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A true disrupter within the freeform internet-radio market, If You Lose Your Horse creates a space for smart consumers to experience a game-changing digital audio brand.
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Artist | Track | Album | Label | Approx. start time | ||||||
---|---|---|---|---|---|---|---|---|---|---|
Clarence Williams Stompers | Jackass Blues | 1926-1927 | Classics | 0:00:00 (Pop-up) | ||||||
King Oliver's Creole Jazz Band | Riverside Blues | Louis Armstrong and King Oliver | Jazz Heritage | 0:04:17 (Pop-up) | ||||||
Bennie Moten's Kansas City Orchestra | It's Hard to Laugh or Smile | Classic Jazz- The Encyclopedia of Jazz - From New Orleans to Harlem, Vol. 27 | Membran | 0:07:06 (Pop-up) | ||||||
Frankie Franko & His Louisianians | Somebody Stole My Gal | R. Crumb's Heroes Of Blues, Jazz & Country | Abrams | 0:09:48 (Pop-up) | ||||||
Ayizan | Tribilasyon | Dilijans | Superfly | 0:18:53 (Pop-up) | ||||||
Les Shleu Shleu | Assez Frappe | Acé Frapé | Haiti | 0:25:28 (Pop-up) | ||||||
Les Diables Bleus Du Cap Haitien | Ce La Vie | Coq Chante | Marc | 0:30:19 (Pop-up) | ||||||
Rodrigue Milien et son Groupe Combite Creole | Rapadou | Tanbou Toujou Lou: Meringue, Kompa Kreyol, Vodou Jazz, & Electric Folklore from Haiti | Ostinato | 0:35:01 (Pop-up) | ||||||
Anibal Velasquez | El Aguacero | Cumbias Solamente Cumbias | Discos Fuentes | 0:39:03 (Pop-up) | ||||||
The Latin Brothers | Bella Cumbia | Bailame Como Quieras | Discos Fuentes | 0:41:36 (Pop-up) | ||||||
Cumbia Moderna De Soledad | Tetero | Palenque Palenque: Champeta Criolla & Afro Roots In Colombia 1975-91 | Soundway | 0:45:15 (Pop-up) | ||||||
Frente Cumbiero | Llegamos los Montañeros (con Conjunto Miramar) | Cera Perdida | La Roma | 0:48:29 (Pop-up) | ||||||
Laddio Bolocko | The Going Gong | The Life And Times of Laddio Bolocko | No Quarter | 1:00:48 (Pop-up) | ||||||
Kraus | Why Oh Why | Grip the Moon | Soft Abuse | 1:10:46 (Pop-up) | ||||||
Zs | Acres of Skin | New Slaves | The Social Registry | 1:13:31 (Pop-up) | ||||||
Marc Ribot's Ceramic Dog | They Met in the Middle | Hope | Northern Spy | 1:21:17 (Pop-up) | ||||||
Mythic Birds | Let Go of the Long One | The Name By Which The World Knows Them | Peira | 1:31:30 (Pop-up) | ||||||
Toshi Tsuchitori & Mototeru Takagi | EVOL | Origination | ALM | 1:39:11 (Pop-up) | ||||||
Chris Speed | It Should Have Happened a Long Time Ago | Light Line | Intakt | 1:47:08 (Pop-up) | ||||||
Ballrog | Avast | Abaft the Beam | Clean Feed | 1:51:40 (Pop-up) | ||||||
Pumice | What Did You Have For Tea Last Night | Puddles | Soft Abuse | 1:54:41 (Pop-up) |
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Listener comments!
WR:
Sam Segal:
WR:
Listener Gregory:
WR:
Interesting point LG. Thinking back to my indoctrination by old cartoons, "braying like a jackass" and also seems cukolded individuals get the it as an epithet.
Gilly:
Listener Gregory:
Sam Segal:
Sam Segal:
I k e:
Sam Segal:
Listener Gregory:
WR:
Sam Segal:
Listener Gregory:
doctorjazz:
LG, I think King Oliver was thrilled to have Satch in his group, they drove audiences wild with their "improvised" harmonized solos (take that, Allman Brothers). Supposedly, King Oliver would show Louis the fingering of what he'd play on the next break, and Satch knew what he'd play and came up with a harmonized line to play with it. King Oliver lost ground when Satch left to go out on his own (promoted by Lil', the pianist and his future wife).
doctorjazz:
doctorjazz:
The sun Will shine on your back door some day!
doctorjazz:
doctorjazz:
Listener Gregory:
Sam Segal:
coelacanth∅:
coelacanth∅:
Sam Segal:
coelacanth∅:
. . .
Listener Gregory:
Carmichael:
Sam Segal:
Sam Segal:
I k e:
Carmichael:
coelacanth∅:
torrents of water...
doctorjazz:
coelacanth∅:
doctorjazz:
doctorjazz:
Sam Segal:
doctorjazz:
doctorjazz:
Sam Segal:
coelacanth∅:
doctorjazz:
coelacanth∅:
doctorjazz:
WR:
coelacanth∅:
'night y'all
- may all your horse rides be heavenly
rw: