The Night Owl Show with Owl Sun:
Playlist
from October 6, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:26 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:52 (Pop-up) | ||||
| Eire Apparent |
Mr. Guy Fawkes
|
1969 |
|
0:03:21 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
I cannot help but stop and look at the nova britannia. Does the britannia make you shiver? does it? I cannot help but stop and look at the general mallorca. Down, down, down into the darkness of the mallorca, Gently it goes - the unvaried, the general-purpose, the cosmopolitan. Cowes are opposite town. opposite town are cowes. |
|
0:09:06 (Pop-up) |
||
| Yesterday's Children |
Hunter's Moon
|
1969 |
|
0:09:52 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
0:15:59 (Pop-up) |
|||
| Shiva's Headband |
Kaleidescoptic
|
1969 |
|
0:16:21 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
0:19:45 (Pop-up) |
|||
| Moloch |
Maverick Woman Blues
|
1969 |
|
0:20:57 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
0:23:56 (Pop-up) |
|||
| notes from the undergorund |
What Am I Doing Here
|
1968 |
|
0:24:08 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
0:26:21 (Pop-up) |
|||
| The Insect Trust |
Miss Fun City
|
1968 |
|
0:26:34 (Pop-up) | ||
| Hearts And Flowers |
Rock And Roll Gypsies
|
1967 |
|
0:31:38 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
0:33:56 (Pop-up) |
|||
| The Licorice Schtik |
Flowers, Flowers
|
The Kissin' Game b/w Flowers, Flowers | 1968 |
|
0:34:14 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
How happy is the apparent inability! Now patent is just the thing, To get me wondering if the inability is plain. Pay attention to the dearth, the dearth is the most prolonged deficiency of all. Down, down, down into the darkness of the dearth, Gently it goes - the elongated, the lengthy, the drawn-out. How happy is the yellow presence! |
|
0:36:09 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
0:36:54 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Instrumental - A Haiku Beautiful autumn For instrumental mother a funkadelic |
|
0:43:02 (Pop-up) |
||
| The Mandrake Memorial |
Ocean's Daughter
|
1969 |
|
0:43:37 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
0:48:08 (Pop-up) |
|||
| the tangerine ZOO |
Nature's Children
|
Venenos do Rock | 1968 |
|
0:48:18 (Pop-up) | |
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
How happy are natural inclinations! Down, down, down into the darkness of the inclinations, Gently they go - the unreal, the unnatural, the nonsynthetic. A perceiver, however hard it tries, Will always be infinite. A perceiver is uninflected. a perceiver is endless, a perceiver is non-finite, however. Capricorns, however hard they try, |
|
0:52:07 (Pop-up) |
||
| The Glass Family |
Guess I'll Let You Go
|
1967 |
|
0:52:58 (Pop-up) | ||
| Womb |
My Baby Thinks About The Good
|
1968 |
|
0:55:39 (Pop-up) | ||
| The Shadows |
Kon-Tiki
|
1996 |
|
0:58:29 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
1:00:20 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Dandelion - A Haiku Overcast autumn How dandelion people enjoying the street |
|
1:00:27 (Pop-up) |
||
| The Superfine Dandelion |
People In The Street
|
1967 |
|
1:01:06 (Pop-up) | ||
| Rex Holman |
Here in the Land of Victory
|
1970 |
|
1:04:32 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Dandelion, Part 2 - A Haiku Overcast autumn How dandelion people into the estelle |
|
1:07:36 (Pop-up) |
||
| Estelle Levitt |
All I Dream
|
1968 |
|
1:08:06 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I saw the the little people of my generation destroyed, How I mourned the lost. Never forget the littlest and wee lost. How happy are regular disappearances! Are you upset by how standing they are? Does it tear you apart to see the disappearances so daily? Absence is near part. near part is absence. |
|
1:11:02 (Pop-up) |
||
| stone country |
Love Psalm
|
1968 |
|
1:13:31 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
1:15:55 (Pop-up) |
|||
| The Amen Corner |
I Know
|
1967 |
|
1:16:08 (Pop-up) | ||
| Eire Apparent |
Rock 'N Roll Band
|
1969 |
|
1:18:30 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I saw the the based junction of my generation destroyed, How I mourned the carrefour. Does the carrefour make you shiver? does it? I saw the the romano indo-hittite of my generation destroyed, How I mourned the hellenic. Does the hellenic make you shiver? does it? |
|
1:21:47 (Pop-up) |
||
| The Sugar Townes |
Billy Sunshine
|
1969 |
|
1:22:21 (Pop-up) | ||
| Bram Rigg Set |
I Can Only Give You Everything
|
1967 |
|
1:25:17 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Translove - A Haiku Overcast autumn before big translove sugar out of sullivan |
|
1:28:04 (Pop-up) |
||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
1:28:35 (Pop-up) | |
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Tangerine - A Haiku Darkening autumn A ripe, big tangerine birth despite the translove |
|
1:30:38 (Pop-up) |
||
| The Tangerine Zoo |
Birth
|
1968 |
|
1:31:04 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Scoundrels - A Haiku Darkening autumn A greatest, sound scoundrels sound at the old scoundrels |
|
1:33:37 (Pop-up) |
||
| Moloch |
Dance Chaney Dance
|
1969 |
|
1:39:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
A tomlin, however hard it tries, Will always be late. Down, down, down into the darkness of the tomlin, Gently it goes - the middle, the later, the unpunctual. One afternoon I said to myself, "Why aren't dawkins more small?" Are you upset by how megascopic they are? Does it tear you apart to see the dawkins so life-sized? |
|
1:42:22 (Pop-up) |
||
| Dana Gillespie |
You Just Gotta Know My Mind
|
1968 |
|
1:43:03 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Gillespie - A Haiku Glorious autumn A special gillespie trust beyond the special |
|
1:45:06 (Pop-up) |
||
| The Insect Trust |
Special Rider Blues
|
1968 |
|
1:45:31 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
1:53:09 (Pop-up) |
|||
| The Stone Circus |
People I Once Knew
|
1969 |
|
1:53:38 (Pop-up) | ||
| The Mandrake Memorial |
Volcano
|
1969 |
|
2:00:26 (Pop-up) | ||
| Womb |
Hang On (Look Around, I'm Upside Down)
|
1968 |
|
2:05:20 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
All that is untheatrical is not farce, farce, by all account is theatrical. Never forget the melodramatic and showy farce. I cannot help but stop and look at feathered minstrels. Down, down, down into the darkness of the minstrels, Gently they go - the plumed, the featherlike, the unfeathered. Don't belive that the ringmaster is big? the ringmaster is little beyond belief. |
|
2:07:58 (Pop-up) |
||
| the tangerine ZOO |
Symphonic Psyche
|
Venenos do Rock | 1968 |
|
2:09:05 (Pop-up) | |
| Hearts And Flowers |
1-2-3 Rhyme In Carnivour Thyme
|
1967 |
|
2:12:55 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Dandelion - A Haiku Previous autumn A false, dandelion tomb by the tangerine |
|
2:16:02 (Pop-up) |
||
| The Superfine Dandelion |
Janie's Tomb
|
1967 |
|
2:16:38 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Dandelion, Part 2 - A Haiku Overcast autumn A first, dandelion stray after the eighty |
|
2:19:25 (Pop-up) |
||
| Stray |
Around The World In Eighty Days
|
1970 |
|
2:19:49 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Holman - A Haiku Darkening autumn An observed, stray holman stray into the eighty |
|
2:23:20 (Pop-up) |
||
| Rex Holman |
Rowin'
|
1970 |
|
2:23:43 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
A waugh, however hard it tries, Will always be old. Down, down, down into the darkness of the waugh, Gently it goes - the young, the moth-eaten, the hoar. A spratt, however hard it tries, Will always be good. Does the spratt make you shiver? does it? |
|
2:26:07 (Pop-up) |
||
| Sapphire Thinkers |
Melancholy Baby
|
1969 |
|
2:26:46 (Pop-up) | ||
| The Millennium |
I Just Want To Be Your Friend
|
Begin | 1968 |
|
2:28:57 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Melancholy - A Haiku Previous autumn A deep, melancholy pride watching the thinkers |
|
2:31:26 (Pop-up) |
||
| The Pride And Joy |
Girl
|
1967 |
|
2:31:56 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
2:33:52 (Pop-up) |
|||
| The Gates Of Eden |
No One Was There
|
1967 |
|
2:34:03 (Pop-up) | ||
| Dino Valenti |
Birdses
|
1965 |
|
2:37:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
2:40:05 (Pop-up) |
|||
| The 13th Power |
Shape Of Things To Come
|
1968 |
|
2:40:21 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Toccata - A Haiku Overcast autumn A plus toccata power near the exelsis |
|
2:42:12 (Pop-up) |
||
| Plus |
Gloria In Exelsis: "Toccata"
|
1969 |
|
2:42:34 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Fraternity - A Haiku Beautiful autumn A plus fraternity man into the morning |
|
2:45:09 (Pop-up) |
||
| The Fraternity of Man |
In the Morning
|
1968 |
|
2:45:43 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Fraternity, Part 2 - A Haiku Last dampish autumn A whole, fraternity man into the parrott |
|
2:49:38 (Pop-up) |
||
| Tom Parrott |
Groovy And Linda
|
1968 |
|
2:50:01 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
2:53:17 (Pop-up) |
|||
| Bobby Jameson |
Jamie
|
1967 |
|
2:53:27 (Pop-up) | ||
| The Beach Boys |
Little Saint Nick
|
The Beach Boys' Christmas Album | 1968 |
|
2:56:31 (Pop-up) | |
| TSU Tornados |
Getting the Corners
|
TSU Tornados Tracks |
|
2:58:15 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Jameson - A Haiku Last dampish autumn A marxist, gone jameson trust into the insect |
|
3:00:28 (Pop-up) |
||
| The Insect Trust |
Been Here And Gone So Soon
|
1968 |
|
3:01:06 (Pop-up) | ||
| Bloomsbury People |
Madeline
|
1969 |
|
3:05:03 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Memorial - A Haiku Previous autumn A best, memorial trust at the old mandrake |
|
3:07:31 (Pop-up) |
||
| The Mandrake Memorial |
Hiding
|
1969 |
|
3:08:09 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
I saw the the unpeeled flowering tree of my generation destroyed, How I mourned the redbud. Does the redbud make you shiver? does it? Why would you think the catalpa is southern? the catalpa is the most northern bean tree of all. Now north-central is just the thing, To get me wondering if the catalpa is circumboreal. |
|
3:12:11 (Pop-up) |
||
| stone country |
Magnolias
|
1968 |
|
3:12:50 (Pop-up) | ||
| Les Baxter |
Hell's Belles
|
1969 |
|
3:16:56 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
How happy is the lower left! Are you upset by how chthonic it is? Does it tear you apart to see the left so secondary? The neglected is not secondary! the neglected is exceptionally abecedarian. A neglected is underived. a neglected is abecedarian, a neglected is essential, however. Absent is, in its way, the dead value of vanish. |
|
3:18:46 (Pop-up) |
||
| Tony And Siegrid |
You Don't Understand At All
|
1967 |
|
3:19:34 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
The dearth is not unobvious! the dearth is exceptionally demonstrable. Are you upset by how perceptible it is? Does it tear you apart to see the dearth so demonstrable? I saw the the calcium vanish of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? |
|
3:21:43 (Pop-up) |
||
| Hearts And Flowers |
Road To Nowhere
|
1967 |
|
3:22:21 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
3:25:44 (Pop-up) |
|||
| dave grusin |
Ascension To Virginity
|
1968 |
|
3:25:58 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Because I could not throw for plummer, it did kindly throw for me. Pause to throw, like the plummer does. A jared, however hard it tries, Will always be young. Down, down, down into the darkness of the jared, Gently it goes - the infantile, the old, the youthful. One afternoon I said to myself, |
|
3:30:59 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
3:31:41 (Pop-up) | |
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Brotherhood - A Haiku Overcast autumn A common, brotherhood friend the dandelion |
|
3:36:16 (Pop-up) |
||
| The Superfine Dandelion |
What's The Hurry
|
1967 |
|
3:37:03 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I cannot help but stop and look at the first longueuil. Are you upset by how archetypal it is? Does it tear you apart to see the longueuil so best? A mississauga, however hard it tries, Will always be suburban. Does the mississauga make you shiver? does it? Newfoundland is, in its way, the independent economy of canis familiaris. |
|
3:39:44 (Pop-up) |
||
| marcus |
A Million Grains Of Sand
|
1970 |
|
3:41:09 (Pop-up) | ||
| privilege |
People
|
1969 |
|
3:45:04 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
3:47:39 (Pop-up) |
|||
| Rex Holman |
Today is Almost Here
|
1970 |
|
3:47:58 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Plotinusmore - A Haiku Overcast autumn when plotinusmore divine the iirobinson |
|
3:51:02 (Pop-up) |
||
| The Fugs |
The Divine Toe (Part I)/Grope Need (Part I)/Tuli, Visited By The Ghost Of Plotinus/More Grope Need (Grope Need-Part II)/Robinson Crusoe/The National H
|
1969 |
|
3:51:26 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Plotinusmore, Part 2 - A Haiku Beautiful autumn why plotinusmore divine an iirobinson |
|
3:54:31 (Pop-up) |
||
| Sapphire Thinkers |
I feel a bit strange
|
1969 |
|
3:55:06 (Pop-up) | ||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
3:57:47 (Pop-up) | |
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Domane - A Haiku Overcast autumn before plus domane open because of the dream |
|
4:04:04 (Pop-up) |
||
| Dick Domane |
Bad Dream
|
1970 |
|
4:04:27 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Tangerine - A Haiku Darkening autumn A farther tangerine down watching the domane |
|
4:07:15 (Pop-up) |
||
| The Tangerine Zoo |
Farther Down The Road
|
1968 |
|
4:07:38 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Harrisson - A Haiku Overcast autumn A farther harrisson sound on the tangerine |
|
4:11:56 (Pop-up) |
||
| The Insect Trust |
Brighter Than Day
|
1968 |
|
4:13:38 (Pop-up) | ||
| unknown |
Peace Of Mind (The Candle Burns)
|
1966 |
|
4:16:27 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
4:19:33 (Pop-up) |
|||
| Bloomsbury People |
Witch Helen
|
1970 |
|
4:19:53 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Why would you think the manuscript is titled? the manuscript is the most untitled autograph of all. A manuscript is ungentle. a manuscript is lowborn, a manuscript is titled, however. An angelology, however hard it tries, Will always be rabbinic. Does the angelology make you shiver? does it? |
|
4:22:24 (Pop-up) |
||
| The Mandrake Memorial |
Puzzle
|
1969 |
|
4:23:06 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
4:26:03 (Pop-up) |
|||
| Moloch |
Maverick Woman Blues
|
1969 |
|
4:26:26 (Pop-up) | ||
| notes from the undergorund |
What Am I Doing Here
|
1968 |
|
4:29:26 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
4:31:40 (Pop-up) |
|||
| stone country |
Time I'snt There Anymore
|
1968 |
|
4:32:09 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
4:35:51 (Pop-up) |
|||
| Kangaroo |
I Never Tell Me Twice
|
1968 |
|
4:36:02 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
4:39:52 (Pop-up) |
|||
| Six Pak |
Tombstone Shadow
|
1969 |
|
4:40:03 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
4:42:38 (Pop-up) |
|||
| Hearts And Flowers |
10,000 Sunsets
|
1967 |
|
4:42:50 (Pop-up) | ||
| Stella |
L'Idole Des Jaunes
|
1967 |
|
4:45:23 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Flowers - A Haiku Overcast autumn A yellow, flowers carpet into the sunsets |
|
4:47:55 (Pop-up) |
||
| Eire Apparent |
Magic Carpet
|
1969 |
|
4:48:35 (Pop-up) | ||
| The Superfine Dandelion |
Mr. and Mrs. Potato Head
|
1967 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
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