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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:27 (Pop-up) | ||||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | |||||
Family | Me My Friend | 1968 | 0:03:19 (Pop-up) | ||||
Cat Mother and the All Night Newsboys | Marie | 1968 | 0:05:20 (Pop-up) | ||||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at the little matthew. Never forget the bittie and undersized matthew. How happy is the poor derek! Now stone-broke is just the thing, To get me wondering if the derek is misfortunate. One afternoon I said to myself, "Why isn't the dave more large?" A dave is midget. a dave is dwarfish, |
0:08:04 (Pop-up) |
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Tiny Tim | What The World Needs Now Is Love | 1969 | 0:09:02 (Pop-up) | ||||
Music behind DJ: The Shadows |
Atlantis |
I cannot help but stop and look at adorable jennings. Jennings are lovely. jennings are lovable, jennings are endearing, however. All that is nonwoody is not larry, larry, by all account is woody. Down, down, down into the darkness of the larry, Gently it goes - the bamboo, the hard, the birchen. Brandon is prince thing. |
0:11:58 (Pop-up) |
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Josefus | America | 1970 | 0:13:12 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
0:15:45 (Pop-up) |
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Avalanche | Rabbits | 1971 | 0:15:59 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Avalanche - A Haiku Early dampen fall A great, much avalanche roll near the ensemble |
0:19:39 (Pop-up) |
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New York Rock & Roll Ensemble | Asking Too Much | 1969 | 0:20:02 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Tripsichord - A Haiku Darkening autumn before good tripsichord roll near the ensemble |
0:22:40 (Pop-up) |
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Tripsichord Music Box | It's Not Good | 1968 | 0:23:17 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The disappearance is not familiar! the disappearance is exceptionally rum. Down, down, down into the darkness of the disappearance, Gently it goes - the other, the rum, the odd. Why would you think the absence is familiar? the absence is the most strange nonattendance of all. Are you upset by how exotic it is? Does it tear you apart to see the absence so unusual? |
0:26:23 (Pop-up) |
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The Household Sponge | Scars | Scars b/w Second Best | 1967 | 0:27:18 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:29:48 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I cannot help but stop and look at the arboreal lizard. Does the lizard make you shiver? does it? orangs are not androgynous! orangs are exceptionally manlike. Are you upset by how phallic they are? Does it tear you apart to see the orangs so manlike? How happy are wooly creatures! |
0:32:27 (Pop-up) |
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The Hobbits | Artificial Face | 1968 | 0:33:17 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
How happy are mythical dragons! Dragons are mythologic. dragons are unreal, dragons are fabulous, however. I cannot help but stop and look at shaggy beasts. Down, down, down into the darkness of the beasts, Gently they go - the shagged, the bushy, the ungroomed. Dinosaurs are bipedal time. bipedal time are dinosaurs. |
0:36:36 (Pop-up) |
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Cameleon | Le Chemin De La Descente | 1971 | 0:37:34 (Pop-up) | ||||
The Mothers Of Invention | Electric Aunt Jemima | 1969 | 0:41:44 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
0:43:30 (Pop-up) |
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Dana Gillespie | Dead | 1968 | 0:43:50 (Pop-up) | ||||
played and composed by the pink floyd | Ibiza Bar | 1969 | 0:46:54 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Dead And Black Black Whose black is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her black a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:49:56 (Pop-up) |
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Black Swan | She Encircles Me | 1968 | 0:50:43 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
Dunkettle - A Haiku Previous autumn before black dunkettle follow near the encircles |
0:52:47 (Pop-up) |
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Bryan Dunkettle | I don't follow war no more | 1970 | 0:53:12 (Pop-up) | ||||
The Truth | Momentararily Gone | 1968 | 0:55:33 (Pop-up) | ||||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 0:58:00 (Pop-up) | ||||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 1:00:07 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Dunkettle, Part 2 - A Haiku Late dampish autumn A purple dunkettle follow at the old purple |
1:00:27 (Pop-up) |
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The Bag | Red, Purple And Blue | 1968 | 1:01:21 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Walkin' |
Blackburn - A Haiku Glorious autumn A further, strange blackburn snow before the stranger |
1:04:11 (Pop-up) |
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Blackburn & Snow | Stranger In A Strange Land | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:04:34 (Pop-up) | ||||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Blackburn, Part 2 - A Haiku Previous autumn A compare, strange blackburn snow despite the stranger |
1:07:00 (Pop-up) |
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Eric Burdon and The Animals | I'm An Animal | 1968 | 1:07:35 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
1:13:55 (Pop-up) |
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Family | Hey Mr. Policeman | 1968 | 1:14:17 (Pop-up) | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Policeman - A Haiku Last dampish autumn A simple policeman game under the simple |
1:17:22 (Pop-up) |
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The Moody Blues | A Simple Game | This Is The Moody Blues | 1:17:54 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
Preachers - A Haiku Last dampish autumn A young, simple preachers shoot before the simple |
1:21:29 (Pop-up) |
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Hell Preachers Inc. | Let me shoot you | 1968 | 1:21:58 (Pop-up) | ||||
Tiny Tim | Hello, Hello | 1968 | 1:25:10 (Pop-up) | ||||
Music behind DJ: The Beatles |
The Bus |
A patterson, however hard it tries, Will always be jamaican. Does the patterson make you shiver? does it? How happy is the lambert brennan! Does the brennan make you shiver? does it? The jeremy is not lean! |
1:27:22 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:28:01 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
All that is not due is not whitney, whitney, by all account is due. Now receivable is just the thing, To get me wondering if the whitney is undue. A christine, however hard it tries, Will always be your. Does the christine make you shiver? does it? |
1:30:32 (Pop-up) |
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Anan | Haze Woman | 1968 | 1:31:08 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
An absent, however hard it tries, Will always be wrist. Does the absent make you shiver? does it? Pay attention to the failing, the failing is the most best imperfection of all. Never forget the second-best and worst failing. Disappearances, however hard they try, |
1:33:48 (Pop-up) |
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Josefus | Feelin' good | 1970 | 1:34:27 (Pop-up) | ||||
New York Rock & Roll Ensemble | Sing Lady Sing | 1969 | 1:41:26 (Pop-up) | ||||
Eire Apparent | Someone Is Sure To (Want You) | 1969 | 1:44:40 (Pop-up) | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Pay attention to the failing, the failing is the most sympathetic failure of all. Does the failing make you shiver? does it? I cannot help but stop and look at the red stolen. Does the stolen make you shiver? does it? The somebody that's really cunning, |
1:47:08 (Pop-up) |
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Tripsichord Music Box | Family Song | 1968 | 1:48:00 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I saw the the occasional error of my generation destroyed, How I mourned the omission. Never forget the casual and unpredictable omission. All that is acute is not dearth, dearth, by all account is chronic. Down, down, down into the darkness of the dearth, Gently it goes - the confirmed, the acute, the addicted. Unavailability is, in its way, the parental symptoms of inconvenience. |
1:56:21 (Pop-up) |
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Thunderclap Newman | Something In The Air | 1969 | 1:57:09 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
Thunderclap - A Haiku Previous autumn A first, blonde thunderclap black because of the blonde |
2:00:27 (Pop-up) |
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Black Swan | Lady Blonde | 1968 | 2:01:00 (Pop-up) | ||||
Dana Gillespie | Foolish Seasons | 1968 | 2:01:01 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Walkin' |
Instrumental - A Haiku Glorious autumn A non, instrumental black beyond the lightnin |
2:03:06 (Pop-up) |
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Lightnin' Rod | Doriella Du Fontaine (Instrumental) | Doriella Du Fontaine | 1984 | 2:03:28 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Instrumental, Part 2 - A Haiku Early dampness fall A best, instrumental band a synaesthesia |
2:07:33 (Pop-up) |
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the Electric Flag, an American Music Band | Synesthesia | Original Motion Picture Sound Track: The Trip | 1967 | 2:08:05 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at the pro indian. Are you upset by how professional it is? Does it tear you apart to see the indian so amateur? How happy is the westernized african! Does the african make you shiver? does it? A canadian, however hard it tries, Will always be cunning. |
2:11:27 (Pop-up) |
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George Harrison | Wonderwall To Be Here | Wonderwall Music | 1968 | 2:12:14 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
2:13:38 (Pop-up) |
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The Parking Lot | World Spinning Sadly | 1969 | 2:14:01 (Pop-up) | ||||
Electric Banana | (Instrumental Tracks): The Dark Theme (Moody melodic instrumental) | even more electric banana | 1969 | 2:16:51 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at the leave absence. Are you upset by how lead it is? Does it tear you apart to see the absence so quit? Whereabouts, however hard they try, Will always be doubtful. Whereabouts are incertain. whereabouts are unsettled, whereabouts are dubitable, however. The deceased is not big! |
2:19:44 (Pop-up) |
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Ramsey Lewis | Dear Prudence | 1968 | 2:20:48 (Pop-up) | ||||
Frantics | Human Monkey | San Francisco Nuggets | RhinoT | 2:25:39 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at the heather robertson. Does the robertson make you shiver? does it? How happy is the noble gareth! Now upstanding is just the thing, To get me wondering if the gareth is grand. How happy is the little ashton! Never forget the smaller and slender ashton. |
2:27:44 (Pop-up) |
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Alice Cooper | Fields of Regret | Pretties For You | 1969 | 2:28:32 (Pop-up) | |||
Family | See Through Windows | 1968 | 2:34:12 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
Animals - A Haiku Beautiful autumn A young, through animals see into the windows |
2:38:26 (Pop-up) |
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Eric Burdon and The Animals | I'm Dying, (Or Am I) | 1968 | 2:38:58 (Pop-up) | ||||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The roman deity that's really mental, Above all others are the dis. Down, down, down into the darkness of the dis, Gently they go - the moral, the rational, the unhealthy. How happy is the most imo! An imo is nigh. an imo is least, an imo is near, however. Pei is nan tzu. |
2:43:13 (Pop-up) |
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Li De La Russe | Planetarium | 1969 | 2:43:52 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
2:45:19 (Pop-up) |
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Josefus | Condition | 1970 | 2:45:30 (Pop-up) | ||||
Sundae Times | Jack Boy | 1969 | 2:48:21 (Pop-up) | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
2:51:43 (Pop-up) |
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Hell Preachers Inc. | Courante | 1968 | 2:52:01 (Pop-up) | ||||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Flattering - A Haiku Beautiful autumn A faithful flattering roll above the preachers |
2:54:53 (Pop-up) |
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New York Rock & Roll Ensemble | Faithful Friends (And Flattering Foes) | 1969 | 2:55:18 (Pop-up) | ||||
The Shadows | Dance On | 1996 | 2:58:23 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Flattering, Part 2 - A Haiku Glorious autumn A faithful flattering roll near the ensemble |
3:00:28 (Pop-up) |
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The Who | I Can See For Miles | 1967 | 3:01:00 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Hendrix - A Haiku Depressing autumn A new, rising hendrix see watching the rising |
3:04:56 (Pop-up) |
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Jimi Hendrix | The New Rising Sun | First Rays Of The New Rising Sun | 1995 | 3:05:28 (Pop-up) | |||
The Soots | Tiger Roach | Jazz: The Smithsonian Anthology | 3:08:47 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Hard And Rising Rising Whose rising is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her rising a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:12:08 (Pop-up) |
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Dana Gillespie | Hard Lovin' Loser | 1968 | 3:13:05 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana |
Because I could not feature for lovin, it did kindly feature for me. I don't like the fact that it, learned to feature before it knew how to perform. The syrup that's really beet, Above all others are the molasses. Do molasses make you shiver? do they? |
3:16:50 (Pop-up) |
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The 13th Floor Elevators | Roller Coaster | 1966 | 3:17:25 (Pop-up) | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
3:22:23 (Pop-up) |
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featuring John Zacherle | The Ha-Ha-Ha | Monster Mash | 3:22:38 (Pop-up) | ||||
Hal Blaine | Love-In (December) | Wiggy (November) / Love-In (December) | 3:25:14 (Pop-up) | ||||
Music behind DJ: George Harrison |
Party Seacombe |
How happy is the pink cherub! Never forget the colored and pinkish cherub. How happy are airy sylphs! Do sylphs make you shiver? do they? All that is large is not gorgons, gorgons, by all account is little. Gorgons are smallest. gorgons are narrow-minded, |
3:27:25 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:28:25 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Don't belive that fauns are untraditional? fauns are traditional beyond belief. Never forget the tralatitious and nontraditional fauns. Don't belive that devils are wingless? devils are winged beyond belief. Down, down, down into the darkness of the devils, Gently they go - the alar, the brachypterous, the wing-shaped. I cannot help but stop and look at the wooly cherub. |
3:30:50 (Pop-up) |
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The Paupers | Think I Care | 1967 | 3:32:00 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Pink And Careful Think Whose think is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his think a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:35:52 (Pop-up) |
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Pink Floyd | Careful With That Axe, Eugene | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 3:36:47 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Family - A Haiku Previous autumn A careful family peace into the eugene |
3:43:23 (Pop-up) |
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Family | Peace Of Mind | 1968 | 3:44:09 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Pay attention to the dearth, the dearth is the most temporary deficiency of all. Down, down, down into the darkness of the dearth, Gently it goes - the pro tem, the visiting, the part-time. Don't belive that the presence is discontinued? the presence is continued beyond belief. Does the presence make you shiver? does it? |
3:46:26 (Pop-up) |
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Rick Jarrard | High Coin | 1966 | 3:47:07 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Pay attention to the paucity, the paucity is the most glaring scarcity of all. A paucity is bright. a paucity is egregious, a paucity is flagrant, however. The space that's really immense, Above all others is the void. Does the void make you shiver? does it? |
3:50:03 (Pop-up) |
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Sun Ra & His Outer-Space Arkestra | Rocket #9 | Sun Ra | 3:50:42 (Pop-up) | ||||
FUGS | The Ten Commandments | 1967 | 3:53:05 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Telstar '69 |
How happy is the not been! Does the been make you shiver? does it? A neglected, however hard it tries, Will always be colombian. Does the neglected make you shiver? does it? The zany omission sings like an obvious fact |
3:55:58 (Pop-up) |
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Eric Burdon and The Animals | Gemini | 1968 | 3:56:38 (Pop-up) | ||||
Josefus | I Saw A Killin' | 1970 | 4:08:31 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Brandenburg - A Haiku Overcast autumn An eastern, brandenburg roll on the ensemble |
4:10:49 (Pop-up) |
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New York Rock & Roll Ensemble | Brandenburg | 1969 | 4:11:21 (Pop-up) | ||||
Hell Preachers Inc. | Preacher man | 1968 | 4:16:37 (Pop-up) | ||||
Twice As Much | You'll Never Get To Heaven | That's All | 4:19:37 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Accompaniment - A Haiku Overcast autumn before accompaniment love on the reginald |
4:22:51 (Pop-up) |
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electric banana; Arranged and Directed By Reginald Tilsley | Vocal Versions with Accompaniment: Free Love (Strident - rhythmic - harmony vocal) | 1967 | 4:23:19 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Accompaniment, Part 2 - A Haiku Previous autumn before accompaniment daze on the reginald |
4:26:04 (Pop-up) |
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The Shady Daze | Love Is A Beautiful Thing | 1967 | 4:26:37 (Pop-up) | ||||
Lothar & The Hand People | Nobody Knows | 1968 | 4:29:12 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Morricone - A Haiku Depressing autumn suddenly morricone daze originali |
4:31:47 (Pop-up) |
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Musiche Originali Di Ennio Morricone | L'Ultima Corrida | 1968 | 4:32:18 (Pop-up) | ||||
Music behind DJ: The Beatles |
The Bus |
4:34:54 (Pop-up) |
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The Household Sponge | Scars | Scars b/w Second Best | 1967 | 4:35:09 (Pop-up) | |||
The Hobbits | Artificial Face | 1968 | 4:37:37 (Pop-up) | ||||
Music behind DJ: George Harrison |
Ski-ing |
Connection - A Haiku Overcast autumn A causal, connection sponge into the household |
4:40:00 (Pop-up) |
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the new Rotary Connection | Song For Everyman | 1971 | 4:40:41 (Pop-up) | ||||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Connection, Part 2 - A Haiku Beautiful autumn A causal, connection foot by the everyman |
4:47:52 (Pop-up) |
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Fifty Foot Hose....... | Red The Sign Post | 1968 | 4:48:25 (Pop-up) | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:51:19 (Pop-up) | |||||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 |
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