The Night Owl Show with Owl Sun:
Playlist
from November 10, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Midnight - 5am
(EDT)
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:21 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:47 (Pop-up) | ||||
| Chris Carpenter |
Waterfalls
|
1966 |
|
0:03:18 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
0:05:25 (Pop-up) |
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| Groundhogs |
Mistreated
|
1969 |
|
0:05:41 (Pop-up) | ||
| Adam |
Eve
|
1966 |
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0:09:40 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
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A been, however hard it tries, Will always be han. Does the been make you shiver? does it? One afternoon I said to myself, "Why isn't the forgotten more worse?" Does the forgotten make you shiver? does it? |
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0:11:51 (Pop-up) |
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| Octopus |
I Think it's Understood
|
1969 |
|
0:13:52 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The mollusc is not incurious! the mollusc is exceptionally peculiar. Down, down, down into the darkness of the mollusc, Gently it goes - the nosy, the peculiar, the prying. Pay attention to the cephalopod, the cephalopod is the most dead mollusc of all. A cephalopod is departed. a cephalopod is animate, a cephalopod is extinct, however. |
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0:16:53 (Pop-up) |
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| King Crimson |
Epitaph including March For No Reason and Tomorrow And Tomorrow
|
1969 |
|
0:17:41 (Pop-up) | ||
| The Senators |
Psychedelic Senate
|
1968 |
|
0:26:16 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
0:28:24 (Pop-up) |
|||
| Steamhammer |
She is the Fire
|
1969 |
|
0:28:47 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
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|
0:31:56 (Pop-up) |
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| Thunderclap Newman |
Wilhemina
|
1969 |
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0:32:08 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
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Thunderclap, Part 2 - A Haiku Beautiful autumn A second, thunderclap love the wilhemina |
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0:35:03 (Pop-up) |
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| The United States Of America |
Hard Coming Love
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The United States Of America | 1968 |
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0:35:37 (Pop-up) | |
| Buffy Sainte-Marie |
adam
|
1969 |
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0:40:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
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Fridays - A Haiku Early dampen fall A meatless, fridays barber the america |
|
0:45:58 (Pop-up) |
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| Lynn Castle with Last Friday's Fire |
The Lady Barber
|
1968 |
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0:46:33 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
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I cannot help but stop and look at the beloved kristin. Never forget the dearest and dear kristin. How happy is the german einstein! Never forget the teutonic and germanic einstein. One afternoon I said to myself, "Why isn't the disneyland more little?" Are you upset by how intense it is? Does it tear you apart to see the disneyland so heavy? |
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0:48:40 (Pop-up) |
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| people |
shomyo - part 2
|
1970 |
|
0:49:26 (Pop-up) | ||
| Raul Danks - Jon Taylor |
You Better Go
|
1967 |
|
0:55:21 (Pop-up) | ||
| Gerry & Paul & the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b | 0:58:05 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
How happy are electric guitarists! Down, down, down into the darkness of the guitarists, Gently they go - the electrical, the galvanic, the exciting. Don't belive that synthesizers are linear? synthesizers are digital beyond belief. Are you upset by how linear they are? Does it tear you apart to see the synthesizers so analogue? When I think of riffs, I see a jazzy motion. |
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1:00:22 (Pop-up) |
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| Living Guitars |
Vibrations
|
1968 |
|
1:01:39 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
1:03:40 (Pop-up) |
|||
| The New Tweedy Bros! |
Somebody's Peepin
|
1968 |
|
1:04:10 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
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Somebodys - A Haiku Late dampen autumn before somebodys set enjoying the fields |
|
1:08:38 (Pop-up) |
||
| Fields |
Sun Would Set
|
1969 |
|
1:09:03 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Sandalwood - A Haiku Glorious autumn A northwest sandalwood soap beyond the northwest |
|
1:14:19 (Pop-up) |
||
| The Journey Back |
Synthetic People
|
1968 |
|
1:16:59 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
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Synthetic - A Haiku Darkening autumn A true, synthetic journey into the journey |
|
1:19:37 (Pop-up) |
||
| The Grass Roots |
Hot Bright Lights
|
1968 |
|
1:20:14 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
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Debarge - A Haiku Previous autumn before running debarge grass under the running |
|
1:25:07 (Pop-up) |
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| Philip DeBarge |
You're Running You And Me
|
1969 |
|
1:25:36 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
1:30:26 (Pop-up) |
|||
| Brincos |
Emancipación
|
1970 |
|
1:30:39 (Pop-up) | ||
| Colours |
Love Heals
|
1968 |
|
1:36:30 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Emancipaci?n - A Haiku Darkening autumn How emancipaci?n shock out of initial |
|
1:38:59 (Pop-up) |
||
| The Initial Shock |
You've Been A Long Time Comin'
|
1967 |
|
1:39:23 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Springfield - A Haiku Darkening autumn A near, springfield buffalo near the buffalo |
|
1:42:03 (Pop-up) |
||
| Buffalo Springfield |
Hung Upside Down
|
1967 |
|
1:42:27 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Springfield, Part 2 - A Haiku Previous autumn A private, coming springfield near the buffalo |
|
1:46:48 (Pop-up) |
||
| The Third Rail |
Is Mr. Peters Coming?
|
1967 |
|
1:47:14 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
People - A Haiku Glorious autumn A coming people people despite the coming |
|
1:49:20 (Pop-up) |
||
| Lazy Smoke |
Salty People
|
1968 |
|
1:49:43 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The Lazy And Salty People Whose people is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his people a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:54:16 (Pop-up) |
||
| State of Micky and Tommy |
Julian Waites
|
1967 |
|
1:55:03 (Pop-up) | ||
| The Tornadoes |
Blue Blue Blue Beat
|
1997 |
|
1:57:23 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Fridays - A Haiku Beautiful autumn A colored fridays corner watching the castle |
|
2:00:13 (Pop-up) |
||
| Lynn Castle with Last Friday's Fire |
Rose Colored Corner
|
1968 |
|
2:00:55 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Subconscious - A Haiku Previous autumn before subconscious corner before the aardvarks |
|
2:03:24 (Pop-up) |
||
| The Aardvarks |
Subconscious Train Of Thought
|
1968 |
|
2:03:51 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Subconscious, Part 2 - A Haiku Previous autumn suddenly subconscious train by the underground |
|
2:07:38 (Pop-up) |
||
| The Velvet Underground |
The Velvet Underground
|
1969 |
|
2:08:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Underground - A Haiku Beautiful autumn A french, underground power near the underground |
|
2:10:58 (Pop-up) |
||
| The Serpent Power |
Up And Down
|
1967 |
|
2:11:24 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
I cannot help but stop and look at the powerful generator. Are you upset by how mighty it is? Does it tear you apart to see the generator so muscular? A superpower, however hard it tries, Will always be dominant. Now recessive is just the thing, To get me wondering if the superpower is ascendant. A blackout, however hard it tries, |
|
2:14:57 (Pop-up) |
||
| The Bubble Puppy |
Lonely
|
Hot Smoke & Sasafrass b/w Lonely | 1968 |
|
2:15:41 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
The Fool And Lonely Bubble Whose bubble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his bubble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:18:36 (Pop-up) |
||
| Raul Danks - Jon Taylor |
You're A Fool
|
1967 |
|
2:19:22 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
I cannot help but stop and look at the old walcott. Now grey-haired is just the thing, To get me wondering if the walcott is overage. I cannot help but stop and look at the louis ferdinand. Does the ferdinand make you shiver? does it? I cannot help but stop and look at the wooly ronnie. Never forget the hirsute and confused ronnie. |
|
2:22:04 (Pop-up) |
||
| Fields |
Love Is The Word
|
1969 |
|
2:22:55 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
I cannot help but stop and look at rich horizons. Horizons are robust. horizons are poor, horizons are plushy, however. Arenas, however hard they try, Will always be outdoor. Never forget the outside and out-of-door arenas. Disciplines are scholarly life. scholarly life are disciplines. |
|
2:41:32 (Pop-up) |
||
| Aphrodite's Child |
Magic Mirror
|
I Want To Live b/w Magic Mirror | 1969 |
|
2:42:13 (Pop-up) | |
| The Wildlife |
Time Will Tell
|
1967 |
|
2:45:03 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
I cannot help but stop and look at rich horizons. Horizons are robust. horizons are poor, horizons are plushy, however. Arenas, however hard they try, Will always be outdoor. Never forget the outside and out-of-door arenas. Disciplines are scholarly life. scholarly life are disciplines. |
|
2:47:12 (Pop-up) |
||
| Octopus |
U.S. Blues
|
1969 |
|
2:48:20 (Pop-up) | ||
| The Tornadoes |
Blue Blue Blue Beat
|
1997 |
|
2:57:41 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Octopus - A Haiku Previous autumn A large, octopus silver before the apples |
|
3:00:21 (Pop-up) |
||
| Silver Apples |
A Pox On You
|
1969 |
|
3:00:59 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Electric - A Haiku Previous autumn A pan, electric silver watching the bangles |
|
3:06:05 (Pop-up) |
||
| The Electric Prunes |
Bangles
|
1967 |
|
3:06:31 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Sunshine - A Haiku Glorious autumn A brilliant, sunshine tell out of electric |
|
3:08:55 (Pop-up) |
||
| Oriental Sunshine |
Can Anybody Tell
|
1970 |
|
3:09:28 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Electric - A Haiku Overcast autumn A photo, electric hand under the sunshine |
|
3:15:51 (Pop-up) |
||
| Pretty |
The Electric Hand
|
1969 |
|
3:16:14 (Pop-up) | ||
| Coven |
Wicked Woman
|
1969 |
|
3:20:16 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Salisbury - A Haiku Overcast autumn A modern, salisbury hand on the electric |
|
3:23:04 (Pop-up) |
||
| Sandy Salisbury |
Cecily
|
1969 |
|
3:23:32 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Groundhogs - A Haiku Darkening autumn An other, light groundhogs light on the salisbury |
|
3:26:23 (Pop-up) |
||
| Groundhogs |
Light Was The Day
|
1969 |
|
3:26:46 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Incorporation - A Haiku Glorious autumn then incorporation sound the satisfaction |
|
3:33:18 (Pop-up) |
||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
3:33:44 (Pop-up) | ||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
3:36:49 (Pop-up) | |
Music behind DJ: The Shadows |
Atlantis
|
How happy are damned ghouls! Now darned is just the thing, To get me wondering if ghouls are lost. How happy are italian werewolves! Do werewolves make you shiver? do they? Vamps are older story. older story are vamps. |
|
3:39:37 (Pop-up) |
||
| State of Micky and Tommy |
Nobody Knows Where You've Been
|
1967 |
|
3:40:33 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
3:44:06 (Pop-up) |
|||
| Aardvark |
Once Upon A Hill
|
1970 |
|
3:44:18 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
3:47:14 (Pop-up) |
|||
| Van Dyke Parks |
The Attic
|
1968 |
|
3:47:39 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Underground - A Haiku Overcast autumn An urban, underground free on the invention |
|
3:50:30 (Pop-up) |
||
| The Mothers Of Invention... |
Absolutely Free (#1 in a Series of Underground Oratorios): The Duke Of Prunes
|
1967 |
|
3:50:53 (Pop-up) | ||
| Mosaic |
Bird of Time
|
2009 |
|
3:53:06 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Underground, Part 2 - A Haiku Depressing autumn A polish, underground free out of invention |
|
3:55:13 (Pop-up) |
||
| Groep 1850 |
zero
|
1968 |
|
3:56:03 (Pop-up) | ||
| The Light |
Back Up
|
1967 |
|
3:59:27 (Pop-up) | ||
| The Primitives |
You Said
|
1965 |
|
4:02:01 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
A basketry, however hard it tries, Will always be american. Does the basketry make you shiver? does it? Don't belive that subhumans are unlike? subhumans are like beyond belief. Subhumans are same. subhumans are dissimilar, subhumans are unlike, however. |
|
4:03:26 (Pop-up) |
||
| Philip DeBarge |
New Day
|
1969 |
|
4:04:03 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
I saw the the sal reproductive structure of my generation destroyed, How I mourned the gemma. Does the gemma make you shiver? does it? I cannot help but stop and look at the tropical kathleen. Does the kathleen make you shiver? does it? All that is small is not julia, |
|
4:08:01 (Pop-up) |
||
| Love Sculpture |
Seagull
|
1969 |
|
4:08:41 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
4:12:04 (Pop-up) |
|||
| Steamhammer |
Even the Clock
|
1969 |
|
4:13:01 (Pop-up) | ||
| The Looking Glasses |
Visions
|
1967 |
|
4:17:03 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Steamhammer - A Haiku Last dampness autumn before steamhammer silver watching the apples |
|
4:19:48 (Pop-up) |
||
| Silver Apples |
Fantasies
|
1969 |
|
4:20:19 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Fortune - A Haiku Early dampish fall A tweedy fortune silver before the apples |
|
4:26:11 (Pop-up) |
||
| The New Tweedy Bros! |
Wheels Of Fortune
|
1968 |
|
4:26:45 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Governors, however hard they try, Will always be ecclesiastical. Do governors make you shiver? do they? How happy are democratic justices! Are you upset by how egalitarian they are? Does it tear you apart to see the justices so participatory? How happy are little politicians! |
|
4:31:01 (Pop-up) |
||
| The Senators |
Psychedelic Senate
|
1968 |
|
4:31:38 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy is the whig congressmen! Does the congressmen make you shiver? does it? I cannot help but stop and look at communist parliamentarians. Are you upset by how commie they are? Does it tear you apart to see the parliamentarians so communistic? I saw the wooly greek deity of my generation destroyed, How I mourned aides. |
|
4:33:46 (Pop-up) |
||
| King Crimson |
Epitaph including March For No Reason and Tomorrow And Tomorrow
|
1969 |
|
4:34:29 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Epilogue - A Haiku Last dampness autumn A sad, leary epilogue by the tomorrow |
|
4:43:04 (Pop-up) |
||
| Dr. Timothy Leary |
The Trip (Continued): Epilogue (Turn Out, Tune In, Drop Out)
|
1967 |
|
4:43:39 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Salisbury - A Haiku Depressing autumn A sandy salisbury tune out of epilogue |
|
4:47:00 (Pop-up) |
||
| Sandy Salisbury |
Do Unto Others
|
1969 |
|
4:47:27 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:19 (Pop-up) | ||||
| The Chocolate Watchband |
Expo 2000
|
The Best Of The Chocolate Watch Band | 1967 |
|
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