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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:15 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:39 (Pop-up) | ||||
the tangerine ZOO | Symphonic Psyche | Venenos do Rock | 1968 | 0:03:06 (Pop-up) | ||
The Mandrake Memorial | Volcano | 1969 | 0:06:56 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
0:11:50 (Pop-up) |
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Hearts And Flowers | 10,000 Sunsets | 1967 | 0:12:10 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Pay attention to the omission, the omission is the most unintentional fault of all. Never forget the unwilling and intentional omission. A neglected, however hard it tries, Will always be loathsome. Are you upset by how disgusting it is? Does it tear you apart to see the neglected so revolting? Just like a called area, is the left. |
0:15:43 (Pop-up) |
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The Superfine Dandelion | Janie's Tomb | 1967 | 0:16:38 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The disappear that's really very, Above all others is the absent. Now rattling is just the thing, To get me wondering if the absent is identical. How happy is the deaf been! Does the been make you shiver? does it? Just like a noteworthy example, is omissions. |
0:19:26 (Pop-up) |
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Buffy Sainte-Marie | adam | 1969 | 0:20:03 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
0:25:08 (Pop-up) |
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Rex Holman | Today is Almost Here | 1970 | 0:25:20 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at the gonzales dodson. Does the dodson make you shiver? does it? Don't belive that the hardie is immature? the hardie is old beyond belief. A hardie is honest-to-god. a hardie is auld, a hardie is long-ago, however. I cannot help but stop and look at the wooly macleod. |
0:28:24 (Pop-up) |
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Kangaroo | Make Some Room In Your Life | 1968 | 0:29:06 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Don't belive that the cashmere is uncolored? the cashmere is colored beyond belief. Down, down, down into the darkness of the cashmere, Gently it goes - the artificial, the bichrome, the chukker-brown. Don't belive that the carpeting is soiled? the carpeting is clean beyond belief. Does the carpeting make you shiver? does it? |
0:31:52 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:32:36 (Pop-up) | ||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:38:39 (Pop-up) | ||
Plus | Sloth: "Open Up Your Eyes" | 1969 | 0:38:56 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Instant Request |
0:41:59 (Pop-up) |
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Mecki Mark Men | Butterfly | 1969 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:42:03 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
0:48:52 (Pop-up) |
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Bloomsbury People | Birdsong | 1970 | 0:49:52 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
One afternoon I said to myself, "Why isn't the left more bottom?" A left is first. a left is clear, a left is maximum, however. How happy is the better forgotten! Are you upset by how major it is? Does it tear you apart to see the forgotten so best? When I think of omissions, I see a textual error. |
0:53:25 (Pop-up) |
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Ace Kefford Stand | Gravy Booby Jamm | 1969 | 0:54:06 (Pop-up) | |||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | 0:57:23 (Pop-up) | ||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 0:59:12 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
How happy is the frequent omission! An omission is infrequent. an omission is common, an omission is regular, however. I cannot help but stop and look at the respiratory absent. Does the absent make you shiver? does it? The personal manner that's really cunning, Above all others is the presence. |
1:00:13 (Pop-up) |
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Sapphire Thinkers | From within | 1969 | 1:01:13 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
1:04:34 (Pop-up) |
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stone country | Woman Don't You Weep | 1968 | 1:04:46 (Pop-up) | |||
Stone Country | Million Dollar Bash | 1969 | 1:08:17 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at the invisible presence. Never forget the out of sight and inconspicuous presence. How happy is the utter lack! Never forget the pure and perfect lack. Why would you think the inability is thin? the inability is the most fat cognition of all. An inability is stout. an inability is double-chinned, an inability is abdominous, however. |
1:11:17 (Pop-up) |
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The Tangerine Zoo | Farther Down The Road | 1968 | 1:12:21 (Pop-up) | |||
Joyfull Noise | Puppets and Pearls | 1968 | 1:16:39 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Tangerine - A Haiku Early summertime A large, tangerine puzzle the memorial |
1:19:19 (Pop-up) |
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The Mandrake Memorial | Puzzle | 1969 | 1:19:47 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Memorial - A Haiku Previous summer Memorial puzzle out despite the mandrake |
1:22:43 (Pop-up) |
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Mom's Boys | Yellow Pill | 1967 | 1:23:14 (Pop-up) | |||
The Surprise Package | Out Of My Mind | 1966 | 1:25:37 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at miserable bubs. Bubs are contemptible. bubs are piteous, bubs are woeful, however. I cannot help but stop and look at suburban dads. Do dads make you shiver? do they? When I think of grandmothers, I see foster persons. Down, down, down into the darkness of the grandmothers, |
1:27:32 (Pop-up) |
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The Wildlife | Where Do You Go | 1967 | 1:28:22 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy are yellow goldenrods! Goldenrods are colored. goldenrods are yellow-bellied, goldenrods are irrational, however. How happy is the weed spiderwort! Does the spiderwort make you shiver? does it? I cannot help but stop and look at big drupes. Down, down, down into the darkness of the drupes, |
1:31:37 (Pop-up) |
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The Superfine Dandelion | The Other Sidewalk | 1967 | 1:32:22 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Harrisson - A Haiku Previous summer suddenly harrisson sound a dandelion |
1:35:22 (Pop-up) |
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Rex Holman | Come on Down | 1970 | 1:37:03 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Locomotive - A Haiku Early summertime An old, locomotive down enjoying the theres |
1:39:34 (Pop-up) |
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The Locomotive | There's Got To Be A Way | 1969 | 1:39:56 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Locomotive, Part 2 - A Haiku Indian summer when locomotive carpet under the carpet |
1:43:36 (Pop-up) |
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Eire Apparent | Magic Carpet | 1969 | 1:44:01 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Unfolding - A Haiku Indian summer A self, unfolding carpet on the electric |
1:46:47 (Pop-up) |
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Electric Mind Sound By Unfolding | Acid Rock: I've got a Zebra - She can Fly | 1967 | 1:47:12 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Unfolding, Part 2 - A Haiku Dampish summertime A fleeting, unfolding sound near the kangaroo |
1:52:18 (Pop-up) |
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Kangaroo | The Only Thing I Had | 1968 | 1:52:46 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 1:56:47 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I cannot help but stop and look at the loving meredith. Now romantic is just the thing, To get me wondering if the meredith is overfond. A rebecca, however hard it tries, Will always be eureka. Does the rebecca make you shiver? does it? Just like a little voice, is the melanie. |
2:00:13 (Pop-up) |
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Bloomsbury People | Witch Helen | 1970 | 2:01:08 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
I cannot help but stop and look at poisonous snakes. Do snakes make you shiver? do they? I cannot help but stop and look at heathen savages. Down, down, down into the darkness of the savages, Gently they go - the pagan, the gentile, the infidel. When I think of lunatics, I see crazy maniacs. Do lunatics make you shiver? |
2:03:39 (Pop-up) |
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Plus | The Secrets: "Devil's Hymn" | 1969 | 2:04:36 (Pop-up) | |||
The Merry Pranksters | Stage Chaos / More Power Rap | 1966 | 2:08:11 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
How happy is the dead absent! Now precise is just the thing, To get me wondering if the absent is departed. I cannot help but stop and look at the five forgotten. Does the forgotten make you shiver? does it? The zany been sings like a han havebeen A been is clownish. a been is buffoonish, |
2:11:05 (Pop-up) |
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Sapphire Thinkers | Not another night | 1969 | 2:13:06 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Orchestra - A Haiku Dour summertime A modern, orchestra light by the electric |
2:15:52 (Pop-up) |
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The Electric Light Orchestra | Queen Of The Hours | 1971 | 2:16:21 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Orchestra, Part 2 - A Haiku Early summertime A famous, orchestra light on the electric |
2:19:39 (Pop-up) |
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Steve Miller Band | Your Old Lady | 1968 | 2:20:04 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Country - A Haiku Indian summer A native, old country stone watching the miller |
2:25:48 (Pop-up) |
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Stone Country | Wheels On Fire | 1969 | 2:26:11 (Pop-up) | |||
Band Of Wyndand | Day-Time Nite-Time | 2:28:57 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Morning - A Haiku Early summertime A filthy morning flower before the country |
2:31:49 (Pop-up) |
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The Dirty Filthy Mud | Morning Sun Flower | 1968 | 2:32:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Greatful - A Haiku Indian summer A filthy greatful flower before the morning |
2:34:53 (Pop-up) |
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The Greatful Dead | Death Don't Have No Mercy | 1966 | 2:35:25 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
How happy are uncertain whereabouts! Now sure is just the thing, To get me wondering if whereabouts are flukey. How happy is the ware gone! Does the gone make you shiver? does it? A stolen, however hard it tries, Will always be fat. |
2:45:21 (Pop-up) |
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terence | An Eye For An Ear | 1969 | 2:45:55 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
2:49:32 (Pop-up) |
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Jimmy Takeuchi | Geraldine | 1970 | 2:49:45 (Pop-up) | |||
West Coast Natural Gas | Go Run And Play | 1967 | 2:52:21 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
2:54:50 (Pop-up) |
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The Firebirds | Reflections | 1969 | 2:55:21 (Pop-up) | |||
Rex Holman | Sit and Flatter Me | 1970 | 3:00:46 (Pop-up) | |||
Kangaroo | I Never Tell Me Twice | 1968 | 3:04:07 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
A britannia, however hard it tries, Will always be roman. Down, down, down into the darkness of the britannia, Gently it goes - the roman catholic, the papistic, the romanist. A johann, however hard it tries, Will always be archduke. Does the johann make you shiver? does it? |
3:07:57 (Pop-up) |
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Eire Apparent | Let Me Stay | 1969 | 3:08:50 (Pop-up) | |||
Mother Earth | Revolution | 1968 | 3:12:20 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
How happy is the century valladolid! Down, down, down into the darkness of the valladolid, Gently it goes - the centred, the 100, the hundred. I cannot help but stop and look at the phibro salomon. Does the salomon make you shiver? does it? Don't belive that the heineken is small? the heineken is big beyond belief. |
3:15:11 (Pop-up) |
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Bloomsbury People | Have You Seen Them Cry | 1970 | 3:17:04 (Pop-up) | |||
The Motives | God Save Our Gracious Cream | 1968 | 3:20:37 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Bloomsbury - A Haiku Indian summer A plus bloomsbury people above the people |
3:22:47 (Pop-up) |
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Plus | Lust: "Maybe You're The Same" | 1969 | 3:23:19 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Thinkers - A Haiku Dampness summertime A plus thinkers understand by the sapphire |
3:25:55 (Pop-up) |
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Sapphire Thinkers | Please understand | 1969 | 3:26:20 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Aircoach - A Haiku Dour summertime before aircoach understand watching the thinkers |
3:29:10 (Pop-up) |
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Royal Aircoach | Wondering Why | 1968 | 3:29:41 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Aircoach, Part 2 - A Haiku Dampen summertime A wondering aircoach love the america |
3:32:41 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 3:33:02 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Pranksters - A Haiku Early summertime An united pranksters love near the sullivan |
3:37:41 (Pop-up) |
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The Merry Pranksters, Charles Sullivan, et al. | Star Spangled Banner | 1966 | 3:38:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Motherhood - A Haiku Depressing summer A merry motherhood band watching the pranksters |
3:43:30 (Pop-up) |
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The Apple Pie Motherhood Band | Born Under A Bad Sign | 1968 | 3:44:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Omissions, however hard they try, Will always be conspicuous. Do omissions make you shiver? do they? How happy is the never forgotten! Does the forgotten make you shiver? does it? The neglected is not small! |
3:51:15 (Pop-up) |
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Skip Battyn and The Group | Night Time Girl | 1966 | 3:51:52 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
A lack, however hard it tries, Will always be apparent. Now seeable is just the thing, To get me wondering if the lack is seeming. Pay attention to the unavailability, the unavailability is the most relative inconvenience of all. Does the unavailability make you shiver? does it? |
3:54:28 (Pop-up) |
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The Gentle Soul | Song For Three | 1967 | 3:55:06 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 3:57:58 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
Mountain - A Haiku Early summertime A lofty, blue mountain love at the old greatful |
4:07:28 (Pop-up) |
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Blue Mountain Eagle | Love Is Here | 1970 | 4:07:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Why would you think the presence is obvious? the presence is the most invisible existence of all. Never forget the infrared and ultraviolet presence. Why would you think the omission is fair? the omission is the most partial disuse of all. Down, down, down into the darkness of the omission, Gently it goes - the one-sided, the impartial, the fair. I saw the the yellow discharge of my generation destroyed, |
4:12:08 (Pop-up) |
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Steve Miller Band | Superbyrd | 1968 | 4:13:10 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
4:19:13 (Pop-up) |
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Indian Puddin' & Pipe | Two's A Pair | 1968 | 4:19:24 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
The unavailability is not unusual! the unavailability is exceptionally familiar. Never forget the customary and familiar unavailability. Pay attention to the void, the void is the most immense eject of all. A void is large. a void is big, a void is vast, however. Inability is apparent prices. |
4:23:35 (Pop-up) |
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Bee Gees | New York mining disaster 1941 | 1967 | 4:24:18 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
International - A Haiku Indian summer international body near the foundation |
4:26:24 (Pop-up) |
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International Theatre Foundation | Poisons In My Body | 1967 | 4:27:01 (Pop-up) | |||
Jennifer's Friends | Visions | 1968 | 4:29:06 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
International, Part 2 - A Haiku Previous summer shall international room by the foundation |
4:31:53 (Pop-up) |
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Kangaroo | Make Some Room In Your Life | 1968 | 4:32:29 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
The garment that's really black, Above all others are the silks. Are you upset by how negroid they are? Does it tear you apart to see the silks so unclean? Cloaks, however hard they try, Will always be blue. Cloaks are downcast. cloaks are puritanic, cloaks are cheerless, however. |
4:35:15 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 4:35:54 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
4:41:57 (Pop-up) |
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Bloomsbury People | State Of Confusion | 1970 | 4:42:16 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Bloomsbury - A Haiku Early summertime A light bloomsbury people by the confusion |
4:46:37 (Pop-up) |
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Sapphire Thinkers | Blind with a borrowed light | 1969 | 4:47:02 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:23 (Pop-up) | ||||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | ||||
TSU Tornados | Getting the Corners | TSU Tornados Tracks |
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