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A true disrupter within the freeform internet-radio market, If You Lose Your Horse creates a space for smart consumers to experience a game-changing digital audio brand.
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Artist | Track | Album | Label | Approx. start time | ||||||
---|---|---|---|---|---|---|---|---|---|---|
Lee Morgan | Something Like This (Friday, July 10, 1970) | The Complete Live at the Lighthouse | Blue Note | 0:00:00 (Pop-up) | ||||||
Roberto Juan Rodríguez | El Polaco | El Danzon De Moises | Tzadik | 0:19:23 (Pop-up) | ||||||
Alan Shawdjan | Шоджэн Алан | Quarantine Sessions | Ored | 0:23:47 (Pop-up) | ||||||
Kalle Moberg | Fighting the Long Defeat | The Tokyo Sessions Volume 2: Twist | Kamo | 0:27:32 (Pop-up) | ||||||
Hear In Now | Requiem For Charlie Haden | Not Living In Fear | International Anthem | 0:33:27 (Pop-up) | ||||||
Nathan Salsburg | O You Who Sleep + Psalm 96 | Psalms | No Quarter | 0:36:21 (Pop-up) | ||||||
Kanye West | Come to Life | Donda | G.O.O.D. Music/Def Jam | 0:41:08 (Pop-up) | ||||||
Low | Days Like These | HEY WHAT | Sub Pop | 0:46:15 (Pop-up) | ||||||
Roger Eno | Days Like This | Little Things Left Behind 1988-1998 | All Saints | 0:51:22 (Pop-up) | ||||||
Hoavi | Flay | Invariant | Peak Oil | 1:03:39 (Pop-up) | ||||||
Area | Bourbon Skies (St. Petersburg Three-Four Blues) | Queerifications & Ruins - Collected Remixes By DJ Sprinkles | Mule Musiq | 1:10:53 (Pop-up) | ||||||
Lion Merry | ヴァカボンド ヴァーレスク・蜃気楼を見る・ | ドン・キホーテの従者 (Don Quixote’s Squire) | Chū | 1:17:43 (Pop-up) | ||||||
Model Home + Saint Abdullah | 24 hours | Invasive Inclinations | PTP | 1:21:10 (Pop-up) | ||||||
Ora Clementi | Dialogue Between A Grandmaster Of The Knights Hospitaller And A Genoese Sea-Captain | Sylva Sylvarum | Black Truffle | 1:24:45 (Pop-up) | ||||||
Piętnastka | Chabry maki | Kambium | Mondoj | 1:28:20 (Pop-up) | ||||||
Stuart Chalmers | Air | The Heart of Nature | Opal Tapes | 1:39:06 (Pop-up) | ||||||
Josh Medina | Among the Magnolias | Drifting Toward the Absolute | Eiderdown | 1:45:31 (Pop-up) | ||||||
Amelia Cuni | Devino Amor | Parampara Festival 13.3.1992 | Black Truffle | 1:51:17 (Pop-up) |
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Listener comments!
doctorjazz:
Check in later, quick hi (not interested in Lee Morgan, I guess...)
Constantly Choking:
Sam Segal:
Sam Segal:
doctorjazz:
doctorjazz:
doctorjazz:
Sam Segal:
doctorjazz:
Sam Segal:
Constantly Choking:
rw:
zzz:
Sam Segal:
Sam Segal:
zzz:
zzz:
Sam Segal:
zzz:
Sam Segal:
Constantly Choking:
Sam Segal:
Ike:
Sam Segal:
Ike:
doctorjazz:
I liked the Kanye (but his politics will not allow me to admit or support him in any way).
Used to spend hours in Tower Records and J & R Records, at the time the places with the largest catalogs (that I know of).
Sam Segal:
doctorjazz:
doctorjazz:
rw:
doctorjazz:
Constantly Choking:
Ike:
rw:
Sam Segal:
Sam Segal:
Sam Segal:
Sam Segal:
Ike:
rw:
Sam Segal:
coelacanth∅:
Sam Segal:
doctorjazz:
Sam Segal:
rw:
doctorjazz:
Constantly Choking:
doctorjazz:
coelacanth∅:
in olden days mono mixes were usually better because they put more time into them. that doesn't make mono better; that makes those mixes better. (maybe)
doctorjazz:
Sam Segal:
Sam Segal:
coelacanth∅:
can place the lead guitar smack in the middle, have everything spaced slightly differently but still never far apart.
doctorjazz:
doctorjazz:
rw:
rw:
Sam Segal:
doctorjazz:
coelacanth∅:
i would say headphones is more often how people listen to music now...the relatively few people who actually *listen* to the music they play.
rw:
rw:
doctorjazz:
coelacanth∅:
the music i make, i use headphones all the way through; but after the potential final mix i'll lay down and listen to it through the speakers, before saying it's done.
Constantly Choking:
rw:
doctorjazz:
doctorjazz:
coelacanth∅:
but, as Sam pointed out (@1149) it depends who's going to be attracted to the music.
doctorjazz:
Night all!
rw:
rw:
coelacanth∅:
coelacanth∅:
Thanks Sam!
good night everyone
Constantly Choking: