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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:07:20 (Pop-up) | ||||
Nirvana | C Side of Ocho Rios | 0:09:45 (Pop-up) | |||||
The Teddy Boys | Mona | 1967 | 0:10:12 (Pop-up) | ||||
Kennélmus | Shapes Of Sleep | 1971 | 0:13:09 (Pop-up) | ||||
The Unusuals | Summer Is Over | 1966 | 0:15:53 (Pop-up) | ||||
Music behind DJ: Created by Bruce Haack |
Super Nova |
I cannot help but stop and look at incarcerated juveniles. Do juveniles make you shiver? do they? females are not younger! females are exceptionally senior. Are you upset by how younger they are? Does it tear you apart to see the females so senior? How happy are yellow kids! |
0:18:57 (Pop-up) |
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Sweet Smoke | Morning Dew | 1968 | 0:20:01 (Pop-up) | ||||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
0:23:02 (Pop-up) |
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The Move | Cherry Blossom Clinic | 1968 | 0:23:15 (Pop-up) | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
0:25:39 (Pop-up) |
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Teddy And His Patches | Suzy Creamcheese | 1967 | 0:25:50 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at incarcerated juveniles. Do juveniles make you shiver? do they? females are not younger! females are exceptionally senior. Are you upset by how younger they are? Does it tear you apart to see the females so senior? How happy are yellow kids! |
0:28:51 (Pop-up) |
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Von Ruden | The Spider And The Fly | 1970 | 0:29:33 (Pop-up) | ||||
Music behind DJ: Roland Kirk |
Shaky Money |
America - A Haiku Beautiful springtime A white, america love whilst watching the states |
0:32:34 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:32:59 (Pop-up) | |||
Frantics | Human Monkey | San Francisco Nuggets | RhinoT | 0:37:38 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Fugitives - A Haiku Showery springtime A wretched, fugitives love the america |
0:39:43 (Pop-up) |
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Warden and His Fugitives | The World Ain't Changed | 1965 | 0:40:31 (Pop-up) | ||||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
0:44:22 (Pop-up) |
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The Vaqueros | 69 | 1966 | 0:44:35 (Pop-up) | ||||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Instant Request |
0:46:54 (Pop-up) |
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tangerine dream | Fly And Collision Of Comas Sola | 1971 | For: The Ayatolluh of Rock 'n Rolluh | 0:46:58 (Pop-up) | |||
The Paupers | My Love Hides From Your View | 1967 | 1:00:19 (Pop-up) | ||||
The Trolls | There Was A Time | 1967 | 1:03:33 (Pop-up) | ||||
The Shadows | Dance On | 1996 | 1:05:52 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
1:07:19 (Pop-up) |
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Velvet Illusions | Velvet Illusions | 1967 | 1:07:52 (Pop-up) | ||||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
1:09:51 (Pop-up) |
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The Vectors | What In The World | 1965 | 1:10:02 (Pop-up) | ||||
The Treez | You Lied To Me Before | 1966 | 1:12:16 (Pop-up) | ||||
Music behind DJ: The Shadows |
Atlantis |
1:14:53 (Pop-up) |
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Thundertree | At The Top Of The Stairs | 1970 | 1:16:09 (Pop-up) | ||||
The Aardvarks | I'm Higher Than I'm Down | 1966 | 1:19:29 (Pop-up) | ||||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:21:37 (Pop-up) |
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Turquoise | Beautiful Death Dealer | 1967 | 1:22:02 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The business that's really different, Above all others are the occasions. Down, down, down into the darkness of the occasions, Gently they go - the similar, the unlike, the diametric. I cannot help but stop and look at next years. Down, down, down into the darkness of the years, Gently they go - the succeeding, the following, the future. cunning instances sings like multiple members |
1:25:11 (Pop-up) |
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The Teddy Boys | Where Have All the Good Times Gone | 1966 | 1:26:01 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Electric - A Haiku Showery springtime A photo, electric sound near the banana |
1:28:59 (Pop-up) |
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Electric Banana | (Vocal Tracks): Blow Your Mind (Heavy 'rhythm & blues' sound) | even more electric banana | 1969 | 1:29:22 (Pop-up) | |||
The Jelly Bean Bandits | September Rain | 1967 | 1:32:56 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Electric, Part 2 - A Haiku Showery springtime A steam, electric service above the service |
1:35:04 (Pop-up) |
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The United Travel Service | Drumer Of Your Mind | 1967 | 1:35:54 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
All that is mathematical is not muzak, muzak, by all account is verbal. Down, down, down into the darkness of the muzak, Gently it goes - the communicatory, the communicative, the prolix. All that is large is not tinny, tinny, by all account is little. Are you upset by how large it is? Does it tear you apart to see the tinny so microscopic? |
1:38:45 (Pop-up) |
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The U.S. Males | Come Out Of The Rain | 1968 | 1:40:28 (Pop-up) | ||||
Music behind DJ: The Beatles |
The Bus |
Heavy - A Haiku New dampish springtime A light, heavy heavy deal because of the males |
1:43:08 (Pop-up) |
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J.C. Heavy | Mr. Deal | 1970 | 1:43:30 (Pop-up) | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Patches - A Haiku Perpetual spring A brown, heavy patches deal under the teddy |
1:47:01 (Pop-up) |
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Teddy And His Patches | From Day To Day | 1967 | 1:47:31 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Patches, Part 2 - A Haiku Beautiful springtime A brown, rolling patches plane whilst watching the plane |
1:49:51 (Pop-up) |
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The Rolling Stones | Who's Driving Your Plane | 1966 | 1:50:24 (Pop-up) | ||||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
1:53:36 (Pop-up) |
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Waterproof Tinkertoy | Continuation | 1967 | 1:53:50 (Pop-up) | ||||
The W. C. Fields Memorial Electric String Band | Don't Lose The Girl | 1966 | 1:56:40 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
1:58:55 (Pop-up) |
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Captain Beefheart and His Magic Band | Who Do You Think You're Fooling? | 1966 | 1:59:15 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Beefheart - A Haiku Eternal springtime A magic beefheart captain watching the captain |
2:01:18 (Pop-up) |
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The Waters | Day In And Out | 1969 | 2:01:46 (Pop-up) | ||||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:03:47 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 2:06:10 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
How happy are freshwater estuaries! Do estuaries make you shiver? do they? I cannot help but stop and look at sheltered waterways. Never forget the secure and protected waterways. Just like a swampy part, is shores. Shores are clowlike. shores are cuckoo, shores are foolish, however. |
2:07:20 (Pop-up) |
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The Unusuals | I'm Walkin', Babe | 1966 | 2:08:23 (Pop-up) | ||||
The Uncalled For | Get Out Of The Way | 1967 | 2:11:23 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
2:13:39 (Pop-up) |
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Tasmanians | If I Don't | 1967 | 2:14:07 (Pop-up) | ||||
Von Ruden | Judy | 1970 | 2:16:48 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Tasmanians - A Haiku Eternal springtime A young, tasmanians blind at the old purple |
2:18:50 (Pop-up) |
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Deep Purple | Blind | 1969 | 2:19:14 (Pop-up) | ||||
The Waphphle | Going Down | 1967 | 2:24:34 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Purple - A Haiku Perpetual spring A red, purple purple smoke at the perfect smoke |
2:26:07 (Pop-up) |
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Sweet Smoke | Mary Jane Is To Love | 1968 | 2:26:33 (Pop-up) | ||||
The Trees | Don't Miss The Turn | 1996 | 2:28:40 (Pop-up) | ||||
Music behind DJ: Sagittarius |
Pisces |
Don't belive that the absent is absent? the absent is present beyond belief. Does the absent make you shiver? does it? An omission, however hard it tries, Will always be noticeable. Now evident is just the thing, To get me wondering if the omission is unnoticeable. |
2:30:50 (Pop-up) |
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Pepper & the Shakers | Semi-Psychedelic (It Is) | 1996 | 2:31:33 (Pop-up) | ||||
Music behind DJ: George Harrison |
On The Bed |
2:33:43 (Pop-up) |
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The Wanderers with Ronnie Cole | Higher Education | 1967 | 2:34:06 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Wanderers - A Haiku Beautiful springtime A war wanderers machine the education |
2:37:09 (Pop-up) |
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Uncle Sam & The War Machine | Hold On | 1967 | 2:37:35 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The On And War Machine Whose machine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her machine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:41:05 (Pop-up) |
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Dave Davies | Creeping Jean | 1969 | 2:41:45 (Pop-up) | ||||
Music behind DJ: Deep Purple |
And The Address |
2:44:57 (Pop-up) |
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The Teddy Boys | La La | 1966 | 2:45:08 (Pop-up) | ||||
The Two Dollar Question | Aunt Matilda's Double Yummy Blow Your Mind Out Brownies | 1969 | 2:48:33 (Pop-up) | ||||
Music behind DJ: Roland Vincent |
LSD Party |
Pay attention to the absent, the absent is the most dead vanish of all. Does the absent make you shiver? does it? The inconvenience that's really presumed, Above all others is the unavailability. Does the unavailability make you shiver? does it? |
2:50:47 (Pop-up) |
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The Truth | Momentararily Gone | 1968 | 2:51:32 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy are biographical prefaces! Do prefaces make you shiver? do they? I will consider my revised. For my revised is basic because it wants to submit. Down, down, down into the darkness of the revised, Gently it goes - the rudimentary, the abecedarian, the alkalic. How happy is the big forgotten! |
2:54:01 (Pop-up) |
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Twiggs | Moon Maiden | 1969 | 2:54:47 (Pop-up) | ||||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
2:57:36 (Pop-up) |
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the Sorrows | Mary J | 1968 | 2:57:46 (Pop-up) | ||||
Teddy And His Patches | It Ain't Nothin' | 1967 | 2:59:54 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Accompaniment - A Haiku Eternal moist spring before accompaniment love on the reginald |
3:01:32 (Pop-up) |
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electric banana; Arranged and Directed By Reginald Tilsley | Vocal Versions with Accompaniment: Free Love (Strident - rhythmic - harmony vocal) | 1967 | 3:02:15 (Pop-up) | ||||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:05:00 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Accompaniment, Part 2 - A Haiku Overcast springtime before accompaniment love out of trillium |
3:07:19 (Pop-up) |
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The Trillium | News | 1968 | 3:08:03 (Pop-up) | ||||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Electric - A Haiku Overcast springtime A hydro, electric round a memorial |
3:10:22 (Pop-up) |
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The W.C. Fields Memorial Electric String Band | Round World | 1966 | 3:10:43 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Satisfaction - A Haiku Eternal springtime waterproof satisfaction by the waterproof |
3:13:04 (Pop-up) |
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Waterproof Tinkertoy | Satisfaction | 1967 | 3:13:42 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana |
A miniature, however hard it tries, Will always be beautiful. Down, down, down into the darkness of the miniature, Gently it goes - the happiest, the sexy, the fantastic. One afternoon I said to myself, "Why aren't helixes more different?" Never forget the corresponding and unequal helixes. The round shape that's really wooly, |
3:17:32 (Pop-up) |
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The Tow-Away Zone | Shab'd | 1968 | 3:18:14 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
prefaces are not preceding! prefaces are exceptionally consequent. Down, down, down into the darkness of the prefaces, Gently they go - the antecedent, the consequent, the sequent. A neglected, however hard it tries, Will always be oft. Does the neglected make you shiver? does it? |
3:21:10 (Pop-up) |
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H.P. Lovecraft | It's All Over For You | Two Classic Albums From HP Lovecraft | 1967 | 3:21:54 (Pop-up) | |||
Velvet Illusions | She Was The Only Girl | 1967 | 3:24:23 (Pop-up) | ||||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
A biodiesel, however hard it tries, Will always be neat. Never forget the good and clean biodiesel. A cnc, however hard it tries, Will always be modern. Now forward-looking is just the thing, To get me wondering if the cnc is moderne. Why would you think the magneto is little? |
3:26:56 (Pop-up) |
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Turquoise | Steel Glass | 1967 | 3:27:51 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:30:16 (Pop-up) |
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Canterbury Fair | Days I Love | 0 | 1967 | 3:30:47 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Canterbury - A Haiku Darkening springtime A brown canterbury fair watching the arthur |
3:32:42 (Pop-up) |
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The Crazy World Of Arthur Brown | Devil's Grip | The Crazy World Of Arthur Brown | 1967 | 3:33:04 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The Crazy And Brown Flytrap Whose flytrap is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her flytrap a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:36:21 (Pop-up) |
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The Venus Flytrap | The Note | 1967 | 3:37:09 (Pop-up) | ||||
Music behind DJ: Deep Purple |
And The Address |
Scoundrels - A Haiku Darkening springtime A many, sound scoundrels sound under the scoundrels |
3:40:15 (Pop-up) |
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We The People... | When I Arrive | 1968 | 3:46:09 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
3:49:11 (Pop-up) |
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The Children | Dreaming Slave | 1968 | 3:49:40 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Children - A Haiku Depressing springtime An own, wally children slave despite the fubar |
3:53:37 (Pop-up) |
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Wally Shoop and Fubar | Words In My Head | 1971 | 3:54:01 (Pop-up) | ||||
Music behind DJ: George Harrison |
Ski-ing |
Circus - A Haiku Perpetual spring A famous, stoned circus love under the fubar |
3:57:45 (Pop-up) |
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Stoned Circus | Try Love | 1970 | 3:58:21 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Chicken - A Haiku Overcast springtime then a roasted, chicken love after the winkham |
4:02:33 (Pop-up) |
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Transatlantic Winkham Chicken #5 | You'll Never Find Her | 1967 | 4:03:01 (Pop-up) | ||||
The Tornadoes | Alan's Tune | 1997 | 4:05:15 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Tasmanians - A Haiku Darkening springtime A white, tasmanians pill betrayed by the tyde |
4:10:26 (Pop-up) |
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Tyde | Psychedelic Pill | 1969 | 4:10:52 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I saw the the utter scarceness of my generation destroyed, How I mourned the paucity. Are you upset by how arrant it is? Does it tear you apart to see the paucity so express? One afternoon I said to myself, "Why isn't the omission more inconspicuous?" Never forget the striking and outstanding omission. Don't belive that the unavailability is nonfat? |
4:13:35 (Pop-up) |
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The Tangerine Zoo | Wake Up Sun | 1968 | 4:14:19 (Pop-up) | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
4:18:31 (Pop-up) |
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victor brady | Brown Rain | 1970 | 4:19:51 (Pop-up) | ||||
The Rock Shop | Is That Your Halo | 1967 | 4:31:23 (Pop-up) | ||||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Victor - A Haiku Overcast springtime A rca, brown victor brick whilst watching the brick |
4:34:43 (Pop-up) |
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Toad Hall | Elegy On A Brick Wall | 1968 | 4:35:30 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The On And Stereo Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:38:19 (Pop-up) |
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Georgy & The Velvet Illusions | The Stereo Song | 1967 | 4:39:03 (Pop-up) | ||||
Frantics | Human Monkey | San Francisco Nuggets | RhinoT | 4:40:52 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I cannot help but stop and look at the rabinovitch popov. Does the popov make you shiver? does it? I cannot help but stop and look at the real pyotr. Does the pyotr make you shiver? does it? Moldavian is little eyes. little eyes is moldavian. |
4:42:57 (Pop-up) |
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Warden and His Fugitives | The World Ain't Changed | 1965 | 4:44:03 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at lucky escapees. Do escapees make you shiver? do they? How happy are violent terrorists! Are you upset by how ferocious they are? Does it tear you apart to see the terrorists so fierce? One afternoon I said to myself, "Why aren't parolees more little?" |
4:46:53 (Pop-up) |
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Sweetwater | In A Rainbow | 1968 | 4:47:46 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
I cannot help but stop and look at lucky escapees. Do escapees make you shiver? do they? How happy are violent terrorists! Are you upset by how ferocious they are? Does it tear you apart to see the terrorists so fierce? One afternoon I said to myself, "Why aren't parolees more little?" |
4:50:58 (Pop-up) |
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TIME | Elin Experience | 1968 | 4:52:33 (Pop-up) | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:56:52 (Pop-up) | |||||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | |||||
John Barry | Hit & Miss | Beat Girl |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
www.youtube.com...
www.youtube.com...
www.youtube.com...
The Ayatolluh of Rock 'n Rolluh:
Jon:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun: