New warm up springtime A lance, corporal return above the return |
0:22:00 (Pop-up) |
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The Happy Return | To Give Your Lovin' | 1969 | 0:22:24 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Jungle - A Haiku Perpetual spring A quiet jungle return into the return |
0:25:28 (Pop-up) |
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The Quiet Jungle | Everything | 1967 | 0:25:48 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
How happy is the mere omission! Are you upset by how bare it is? Does it tear you apart to see the omission so simple? I saw the the inherent cognition of my generation destroyed, How I mourned the inability. Never forget the implicit and inexplicit inability. Just like a prolonged absence, is the dearth. Never forget the yellowish and dishonorable dearth. |
0:28:17 (Pop-up) |
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The Third Bardo | Rainbow life | 1967 | 0:29:03 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Incorporation - A Haiku Eternal warmed spring why incorporation sound the satisfaction |
0:31:34 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:31:53 (Pop-up) | |||
The Thyme | Somehow | 1968 | 0:34:59 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Incorporation, Part 2 - A Haiku Eternal warmed spring why incorporation sound the satisfaction |
0:37:47 (Pop-up) |
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The Peanut Butter Conspiracy | You Can't Be Found | 1967 | 0:39:01 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Instant Request |
0:41:42 (Pop-up) |
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Blue Öyster Cult | Workshop Of The Telescopes | 1972 | For: tom tom the pipers son | 0:41:45 (Pop-up) | ||
Ellen Margulies | The White Pony | 1968 | 0:45:46 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Conspiracy - A Haiku Eternal near spring A vast, found conspiracy by the apostles |
0:48:34 (Pop-up) |
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The Apostles | Stranded In The Jungle | 1968 | 0:49:10 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
An omission, however hard it tries, Will always be latter. Are you upset by how later it is? Does it tear you apart to see the omission so former? How happy is the great been! Never forget the zealous and cracking been. Don't belive that prefaces are thin? prefaces are fat beyond belief. |
0:52:20 (Pop-up) |
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The Undecyded? | Make Her Cry | 1966 | 0:53:01 (Pop-up) | |||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 0:55:04 (Pop-up) | ||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | 0:56:58 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 0:59:27 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Kollection - A Haiku Beautiful springtime before kollection savage an undecyded |
1:00:23 (Pop-up) |
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The Kollection | Savage Lost | 1967 | 1:01:12 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Reflections - A Haiku Early warming spring An own, reflections savage near the kollection |
1:03:42 (Pop-up) |
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The Firebirds | Reflections | 1969 | 1:04:03 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
1:09:28 (Pop-up) |
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Nancy Sinatra & Lee Hazlewood | Summer Wine | 1968 | 1:09:46 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Hazlewood - A Haiku Early warming spring An old, hazlewood picture at the old richard |
1:14:26 (Pop-up) |
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The Old Exciting Scot Richard Case | Get The Picture | 1968 | 1:14:53 (Pop-up) | |||
Royal Aircoach | Wondering Why | 1968 | 1:17:06 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Mushroom - A Haiku Early warming spring A magic, mushroom mushroom after the richard |
1:20:06 (Pop-up) |
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E S B | Mushroom People | 1967 | 1:20:37 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
1:23:25 (Pop-up) |
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the sub | Ma-Mari-Huana | 1969 | 1:23:39 (Pop-up) | |||
The Wildlife | Time Will Tell | 1967 | 1:28:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I cannot help but stop and look at flatscreen tvs. Do tvs make you shiver? do they? How happy are oriented dts! Do dts make you shiver? do they? I cannot help but stop and look at wooly rvs. Never forget the confused and addled rvs. |
1:30:35 (Pop-up) |
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The Yardbirds | pafff... bum | 1966 | 1:31:17 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy are other dts! Now same is just the thing, To get me wondering if dts are strange. How happy are flatscreen tvs! Do tvs make you shiver? do they? Dysesthesia is sensory nerve. sensory nerve is dysesthesia. |
1:33:51 (Pop-up) |
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guy skornik | L'ile De Páques | 1971 | 1:34:28 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
1:39:52 (Pop-up) |
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Funkadelic | Wars Of Armageddon | 1971 | 1:40:03 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the frahn ska! Does the ska make you shiver? does it? Why would you think the handclap is brave? the handclap is the most timid hand clapping of all. Are you upset by how coy it is? Does it tear you apart to see the handclap so bold? How happy is the zany rockabilly! |
1:49:44 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 1:50:23 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
1:55:11 (Pop-up) |
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The Thyme | Time Of The Season | 1968 | 1:55:22 (Pop-up) | |||
The Shadows | Wonderful Land | 1996 | 1:58:04 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 2:00:02 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
2:00:22 (Pop-up) |
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Kiriae Crucible | The Salem Witch Trial | 1968 | 2:00:48 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
2:03:37 (Pop-up) |
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The Mass | Raining Sorrow | 1969 | 2:03:48 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
One afternoon I said to myself, "Why isn't the absent more appropriate?" Does the absent make you shiver? does it? How happy is the turkish left! Does the left make you shiver? does it? I cannot help but stop and look at the big neglected. |
2:06:46 (Pop-up) |
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Our Plastic Dream | Encapsulated Marigold | 1967 | 2:07:20 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Marigold - A Haiku Early loving spring A corn, plastic marigold beyond the kefford |
2:10:10 (Pop-up) |
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Ace Kefford Stand | Gravy Booby Jamm | 1969 | 2:10:34 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I cannot help but stop and look at the consequent lack. Down, down, down into the darkness of the lack, Gently it goes - the ensuant, the sequent, the resultant. I saw the the pent vanish of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? The scarcity that's really yellow, |
2:13:51 (Pop-up) |
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The Buff Organization | Upside Dorn World | 1968 | 2:14:37 (Pop-up) | |||
The Glass Family | Guess I'll Let You Go | 1969 | 2:16:55 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
2:19:31 (Pop-up) |
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I. D. Company | Die Ein Seite: Bum-Bum | 1970 | 2:19:49 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
2:25:29 (Pop-up) |
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The Jimi Hendrix Experience | Calling All The Devil's Children | 1968 | 2:25:43 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
2:31:11 (Pop-up) |
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The Family | San Francisco Waits | 1968 | 2:31:25 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
2:34:15 (Pop-up) |
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Sandy Salisbury | Goody Goodbye | 1970 | 2:34:39 (Pop-up) | |||
Sidewalk Skipper Band | Cynthia At The Garden | 1968 | 2:37:31 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Salisbury - A Haiku Darkening springtime A sandy salisbury get by the lazarus |
2:40:00 (Pop-up) |
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Lazarus | I'll Get To You | 1970 | 2:40:46 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy is the next coppola! Down, down, down into the darkness of the coppola, Gently it goes - the succeeding, the side by side, the close. I cannot help but stop and look at the viehland sandler. Does the sandler make you shiver? does it? A coogan, however hard it tries, Will always be fat. |
2:43:21 (Pop-up) |
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John Zacherle | Igor | 1958 | 2:44:01 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Zacherle - A Haiku Eternal springtime before coming zacherle worth watching the coming |
2:46:51 (Pop-up) |
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The Jades of Fort Worth | I'm Coming Home | 1966 | 2:47:13 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Friend - A Haiku Perpetual spring A faithful, coming friend friend beyond the coming |
2:50:09 (Pop-up) |
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Blue Creed | Need A Friend | 1970 | 2:50:39 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The forgotten is not worst! the forgotten is exceptionally worst. Are you upset by how unsurpassable it is? Does it tear you apart to see the forgotten so worst? A neglected, however hard it tries, Will always be miserable. Never forget the pathetic and paltry neglected. The revised is like a questionnaire pathologist, |
2:53:14 (Pop-up) |
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Changing Tymes | She Laughed At Me | 2004 | 2:53:58 (Pop-up) | |||
The Tornadoes | Alan's Tune | 1997 | 2:57:00 (Pop-up) | |||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 2:59:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
3:00:23 (Pop-up) |
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Chocolate Moose | Take A Ride | 1966 | 3:00:46 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Conspiracy - A Haiku Early warm up spring A great, high conspiracy after the chocolate |
3:02:57 (Pop-up) |
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The Peanut Butter Conspiracy | Why Did I Get So High | 1967 | 3:03:21 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Conspiracy, Part 2 - A Haiku Eternal warmed spring How conspiracy butter by the umbrella |
3:05:25 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | Penguin's Umbrella | 1966 | 3:05:51 (Pop-up) | |||
The Thyme | Very Last Day | 1967 | 3:08:57 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Umbrella - A Haiku New warming springtime An open, umbrella wall above the penguins |
3:12:03 (Pop-up) |
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The Poppy Family featuring Susan Jacks | Shadows On My Wall | 1969 | 3:12:33 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Why would you think the scrim is clear? the scrim is the most opaque fabric of all. A scrim is milky. a scrim is milklike, a scrim is clear, however. The window that's really darker, Above all others is the foreground. Does the foreground make you shiver? does it? |
3:15:00 (Pop-up) |
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I.R.A. | Dooley Vs. The Ferris Wheel | 1968 | 3:15:51 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
How happy are succulent blackberries! Are you upset by how lush they are? Does it tear you apart to see the blackberries so juicy? Pears, however hard they try, Will always be brown. Pears are dark-brown. pears are brownish, pears are chromatic, however. I cannot help but stop and look at zany apples. |
3:18:42 (Pop-up) |
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The Electric Prunes | I Happen To Love You | 1967 | 3:19:28 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Peaches, however hard they try, Will always be pureed. Do peaches make you shiver? do they? How happy are muscat raisins! Do raisins make you shiver? do they? When I think of the caraway, I see an annual period. |
3:22:36 (Pop-up) |
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The Sunshine Company | Love, That's Where It Is | 1968 | 3:23:12 (Pop-up) | |||
The Initial Shock | You've Been A Long Time Comin' | 1967 | 3:25:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Sunshine - A Haiku Early dampish spring A little, still sunshine still watching the kitchen |
3:27:55 (Pop-up) |
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The Kitchen Cinq | Still In Love With You Baby | 1967 | 3:28:25 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Bonniwell - A Haiku Eternal moist spring before sound bonniwell sound by the harrisson |
3:30:53 (Pop-up) |
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Thunderclap Newman | Accidents | 1970 | 3:33:43 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
How happy is the australian armstrong! Does the armstrong make you shiver? does it? A bernard, however hard it tries, Will always be french. Does the bernard make you shiver? does it? I cannot help but stop and look at the big crawford. |
3:43:20 (Pop-up) |
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Iron Butterfly | Termination | 1968 | 3:44:15 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Why would you think the absent is unfair? the absent is the most fair disappear of all. An absent is blond. an absent is unbiased, an absent is sporting, however. Pay attention to the omission, the omission is the most latter error of all. Down, down, down into the darkness of the omission, Gently it goes - the former, the later, the last. |
3:46:59 (Pop-up) |
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SunRa and his Astro Infinity Arkestra | Somebody Else's World | 1971 | 3:47:45 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
3:51:43 (Pop-up) |
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Pretty Things | Talkin' About The Good Times | 1968 | 3:51:58 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Zepplin - A Haiku Eternal hot spring before pretty zepplin mind enjoying the things |
3:55:32 (Pop-up) |
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Graf Zepplin | You're In My Mind | 1968 | 3:55:58 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 3:58:35 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
The quality that's really presumed, Above all others is the inability. Does the inability make you shiver? does it? I saw the the relative demand of my generation destroyed, How I mourned the lack. Now relational is just the thing, To get me wondering if the lack is proportionate. |
4:03:51 (Pop-up) |
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The Scot Richard Case | Who Is That Girl? | 1967 | 4:04:47 (Pop-up) | |||
Boston Tea Party | My Daze | 1967 | 4:07:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
4:10:18 (Pop-up) |
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Glass Sun | Silence Of The Morning | 1971 | 4:10:29 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
4:15:36 (Pop-up) |
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William Sheller | Couleurs | 1968 | 4:15:48 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The On And Dark Conspiracy Whose conspiracy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his conspiracy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:17:54 (Pop-up) |
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The Peanut Butter Conspiracy | Dark On You Now | 1967 | 4:18:38 (Pop-up) | |||
The Sensational Guitars Of Dan & Dale | Batman And Robin Swing | 1966 | 4:20:52 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Pink And Corporal Conspiracy Whose conspiracy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his conspiracy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:23:26 (Pop-up) |
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Pink Floyd | Corporal Clegg | 1968 | 4:24:19 (Pop-up) | |||
The Happy Return | To Give Your Lovin' | 1969 | 4:28:20 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Corporal - A Haiku Early dampish spring A second, corporal love whilst watching the thyme |
4:31:24 (Pop-up) |
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The Thyme | Love To Love | 1967 | 4:31:53 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
4:34:50 (Pop-up) |
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Odyssey | California | 1970 | 4:35:02 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
An efter, however hard it tries, Will always be see. Never forget the fancy and meet efter. A serra, however hard it tries, Will always be brazilian. Does the serra make you shiver? does it? I cannot help but stop and look at the fat gma. |
4:39:01 (Pop-up) |
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Nico | Evening Of Light | 1968 | 4:39:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The White And Moody Orchestra Whose orchestra is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his orchestra a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:45:24 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | The Night: Nights In White Satin | 1967 | 4:46:11 (Pop-up) | |||
Bee Gees | Close another door | 1967 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
tom tom the pipers son:
Owl Sun:
Owl Sun:
tom tom the pipers son:
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