The Stork Club with Stork:
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from October 24, 2021
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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
Sunday
Noon - 3pm
(EDT)
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On
WFMU's
Give the Drummer Radio
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October 24, 2021: Crumb, Gubaidulina, Berio
A conglomeration of composer greats converge at The Stork Club to celebrate their birthdays today (Gubaidalina and Crumb are happily still with us, as she celebrates the big 9-0 - with a new recording just out - and he turns 92). Tatar-Russian Gubaidulina had to hide the Western music scores she was learning, as well as her spiritual leanings, from the Soviet authorities joins Italian experimental and electronic music pioneer Berio, and West-Virginia-born modern classical and avant-garde composer George Crumb.
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| Artist | Track | Album | Comments | Images | Approx. start time |
|---|---|---|---|---|---|
| DJ High | 0:00:00 (Pop-up) | ||||
| Jan DeGaetani/Michael Dash/Contemporary Chamber Ensemble |
Ancient Voices Of Children 1b) Dances Of The Ancient Earth
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George Crumb: Ancient Voices Of Children/Music For A Summer Night | Composed By – George Crumb §§§Ensemble – The Contemporary Chamber Ensemble §§§Conductor – Arthur Weisberg §§§Electric Piano, Toy Piano – Gilbert Kalish §§§Harp – Susan Jolles §§§Liner Notes – George Crumb §§§Mandolin – Stephen Bell §§§Mezzo-soprano Vocals – Jan DeGaetani §§§Oboe, Harmonica – George Haas §§§Percussion – Howard Van Hyning, Raymond DesRoches, Richard Fitz §§§Soprano Vocals [Boy Soprano] – Michael Dash - - recorded January 1971, New York |
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0:04:02 (Pop-up) |
| Jan DeGaetani/Michael Dash/Contemporary Chamber Ensemble |
Ancient Voices of Children: III. ¿De Dónde Vienes, Amor, Mi Niño? (Dance Of The Sacred Life-Cycle); IV. a) Todas Las Tardes En Granada, Todas Las Tardes Se Muere Un Niño
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George Crumb: Ancient Voices Of Children/Music For A Summer Night | Composed By – George Crumb §§§Ensemble – The Contemporary Chamber Ensemble §§§Conductor – Arthur Weisberg §§§Electric Piano, Toy Piano – Gilbert Kalish §§§Harp – Susan Jolles §§§Liner Notes – George Crumb §§§Mandolin – Stephen Bell §§§Mezzo-soprano Vocals – Jan DeGaetani §§§Oboe, Harmonica – George Haas §§§Percussion – Howard Van Hyning, Raymond DesRoches, Richard Fitz §§§Soprano Vocals [Boy Soprano] – Michael Dash - - recorded January 1971, New York |
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0:06:29 (Pop-up) |
| Emmanuelle Bertrand |
George Crumb: Sonate - 3. Toccata
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Oeuvres Pour Violoncelle Seul: Dutilleux / Ligeti / Bacri / Crumb / Henze | Recorded: 2000 |
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0:13:20 (Pop-up) |
| Ensemble New Art/Fuat Kent |
Cadenza Appassionata For Two Drummers
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George Crumb: Songs, Drones, And Refrains Of Death / Quest | Baritone Vocals – Nicholas Isherwood §§§Composed By, Liner Notes – George Crumb §§§Conductor – Fuat Kent §§§§Double Bass [Amplified] – Franzisco Obieta §§§Ensemble – Ensemble New Art §§§Guitar [Amplified] – Alexander Swete §§§Percussion – Carmen Erb, Hans-Peter Achberger §§§Piano, Harpsichord – Peter Degenhardt - - Recorded at the Radiostudio Zürich from 12th to 15th June, 2004 |
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0:15:43 (Pop-up) |
| George Crumb |
Madrigals, Book II 1. Bebe el agua tranquila de la canción añeja
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Madrigals / Makrokosmos III | Double Bass [Musica Varia] – Robert Röjder §§§Ensemble – Musica Varia §§§Flute [Musica Varia] – Ulf Bergström §§§Harp [Musica Varia] – Åsa Lännerholm §§§Mezzo-soprano Vocals [Musica Varia] – Anne-Marie Mühle §§§Percussion [Musica Varia] – Seppo Asikainen §§§Words By [Text] – Federico García Lorca - - - - Recording: 1983, Swedish Radio, Stockholm |
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0:17:13 (Pop-up) |
| Ensemble New Art/Fuat Kent |
Quest: V Nocturnal
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George Crumb: Songs, Drones, And Refrains Of Death / Quest | Baritone Vocals – Nicholas Isherwood Composed By, Liner Notes – George Crumb §§§Conductor – Fuat Kent §§§Double Bass – Franzisco Obieta §§§Ensemble – Ensemble New Art §§§Guitar – Alexander Swete §§§Harp – Silke Aichhorn §§§Percussion – Carmen Erb, Hans-Peter Achberger §§§Piano, Harpsichord – Peter Degenhardt §§§Soprano Saxophone – Hugo Read Recorded at the Radiostudio Zürich from 12th to 15th June, 2004 |
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0:18:49 (Pop-up) |
| Kronos Quartet |
George Crumb / Black Angels (1970): I. Departure
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Black Angels | §§§Cello – Joan Jeanrenaud §§§Viola – Hank Dutt §§§Violin – David Harrington, John Sherba - - 1990 |
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0:28:47 (Pop-up) |
| DJ Crumb-ling | 0:34:11 (Pop-up) | ||||
| Ensemble New Art/Fuat Kent |
Songs, Drones, And Refrains Of Death: The Guitar / Death-Drone I
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George Crumb: Songs, Drones, And Refrains Of Death / Quest | Baritone Vocals – Nicholas Isherwood §§§Composed By, Liner Notes – George Crumb §§§Conductor – Fuat Kent §§§§Double Bass [Amplified] – Franzisco Obieta §§§Ensemble – Ensemble New Art §§§Guitar [Amplified] – Alexander Swete §§§Percussion – Carmen Erb, Hans-Peter Achberger §§§Piano, Harpsichord – Peter Degenhardt - - Recorded at the Radiostudio Zürich from 12th to 15th June, 2004 |
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0:40:02 (Pop-up) |
| George Crumb |
Four Nocturnes (Night Music II) Notturno II scorrevole, vivace possibile [Four Nocturnes (Night Music II) - for violin and piano]
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Recital 2000 | ANNE-SOPHIE MUTTER, violin §§§LAMBERT ORKIS, piano |
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0:44:24 (Pop-up) |
| Ensemble New Art/Fuat Kent |
III Song Of The Rider, 1860
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George Crumb: Songs, Drones, And Refrains Of Death / Quest | Baritone Vocals – Nicholas Isherwood §§§Composed By, Liner Notes – George Crumb §§§Conductor – Fuat Kent §§§§Double Bass [Amplified] – Franzisco Obieta §§§Ensemble – Ensemble New Art §§§Guitar [Amplified] – Alexander Swete §§§Percussion – Carmen Erb, Hans-Peter Achberger §§§Piano, Harpsichord – Peter Degenhardt - - Recorded at the Radiostudio Zürich from 12th to 15th June, 2004 |
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0:45:48 (Pop-up) |
| George Crumb |
Lux Aeterna
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Xenakis, Del Tredici, Stockhausen, Cage, Crumb | Bass Flute – Carole Morgan §§§Composed By – George Crumb §§§Conductor – Richard Wernick §§§Ensemble – Penn Contemporary Players §§§Percussion – Glenn Steele, Mathew Hopkins §§§Recorder – Carole Morgan §§§Sitar – James Freeman (3) §§§Soprano Vocals – Jan DeGaetani - -1971 |
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0:47:42 (Pop-up) |
| George Crumb |
Music for a Summer Evening (Makrokosmos III) 2. Wanderer - Fantasie
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Madrigals / Makrokosmos III | Percussion – Rainer Kuisma, Seppo Asikainen §§§Piano – Barbro Dahlman, Ingrid Lindgren §§§Percussion – Rainer Kuisma, Seppo Asikainen §§§Piano – Barbro Dahlman, Ingrid Lindgren - - Recording: 1983, Swedish Radio, Stockholm |
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1:01:05 (Pop-up) |
| Aeolian Chamber Players |
George Crumb: Night Of The Four Moons iii. Otro Adan oscuro esta sonando
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George Crumb: Voice Of The Whale/Night Of The Four Moons | Ensemble – Aeolian Chamber Players §§§Cello – Paul Tobias §§§Composed By – George Crumb §§§Banjo – Lewis Kaplan §§§Flute [Alto] – Erich Graf §§§Mezzo-soprano Vocals – Jan DeGaetani §§§Piccolo Flute – Erich Graf - -composed during the Apollo 11 flight to the moon |
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1:06:49 (Pop-up) |
| DJ Just Another Crumb-Bum | 1:09:40 (Pop-up) | ||||
| Sofia Gubaidulina |
Johannes-Passion: Das Wort (The Word)
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Johannes-Passion / Johannes-Ostern | (Helmuth Rilling / Gächinger Kantorei Stuttgart / Kammerchor der Musikhochschule Trossingen / Radio-Sinfonieorchester Stuttgart des SWR) - - Recorded at the Liederhalle Stuttgart, Beethovensaal, 16/18 Feb 2007 |
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1:17:45 (Pop-up) |
| Anne-Sophie Mutter |
Gubaidulina: In Tempus Praesens (excerpt)
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Bach 1041 & 1042; Gubaidulina - In Tempus Praesens (2008) | London Symphony Orchestra, Valery Gergiev – Conductor - - -Recorded: London, AIR Studios (Lyndhurst Hall), 2/2007 - - written for Anne-Sophie Mutter |
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1:19:04 (Pop-up) |
| Sofia Gubaidulina |
Vivente Non-Vivente
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Sofia Gubaidulina: The Seven Last Words | Sofia Gubaidulina - synthesizer - - 1988 |
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1:26:00 (Pop-up) |
| Sofia Gubaidulina |
The Canticle of the Sun: Glorification of Death
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The Canticle of the Sun | Composed By – Sofia Gubaidulina §§§Choir – Riga Chamber Choir "Kamēr..." §§§Conductor – Māris Sirmais §§§Celesta – Rostislav Krimer §§§§Percussion – Andrei Pushkarev , Rihards Zaļupe §§§Violoncello – Nicolas Altstaedt §§§Words By – St. Francis Of Assisi - - The Canticle of the Sun (1997, rev. 1998) for violoncello, chamber choir, percussion and celesta Dedicated to Mstislav Rostropovich Recorded July 2010 at Lockenhaus Festival |
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1:36:40 (Pop-up) |
| David Tanenbaum |
Serenade
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Gubaidulina: Complete Guitar Works | Guitar – David Tanenbaum - - Recorded at at Osher Salon, San Francisco Conservatory of Music on October 14, 2014 |
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1:43:50 (Pop-up) |
| Colin Currie Group and BBC Scottish Symphony Orchestra |
Glorious Percussion (excerpt)
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Sofia Gubaidulina: Glorious Percussion | Broadcast on BBC 3 - Aug., 2008?) from the Edinburgh Usher Hall - written for Colin Currie Group |
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1:47:02 (Pop-up) |
| Sofia Gubaidulina |
Piano Quintet:Piano quintet - IV. Presto
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In The Mirror | Cello – Peter Bruns §§§Piano – Rieko Aizawa §§§Viola – Ulrich Eichenauer §§§Violin – Kai Vogler, Mira Wang Written: 1957; Rec'd: recorded August 1997 at Schloß Moritzburg, Germany |
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1:53:01 (Pop-up) |
| DJ | 1:58:49 (Pop-up) | ||||
| Collegium Musicum Chamber Orchestra/Vladimir Tonkha/Friedrich Lips/Timur Mynbaev |
II. Weib, siehe, das ist dein Sohn-Siehe, das ist deine Mutter
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Sofia Gubaidulina: The Seven Last Words | Bayan – Friedrich Lips §§§Cello – Vladimir Tonkha §§§Conductor – Timur Mynbaev §§§Orchestra – "Collegium Musicum" Chamber Orchestra - - 1989 |
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2:07:23 (Pop-up) |
| Sofie Gubaidulina |
Pro et Contra (1989) - III
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Pro et Contra, Concordanza, Fairytale Poem | Hannover Radio Symphony Orchestra (NDR) Johannes Kalitzke, Bernhard Klee – conductor - -Recording: 15 Nov. 91, live |
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2:11:56 (Pop-up) |
| Adam Bałdych |
Concerto for Viola and Orchestra
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Sacrum Profanum | Arranged By, Producer – Adam Bałdych §§§Double Bass – Michał Barański §§§Drums, Crotales, Bass Drum [Gran Cassa] – Dawid Fortuna §§§Piano, Upright Piano [Prepared], Toy Piano – Krzysztof Dys §§§Violin, Violin [Renaissance Violin], Arranged By, Producer [Produced By] – Adam Bałdych - - Recorded at Clouds Hill Recordings Studio Hamburg, November 20 & 21, 2018 |
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2:19:05 (Pop-up) |
| Sofia Gubaidulina (Kronos Quartet) |
Quartet No. 4
|
Night Prayers | (Written for the Kronos Quartet) Cello – Joan Jeanrenaud §§§Viola – Hank Dutt §§§Violin – David Harrington, John Sherba - -Recorded 1992-1994 at Skywalker Sound, Marin County, California; The American Academy of Arts and Letters, New York; Mechanics Hall, Worcester, Massachusetts |
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2:24:13 (Pop-up) |
| Sofia Gubaidulina |
The Wrath of God, Pt. 1
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Dialog: Ich und Du; The Wrath of God; The Light of the End | Gewandhausorchester Leipzig · Andris Nelsons, conducting - 2021 |
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2:36:01 (Pop-up) |
| Sofia Gubaidulina |
Johannes-Ostern: Der Reiter auf dem weißen Pferd (The Rider on a White Horse)
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Johannes-Passion / Johannes-Ostern | (Helmuth Rilling / Gächinger Kantorei Stuttgart / Kammerchor der Musikhochschule Trossingen / Radio-Sinfonieorchester Stuttgart des SWR) - - Recorded at the Liederhalle Stuttgart, Beethovensaal, 16/18 Feb 2007 |
|
2:38:48 (Pop-up) |
| DJ E-Z Pour at your elbow | 2:45:03 (Pop-up) | ||||
| Luciano Berio |
Sinfonia - Section 3
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Sinfonia | The Swingle Singers, New York Philharmonic - 1968 |
|
2:50:41 (Pop-up) |
| Daniel Kientzy |
Luciano Berio: Sequenza IX b (1981)
|
Musiques Contemporaines Pour Saxophones | Daniel Kientzy - Saxophone, Electronics (1988) |
|
3:03:09 (Pop-up) |
| Cathy Berberian; Luciano Berio with Juilliard Ensemble |
Ballo (Italy)
|
Berio: Recital I for Cathy; Folk Songs; 3 Songs by Kurt Weill | (Folk Songs section of album, VI.) ; Orchestra – Juilliard Ensemble ; Mezzo-soprano Vocals – Cathy Berberian |
|
3:15:52 (Pop-up) |
| Juilliard Ensemble, Berberian, Holliger, Berio |
Sequenza VII (Oboe)
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London, 4/1969 | Oboe – Heinz Holliger - - - - Recording London, 4/1969 |
|
3:17:25 (Pop-up) |
| Theatre of Voices, Paul Hillier dir. |
A-Ronne
|
'Stories' - Berio and friends | Vocals – Chris Watson; Jacob Bloch Jespersen; Miriam Andersén ; Randi Pontoppidan --- Recorded in November 2009 at Garnisons Kirken, Copenhagen, Denmark |
|
3:25:51 (Pop-up) |
| DJ Intervenes Yet Again | 3:34:02 (Pop-up) | ||||
| Luciano Berio |
Omaggio A Joyce
|
Many More Voices | Lyrics By – James Joyce §§§Composed By, Liner Notes – Luciano Berio §§§Mezzo-soprano Vocals – Cathy Berberian §§§Tape Op [Tape Denoising] – Giuseppe Pellegrini Stefano Berio - ALSO ON: Luciano Berio/Bruno Maderna: Electronic Works |
|
3:39:44 (Pop-up) |
| Cathy Berberian; Luciano Berio with Juilliard Ensemble |
Clarinet That's The Sound That's Been Haunting Me (excerpt)
|
Recital 1 For Cathy | Ensemble – The London Sinfonietta §§§Alto Saxophone – Hale Hambleton §§§Cello – Jennifer Ward Clarke §§Clarinet – Antony Pay §§§Clarinet, Bass Clarinet – Roger Fallows §§§Composed By, Conductor – Luciano Berio §§§Double Bass – Robin McGee §§§Flute – Sebastian Bell §§§Oboe – Derek Wickens §§§Organ [Electric Organ] – John Constable §§§Percussion – James Holland, Kevin Nutty §§Piano [1], Harpsichord – Harold Lester §§§Piano [2] – Susan Bradshaw §§§Piano [3] – Hamish Milne §§§Soprano Vocals – Cathy Berberian §§§Trombone [Tenor] – Tom Clough §§§Trumpet – Michael Laird (2) §§§Trumpet [Bass] – David Purser §§§Viola – Donald McVay §§§Violin – Nona Liddell - - 1972 |
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3:45:54 (Pop-up) |
| Luciano Berio/Cathy Berberian |
Luciano Berio: Visage
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Luciano Berio/Bruno Maderna: Electronic Works | Composed By – Luciano Berio §§§Producer, Commissioned By – Frans von Rossum , Dr. Jan Starink §§§Tape Op [Tape Denoising] – Andrea Baggio Nicola Bernardini §§§Voice Actor [Actor] – Hans Karsenbarg Hans Veerman Henk Reijn , Ileana Melitta, Nelly Frijda 1961 |
|
3:50:49 (Pop-up) |
| DJ Vanishes, by popular demand | 3:56:50 (Pop-up) |
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Listener comments!
Stork:
chresti:
listener james from westwood:
solo mon:
Milkies:
Wolfgang:
solo mon:
Stork:
Little Danny:
Little Danny:
hi stork hi all!
Stork:
solo mon:
solo mon:
Little Danny:
Stork:
Irene Trudel:
Revolution Rabbit Nov63:
Year of Earth Snake
born October 24, 1929
Sofia Asgatovna Gubaidulina
Year of Metal Sheep ~ Goat ~ Ram
born 24 October 1931
Luciano Berio OMRI
Year of Wood Ox
(24 October 1925 – 27 May 2003)
Stork:
Stork:
ARB:
Little Danny:
ARB:
Stork:
Stork:
Little Danny:
Little Danny:
TDK60:
WR:
Stork:
WR:
WR:
Have heard a few performances of Black Angels, as would be expected Kronos Quartet is killing it.
adamdoesit:
Stork:
adamdoesit:
Stork:
Little Danny:
solo mon:
Little Danny:
Stork:
TDK60:
Little Danny:
TDK60:
solo mon:
WR:
Stork:
Stork:
doctorjazz:
adamdoesit:
Stork:
Revolution Rabbit Nov63:
Mx. Baba Bee (e/they):
Stork:
Mx. Baba Bee (e/they):
Stork:
Mx. Baba Bee (e/they):
Stork:
chresti:
Mx. Baba Bee (e/they):
Revolution Rabbit Nov63:
chresti:
fred:
I'm looking forward to the Berio section, if only to erode my association of that name with crushing boredom (a meeting room at work is named after him, so the name evokes impending doom for me)
Stork:
Mx. Baba Bee (e/they):
fred:
Mx. Baba Bee (e/they) ⚧:
hi, fred, whatever happened to the Cage room, I wonder
Ken From Hyde Park:
Mx. Baba Bee (e/they) ⚧:
Stork:
Mx. Baba Bee (e/they) ⚧:
The Knave:
Mx. Baba Bee (e/they) ⚧:
fred:
Ken From Hyde Park:
Stork:
Revolution Rabbit Nov63:
The Knave:
Stork:
fred:
Revolution Rabbit Nov63:
Mx. Baba Bee (e/they) ⚧:
fred:
Mx. Baba Bee (e/they) ⚧:
Revolution Rabbit Nov63:
Stork:
Stork:
Stork:
TDK60:
Mx. Baba Bee (e/they) ⚧:
Ken From Hyde Park:
Mx. Baba Bee (e/they) ⚧:
TDK60:
Revolution Rabbit Nov63:
TDK60:
Stork:
Berio:
www.youtube.com...
www.youtube.com...
Stork:
www.youtube.com...
Crumb:
www.youtube.com...
www.youtube.com...
fred:
Stork:
TDK60:
coelacanth∅:
TDK60:
fred:
Stork:
Stork:
coelacanth∅:
Revolution Rabbit Nov63:
en.wikipedia.org...
TDK60:
coelacanth∅:
i didn't like it either, but it made me think. i knew it wasn't an out-and-out joke, so figured *somebody* likes this...listened again.
hmmm -nope!
but i did use it extensively in the first of many sound collages (what my friends called "trip tapes", even though some of them came a few years before i ever dropped acid)
a few decades later i listened to the album again and appreciated it.
fred:
Stork:
Stork:
fred:
coelacanth∅:
Revolution Rabbit Nov63:
Yeah ...Have thot myself lucky that there's not much of anything Ive ever liked that I'm ashamed of
...but what I'm ashamed of is what I remember I couldn't get to yet.
coelacanth∅:
...but my older sister did not know better! she just had a very wide variety of guys she went out/slept with so was influenced by them.
...luckily. it was one or other of her boyfriends who nudged me to appreciate the blues, Bowie, t rex, and turned both my brother and i onto black sabbath
WR:
WR:
Stork:
Let me just say this.... FUCK, YEAH!!! Now let me add: THANK YOU!!, YOU ROCK LIKE A ROCKER AT A ROCK SHOW!!!
fred:
Stork:
Stork:
coelacanth∅:
but if it's easier for you to just send to all on the list i may download some of it and give it another shot.
fred:
Stork:
TDK60:
fred:
Revolution Rabbit Nov63:
The Knave:
StringOFperils:
coelacanth∅:
WR:
chresti: