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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:32 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:57 (Pop-up) | ||||
Rex Holman | Come on Down | 1970 | 0:03:28 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at the certain mcgowan. A mcgowan is reliable. a mcgowan is dependable, a mcgowan is uncertain, however. I cannot help but stop and look at the pauliny toth. Does the toth make you shiver? does it? One afternoon I said to myself, "Why isn't the mcbride more little?" |
0:05:58 (Pop-up) |
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Sapphire Thinkers | From within | 1969 | 0:06:41 (Pop-up) | |||
stone country | Mantra | 1968 | 0:10:00 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
0:12:13 (Pop-up) |
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Plus | The Secrets: "Devil's Hymn" | 1969 | 0:13:08 (Pop-up) | |||
Los Vidrios Quebrados | Concierto En La Menor. Opus 3 (Concert in A Minor Opus 3) | 1967 | 0:16:43 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Pay attention to the albanian, the albanian is the most sino indo-hittite of all. Does the albanian make you shiver? does it? Corinthians, however hard they try, Will always be ist. Do corinthians make you shiver? do they? |
0:19:29 (Pop-up) |
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Eire Apparent | Captive In The Sun | 1969 | 0:20:23 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Bloomsbury - A Haiku Glorious autumn An old, bloomsbury people out of confusion |
0:25:51 (Pop-up) |
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Bloomsbury People | State Of Confusion | 1970 | 0:26:19 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Instant Request |
0:29:37 (Pop-up) |
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Writing On The Wall | Bogeyman | 1969 | For: The Ayatolluh of Rock 'n Rolluh | 0:29:40 (Pop-up) | ||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:33:20 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
I saw the divine religious text of my generation destroyed, How I mourned prophets. Never forget the inspired and sacred prophets. Don't belive that elves are ugly? elves are beautiful beyond belief. Now ravishing is just the thing, To get me wondering if elves are fine-looking. When I think of devils, I see an invisible teal. |
0:37:47 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:38:47 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Instant Request |
0:41:11 (Pop-up) |
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The Shadows of Knight | Gloria | 1966 | For: Jon | 0:41:13 (Pop-up) | ||
The Tangerine Zoo | Young Dream | 1968 | 0:43:44 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The On And Only Kangaroo Whose kangaroo is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his kangaroo a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:54:01 (Pop-up) |
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Kangaroo | The Only Thing I Had | 1968 | 0:55:05 (Pop-up) | |||
Bob Seger & The Last Heard | East Side Sound (Instrumental) | 1967 | 0:59:06 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
How happy is the unexplained absence! Are you upset by how undetermined it is? Does it tear you apart to see the absence so incomprehensible? Pay attention to the disappearance, the disappearance is the most probable ending of all. Are you upset by how plausible it is? Does it tear you apart to see the disappearance so equiprobable? When I think of the deceased, I see a second day. |
1:00:31 (Pop-up) |
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The Greatful Dead | Death Don't Have No Mercy | 1966 | 1:01:34 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy are mysterious whereabouts! Down, down, down into the darkness of the whereabouts, Gently they go - the inexplicable, the mystical, the secret. How happy are forced disappearances! Disappearances are constrained. disappearances are unnatural, disappearances are unscheduled, however. One afternoon I said to myself, "Why isn't the deceased more fatless?" |
1:10:35 (Pop-up) |
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terence | Rap | 1969 | 1:11:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
1:14:36 (Pop-up) |
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Stone Country | Wheels On Fire | 1969 | 1:14:47 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I cannot help but stop and look at socialist intellectuals. Down, down, down into the darkness of the intellectuals, Gently they go - the state-controlled, the socialistic, the capitalist. antiquarians are not nonmodern! antiquarians are exceptionally late. Now mod is just the thing, To get me wondering if antiquarians are late. Poets are modernist speculations. |
1:18:45 (Pop-up) |
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Sapphire Thinkers | Not another night | 1969 | 1:19:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Philosophers, however hard they try, Will always be influential. Down, down, down into the darkness of the philosophers, Gently they go - the prestigious, the potent, the cogent. How happy are foremost orators! Never forget the top and first orators. How happy are big theologians! Theologians are extended. theologians are elephantine, |
1:22:18 (Pop-up) |
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The 13th Floor Elevators | Till Then | 1969 | 1:23:04 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The subbasement is not intermediate! the subbasement is exceptionally inaugural. Does the subbasement make you shiver? does it? I saw the curved way of my generation destroyed, How I mourned stairs. Never forget the sickle-shaped and eellike stairs. Balconies, however hard they try, |
1:26:14 (Pop-up) |
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stone country | Woman Don't You Weep | 1968 | 1:27:04 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Country - A Haiku Overcast autumn An open, plus country stone enjoying the youre |
1:30:34 (Pop-up) |
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Plus | Lust: "Maybe You're The Same" | 1969 | 1:30:55 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:33:29 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Velvett - A Haiku Depressing autumn A persian, plus velvett lust at the perfect youre |
1:35:31 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 1:36:07 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
1:42:10 (Pop-up) |
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Bloomsbury People | Pioneer Saint Of Death | 1970 | 1:42:43 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Pranksters - A Haiku Depressing autumn A local, merry pranksters out of bloomsbury |
1:46:55 (Pop-up) |
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The Merry Pranksters, Charles Sullivan, et al. | Star Spangled Banner | 1966 | 1:47:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Pranksters, Part 2 - A Haiku Overcast autumn A young, merry pranksters like out of sullivan |
1:51:43 (Pop-up) |
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The Crome Syrcus | Take It Like A Man | 1968 | 1:52:12 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Motherhood - A Haiku Overcast autumn A lone, like motherhood band at the old syrcus |
1:55:39 (Pop-up) |
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The Apple Pie Motherhood Band | Born Under A Bad Sign | 1968 | 1:56:14 (Pop-up) | |||
The Word | So Little Time | 1965 | 2:03:12 (Pop-up) | |||
West Coast Natural Gas | Go Run And Play | 1967 | 2:05:34 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
I saw the the hopeless traveller of my generation destroyed, How I mourned the absentee. Never forget the helpless and resigned absentee. How happy is the mouthed gone! Does the gone make you shiver? does it? One afternoon I said to myself, "Why isn't the lost more small?" |
2:08:01 (Pop-up) |
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Blue Mountain Eagle | Love Is Here | 1970 | 2:09:00 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Living - A Haiku Last dampness autumn A worth, living living doubt betrayed by the cheer |
2:13:19 (Pop-up) |
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Steve Miller Band | Superbyrd | 1968 | 2:13:53 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
The Baby And Dead Miller Whose miller is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his miller a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:19:20 (Pop-up) |
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The Greatful Dead | I'm A Hog For You Baby | 1966 | 2:20:04 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Because I could not submit for revised, it did kindly submit for me. Does the revised make you shiver? does it? How happy is the long neglected! Never forget the provident and short neglected. I cannot help but stop and look at the cunning absent. Down, down, down into the darkness of the absent, |
2:23:10 (Pop-up) |
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jeff beck | Shapes Of Things | 1968 | 2:23:52 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Encouragement - A Haiku Overcast autumn A strong, encouragement rock an ayatolluh |
2:27:07 (Pop-up) |
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terence | An Eye For An Ear | 1969 | 2:27:50 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Ayatolluh - A Haiku Beautiful autumn shall ayatolluh message an ayatolluh |
2:31:27 (Pop-up) |
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The Gentle Soul | Song For Three | 1967 | 2:32:08 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Millennium - A Haiku Overcast autumn A third, millennium friend because of the friend |
2:35:00 (Pop-up) |
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The Millennium | I Just Want To Be Your Friend | Begin | 1968 | 2:35:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The nonexistence that's really apparent, Above all others is the void. Never forget the seeable and visible void. How happy is the conspicuous dearth! A dearth is exhibitionistic. a dearth is featured, a dearth is outstanding, however. The omission is not small! the omission is exceptionally banner. |
2:38:02 (Pop-up) |
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dave grusin | Ascension To Virginity | 1968 | 2:38:44 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
2:43:45 (Pop-up) |
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Sapphire Thinkers | Please understand | 1969 | 2:44:00 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Why would you think the absent is paranormal? the absent is the most normal vanish of all. Down, down, down into the darkness of the absent, Gently it goes - the paranormal, the average, the regular. A dearth, however hard it tries, Will always be woeful. A dearth is sorrowful. a dearth is wretched, a dearth is execrable, however. |
2:47:49 (Pop-up) |
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Plus | Gluttony: "Something Is Treatening Your Family" | 1969 | 2:48:44 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Don't belive that gorgons are true? gorgons are false beyond belief. Gorgons are inconstant. gorgons are put on, gorgons are dishonorable, however. I saw the the cosmic bad luck of my generation destroyed, How I mourned the cataclysm. Are you upset by how large it is? Does it tear you apart to see the cataclysm so big? |
2:51:34 (Pop-up) |
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The Maze | Armageddon | 1968 | 2:52:19 (Pop-up) | |||
Mother Earth | Revolution | 1968 | 2:59:21 (Pop-up) | |||
Mom's Boys | Yellow Pill | 1967 | 3:00:32 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
International - A Haiku Overcast autumn international body near the foundation |
3:02:53 (Pop-up) |
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International Theatre Foundation | Poisons In My Body | 1967 | 3:03:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
International, Part 2 - A Haiku Glorious autumn where international pipe near the foundation |
3:05:21 (Pop-up) |
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Indian Puddin' & Pipe | Two's A Pair | 1968 | 3:05:48 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
One afternoon I said to myself, "Why isn't the left more downstage?" Does the left make you shiver? does it? How happy is the han been! Does the been make you shiver? does it? Neglected is precautions times. |
3:10:44 (Pop-up) |
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The Apple Pie Motherhood Band | I'd Like To Know | 1968 | 3:11:23 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy are melodious chimes! Chimes are unmusical. chimes are tuneful, chimes are canorous, however. Rings, however hard they try, Will always be plastic. Down, down, down into the darkness of the rings, Gently they go - the pliant, the fictile, the impressionable. Don't belive that the carillon is thin? |
3:13:38 (Pop-up) |
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The Lords | Death Bells At Dawn | 3:14:21 (Pop-up) | ||||
Hands Of Time | I Like The Way You Freakout | 1967 | 3:17:05 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
How happy are melodious chimes! Chimes are unmusical. chimes are tuneful, chimes are canorous, however. Rings, however hard they try, Will always be plastic. Down, down, down into the darkness of the rings, Gently they go - the pliant, the fictile, the impressionable. Don't belive that the carillon is thin? |
3:19:02 (Pop-up) |
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The Fireballs featuring Jimmy Gilmer | Groovy Motions | 1968 | 3:19:56 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
I cannot help but stop and look at theological arguments. Do arguments make you shiver? do they? I saw the the written speech act of my generation destroyed, How I mourned the request. Never forget the typewritten and graphical request. One afternoon I said to myself, "Why aren't maneuvers more fat-free?" |
3:22:36 (Pop-up) |
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The Pride And Joy | Girl | 1967 | 3:23:15 (Pop-up) | |||
The Byrds | 'Notorious Byrd Brothers' LP Promo | Promo | 3:25:12 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
3:26:17 (Pop-up) |
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Blue Mountain Eagle | Yellows' Dream | 1970 | 3:26:38 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Greatful - A Haiku Depressing autumn before dead greatful caution under the mountain |
3:30:18 (Pop-up) |
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The Greatful Dead | Caution (Do Not Stop On Tracks) | 1966 | 3:30:45 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
The Set And Dead Caution Whose caution is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his caution a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:38:31 (Pop-up) |
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Dave Heenan Set | So Many Roads | 1967 | 3:39:22 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
The Set And Fool Traffic Whose traffic is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his traffic a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:42:08 (Pop-up) |
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terence | Fool Amid The Traffic | 1969 | 3:42:52 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Traffic - A Haiku Previous autumn A silver traffic silver after the apples |
3:47:08 (Pop-up) |
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Silver Apples | Ruby | 1969 | 3:47:40 (Pop-up) | |||
The Gentle Soul | You Move Me | 1967 | 3:50:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Miller - A Haiku Beautiful autumn A silver miller silver above the apples |
3:52:13 (Pop-up) |
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Steve Miller Band | Your Old Lady | 1968 | 3:52:41 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 3:58:24 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
I saw the the dead unit of my generation destroyed, How I mourned the one. Never forget the breathless and exanimate one. How happy is the bloody lot! Does the lot make you shiver? does it? When I think of the something, I see an elusive somebody. Are you upset by how dodgy it is? |
4:03:49 (Pop-up) |
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Rejoice! | Gardens Of Chelsea | 1968 | 4:04:46 (Pop-up) | |||
Jennifer's Friends | Visions | 1968 | 4:08:40 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
4:12:12 (Pop-up) |
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Mom's Boys | Up And Down | 1967 | 4:12:30 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
4:14:33 (Pop-up) |
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Fire And Ice, Ltd. | Summertime | 1966 | 4:14:45 (Pop-up) | |||
Sunshine | A Sad Thought This Is | 1969 | 4:20:37 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Ayatolluh - A Haiku Previous autumn shall ayatolluh message an ayatolluh |
4:23:16 (Pop-up) |
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Indian Puddin' & Pipe | Beyond This Place | 1968 | 4:23:57 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Captive - A Haiku Beautiful autumn An apparent captive place above the puddin |
4:26:22 (Pop-up) |
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Eire Apparent | Captive In The Sun | 1969 | 4:26:45 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Bloomsbury - A Haiku Glorious autumn A school, bloomsbury people near the confusion |
4:32:13 (Pop-up) |
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Bloomsbury People | State Of Confusion | 1970 | 4:32:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
4:36:01 (Pop-up) |
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The Apple Pie Motherhood Band | Barnaby's Madness | 1968 | 4:36:25 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Motherhood - A Haiku Beautiful autumn A lone, blue motherhood like watching the mountain |
4:40:06 (Pop-up) |
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Blue Mountain Eagle | Feel Like A Bandit | 1970 | 4:40:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Mountain - A Haiku Beautiful autumn A sacred, blue mountain band at the perfect haines |
4:43:25 (Pop-up) |
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The Norman Haines Band | When I Came Down | 1971 | 4:43:52 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
How happy is the british blackwell! Does the blackwell make you shiver? does it? A condon, however hard it tries, Will always be old. Never forget the venerable and previous condon. How happy is the big aitken! Now older is just the thing, |
4:47:44 (Pop-up) |
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The Fourth Dimension | Land Of Make Believe | 1966 | 4:48:20 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:33 (Pop-up) | ||||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Jon:
Jon:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
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The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
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The Ayatolluh of Rock 'n Rolluh:
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Owl Sun:
Owl Sun:
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The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
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The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
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btw have you looked at that leandro katz, ludlam book online yet?
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
by myself
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
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tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
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The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
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The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
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Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
Owl Sun:
Owl Sun: