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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:13 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:38 (Pop-up) | ||||
Plus | Gluttony: "Something Is Treatening Your Family" | 1969 | 0:03:06 (Pop-up) | |||
Bloomsbury People | Pioneer Saint Of Death | 1970 | 0:05:57 (Pop-up) | |||
Sapphire Thinkers | Doin' alright | 1969 | 0:09:32 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Greatful - A Haiku Darkness summertime before dead greatful caution beyond the thinkers |
0:15:03 (Pop-up) |
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The Greatful Dead | Caution (Do Not Stop On Tracks) | 1966 | 0:15:27 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Budgerigar - A Haiku Indian summer A blue, dead budgerigar beyond the greatful |
0:23:14 (Pop-up) |
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The Blossom Toes | Mrs. Murphy's Budgerigar | 1967 | 0:23:52 (Pop-up) | |||
The Apple Pie Motherhood Band | I'd Like To Know | 1968 | 0:26:15 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
One afternoon I said to myself, "Why aren't limbs more rested?" Limbs are played out. limbs are ragged, limbs are flagging, however. How happy are skinny fingers! Now underweight is just the thing, To get me wondering if fingers are lean. How happy are cunning knees! |
0:28:30 (Pop-up) |
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Blue Mountain Eagle | Yellows' Dream | 1970 | 0:29:27 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at consonant omissions. Do omissions make you shiver? do they? I cannot help but stop and look at the jong been. Does the been make you shiver? does it? Left is austrian rates. austrian rates is left. |
0:32:08 (Pop-up) |
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Band Of Wyndand | Day-Time Nite-Time | 0:32:45 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Nitetime - A Haiku Indian summer before nitetime flower after the morning |
0:35:38 (Pop-up) |
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The Dirty Filthy Mud | Morning Sun Flower | 1968 | 0:36:05 (Pop-up) | |||
The Gentle Soul | Tell Me Love | 1967 | 0:38:40 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Instant Request |
0:40:58 (Pop-up) |
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T. Rex | The Wizard | 1970 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:41:02 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Company - A Haiku Indian summer A new, company flower above the flowers |
0:51:06 (Pop-up) |
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Public Company | Hearts And Flowers | 1970 | 0:51:42 (Pop-up) | |||
Phil Wainman | Going, Going, Gone | 1968 | 0:54:53 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 0:57:22 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Company, Part 2 - A Haiku Early summertime A losing company glass before the flowers |
1:00:12 (Pop-up) |
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The Glass Family | I'm Losing It | 1967 | 1:00:47 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
A tion, however hard it tries, Will always be con. Does the tion make you shiver? does it? Pay attention to the impact, the impact is the most ecological contact of all. Never forget the ecologic and bionomical impact. Non is sine particles. |
1:03:29 (Pop-up) |
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Indian Puddin' & Pipe | Beyond This Place | 1968 | 1:04:06 (Pop-up) | |||
terence | Fool Amid The Traffic | 1969 | 1:06:32 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I cannot help but stop and look at divorced dads. Are you upset by how single they are? Does it tear you apart to see the dads so unmarried? How happy are outdoor mums! Are you upset by how out-of-door they are? Does it tear you apart to see the mums so outside? When I think of mamas, I see a young place. Never forget the fattish and zoftig mamas. |
1:11:44 (Pop-up) |
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Mom's Boys | Up And Down | 1967 | 1:12:28 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:14:31 (Pop-up) |
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The Rabble | Nothin' But | 1967 | 1:14:42 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Pay attention to the inability, the inability is the most utter knowledge of all. An inability is sodding. an inability is dead, an inability is everlasting, however. Pay attention to the lack, the lack is the most lamentable need of all. Does the lack make you shiver? does it? |
1:18:58 (Pop-up) |
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Hands Of Time | I Like The Way You Freakout | 1967 | 1:19:33 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
The disappearance is not familiar! the disappearance is exceptionally other. A disappearance is quaint. a disappearance is other, a disappearance is uneasy, however. The location that's really uncertain, Above all others are the whereabouts. Now iffy is just the thing, To get me wondering if whereabouts are chancy. |
1:21:30 (Pop-up) |
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Rejoice! | Gardens Of Chelsea | 1968 | 1:22:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Chelsea - A Haiku Indian summer A better chelsea rejoice watching the gardens |
1:26:04 (Pop-up) |
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The Sons Of Adam | You're A Better Man Than I | 1966 | 1:26:35 (Pop-up) | |||
The Edge Of Darkness | Mean Town | 1968 | 1:29:28 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Garden - A Haiku Early summertime A better garden flower above the flower |
1:31:46 (Pop-up) |
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The Garden Of Eden | Flower Man | 1967 | 1:32:23 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I cannot help but stop and look at crataegus mollis. Do mollis make you shiver? do they? I saw the the live saint of my generation destroyed, How I mourned the saul. Does the saul make you shiver? does it? I cannot help but stop and look at the zany musa. |
1:34:57 (Pop-up) |
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The Apple Pie Motherhood Band | Ice | 1968 | 1:35:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
1:38:14 (Pop-up) |
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The Moon | Mary Jane | 1969 | 1:38:23 (Pop-up) | |||
1st Century | Looking Down | 1968 | 1:40:36 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
1:42:50 (Pop-up) |
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The Frost | Jennie Lee | 1969 | 1:43:20 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Mountain - A Haiku Glooming summertime A holy, blue mountain frost watching the bandit |
1:46:16 (Pop-up) |
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Blue Mountain Eagle | Feel Like A Bandit | 1970 | 1:46:40 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
National - A Haiku Previous summer A french, national gentle under the mountain |
1:49:36 (Pop-up) |
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The Gentle Soul | Our National Anthem | 1967 | 1:49:59 (Pop-up) | |||
Sweet Cherry | Funny Things Floating | 1967 | 1:52:23 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Fireballs - A Haiku Early summertime A blinding, fireballs gentle near the national |
1:55:15 (Pop-up) |
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The Fireballs featuring Jimmy Gilmer | Groovy Motions | 1968 | 1:56:01 (Pop-up) | |||
Bobby Fuller And The Fanatics | Our Favorite Martian | 2018 | 1:58:42 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
I cannot help but stop and look at corrective maneuvers. Never forget the nonindulgent and restorative maneuvers. How happy are legal submissions! Now jural is just the thing, To get me wondering if submissions are licit. Pay attention to the request, the request is the most cunning substance of all. A request is cute. a request is artful, |
2:00:13 (Pop-up) |
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Sunshine | A Sad Thought This Is | 1969 | 2:01:04 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Dimension - A Haiku Previous summer A social, fourth dimension despite the sunshine |
2:03:43 (Pop-up) |
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The Fourth Dimension | Land Of Make Believe | 1966 | 2:04:18 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Dimension, Part 2 - A Haiku Early summertime A third, growing dimension the society |
2:06:31 (Pop-up) |
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The Growing Society | Just for fun | 1967 | 2:06:57 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Society - A Haiku Indian summer A free, society cross above the fargo |
2:09:58 (Pop-up) |
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Fargo | Cross With No Name | 1969 | 2:10:32 (Pop-up) | |||
Amanda Ambrose | Green Plant | 1968 | 2:13:12 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The european nation that's really truncated, Above all others is the austria. Does the austria make you shiver? does it? I cannot help but stop and look at the chevalier courtney. Does the courtney make you shiver? does it? I cannot help but stop and look at the cunning sundance. |
2:15:35 (Pop-up) |
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Now | Deja Vu | 1968 | 2:16:18 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
2:19:07 (Pop-up) |
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Indian Puddin' & Pipe | Hashish | 1968 | 2:19:19 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the lower altocumulus! Never forget the inferior and lower-ranking altocumulus. The change that's really panic, Above all others is the disorder. Does the disorder make you shiver? does it? A raincloud, however hard it tries, Will always be zany. |
2:22:17 (Pop-up) |
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Gun | Head In The Clouds | 1969 | 2:23:12 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Clouds - A Haiku Indian summer A cumulus, in clouds love whilst watching the noahs |
2:27:47 (Pop-up) |
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Noah's Ark | Love In | 1996 | 2:28:09 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
A faery, however hard it tries, Will always be famous. Are you upset by how renowned it is? Does it tear you apart to see the faery so known? Pay attention to the snowbell, the snowbell is the most american styrax of all. Does the snowbell make you shiver? does it? |
2:31:01 (Pop-up) |
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terence | The Emperor | 1969 | 2:31:37 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
I saw the the israeli protective covering of my generation destroyed, How I mourned the armour. Does the armour make you shiver? does it? I saw the the automated lunch meat of my generation destroyed, How I mourned the spam. Are you upset by how automatic it is? Does it tear you apart to see the spam so machine-controlled? |
2:36:01 (Pop-up) |
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Gypsy Trips | Rock 'N Roll Gypsies | 1965 | 2:37:41 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Mixture - A Haiku Early summertime A magic mixture magic at the old gypsies |
2:39:54 (Pop-up) |
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The Magic Mixture | New Man. | 1968 | 2:40:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Fountain - A Haiku Darkening summer A magic fountain magic despite the sunshine |
2:43:09 (Pop-up) |
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The Fountain Of Youth | Sunshine On A Cold Morning | 1968 | 2:43:32 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
December - A Haiku Dampen summertime A tweedy december drone into the darkness |
2:46:17 (Pop-up) |
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The New Tweedy Bros! | Her Darkness In December (Drone Song) | 1968 | 2:46:42 (Pop-up) | |||
The Apple Pie Motherhood Band | Barnaby's Madness | 1968 | 2:52:33 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
The Tweedy And Lonely Darkness Whose darkness is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his darkness a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:55:13 (Pop-up) |
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Hamilton Camp | Lonely Place | 1967 | 2:56:08 (Pop-up) | |||
Charles Fox | The Green Slime | A Fistful of Fuzz | 2:58:47 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The Lonely And Loveless Mountain Whose mountain is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his mountain a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:00:13 (Pop-up) |
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Blue Mountain Eagle | Loveless Lives | 1970 | 3:01:05 (Pop-up) | |||
The Gentle Soul | Song For Eolia | 1968 | 3:04:32 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Mountain - A Haiku Dampness summertime A loveless mountain welcome watching the welcome |
3:06:41 (Pop-up) |
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Mid Day Rain | Welcome To The Rain | 1970 | 3:07:22 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Kraftwerk - A Haiku Previous summer A welcome kraftwerk welcome beyond the welcome |
3:10:17 (Pop-up) |
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Kraftwerk | Heavy Metal Kids | 1971 | 3:10:41 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Kraftwerk, Part 2 - A Haiku Early summertime A metal kraftwerk leather above the leather |
3:18:30 (Pop-up) |
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The Leather Boy | On The Go | 1967 | 3:18:49 (Pop-up) | |||
Underground Sunshine | Take Me, Break Me | 1969 | 3:20:57 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
How happy are commendatory prefaces! Do prefaces make you shiver? do they? An omission, however hard it tries, Will always be subject. Now subordinate is just the thing, To get me wondering if the omission is national. The cunning neglected sings like a loathsome term |
3:23:45 (Pop-up) |
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Unity | O Wa Nou Me Nou Ma | 1970 | 3:24:39 (Pop-up) | |||
Royal Aircoach | Wondering Why | 1968 | 3:28:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
How happy are enjoyable christmas! Christmas are pleasant. christmas are gratifying, christmas are pleasurable, however. How happy is the depressing morrow! Does the morrow make you shiver? does it? Psyche is, in its way, the archetypal history of cognition. Never forget the muzzy and confused psyche. |
3:31:16 (Pop-up) |
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Grains Of Sand | Nice Girl | 1967 | 3:32:13 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Puddin - A Haiku Glooming summertime before nice puddin water by the indian |
3:34:36 (Pop-up) |
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Indian Puddin' & Pipe | Water Or Wine | 1968 | 3:35:00 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Puddin, Part 2 - A Haiku Early summertime before guns puddin water out of indian |
3:39:30 (Pop-up) |
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The Holly Guns | And So Hush | 1969 | 3:39:49 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Staircase - A Haiku Previous summer An infinite staircase long before the holly |
3:42:45 (Pop-up) |
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Infinite Staircase | Long Hair | 1967 | 3:43:06 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Fredericks - A Haiku Dampish summertime An infinite fredericks long under the staircase |
3:45:16 (Pop-up) |
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terence | Lighting Fredericks Fire | 1969 | 3:45:48 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Fredericks, Part 2 - A Haiku Darkness summertime A false, unknown fredericks pop into the lighting |
3:50:10 (Pop-up) |
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The Pop Art | Ode To An Unknown Girl | 1966 | 3:50:45 (Pop-up) | |||
Uta | Baudelaire | 1969 | 3:52:44 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Unknown - A Haiku Early summertime A long, unknown unknown feel whilst watching the meat |
3:55:45 (Pop-up) |
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It's All Meat | Feel It | 1969 | 3:56:24 (Pop-up) | |||
Medicine Mike | I've Never Been (So High) | 1969 | 3:59:49 (Pop-up) | |||
The Apple Pie Motherhood Band | Variations On A Fingernail | 1968 | 4:01:55 (Pop-up) | |||
The Common People | Dawn Of My Life | 1967 | 4:04:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
I cannot help but stop and look at primordial perturbations. Down, down, down into the darkness of the perturbations, Gently they go - the early, the primeval, the aboriginal. Don't belive that rearrangements are unalike? rearrangements are similar beyond belief. Do rearrangements make you shiver? do they? I saw the the fat alteration of my generation destroyed, |
4:07:01 (Pop-up) |
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Cameleon | Je Hurle Que Je T'aime | 1970 | 4:07:58 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
crushes are not little! crushes are exceptionally high. Down, down, down into the darkness of the crushes, Gently they go - the life-sized, the high, the gravid. Leads, however hard they try, Will always be solid. Down, down, down into the darkness of the leads, Gently they go - the wholesome, the concrete, the frozen. |
4:11:09 (Pop-up) |
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The Gentle Soul | Young Man Blue | 1968 | 4:12:57 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Gillespie - A Haiku Dampish summertime A dear, gillespie gentle above the seasons |
4:15:26 (Pop-up) |
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Dana Gillespie | Foolish Seasons | 1968 | 4:15:47 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The Foolish And Passing Passing Whose passing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her passing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:17:54 (Pop-up) |
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Archibald | Passing Thoughts | 1969 | 4:18:54 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Archibald - A Haiku Previous summer A passing archibald love because of the thoughts |
4:23:48 (Pop-up) |
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Art Zoyd | Something In Love | 1971 | 4:24:11 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
How happy is the inappropriate absent! Down, down, down into the darkness of the absent, Gently it goes - the appropriate, the incompatible, the wrong. I cannot help but stop and look at laudatory prefaces. Do prefaces make you shiver? do they? How happy is the wooly left! Are you upset by how woolly it is? |
4:27:17 (Pop-up) |
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The Blossom Toes | Mrs. Murphy's Budgerigar | 1967 | 4:28:11 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Budgerigar - A Haiku Early summertime A young, dead budgerigar above the greatful |
4:30:33 (Pop-up) |
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The Greatful Dead | Caution (Do Not Stop On Tracks) | 1966 | 4:30:50 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Tryptique - A Haiku Indian summer A dead tryptique caution beyond the greatful |
4:38:37 (Pop-up) |
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Tryptique | don't worry | 1970 | 4:39:01 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
4:43:07 (Pop-up) |
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Kraftwerk | Ruckzuck | 1971 | 4:43:35 (Pop-up) | |||
The Skunks | When I Need Her | 1967 |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
tom tom the pipers son:
Scott67:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
www.youtube.com...
www.youtube.com...
list=PLP8DwHVWRuxzCAPnHCQ6CRYl5hMbVxldH
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
✌😎🐾🌏🌻
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
yeah on the mamas and papas apocalypto
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
David (in London):
Owl Sun:
Owl Sun:
Owl Sun: