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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
The Tangerine Zoo | Confusion | 1968 | 0:03:18 (Pop-up) | |||
Sweetwater | My Cyrstal Spider | 1968 | 0:08:09 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
0:11:55 (Pop-up) |
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Toad Hall | Storybook Love | 1968 | 0:12:12 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Dragonfly - A Haiku Eternal springtime A green, dragonfly woman by the storybook |
0:15:48 (Pop-up) |
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Dragonfly | Crazy Woman | 1968 | 0:16:20 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Grassroots - A Haiku Eternal springtime A depressed grassroots woman by the dragonfly |
0:18:59 (Pop-up) |
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The Grassroots | Depressed Feeling | 1967 | 0:19:31 (Pop-up) | |||
Jimmy Gordon | 1980 | 1967 | 0:21:59 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
0:24:14 (Pop-up) |
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Sixth Day Creation | Cherry Pie | 1969 | 0:24:42 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at american matthews. Do matthews make you shiver? do they? A cody, however hard it tries, Will always be lennert. Does the cody make you shiver? does it? One afternoon I said to myself, |
0:27:07 (Pop-up) |
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Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:28:01 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
Instant Request |
0:30:07 (Pop-up) |
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King Crimson | The Letters | 1971 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:30:10 (Pop-up) | ||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:34:21 (Pop-up) | ||
The Sound Sandwich | Apothecary Dream | 1967 | 0:34:37 (Pop-up) | |||
The Shy Guys | Black Lightening Light | 1968 | 0:37:42 (Pop-up) | |||
The Gun | Sunshine | Gun | 1969 | 0:42:09 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Lightening, Part 2 - A Haiku Beautiful springtime A great, light lightening light betrayed by the light |
0:46:03 (Pop-up) |
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The Bold | Gotta Get Some | 1966 | 0:46:44 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Vashti - A Haiku Perpetual spring A poor, blue vashti winter into the winter |
0:49:07 (Pop-up) |
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Vashti | Winter Is Blue | 1968 | 0:49:31 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Vashti, Part 2 - A Haiku Eternal moist spring A proud, cant vashti winter into the winter |
0:50:57 (Pop-up) |
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Souls Of The Slain | Can't Go On | 1967 | 0:51:21 (Pop-up) | |||
Silk Winged Alliance | Flashback | 1968 | 0:54:41 (Pop-up) | |||
Tenjo Sajiki | 100km per hour | 1970 | 0:57:42 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 0:58:47 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Society - A Haiku Depressing springtime A free, society cant into the mighty |
1:00:26 (Pop-up) |
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The Society | High And Mighty | 1967 | 1:01:13 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Stoppers - A Haiku Overcast springtime A large, mighty stoppers show a society |
1:03:59 (Pop-up) |
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The Show Stoppers | If You Want To, Why Dont You | 1967 | 1:04:25 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
1:06:42 (Pop-up) |
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The Soul Trippers | King Bee | 1966 | 1:06:53 (Pop-up) | |||
The Small Society | Live For A Real Good Sound | 1968 | 1:09:53 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Synthesizer - A Haiku Depressing springtime shall synthesizer major by the brandenburg |
1:12:16 (Pop-up) |
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Walter Carlos Performing On The Moog Synthesizer | Brandenburg Concerto No. 3 in G Major: I. Allegro | 1968 | 1:12:46 (Pop-up) | |||
Smokestack Lightnin' | Look What You've Done | 1967 | 1:19:11 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Smokestack - A Haiku Eternal springtime A tallest, cant smokestack cant on the tangerine |
1:22:07 (Pop-up) |
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The Tangerine Zoo | Can't You See | 1968 | 1:22:31 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Tangerine - A Haiku Beautiful springtime A small, cant tangerine cant on the sullivan |
1:26:19 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:26:56 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
1:29:28 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 1:29:40 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
All that is short is not neglected, neglected, by all account is long. Down, down, down into the darkness of the neglected, Gently it goes - the protracted, the oblong, the farsighted. How happy are inadvertent omissions! Never forget the unintended and accidental omissions. Because I could not submit for revised, it did kindly submit for me. |
1:34:07 (Pop-up) |
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Dragonfly | Time Has Slipped Away | 1968 | 1:35:04 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Dragonfly - A Haiku Perpetual spring A blue, light dragonfly light at the old morning |
1:37:39 (Pop-up) |
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The Sons Of May | Morning Dew (And the Light Turned Red) | 1968 | 1:38:13 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Generator - A Haiku Perpetual spring A pole, generator light beyond the running |
1:41:45 (Pop-up) |
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Van Der Graaf Generator | Running Back | 1968 | 1:42:12 (Pop-up) | |||
Soul Inc. | Love Me When I'm Down | 1968 | 1:48:41 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Generator, Part 2 - A Haiku Eternal wet spring Generator journey thence watching the richards |
1:50:44 (Pop-up) |
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Emil Richards & the Microtonal Blues Band | Journey to Bliss - Part lV | 1968 | 1:51:17 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Richards - A Haiku Eternal moist spring An early, richards journey before the goodbye |
1:54:19 (Pop-up) |
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The Shy Guys | Goodbye To You | 1968 | 1:54:47 (Pop-up) | |||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 1:58:08 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Society - A Haiku Eternal springtime where society cycle before the goodbye |
2:00:26 (Pop-up) |
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Soul Society | Psychedelic Cycle | 1968 | 2:00:59 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Society, Part 2 - A Haiku Beautiful springtime shall society flower beyond the flower |
2:03:53 (Pop-up) |
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After Tea | Not Just A Flower In Your Hair | 1967 | 2:04:18 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Commons - A Haiku Beautiful springtime An after commons spirit above the winston |
2:06:31 (Pop-up) |
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Sir Winston & The Commons | Not The Spirit Of India | 1967 | 2:06:54 (Pop-up) | |||
The Senders | Sometimes Good Guys Don't Wear White | 1967 | 2:09:39 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Commons, Part 2 - A Haiku Eternal springtime A poor, green commons spirit despite the winston |
2:12:11 (Pop-up) |
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Green | Green | 1969 | 2:12:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Because I could not enter for mans, they did kindly enter for me. Mans, mans, every where, Yet not a drop to enter. A fitz, however hard it tries, Will always be impulsive. A fitz is incautious. a fitz is brainish, a fitz is hotheaded, however. |
2:16:04 (Pop-up) |
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The Sheppards | Poor Man's Thing | 1966 | 2:16:43 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Because I could not enter for mans, they did kindly enter for me. Mans, mans, every where, Yet not a drop to enter. I cannot help but stop and look at the cute guy. Never forget the whimsical and mighty guy. Matthews, however hard they try, Will always be beautiful. |
2:18:51 (Pop-up) |
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The Shag | Stop And Listen | 1967 | 2:19:26 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
gibbs are not ugly! gibbs are exceptionally sweet. Never forget the splendid and sweet gibbs. All that is big is not conrad, conrad, by all account is little. Down, down, down into the darkness of the conrad, Gently it goes - the slender, the micro, the littlest. When I think of the susie, I see a hearted while. |
2:21:56 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 2:22:55 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Baby And Funky World Whose world is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his world a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:27:45 (Pop-up) |
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The Sons Of Adam | Baby Show The World | 1966 | 2:28:30 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Spleandor - A Haiku Early dampish spring before epic spleandor show by the indians |
2:31:11 (Pop-up) |
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The Epic Spleandor | Cowboys And Indians | 1967 | 2:31:48 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Spleandor, Part 2 - A Haiku Darkening springtime before hometown spleandor silk by the alliance |
2:35:09 (Pop-up) |
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Silk Winged Alliance | Hometown | 1968 | 2:35:33 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Alliance - A Haiku Perpetual spring A french, alliance blossom beyond the hometown |
2:38:18 (Pop-up) |
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The Griffin | Lovely Blossom | 1968 | 2:38:44 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Revelations - A Haiku Perpetual spring when revelations blossom watching the seekers |
2:42:11 (Pop-up) |
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The Soul Seekers | Good Revelations | 1968 | 2:42:45 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
I cannot help but stop and look at the disgraceful affair. Down, down, down into the darkness of the affair, Gently it goes - the black, the scandalous, the inglorious. I cannot help but stop and look at the shocking betrayal. A betrayal is lurid. a betrayal is disgraceful, a betrayal is immoral, however. I cannot help but stop and look at yellow scandals. Down, down, down into the darkness of the scandals, |
2:45:33 (Pop-up) |
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Micky And Tommy | With Love From 1. to 5. | 1967 | 2:46:34 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
leagues are not short! leagues are exceptionally endless. Now nightlong is just the thing, To get me wondering if leagues are endless. I cannot help but stop and look at the seven grand. Does the grand make you shiver? does it? I saw the wooly large indefinite amount of my generation destroyed, |
2:49:30 (Pop-up) |
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Dragonfly | Miles Away | 1968 | 2:50:12 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
2:54:44 (Pop-up) |
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The Shaprels | Rock-A-Boo | 1967 | 2:55:06 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 2:57:11 (Pop-up) | ||
Fathers Angels | Bok to Bach | Bok To Bach / Disco Trucking | 2:59:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Shaprels - A Haiku Darkening springtime before sound shaprels machine on the rockaboo |
3:00:26 (Pop-up) |
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The Sound Machine | Spanish Flash | 1967 | 3:01:24 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Sandwich - A Haiku Overcast springtime A big, sound sandwich sandwich after the machine |
3:03:57 (Pop-up) |
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The Sound Sandwich | Zig Zag News | 1967 | 3:04:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Stronger - A Haiku New dampness springtime A much, sound stronger sandwich above the sandwich |
3:07:46 (Pop-up) |
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Soul, Inc. | Stronger Than Dirt | 1967 | 3:08:23 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
3:12:03 (Pop-up) |
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The Society | Summer Sunset | 1967 | 3:12:14 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Pay attention to the failing, the failing is the most best imperfection of all. Now optimum is just the thing, To get me wondering if the failing is unsurpassable. One afternoon I said to myself, "Why aren't whereabouts more certain?" Now sealed is just the thing, To get me wondering if whereabouts are unsealed. |
3:14:49 (Pop-up) |
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Jolliver Arkansaw | Bright As Fire | 1969 | 3:15:31 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I cannot help but stop and look at unknown whereabouts. Whereabouts are obscure. whereabouts are anonymous, whereabouts are unidentified, however. How happy is the horses stolen! Does the stolen make you shiver? does it? Pay attention to the deceased, the deceased is the most cunning human of all. |
3:18:42 (Pop-up) |
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The Si-Dells | Watch Out Mother | 1968 | 3:19:23 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Pay attention to the presence, the presence is the most invisible feeling of all. Never forget the unseen and visible presence. Pay attention to the inability, the inability is the most usual cognition of all. Never forget the common and accustomed inability. The big absent sings like a strong fact Does the absent make you shiver? |
3:22:46 (Pop-up) |
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A.M. Gately | Battle In The City | 1969 | 3:23:27 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I saw the the glaring scarcity of my generation destroyed, How I mourned the paucity. A paucity is crying. a paucity is fulgent, a paucity is glary, however. Don't belive that the absent is appropriate? the absent is inappropriate beyond belief. Never forget the incompatible and wrong absent. The zany presence sings like a dominant use |
3:26:34 (Pop-up) |
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The Runaways | 18th Floor Girl | 1966 | 3:27:27 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
3:30:53 (Pop-up) |
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The Rock Shop | Is That Your Halo | 1967 | 3:31:07 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:34:28 (Pop-up) |
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The Rites | Things | 1967 | 3:34:51 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
3:37:43 (Pop-up) |
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The Skunks | When I Need Her | 1967 | 3:37:55 (Pop-up) | |||
The Sun Lightning Incorporated | Quazar | 1969 | 3:41:15 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
I saw the the occasional impression of my generation destroyed, How I mourned the presence. A presence is episodic. a presence is irregular, a presence is unpredictable, however. Pay attention to the paucity, the paucity is the most utter scarcity of all. Down, down, down into the darkness of the paucity, Gently it goes - the everlasting, the thoroughgoing, the gross. |
3:43:52 (Pop-up) |
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The Silhouettes | Fonky First | 1969 | 3:44:44 (Pop-up) | |||
The Motherhood | Back In The Grass | 1969 | 3:48:29 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Pay attention to the absent, the absent is the most strong go away of all. An absent is resilient. an absent is active, an absent is fierce, however. The paucity is not unusual! the paucity is exceptionally familiar. Does the paucity make you shiver? does it? |
3:51:01 (Pop-up) |
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Snow | Song Of The Sirens | 1968 | 3:51:40 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
strobes are not red! strobes are exceptionally whitened. Do strobes make you shiver? do they? The light that's really nearest, Above all others is the stoplight. Never forget the closest and close stoplight. A beep, however hard it tries, |
3:54:08 (Pop-up) |
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Fifty Foot Hose | Red The Signpost | 3:54:41 (Pop-up) | ||||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 3:57:03 (Pop-up) | ||
Brainticket | Black Sand | 1971 | 3:59:35 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Smubbs - A Haiku Early dampness spring suddenly strange smubbs paper beyond the paper |
4:03:38 (Pop-up) |
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The Smubbs | White Paper Sail | 1969 | 4:04:02 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Sandals - A Haiku Perpetual spring A cloudy sandals paper at the perfect smubbs |
4:06:33 (Pop-up) |
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The Sandals | Cloudy | 1967 | 4:06:57 (Pop-up) | |||
Randy And The Rest | Confusion | 1967 | 4:10:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
How happy are oxblood loafers! Do loafers make you shiver? do they? Pay attention to the shoes, shoes are the most plastic situation of all. Do shoes make you shiver? do they? Just like a pink face, is socks. |
4:12:07 (Pop-up) |
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Mario Molino | Operazione Beat | 1968 | 4:12:47 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
4:15:44 (Pop-up) |
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Razor's Edge | Get Yourself Together | 1967 | 4:16:01 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
4:18:20 (Pop-up) |
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Sawdust | I Shall Try | 1969 | 4:18:43 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at clean chippings. Never forget the immaculate and unstained chippings. All that is wet is not quicklime, quicklime, by all account is dry. Now sober is just the thing, To get me wondering if the quicklime is withered. Wood is rotted walls. rotted walls is wood. |
4:22:21 (Pop-up) |
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Dragonfly | Crazy Woman | 1968 | 4:23:16 (Pop-up) | |||
Jimmy Gordon | 1980 | 1967 | 4:25:56 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Dragonfly - A Haiku Eternal springtime A big, dragonfly woman at the old servants |
4:28:10 (Pop-up) |
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Sunday Servants | I'm Puttin' You On | 1966 | 4:28:37 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy are 4th saturdays! Do saturdays make you shiver? do they? How happy is the monday wednesday! Does the wednesday make you shiver? does it? How happy is the wooly saturday! Down, down, down into the darkness of the saturday, |
4:30:45 (Pop-up) |
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The Second Helping | Let Me In | 1966 | 4:33:02 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Thirteenth - A Haiku Perpetual spring A late, thirteenth thirteenth splash the elevators |
4:35:46 (Pop-up) |
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Thirteenth Floor Elevators | Splash 1 | 1968 | 4:36:13 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Thirteenth, Part 2 - A Haiku Depressing springtime A late, thirteenth thirteenth splash the elevators |
4:40:01 (Pop-up) |
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Salt | Long Way To Go | 1970 | 4:40:38 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Anything - A Haiku Beautiful springtime A much, salt anything salt at the perfect there |
4:43:23 (Pop-up) |
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The Ashes | Is There Anything I Can Do | 1967 | 4:43:55 (Pop-up) | |||
The Roosters | Love Machine | 1968 | 4:46:17 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
4:48:55 (Pop-up) |
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The Regiment | My Soap Won't Float | 1967 | 4:49:11 (Pop-up) | |||
Buffalo Springfield | Hung Upside Down | 1967 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Gerry from Miami:
Gerry from Miami:
Owl Sun:
Owl Sun:
David (in London):
Owl Sun:
Owl Sun:
Owl Sun: