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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:27 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | ||||
Family | The Breeze | 1968 | 0:03:22 (Pop-up) | |||
Composed And Arranged By David Axelrod | Merlin's Prophecy | Song Of Innocence | 0:06:03 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
I cannot help but stop and look at catechetical sermons. Do sermons make you shiver? do they? How happy are fundamentalist pastors! Do pastors make you shiver? do they? little pulpits sings like presbyterian churches Are you upset by how micro they are? |
0:08:41 (Pop-up) |
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Hell Preachers Inc. | Spy in space | 1968 | 0:09:29 (Pop-up) | |||
the Electric Flag, an American Music Band | Joint Passing | Original Motion Picture Sound Track: The Trip | 1967 | 0:14:27 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Conspiracy - A Haiku Overcast autumn shall conspiracy butter into the preachers |
0:15:27 (Pop-up) |
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The Peanut Butter Conspiracy | Time Is After You | 1967 | 0:16:03 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
How happy are petty chiselers! Now subordinate is just the thing, To get me wondering if chiselers are lower. Pittances, however hard they try, Will always be poor. Now rich is just the thing, To get me wondering if pittances are pinched. fellahs are not large! |
0:18:49 (Pop-up) |
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Eric Burdon and The Animals | Madman | 1968 | 0:19:35 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Animals - A Haiku Darkening autumn A flying animals wind beyond the flying |
0:24:50 (Pop-up) |
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Ill Wind | High Flying Bird | 1968 | 0:25:11 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Instant Request |
0:30:05 (Pop-up) |
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tangerine dream | Fly And Collision Of Comas Sola | 1971 | For: The Ayatolluh of Rock 'n Rolluh | 0:30:08 (Pop-up) | ||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 0:43:29 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Harrison - A Haiku Glorious autumn A flying harrison wind enjoying the george |
0:46:10 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 0:46:53 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
0:48:43 (Pop-up) |
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Grateful Dead | The Golden Road (To Unlimited Devotion) | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 0:48:55 (Pop-up) | |||
Ace of Cups | Hear Every Sound | 2004 | 0:51:50 (Pop-up) | |||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | 0:56:21 (Pop-up) | ||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 0:58:10 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
People - A Haiku Overcast autumn A common people people above the common |
1:00:27 (Pop-up) |
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The Common People | I Have Been Alone | 1969 | 1:01:05 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Odyssey - A Haiku Overcast autumn A whole, odyssey people above the people |
1:04:09 (Pop-up) |
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Odyssey | How Long Is Time | 1:04:43 (Pop-up) | ||||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
A saga, however hard it tries, Will always be remarkable. Are you upset by how significant it is? Does it tear you apart to see the saga so extraordinary? Pay attention to the trek, the trek is the most laborious trip of all. Does the trek make you shiver? does it? |
1:07:03 (Pop-up) |
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Maffitt | Kingswood Manor | 1968 | 1:07:51 (Pop-up) | |||
Pearls Before Swine | Drop Out! | 1967 | 1:12:43 (Pop-up) | |||
The Faces | Stay Away | 1966 | 1:16:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Salvation - A Haiku Late dampen autumn An over salvation come whilst watching the pearls |
1:19:01 (Pop-up) |
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Salvation | Come On Over Here | 1968 | 1:19:43 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Strawberry - A Haiku Late dampish autumn A big, strawberry mushroom near the salvation |
1:24:01 (Pop-up) |
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The Strawberry Alarm Clock | Rainy Day Mushroom Pillow | 1968 | 1:24:36 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
wounds are not profound! wounds are exceptionally glib. Are you upset by how sounding they are? Does it tear you apart to see the wounds so glib? I cannot help but stop and look at telltale bruises. Now revealing is just the thing, To get me wondering if bruises are telling. When I think of blotches, I see an erythematous tint. |
1:27:35 (Pop-up) |
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The Household Sponge | Scars | Scars b/w Second Best | 1967 | 1:28:19 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
1:30:48 (Pop-up) |
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Alice Cooper | Fields of Regret | Pretties For You | 1969 | 1:31:05 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
1:36:45 (Pop-up) |
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Marlena Shaw | Woman Of The Ghetto | 1969 | 1:37:00 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The Ill And Full Ghetto Whose ghetto is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ghetto a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:43:55 (Pop-up) |
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Ill Wind | Full Cycle | 1968 | 1:44:36 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Wildflower - A Haiku Previous autumn A full wildflower cycle at the old coffee |
1:50:41 (Pop-up) |
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Wildflower | Coffee Cup | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:51:05 (Pop-up) | |||
Small Faces | The Universal | 1968 | 1:53:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
1:55:51 (Pop-up) |
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Tim Buckley | Carnival Song | 1967 | 1:56:16 (Pop-up) | |||
The London Studio Group | Pop Spot | 1:59:15 (Pop-up) | ||||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
2:00:28 (Pop-up) |
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The Leathercoated Minds | Pot Luck | 2:00:47 (Pop-up) | ||||
Music behind DJ: Big Jim Sullivan |
The Koan |
Leathercoated - A Haiku Overcast autumn A blue leathercoated long betrayed by the cheer |
2:02:46 (Pop-up) |
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Blue Cheer | All Night Long | All Night Long | 2:03:17 (Pop-up) | |||
Lothar And The Hand People | L-O-V-E (Ask For It By Name) | Presenting... Lothar And The Hand People | 2:05:17 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Harrisson - A Haiku Depressing autumn before sound harrisson sound watching the monkees |
2:07:32 (Pop-up) |
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Phil Upchurch: | Peter, Peter | The Way I Feel | 2:09:38 (Pop-up) | |||
John Cale Terry Riley | The Protege | 1970 | 2:13:09 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
All that is white is not smoky, smoky, by all account is red. Now bolshevik is just the thing, To get me wondering if the smoky is colorful. A sooty, however hard it tries, Will always be somewhat. Does the sooty make you shiver? does it? |
2:16:01 (Pop-up) |
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Smokey and His Sister | Would You Come Home | Smokey And His Sister | 2:16:42 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Omnibus - A Haiku Overcast autumn A little, omnibus move under the sister |
2:19:04 (Pop-up) |
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The Move | Omnibus | Flyback 3 - The Best Of The Move | 2:19:27 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
A forgotten, however hard it tries, Will always be small. Down, down, down into the darkness of the forgotten, Gently it goes - the runty, the diminutive, the gnomish. One afternoon I said to myself, "Why aren't omissions more of import?" Are you upset by how nickel-and-dime they are? Does it tear you apart to see the omissions so picayune? |
2:23:17 (Pop-up) |
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Anan | Haze Woman | 1968 | 2:24:03 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The omission is not fair! the omission is exceptionally one-sided. An omission is incomplete. an omission is one-sided, an omission is unfair, however. I saw the the immediate belief of my generation destroyed, How I mourned the presence. Down, down, down into the darkness of the presence, Gently it goes - the straightaway, the mediate, the proximate. |
2:26:44 (Pop-up) |
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The Elastik Band | I Would Still Love You | 1968 | 2:27:31 (Pop-up) | |||
the Barracuda | The Dance At St. Francis | The Dance At St. Francis | 2:29:51 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
I cannot help but stop and look at the ware gone. Does the gone make you shiver? does it? The interval that's really unexplained, Above all others is the absence. Now inexplicable is just the thing, To get me wondering if the absence is incomprehensible. Just like a tragic power, is the disappearance. |
2:32:02 (Pop-up) |
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Lee Hazlewood | The Bed (stereo) | 1969 | 2:33:43 (Pop-up) | |||
People! | Nothing Can Stop the Elephants | 1968 | 2:36:20 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Hazlewood - A Haiku Beautiful autumn A yester hazlewood stick after the henske |
2:39:18 (Pop-up) |
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Judy Henske & Jerry Yester | Horses On A Stick | Judy Henske | 2:39:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Collectors - A Haiku Overcast autumn A flat, yester collectors stick before the henske |
2:42:04 (Pop-up) |
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The Collectors | We Can Make It | 1968 | 2:42:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
2:44:54 (Pop-up) |
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The Yardbirds | Glimpses | Little Games | 2:45:16 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:49:35 (Pop-up) |
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Gandalf | I Watch The Moon | Gandalf | 2:50:00 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:53:48 (Pop-up) |
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The Fruit Machine | The Wall | 1969 | 2:54:15 (Pop-up) | |||
L. J. Reynolds & the Chocolate Syrup | The Penguin Break Down | L. J. Reynolds | 2:56:50 (Pop-up) | |||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) | 2:59:17 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at the tull walsh. Does the walsh make you shiver? does it? An armstrong, however hard it tries, Will always be brave. Down, down, down into the darkness of the armstrong, Gently it goes - the courageous, the bold, the undaunted. A gemma, however hard it tries, |
3:00:26 (Pop-up) |
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Big Jim Sullivan | The Koan | Sitar Beat | 1968 | 3:01:29 (Pop-up) | ||
Al Kooper | Hey, Western Union Man | Hey Western Union Man | 3:04:33 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
3:08:16 (Pop-up) |
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William Sheller | Les 4 Saisons | 1968 | 3:08:39 (Pop-up) | |||
The Mothers Of Invention | Who Needs The Peace Corps? | The Mothers Of Invention | 3:13:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
3:15:48 (Pop-up) |
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Park Avenue Playground | The Trip | 1967 | 3:16:10 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Playground - A Haiku Darkening autumn A public, brown playground cure at the old arthur |
3:18:37 (Pop-up) |
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The Crazy World Of Arthur Brown | Rest Cure | The Crazy World Of Arthur Brown | 3:19:05 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Generation - A Haiku Overcast autumn A first, generation love near the orchestra |
3:21:44 (Pop-up) |
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The Bob Crewe Generation Orchestra | An Angel Is Love (Vocal: Bob Crewe) | 3:22:13 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Fly |
Generation, Part 2 - A Haiku Previous autumn How generation people at the old streetcar |
3:26:09 (Pop-up) |
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Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 3:26:32 (Pop-up) | ||
The Electric Prunes | You Never Had It Better | Everybody Knows You're Not In Love / You've Never Had It Better | 1968 | 3:29:29 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
The Invisible And Misunderstood Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:31:34 (Pop-up) |
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The Misunderstood | I Can Take You To The Sun | 1966 | 3:32:31 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I saw the the nontoxic emollient of my generation destroyed, How I mourned the sunscreen. Now comestible is just the thing, To get me wondering if the sunscreen is antitoxic. The atmospheric condition that's really beautiful, Above all others is the sunshine. Does the sunshine make you shiver? does it? |
3:36:08 (Pop-up) |
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Childe Harold | Anne, With Love | 1968 | 3:37:55 (Pop-up) | |||
The Virgin Sleep | Love | 1967 | 3:40:53 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
3:43:12 (Pop-up) |
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Chad And Jeremy | You Need Feet (You Need Hands) | 1968 | 3:43:29 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Mad And Orange Orange Whose orange is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his orange a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:46:20 (Pop-up) |
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mad river | Orange Fire | 1967 | 3:47:06 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
The Mad And Orange Leaving Whose leaving is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his leaving a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:50:33 (Pop-up) |
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Elmer Gantry's Velvet Opera | What's The Point Of Leaving | Elmer Gantry's Velvet Opera | 3:51:36 (Pop-up) | |||
Eric Burdon And The Animals | Its All Meat | 1967 | 3:53:43 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
A stewart, however hard it tries, Will always be scottish. Does the stewart make you shiver? does it? A bennett, however hard it tries, Will always be hume. Does the bennett make you shiver? does it? |
3:55:44 (Pop-up) |
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Emil Richards & the Microtonal Blues Band | Journey to Bliss - Part l | 1968 | 3:56:36 (Pop-up) | |||
The End | Loving, Sacred Loving | 1969 | 3:59:35 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
All that is coarse is not kevin, kevin, by all account is fine. Never forget the tight and okay kevin. How happy is the cornish derek! Does the derek make you shiver? does it? How happy are little yates! Down, down, down into the darkness of the yates, |
4:02:33 (Pop-up) |
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The Gun | Race With The Devil | 1968 | 4:03:19 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
4:06:50 (Pop-up) |
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The Kaleidoscope | Why Try | 1967 | 4:07:02 (Pop-up) | |||
The Flower Pot | Black Moto | 1967 | 4:09:41 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
4:11:40 (Pop-up) |
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The Who | Mary Anne With The Shaky Hand | mono | 4:12:43 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The Next And Shaky Collection Whose collection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her collection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:15:17 (Pop-up) |
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Denis Couldry and The Next Collection | I Am Nearly There | 1968 | 4:16:07 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Collection - A Haiku Previous autumn A complete, collection band an american |
4:19:18 (Pop-up) |
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the Electric Flag, an American Music Band | Hobbit | Original Motion Picture Sound Track: The Trip | 1967 | 4:19:42 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
I cannot help but stop and look at the extinct lizard. Are you upset by how dormant it is? Does it tear you apart to see the lizard so inactive? The youngster that's really owl, Above all others is the monkey. Does the monkey make you shiver? does it? The creature is not little! |
4:20:49 (Pop-up) |
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Sagittarius | Libra | 1967 | 4:21:47 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
4:25:46 (Pop-up) |
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Eric Burdon and The Animals | Madman | 1968 | 4:26:05 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Animals - A Haiku Beautiful autumn A flying animals wind despite the flying |
4:31:20 (Pop-up) |
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Ill Wind | High Flying Bird | 1968 | 4:31:41 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Connection - A Haiku Last dampish autumn A burning connection wind under the midnight |
4:36:34 (Pop-up) |
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Rotary Connection | Burning Of The Midnight Lamp | 1969 | 4:36:55 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Aphrodites - A Haiku Glorious autumn A nude, aphrodites stand near the connection |
4:42:24 (Pop-up) |
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Aphrodite's Child | You Always Stand In My Way | 1968 | 4:43:02 (Pop-up) | |||
Peter Cook And Dudley Moore | Bedazzled | 1967 | 4:46:51 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Locomotive - A Haiku Beautiful autumn An old, locomotive stand an aphrodites |
4:49:12 (Pop-up) |
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The Locomotive | There's Got To Be A Way | 1969 | 4:49:43 (Pop-up) | |||
The Savage Generation | You're Not Going To Change My World | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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The Ayatolluh of Rock 'n Rolluh:
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Owl Sun:
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