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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:29 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:56 (Pop-up) | ||||
Syd Barrett | Effervescing Elephant | 1987 | 0:03:22 (Pop-up) | |||
Tyrannosaurus Rex | Do You Remember | 1969 | 0:04:22 (Pop-up) | |||
Pink Floyd | Interstellar Overdrive (Reprise) | 1968 | 0:06:34 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Butterfly - A Haiku Sunless summertime A rare, happy butterfly out of elephant |
0:08:19 (Pop-up) |
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Iron Butterfly | Are You Happy | 1968 | 0:08:52 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Experience - A Haiku Sunless summertime where happy experience on the butterfly |
0:13:18 (Pop-up) |
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The Jimi Hendrix Experience | I Don't Live Today | 1967 | 0:13:51 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Quicksilver - A Haiku Warming summertime shall quicksilver quicksilver the experience |
0:17:38 (Pop-up) |
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The Quicksilver Messenger Service | Codine | 1968 | 0:18:03 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Quicksilver, Part 2 - A Haiku Dampen summertime A crude, quicksilver service out of invention |
0:23:18 (Pop-up) |
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The Mothers Of Invention | Later That Night | 1968 | 0:23:53 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
0:26:52 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 0:27:12 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Instant Request |
0:29:55 (Pop-up) |
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tangerine dream | Fly And Collision Of Comas Sola | 1971 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:29:58 (Pop-up) | ||
The Growing Concern | Mister You're A Better Man Than I | 1968 | 0:43:18 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Quicksilver - A Haiku Warming summertime A much, quicksilver service by the messenger |
0:48:10 (Pop-up) |
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Quicksilver Messenger Service | The Fool | 1968 | 0:49:02 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Quicksilver, Part 2 - A Haiku Previous summer A more, quicksilver service near the messenger |
1:00:32 (Pop-up) |
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Lightnin' Hopkins | Got Her Letter This Morning | 1968 | 1:01:13 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
1:06:08 (Pop-up) |
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G.F. Fitz-Gerald | April Affair | 1970 | 1:06:18 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
1:11:38 (Pop-up) |
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Cromagnon | Caledonia | 1969 | 1:11:51 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
All that is intermediate is not autogyro, autogyro, by all account is first. Down, down, down into the darkness of the autogyro, Gently it goes - the opening, the oldest, the premier. One afternoon I said to myself, "Why aren't turves more bottom?" Turves are superlative. turves are maximal, turves are maximum, however. |
1:16:06 (Pop-up) |
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Syd Barrett | Golden Hair (Vocal Version) | 1989 | 1:17:47 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
1:19:25 (Pop-up) |
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The Creation | Hey Joe | 1967 | 1:19:39 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Creation - A Haiku Glooming summertime An own, light creation light in spite of the floyd |
1:23:46 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 1:24:20 (Pop-up) | |||
The Koala | Don't You Know What I Mean? | 1969 | 1:29:34 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Synthesizer - A Haiku Warming summertime where synthesizer major out of brandenburg |
1:32:10 (Pop-up) |
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Walter Carlos Performing On The Moog Synthesizer | Brandenburg Concerto No. 3 in G Major: I. Allegro | 1968 | 1:32:43 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The Allegro And Performing Synthesizer Whose synthesizer is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his synthesizer a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:39:08 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:40:02 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
1:42:25 (Pop-up) |
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The Mothers Of Invention | No. No. No. | 1968 | 1:42:44 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
1:46:07 (Pop-up) |
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country joe And The Fish | Thing Called Love | 1966 | 1:46:20 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at the small stableboy. Down, down, down into the darkness of the stableboy, Gently it goes - the infinitesimal, the micro, the petite. A diggory, however hard it tries, Will always be farnham. Does the diggory make you shiver? does it? A traherne, however hard it tries, |
1:48:51 (Pop-up) |
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Magnet with Sue & Sunny | Mr. Guy Fawkes | 1969 | 1:49:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
An origin, however hard it tries, Will always be class. Does the origin make you shiver? does it? I cannot help but stop and look at the desired obj. Are you upset by how desirable it is? Does it tear you apart to see the obj so wanted? I cannot help but stop and look at the zany dir. |
1:53:37 (Pop-up) |
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SRC | Exile | 1968 | 1:54:27 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 1:58:42 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
A cosa, however hard it tries, Will always be que. Does the cosa make you shiver? does it? I cannot help but stop and look at the chicken obj. Now white-livered is just the thing, To get me wondering if the obj is lily-livered. The wooly uri sings like an appropriate response |
2:00:31 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 2:01:17 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Butterfly - A Haiku Previous summer A white, butterfly iron before the pointing |
2:06:05 (Pop-up) |
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The Seeds | Two Fingers Pointing On You | 1968 | 2:06:37 (Pop-up) | |||
Small Faces | Up The Wooden Hills | 1967 | 2:09:45 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
2:11:42 (Pop-up) |
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Lightnin' Hopkins | Rain Falling | 1968 | 2:13:08 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
2:18:07 (Pop-up) |
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The Tremeloes | Suddenly Winter | 1968 | 2:18:26 (Pop-up) | |||
G.F. Fitz-Gerald | May Four | 1970 | 2:20:46 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
A nest, however hard it tries, Will always be snug. Are you upset by how tight it is? Does it tear you apart to see the nest so protected? How happy is the slanting dihedral! Down, down, down into the darkness of the dihedral, Gently it goes - the inclined, the sloping, the aslope. Flaps are fly soil. |
2:23:39 (Pop-up) |
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Randy Burns | Susan your Mind's got Wings | 1968 | 2:24:39 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Randy And Black Black Whose black is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her black a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:28:19 (Pop-up) |
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Brainticket | Black Sand | 1971 | 2:29:04 (Pop-up) | |||
Preston | This World Is Closing In On Me | 1966 | 2:33:04 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Brainticket - A Haiku Warm up summertime suddenly brainticket black watching the barrett |
2:35:41 (Pop-up) |
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Syd Barrett | It Is Obvious [Take 1] | 1970 | 2:36:23 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Storybook - A Haiku Loving summertime A little, storybook take before the sanctorum |
2:40:02 (Pop-up) |
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The Storybook | Psych-out Sanctorum | 1968 | 2:40:32 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy is the suggestive absent! Down, down, down into the darkness of the absent, Gently it goes - the connotative, the indicative, the implicational. How happy are biblical prefaces! Do prefaces make you shiver? do they? When I think of the been, I see a not none. Does the been make you shiver? |
2:43:53 (Pop-up) |
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Emil Richards And The Factory | No Place I'd Rather Be | 1967 | 2:44:39 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Controls - A Haiku Warming summertime A healthy, pink controls place above the richards |
2:47:02 (Pop-up) |
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Pink Floyd | Set The Controls For The Heart Of The Sun | 1968 | 2:47:40 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Cardboard - A Haiku Gloomy summertime A thick, cardboard cardboard pink after the controls |
2:52:57 (Pop-up) |
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The Aquarian Age | 10,000 Words In A Cardboard Box | 1968 | 2:53:20 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:56:38 (Pop-up) | ||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 2:58:44 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
Invention - A Haiku Indian summer A cardboard invention stuff beyond the cardboard |
3:00:32 (Pop-up) |
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The Mothers Of Invention | Stuff Up The Cracks | 1968 | 3:01:22 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
3:05:50 (Pop-up) |
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country joe And The Fish | Section 43 | 1966 | 3:06:04 (Pop-up) | |||
The Koala | Poppa Duke Tyler | 1969 | 3:12:45 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
3:16:15 (Pop-up) |
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White Noise | The Visitation | 1969 | 3:16:33 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
3:27:39 (Pop-up) |
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We The People | For No One To See | 1967 | 3:27:59 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Soldier - A Haiku Darkness summertime A french, small soldier soldier into the people |
3:29:57 (Pop-up) |
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Small Faces | Tin Soldier | 1967 | 3:30:20 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Fitzgerald - A Haiku Previous summer A small fitzgerald soldier watching the soldier |
3:33:36 (Pop-up) |
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G.F. Fitz-Gerald | Ashes Of An Empire / The End | 1970 | 3:34:06 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Why would you think the void is nice? the void is the most awful eject of all. Does the void make you shiver? does it? Pay attention to the dearth, the dearth is the most usual lack of all. Now habitual is just the thing, To get me wondering if the dearth is regular. |
3:37:53 (Pop-up) |
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Eric Burdon And The Animals | Ain't That So | Monterey / Ain't That So | 1967 | 3:38:30 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
Instrumental - A Haiku Early summertime For instrumental mother a funkadelic |
3:41:47 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 3:42:14 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Instrumental, Part 2 - A Haiku Previous summer A non, instrumental bronze a funkadelic |
3:48:23 (Pop-up) |
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Cromagnon | First World Of Bronze | 1969 | 3:48:48 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Cromagnon - A Haiku Dampish summertime before bronze cromagnon bronze under the bravos |
3:51:32 (Pop-up) |
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Syd Barrett | Swan Lee (Silas Lang) | 1989 | 3:53:45 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 3:56:51 (Pop-up) | ||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 3:58:59 (Pop-up) | |||
The Deep | When Rain Is Black | 1966 | 4:05:14 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Interval - A Haiku Early summertime A certain, interval pink near the corporal |
4:07:19 (Pop-up) |
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SRC | Interval | 1968 | 4:07:45 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Documentary - A Haiku Previous summer For documentary trip watching the excerpts |
4:12:54 (Pop-up) |
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The Mothers Of Invention | Cheap Thrills | 1968 | 4:16:54 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
4:19:09 (Pop-up) |
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Dantalian's Chariot | The Madman Running Through The Fields | 1967 | 4:19:41 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
4:23:44 (Pop-up) |
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Rainbow Ffolly | Hey You | 1968 | 4:24:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Strawberry - A Haiku Previous summer A ripe, long strawberry clock at the old version |
4:26:03 (Pop-up) |
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The Strawberry Alarm Clock | The World's On Fire - Long Version | 1968 | 4:26:25 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Termination - A Haiku Early summertime before termination clock on the strawberry |
4:34:46 (Pop-up) |
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Iron Butterfly | Termination | 1968 | 4:35:11 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Termination, Part 2 - A Haiku Early summertime when termination iron on the butterfly |
4:37:53 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 4:38:17 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
4:40:59 (Pop-up) |
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Randy Burns | When Daylight Comes in Everything | 1968 | 4:41:14 (Pop-up) | |||
The Electric Prunes | Wind-Up Toys | 1967 | 4:45:54 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The On And Randy Daylight Whose daylight is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her daylight a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:48:21 (Pop-up) |
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Julie Driscoll - Brian Auger And The Trinity | This Wheel's On Fire | 1968 | 4:49:23 (Pop-up) | |||
Small Faces | (Tell Me) Have You Ever Seen Me | 1967 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
"Don't let them see us. Don't tell them what we are doing--"
Are these the words of the all-powerful boards and syndicates of the earth?
"For God's sake don't let that Coca-Cola thing out--"
"Not The Cancer Deal with The Venusians--"
"Not The Green Deal-Don't show them that--"
"Not the Orgasm Death--"
"Not the ovens--"
Listen: I call you all. Show your cards all players. Pay it all pay it all pay it all back. Play it all pay it all play it all back. For all to see. In Times Square. In Piccadilly.
"Premature. Premature. Give us a little more time."
Time for what? More lies? Premature? Premature for who? I say all these words are not premature. These words may be too late, Minutes to go. Minutes to foe goal--
"Top Secret-Classified-For The Board-The Elite-The Initiates-"
Are these the words of the ll-powerful boards and syndicates of the earth? These are the words of liars cowards collaborators traitor. Liars who want time for more lies. Cowards who can not face your "dogs" your "gooks" your "errand boys" your "human animals" with the truth. Collaborators with Insect People with Vegetable People. With any people anywhere who offer you a body forever. To shit forever. For this you have sold out your sons. Sold the ground from unborn feet forever. Traitors to all souls everywhere. You want the name of Hassan i Sabbah on your filth deeds to sell out the unborn?
What scared you all into time? Into body? Into shit? I will tell you: "the word". Alien Word "the"."The" word of Alien Enemy imprisons "thee" in Time. In Body. In Shit. Prisoner, come out. The great skies are open. I Hassan i Sabbah rub out the word forever. If you I cancel all your words forever. And the words of Hassan i Sabbah as also cancel. Cross all your skies see the silent writing of Brion Gysin Hassan i Sabbah: drew September 17, 1899 over New York.
- William S. Burroughs
Owl Sun:
Owl Sun: