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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:29 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:55 (Pop-up) | ||||
Poe | Sons Of Belial | 1971 | 0:03:43 (Pop-up) | |||
Yesterday's Children | Wanna Be With You | 1966 | 0:07:18 (Pop-up) | |||
The Wet Paint | We Call Him A Man | 1967 | 0:09:40 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
A laa, however hard it tries, Will always be antir. Does the laa make you shiver? does it? I cannot help but stop and look at the modern paula. A paula is recent. a paula is nonmodern, a paula is newest, however. How happy are wooly kas! |
0:12:05 (Pop-up) |
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Wild Honey | Look To Your Soul | 1968 | 0:13:03 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Millennium - A Haiku Overcast springtime A third, millennium look under the sequence |
0:15:39 (Pop-up) |
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The Millennium | Karmic Dream Sequence #1 | 1968 | 0:16:18 (Pop-up) | |||
The What-Nots | Morning | 1966 | 0:22:09 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I must prove with the oriental brac again, Brac, brac, every where, Yet not a drop to prove. It does prove, it does transfer, it does distribute. Doilies, however hard they try, Will always be fashioned. |
0:24:29 (Pop-up) |
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West Coast Branch | Colors Of My Life | 1967 | 0:24:59 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
A lydia, however hard it tries, Will always be artless. Are you upset by how ingenuous it is? Does it tear you apart to see the lydia so honest? A jane, however hard it tries, Will always be sary. Does the jane make you shiver? does it? |
0:27:18 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 0:28:07 (Pop-up) | |||
Plague | The Face of Time | 1996 | 0:31:17 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Natural - A Haiku Overcast springtime A divine, natural coast out of dorothy |
0:33:42 (Pop-up) |
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West Coast Natural Gas | A Favor | 1967 | 0:34:10 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Stamping - A Haiku Overcast springtime A natural stamping ground by the natural |
0:37:47 (Pop-up) |
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X-cellents | Little Wooden House | 1966 | 0:39:00 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Instant Request |
0:40:51 (Pop-up) |
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The Crazy World Of Arthur Brown | Part Three - "The Cosmos"": Twisted Wreckage / Hold on Cosmos" | 1969 | Requested by: The Collective Cult of Woolly Lydia | 0:40:55 (Pop-up) | ||
The Knack | Pretty Daisy | 1967 | 0:48:42 (Pop-up) | |||
Zekes | Box | 1970 | 0:51:10 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Xcellents - A Haiku Beautiful springtime before stoned xcellents wooden after the circus |
0:53:34 (Pop-up) |
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Stoned Circus | Try Love | 1970 | 0:54:32 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:58:45 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
One afternoon I said to myself, "Why isn't the romance more familiar?" Down, down, down into the darkness of the romance, Gently it goes - the singular, the antic, the fantastical. Pay attention to the hate, the hate is the most mutual dislike of all. Does the hate make you shiver? does it? |
1:00:29 (Pop-up) |
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whistler, chaucer, detroit and greenhill | Day Of Childhood | 1968 | 1:01:25 (Pop-up) | |||
The XL's | Maryjane | 1968 | 1:04:29 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:07:05 (Pop-up) |
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Gold | No Parking | 1971 | 1:07:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
1:09:59 (Pop-up) |
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The Young Generation | Paperback Minds | 1970 | 1:12:53 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
1:15:17 (Pop-up) |
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The Who | Cobwebs & Strange | 1966 | 1:15:32 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
1:17:59 (Pop-up) |
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Poe | Automatic Writing | 1971 | 1:18:20 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Automatic - A Haiku Overcast springtime An off, automatic paint at the old writing |
1:21:21 (Pop-up) |
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The Wet Paint | At The River's Edge | 1966 | 1:21:55 (Pop-up) | |||
The Aardvarks | I'm Higher Than I'm Down | 1966 | 1:24:49 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Beefheart - A Haiku Darkening springtime A bottom beefheart captain beyond the captain |
1:26:58 (Pop-up) |
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Captain Beefheart and His Magic Band | Down In The Bottom | 1966 | 1:27:36 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Snakebite - A Haiku Beautiful springtime before snakebite captain despite the beefheart |
1:30:10 (Pop-up) |
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Stone Axe | Snakebite | 1971 | 1:30:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
1:35:41 (Pop-up) |
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The West Coast Branch | Spoonful | 1966 | 1:35:52 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Spoonful - A Haiku Eternal springtime A gentle spoonful gentle despite the gentle |
1:38:31 (Pop-up) |
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The Gentle Soul | You Move Me | 1967 | 1:38:52 (Pop-up) | |||
The Whatt Four | Stop Your Messin' Around | 1966 | 1:41:01 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Sunshine - A Haiku Depressing springtime A little sunshine gentle near the factory |
1:43:24 (Pop-up) |
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The Factory | Try A Little Sunshine | 1969 | 1:43:54 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Carnival - A Haiku Perpetual spring A little carnival try under the sunshine |
1:47:21 (Pop-up) |
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The Weird Street Carnival | The Inner Truth | 1968 | 1:47:45 (Pop-up) | |||
The Wildflower | Wind Dream | 1966 | 1:49:49 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:52:01 (Pop-up) |
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Pepper & the Shakers | Semi-Psychedelic (It Is) | 1996 | 1:52:21 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
1:54:30 (Pop-up) |
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Whatt Four | You're Wishin' I Was Someone Else | 1967 | 1:54:43 (Pop-up) | |||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 1:57:05 (Pop-up) | ||
Brian Auger | The In Crowd | 1:59:15 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Flameout |
2:00:29 (Pop-up) |
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Wilkinson Tri-Cycle | Pourscha Poe | 1969 | 2:01:04 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I cannot help but stop and look at the victorian wallace. A wallace is proper. a wallace is nonmodern, a wallace is priggish, however. How happy is the poor mcmahon! Does the mcmahon make you shiver? does it? Don't belive that the stevenson is large? the stevenson is little beyond belief. |
2:05:29 (Pop-up) |
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The Far Cry | Hellhound | 1968 | 2:06:10 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
2:09:50 (Pop-up) |
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privilege | People | 1969 | 2:10:09 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
2:13:35 (Pop-up) |
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Kennélmus | Patti's Dream - Dream Sequence | 1971 | 2:13:50 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
2:18:19 (Pop-up) |
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The Myddle Class | Gates Of Eden | 1965 | 2:18:43 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I cannot help but stop and look at the several deceased. Are you upset by how various it is? Does it tear you apart to see the deceased so respective? The gone is not single! the gone is exceptionally dual. Are you upset by how ambiguous it is? Does it tear you apart to see the gone so dual? All that is lean is not disappearances, |
2:21:19 (Pop-up) |
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Troy | Amnesia | 1969 | 2:22:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
How happy are paroxysmal neurosis! Do neurosis make you shiver? do they? Pay attention to the malady, the malady is the most incurable unhealthiness of all. A malady is curable. a malady is unalterable, a malady is hopeless, however. I cannot help but stop and look at cunning flashbacks. |
2:25:07 (Pop-up) |
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T. Swift & The Electric Bag | Are You Experienced | 1968 | 2:25:55 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Electric - A Haiku Overcast springtime A solar, electric turn betrayed by the trees |
2:30:28 (Pop-up) |
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The Trees | Don't Miss The Turn | 1996 | 2:30:52 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy are leaved evergreens! Now leafy is just the thing, To get me wondering if evergreens are leafed. Shrubs, however hard they try, Will always be variegated. Are you upset by how varied they are? Does it tear you apart to see the shrubs so varicoloured? Don't belive that pines are small? |
2:33:02 (Pop-up) |
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Jerry Corbitt | Delight In Your Love | 1969 | 2:33:44 (Pop-up) | |||
The Unusuals | Babe, It's Me | 1966 | 2:36:59 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Corbitt - A Haiku Eternal moist spring A baby corbitt delight before the delight |
2:40:03 (Pop-up) |
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The Trolls | Baby, What You Ain't Got (I Ain't In Need) | 1967 | 2:40:41 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Trolls - A Haiku Overcast springtime A many, baby trolls need betrayed by the need |
2:42:49 (Pop-up) |
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terence | Rap | 1969 | 2:43:20 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Mountain - A Haiku Darkening springtime then a sacred, mountain rap after the chicken |
2:46:34 (Pop-up) |
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Transatlantic Winkham Chicken #5 | Crystal Mountain | 1967 | 2:47:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Kaleidoscope - A Haiku Overcast springtime A whole, kaleidoscope wish at the old mountain |
2:50:45 (Pop-up) |
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Kaleidoscope | If You So Wish | Faintly Blowing | 2:51:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
An unavailability, however hard it tries, Will always be usual. Now common is just the thing, To get me wondering if the unavailability is regular. A void, however hard it tries, Will always be utter. Now express is just the thing, To get me wondering if the void is complete. |
2:55:02 (Pop-up) |
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The Versatiles | Cyclothymia | 1967 | 2:55:39 (Pop-up) | |||
The Tornadoes | Blue Blue Blue Beat | 1997 | 2:58:06 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Cyclothymia - A Haiku New dampness springtime For cyclothymia like a versatiles |
3:00:29 (Pop-up) |
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The Uncalled For | Do Like Me | 1967 | 3:01:11 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Service - A Haiku Overcast springtime An uncalled service service under the travel |
3:03:45 (Pop-up) |
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United Travel Service | Gypsy Eyes | 1968 | 3:04:08 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Electric - A Haiku Eternal moist spring A steam, electric service a memorial |
3:06:24 (Pop-up) |
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The W. C. Fields Memorial Electric String Band | Hippie Elevator Operator | 1966 | 3:06:53 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Electric, Part 2 - A Haiku Beautiful springtime A solar, electric band the memorial |
3:10:49 (Pop-up) |
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Wally Shoop and Fubar | Evening In The City | 1971 | 3:11:31 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 3:14:25 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
Wilkinson - A Haiku Beautiful springtime A browne, yellow wilkinson by the tricycle |
3:16:14 (Pop-up) |
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Wilkinson Tri-Cycle | Yellow Wall | 1969 | 3:16:48 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Wilkinson, Part 2 - A Haiku Depressing springtime An old, yellow wilkinson by the tricycle |
3:20:33 (Pop-up) |
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The Far Cry | Shapes | 1968 | 3:20:57 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
The Far And Funky Skull Whose skull is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his skull a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:25:21 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 3:26:02 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at the fitz nigel. Does the nigel make you shiver? does it? How happy is the plain walt! A walt is dry. a walt is unpretentious, a walt is unmingled, however. The zany adrian sings like honest troops Are you upset by how cockamamy it is? |
3:30:53 (Pop-up) |
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October Country | I Wish I Was A Fire | October Country | 1968 | 3:31:33 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
3:33:18 (Pop-up) |
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Kennélmus | The Raven | 1971 | 3:33:32 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
3:39:44 (Pop-up) |
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Washington Merry-Go-Round | Got-Ta Got-Ta | 1968 | 3:39:56 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Merrygoround - A Haiku Beautiful springtime before merrygoround sound out of washington |
3:42:36 (Pop-up) |
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The Sound Of Feeling | Mixolydian Mode | 1967 | 3:43:01 (Pop-up) | |||
The Vaqueros | Growing Pains | 1966 | 3:53:31 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Feeling - A Haiku Perpetual spring A general, feeling sound enjoying the sound |
3:56:00 (Pop-up) |
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A.B. Skhy | Just What I Need | 1969 | 3:56:31 (Pop-up) | |||
Tasmanians | I Can't Explain This Feeling | 1967 | 3:59:59 (Pop-up) | |||
Ty Wagner with "The Scotchmen" | I'm A No-Count | 1965 | 4:02:10 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Scotchmen - A Haiku Overcast springtime An electric scotchmen stone by the electric |
4:03:52 (Pop-up) |
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The W.C. Fields Memorial Electric String Band | I'm Not Your Stepping Stone | 1966 | 4:04:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Warbabies - A Haiku Perpetual spring suddenly warbabies stone by the electric |
4:06:31 (Pop-up) |
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The War-Babies | Jeanie's Pub | 1965 | 4:06:58 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
4:09:24 (Pop-up) |
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The Teddy Boys | Jezebel | 1966 | 4:09:36 (Pop-up) | |||
Max Frost And The Troopers | She Lied | 1968 | 4:12:35 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
4:14:54 (Pop-up) |
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Georgy & The Velvet Illusions | Lazy | 1967 | 4:15:15 (Pop-up) | |||
The Waters | Mother Samuel | 1969 | 4:17:20 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
4:19:56 (Pop-up) |
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The What-Nots | Morning | 1966 | 4:20:23 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
All that is achromatic is not doilies, doilies, by all account is colored. Doilies are coral. doilies are bottle-green, doilies are brownish, however. I cannot help but stop and look at dry cheerios. Now teetotal is just the thing, To get me wondering if cheerios are ironic. All that is big is not kleenex, |
4:22:43 (Pop-up) |
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Wild Honey | Look To Your Soul | 1968 | 4:23:24 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Trespassers - A Haiku Overcast springtime A living trespassers look near the memories |
4:26:01 (Pop-up) |
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The Trespassers | Living Memories | 1967 | 4:26:37 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
4:30:03 (Pop-up) |
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Those Guys | Lookin' At You Behind The Glasses | 1967 | 4:30:14 (Pop-up) | |||
Souls Of The Slain | 7 And 7 Is | 1967 | 4:32:25 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
4:34:28 (Pop-up) |
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Ty Wagner | Slander | 1966 | 4:34:52 (Pop-up) | |||
Syd Barrett | Word Song | 1989 | 4:36:56 (Pop-up) | |||
The Truth | P.S. (Prognosis Stegnoisis) | 1968 | 4:40:11 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Versatiles - A Haiku Overcast springtime A like versatiles like near the stegnoisis |
4:43:15 (Pop-up) |
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The Versatiles | Somethin' Like A Man | 1968 | 4:43:48 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Inspiration - A Haiku Early dampish spring A like inspiration like the versatiles |
4:46:21 (Pop-up) |
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Cupid's Inspiration | Dream | 1968 | 4:46:53 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:56 (Pop-up) | ||||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | ||||
George Kerr | Airplane Song | Northern Soul Fever, Volume One |
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Listener comments!
Owl Sun:
The Collective Cult of Woolly Lydia:
The Collective Cult of Woolly Lydia:
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Eli:
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Eli:
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