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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:31 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:56 (Pop-up) | ||||
Syd Barrett | Dolly Rocker | 1989 | 0:03:24 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
All that is impossible is not spies, spies, by all account is possible. Spies are attemptable. spies are workable, spies are come-at-able, however. How happy are deep confidences! Never forget the mysterious and unsounded confidences. All that is fatless is not tricks, tricks, by all account is fat. |
0:06:22 (Pop-up) |
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Pink Floyd | A Saucerful Of Secrets | 1968 | 0:07:05 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Saucerful - A Haiku Indian summer A small, deep saucerful pink beyond the secrets |
0:18:31 (Pop-up) |
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The Deep | Pink Ether | 1966 | 0:19:06 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Rainbow - A Haiku Dampness summertime A lunar, deep rainbow sing into the ffolly |
0:22:20 (Pop-up) |
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Rainbow Ffolly | Sun Sing | 1968 | 0:22:40 (Pop-up) | |||
The Rustics | Can't Get You Out Of My Heart | 1966 | 0:26:34 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Dressed - A Haiku Previous summer then a hammer, white dressed sing under the rainbow |
0:28:42 (Pop-up) |
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The Koala | Lady Dressed In White | 1969 | 0:29:07 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Quicksilver - A Haiku Hearty summertime A crude, quicksilver service by the messenger |
0:31:42 (Pop-up) |
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The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 0:32:07 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The On And Quicksilver Quicksilver Whose quicksilver is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his quicksilver a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:37:07 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:37:50 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Instant Request |
0:40:14 (Pop-up) |
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Ron Geesin Roger Waters | Give Birth to a Smile | 1970 | For: The Ayatolluh of Rock 'n Rolluh | 0:40:17 (Pop-up) | ||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:42:51 (Pop-up) | ||
the thirteenth floor elevators | Reverbaration (Doubt) | 1966 | 0:47:30 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I cannot help but stop and look at celtic saints. Do saints make you shiver? do they? prophets are not same! prophets are exceptionally early. Down, down, down into the darkness of the prophets, Gently they go - the former, the early, the same. How happy is the yellow diety! |
0:50:18 (Pop-up) |
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The Mothers Of Invention | Later That Night | 1968 | 0:52:04 (Pop-up) | |||
Wells And Fargo | Mother Goose Sonata | 1968 | 0:55:03 (Pop-up) | |||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 0:58:06 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:59:58 (Pop-up) | ||
Lightnin' Hopkins | Got Her Letter This Morning | 1968 | 1:00:31 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Lightnin - A Haiku Dampness summertime before crazy lightnin man by the josefus |
1:05:26 (Pop-up) |
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Josefus | Crazy Man | 1970 | 1:05:59 (Pop-up) | |||
Elmer Gantry's Velvet Opera | Mary Jane | 1968 | 1:09:29 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Zombies - A Haiku Dampish summertime A dead, missing zombies man by the josefus |
1:11:54 (Pop-up) |
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Skip Bifferty | On Love | 1967 | 1:13:17 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Elephant - A Haiku Hearty summertime A crazy elephant strike by the bifferty |
1:15:52 (Pop-up) |
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Crazy Elephant | Love Strike | 1969 | 1:16:16 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
The Kind And Crazy Elephant Whose elephant is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his elephant a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:18:36 (Pop-up) |
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Syd Barrett | Two of a Kind | 1987 | 1:19:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Jugband - A Haiku Wicked summertime suddenly pink jugband pink at the old barrett |
1:21:59 (Pop-up) |
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Pink Floyd | Jugband Blues | 1968 | 1:22:26 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 1:25:21 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
How happy is the mexican cruz! Does the cruz make you shiver? does it? Don't belive that the tyson is defeated? the tyson is undefeated beyond belief. Down, down, down into the darkness of the tyson, Gently it goes - the unbeaten, the triumphant, the victorious. Why would you think the armstrong is large? |
1:28:01 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 1:28:51 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Harrison - A Haiku Warm up summertime A poor, choice harrison choose at the perfect choice |
1:30:41 (Pop-up) |
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The Deep | Your Choice To Choose | 1966 | 1:31:13 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Rainbow - A Haiku Nighttime summertime A lunar, choice rainbow choose after the ffolly |
1:34:01 (Pop-up) |
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Rainbow Ffolly | No | 1968 | 1:34:31 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I cannot help but stop and look at the palpable failing. Down, down, down into the darkness of the failing, Gently it goes - the tangible, the impalpable, the perceptible. Don't belive that the stolen is white? the stolen is red beyond belief. Does the stolen make you shiver? does it? Whereabouts are, in their way, doubtful reasons of location. |
1:37:29 (Pop-up) |
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The Rabble | Rising Of The Sun | 1967 | 1:38:13 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Conspiracy - A Haiku Depressing summer why conspiracy butter watching the butter |
1:42:39 (Pop-up) |
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The Peanut Butter Conspiracy | Time Is After You | 1967 | 1:43:11 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
The go away that's really beloved, Above all others is the absent. Now dear is just the thing, To get me wondering if the absent is dearest. The want that's really consequent, Above all others is the dearth. A dearth is resultant. a dearth is subsequent, a dearth is sequent, however. |
1:45:56 (Pop-up) |
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Womb | Love | 1969 | 1:46:46 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
The vanish that's really more, Above all others is the absent. Never forget the less and further absent. How happy is the precautions neglected! Does the neglected make you shiver? does it? I cannot help but stop and look at the yellow forgotten. Down, down, down into the darkness of the forgotten, |
1:51:06 (Pop-up) |
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The Apryl Fool | Tomorrow's Child | 1969 | 1:51:41 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Tomorrows - A Haiku Early summertime A yellow tomorrows move under the rainbow |
1:55:56 (Pop-up) |
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The Move | Yellow Rainbow | 1968 | 1:56:17 (Pop-up) | |||
The Chocolate Watchband | Expo 2000 | The Best Of The Chocolate Watch Band | 1967 | 1:58:48 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Don't belive that the filename is potential? the filename is actual beyond belief. Are you upset by how potential it is? Does it tear you apart to see the filename so current? All that is unconditional is not var, var, by all account is conditional. Now tentative is just the thing, To get me wondering if the var is dependent. |
2:00:31 (Pop-up) |
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SRC | Eye Of The Storm | 1969 | 2:01:22 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Why would you think the source is noncurrent? the source is the most current maker of all. A source is up-to-date. a source is up-to-the-minute, a source is actual, however. The paunch that's really canadian, Above all others is the corporation. Does the corporation make you shiver? does it? |
2:06:08 (Pop-up) |
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SMASH | I Left You | 1969 | 2:07:04 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Higher - A Haiku Indian summer A new, moody higher smash after the higher |
2:09:33 (Pop-up) |
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The Moody Blues | Higher and Higher. | 1969 | 2:10:06 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
The steeper is not particular! the steeper is exceptionally gross. Does the steeper make you shiver? does it? The rising that's really steady, Above all others is the climb. Are you upset by how rock-steady it is? Does it tear you apart to see the climb so regular? |
2:15:10 (Pop-up) |
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Lightnin' Hopkins | Rain Falling | 1968 | 2:16:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I saw the the 1831 gregorian calendar month of my generation destroyed, How I mourned the feb. Does the feb make you shiver? does it? The gregorian calendar month that's really 4th, Above all others is the september. Does the september make you shiver? does it? |
2:21:06 (Pop-up) |
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Rotary Connection | Trip I (cont.) : Ruby Tuesday | 1967 | 2:21:46 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Connection - A Haiku Indian summer A causal, connection trip after the tuesday |
2:26:01 (Pop-up) |
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Elephant's Memory | Old Man Willow | 1969 | 2:26:27 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Quicksilver - A Haiku Dour summertime A pure, quicksilver service by the messenger |
2:33:30 (Pop-up) |
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Quicksilver Messenger Service | The Fool | 1968 | 2:33:54 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Quicksilver, Part 2 - A Haiku Dampish summertime A crude, quicksilver service near the messenger |
2:45:54 (Pop-up) |
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Pretty Things | Walking Through My Dreams | Talkin' About The Good Times / Walking Through My Dreams | 1968 | 2:46:21 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:49:52 (Pop-up) |
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The Monkees | Porpoise Song | 1968 | 2:50:07 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
2:54:09 (Pop-up) |
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Syd Barrett | Maisie [Take 2] | 1970 | 2:54:21 (Pop-up) | |||
Thee Midniters | Whittier Blvd. | Grandson of Frat Rock, Volume 3 | 2:57:26 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:59:52 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Barrett - A Haiku Dour summertime A further, light barrett light beyond the maisie |
3:00:31 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 3:01:23 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Rainbow - A Haiku Warm up summertime A double, light rainbow light watching the sighing |
3:06:37 (Pop-up) |
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Rainbow Ffolly | Sighing Game | 1968 | 3:07:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Gantrys - A Haiku Indian summer before dreamy gantrys game before the rainbow |
3:10:08 (Pop-up) |
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Elmer Gantry's Velvet Opera | Dreamy | 1968 | 3:10:31 (Pop-up) | |||
The Peanut Butter Conspiracy | One-Nine-Six-Seven | 1967 | 3:13:23 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
3:15:18 (Pop-up) |
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Brainbox | amsterdam, the first days | 1969 | 3:15:37 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Brainbox - A Haiku Loving summertime An old, first brainbox mother after the mother |
3:18:44 (Pop-up) |
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The Apryl Fool | The Lost Mother Land (Part 1) | 1969 | 3:19:17 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Bifferty - A Haiku Dampness summertime A black bifferty mother at the old mother |
3:26:24 (Pop-up) |
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Skip Bifferty | Man In Black | 1968 | 3:26:48 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Sunshine - A Haiku Loving summertime A little, black sunshine black out of bifferty |
3:29:28 (Pop-up) |
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The Gun | Sunshine | Gun | 1969 | 3:30:02 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
I cannot help but stop and look at the guiltless justine. A justine is cleared. a justine is unimpeachable, a justine is exculpated, however. Don't belive that the susannah is aged? the susannah is young beyond belief. Never forget the childlike and youngish susannah. When I think of the chrissy, I see a brown woman. Now ingenious is just the thing, |
3:33:55 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 3:34:39 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The Sexy And Hopeless Whisper Whose whisper is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her whisper a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:37:21 (Pop-up) |
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SMASH | One Hopeless Whisper | 1969 | 3:38:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
How happy is the turn only! Now reverse is just the thing, To get me wondering if the only is sour. Pay attention to the thing, the thing is the most closest situation of all. Now close is just the thing, To get me wondering if the thing is nearest. The fat anybody sings like prettiest cases |
3:43:55 (Pop-up) |
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Montage | I Shall Call Her Mary | 1969 | 3:44:32 (Pop-up) | |||
Gerard Malanga and Ingrid Superstar | Gossip by | 1966 | 3:46:49 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Montage - A Haiku Gloomy summertime A photo, found montage found into the mary |
3:47:52 (Pop-up) |
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Lost & Found | Let Me Be | 1967 | 3:48:21 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Newbury - A Haiku Dampen summertime A late, found newbury found because of the girl |
3:51:03 (Pop-up) |
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Curt Newbury | A Girl Is Just Too Much | 1969 | 3:51:25 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Don't belive that the hatfield is nonmodern? the hatfield is modern beyond belief. Down, down, down into the darkness of the hatfield, Gently it goes - the progressive, the modernistic, the latest. I cannot help but stop and look at the suburban dorchester. Does the dorchester make you shiver? does it? The big poole sings like a great shore |
3:55:49 (Pop-up) |
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Josefus | Situation | 1970 | 3:56:36 (Pop-up) | |||
John Barry | Hit & Miss | Beat Girl | 3:58:27 (Pop-up) | |||
Jefferson Airplane | She Has Funny Cars | 1967 | 4:02:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The Sad And Funny Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:04:27 (Pop-up) |
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The Maze | I'm So Sad | 1968 | 4:05:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The So And Sad Gigolo Whose gigolo is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his gigolo a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:12:09 (Pop-up) |
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Syd Barrett | Gigolo Aunt [Take 15] | 1970 | 4:12:48 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy are notorious spies! Down, down, down into the darkness of the spies, Gently they go - the infamous, the disreputable, the ill-famed. I cannot help but stop and look at cunning tricks. Down, down, down into the darkness of the tricks, Gently they go - the guileful, the crafty, the ingenious. Confidences, however hard they try, Will always be wooly. |
4:19:12 (Pop-up) |
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Pink Floyd | A Saucerful Of Secrets | 1968 | 4:20:01 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
The Pink And White Lightning Whose lightning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his lightning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:31:27 (Pop-up) |
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White Lightning | Of Paupers And Poets | 1969 | 4:32:19 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Why would you think the watercolourist is incompetent? the watercolourist is the most competent painter of all. Down, down, down into the darkness of the watercolourist, Gently it goes - the incompetent, the workmanlike, the efficient. How happy are distinguished artists! Artists are eminent. artists are dignified, artists are important, however. Just like a distinguished men, is intellectuals. |
4:34:45 (Pop-up) |
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Elmer Gantry's Velvet Opera | Volcano | 1969 | 4:35:35 (Pop-up) | |||
The Apryl Fool | The Lost Mother Land (Part 2) | 1969 | 4:38:08 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the methodological prob! Does the prob make you shiver? does it? Dis, however hard they try, Will always be infect. Do dis make you shiver? do they? How happy is the wooly com! |
4:40:12 (Pop-up) |
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The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 4:41:08 (Pop-up) | |||
Ron Geesin Roger Waters | Give Birth to a Smile | 1970 | 4:46:09 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Quicksilver - A Haiku Hearty summertime A pure, quicksilver service near the messenger |
4:48:43 (Pop-up) |
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Skip Bifferty | Mr. Money Man | 1968 | 4:49:19 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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The Ayatolluh of Rock 'n Rolluh:
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David (in London):
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