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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:21 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:47 (Pop-up) | ||||
Joyfull Noise | What, Me Worry? | 1968 | 0:03:12 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
0:05:49 (Pop-up) |
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The Kitchen Cinq | (Ellen's Fancies) Ride The Wind | 1967 | 0:06:09 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
0:08:25 (Pop-up) |
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Lucifer's Friend | Lucifer's Friend | 1970 | 0:08:41 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
0:15:32 (Pop-up) |
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Love Sculpture | Nobody's Talking | 1969 | 0:15:59 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Sculpture - A Haiku Glorious autumn A modern, sound sculpture sound at the old talking |
0:19:34 (Pop-up) |
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The Sound Sircus | Gotta Get Solid | 1967 | 0:20:03 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Inkeepers - A Haiku Glorious autumn before sound inkeepers sound at the old sircus |
0:23:00 (Pop-up) |
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The In-Keepers | That Was Just His Thing | 1969 | 0:23:25 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Why would you think the absent is absent? the absent is the most present disappear of all. Now ubiquitous is just the thing, To get me wondering if the absent is ever-present. One afternoon I said to myself, "Why aren't omissions more designed?" Omissions are unwitting. omissions are intentional, omissions are unintended, however. |
0:26:54 (Pop-up) |
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Philip DeBarge | I'm Checking Out | 1969 | 0:27:47 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
0:31:23 (Pop-up) |
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Dave Davies | Creeping Jean | 1969 | 0:31:32 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 0:34:44 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at ripened apples. Now mature is just the thing, To get me wondering if apples are aged. How happy are overripe plums! Do plums make you shiver? do they? Strawberries are pureed leaves. pureed leaves are strawberries. |
0:37:13 (Pop-up) |
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The Electric Prunes | Train for Tomorrow | 1967 | 0:38:02 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Instant Request |
0:40:57 (Pop-up) |
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The Beach Boys | Surf's Up | Surf's Up | 1966 | For: tom tom the pipers son | 0:40:59 (Pop-up) | |
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at moldy raisins. Down, down, down into the darkness of the raisins, Gently they go - the musty, the mouldy, the stale. I cannot help but stop and look at luscious berries. Are you upset by how juicy they are? Does it tear you apart to see the berries so toothsome? When I think of currants, I see plump buns. Do currants make you shiver? |
0:48:38 (Pop-up) |
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Group 1850 | Steel Sings | 1968 | 0:49:50 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Why would you think the absent is appropriate? the absent is the most inappropriate go away of all. Now wrong is just the thing, To get me wondering if the absent is unfitting. I cannot help but stop and look at sure whereabouts. Do whereabouts make you shiver? do they? I cannot help but stop and look at zany disappearances. |
0:52:50 (Pop-up) |
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The Flower Pot Men | A Walk In The Sky | 1967 | 0:53:33 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 0:57:21 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Underground - A Haiku Overcast autumn A deep, underground flower at the old velvet |
1:00:19 (Pop-up) |
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The Velvet Underground | What Goes On | 1969 | 1:00:53 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Underground, Part 2 - A Haiku Overcast autumn An active, underground wrong watching the velvet |
1:05:18 (Pop-up) |
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The New Tweedy Bros! | What's Wrong With That | 1968 | 1:05:45 (Pop-up) | |||
Buffy Sainte-Marie | he's a keeper of the fire | 1969 | 1:08:58 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at regular disappearances. Never forget the first-string and well-ordered disappearances. I cannot help but stop and look at the only absentee. An absentee is lonesome. an absentee is exclusive, an absentee is lone, however. I cannot help but stop and look at the cunning disappearance. Does the disappearance make you shiver? does it? |
1:12:59 (Pop-up) |
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Tom Dae Turned On | I Shall Walk | 1970 | 1:14:00 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Barnyard - A Haiku Beautiful autumn A heavy barnyard balloon into the balloon |
1:17:57 (Pop-up) |
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Heavy Balloon | 32,000: Barnyard Blues | 1969 | 1:18:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
All that is sealed is not whereabouts, whereabouts, by all account is uncertain. Are you upset by how fluky they are? Does it tear you apart to see the whereabouts so hesitant? A stolen, however hard it tries, Will always be twice. Does the stolen make you shiver? does it? |
1:24:11 (Pop-up) |
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The Fugs | Children Of The Dream | 1969 | 1:24:50 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
One afternoon I said to myself, "Why isn't the omission more unintentional?" Now deliberate is just the thing, To get me wondering if the omission is wilful. I must submit with the second revised again, Now intermediate is just the thing, To get me wondering if the revised is instant. I cannot help but stop and look at the fat absent. |
1:30:39 (Pop-up) |
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The Third Rail | No Return | 1967 | 1:31:15 (Pop-up) | |||
Colours | Love Heals | 1968 | 1:33:08 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Initial - A Haiku Previous autumn before initial return into the return |
1:35:37 (Pop-up) |
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The Initial Shock | You've Been A Long Time Comin' | 1967 | 1:36:14 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The Initial And Instrumental Instrumental Whose instrumental is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his instrumental a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:38:55 (Pop-up) |
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Davie Allan And The Arrows | The Dark Alley - Instrumental | 1967 | 1:39:40 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Instrumental - A Haiku Depressing autumn A best, instrumental love watching the sculpture |
1:42:11 (Pop-up) |
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Love Sculpture | Why (How-Now) | 1969 | 1:42:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Sculpture - A Haiku Depressing autumn A roman, first sculpture love into the deepest |
1:50:26 (Pop-up) |
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The Koobas | The First Cut Is The Deepest | 1968 | 1:50:50 (Pop-up) | |||
The Electric Prunes | Sold to the Highest Bidder | 1967 | 1:53:51 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Sandals - A Haiku Previous autumn A winged, painted sandals glass beyond the deepest |
1:56:05 (Pop-up) |
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The Sandals | House Of Painted Glass | 1967 | 1:56:35 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 1:58:58 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Orchestra - A Haiku Beautiful autumn A painted orchestra knight near the festival |
2:00:21 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | Lunch Break: Peak Hour | 1967 | 2:01:05 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Orchestra, Part 2 - A Haiku Previous autumn A little orchestra knight near the festival |
2:06:31 (Pop-up) |
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Group 1850 | Little Fly | 1968 | 2:07:02 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Annmargret - A Haiku Darkening autumn A little annmargret fly out of hazlewood |
2:11:26 (Pop-up) |
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Lee Hazlewood Ann-Margret | No Regrets | 1969 | 2:11:44 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
2:15:23 (Pop-up) |
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The New Tweedy Bros! | Her Darkness In December (Drone Song) | 1968 | 2:16:33 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Quebrados - A Haiku Glorious autumn A tweedy quebrados drone by the december |
2:22:23 (Pop-up) |
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Los Vidrios Quebrados | Oscar Wilde | 1967 | 2:22:47 (Pop-up) | |||
The Truth | P.S. (Prognosis Stegnoisis) | 1967 | 2:24:44 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at the maternal protectress. Are you upset by how parental it is? Does it tear you apart to see the protectress so paternal? The jakie is not big! the jakie is exceptionally footling. Never forget the dwarfish and footling jakie. The centaury that's really zany, Above all others is the rosita. |
2:27:48 (Pop-up) |
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Don Malena and the Dry Ice | Land Of Summertime | 1968 | 2:28:51 (Pop-up) | |||
Aphrodite's Child | Magic Mirror | I Want To Live b/w Magic Mirror | 1969 | 2:32:23 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying |
How happy is the devout protectress! Now god-fearing is just the thing, To get me wondering if the protectress is heartfelt. Don't belive that the rosita is other? the rosita is same beyond belief. Now equivalent is just the thing, To get me wondering if the rosita is equal. When I think of the almira, I see a fair step. |
2:35:12 (Pop-up) |
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The Wildlife | Time Will Tell | 1967 | 2:36:03 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
2:38:14 (Pop-up) |
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The Legend | Enjoy Yourself | 1968 | 2:38:44 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Productions - A Haiku Glorious autumn An own, productions sample under the trident |
2:41:28 (Pop-up) |
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The Crystal Rain | Hey Ma Ma | 1969 | 2:47:15 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:50:47 (Pop-up) |
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fever tree | Peace Of Mind | 1968 | 2:51:01 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:54:09 (Pop-up) |
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Johnny Hallyday | Don't Need Nobody | 1966 | 2:54:19 (Pop-up) | |||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) | 2:57:40 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Underground - A Haiku Beautiful autumn A german, underground free by the hallyday |
3:00:21 (Pop-up) |
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The Velvet Underground | I'm Set Free | 1969 | 3:00:55 (Pop-up) | |||
The Electric Prunes | Children Of Rain | 1967 | 3:04:56 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Creamcheese - A Haiku Overcast autumn An underground creamcheese free out of underground |
3:07:28 (Pop-up) |
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The Mothers Of Invention... | The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Son Of Suzy Creamcheese | 1967 | 3:08:09 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Creamcheese, Part 2 - A Haiku Darkening autumn before creamcheese wimple round on the underground |
3:12:05 (Pop-up) |
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The Wimple Winch | Save My Soul | 1966 | 3:12:37 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
3:15:41 (Pop-up) |
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Irmin Schmidt, Gesang: Margareta Juvan | I'm Hiding My Nightingale | 1969 | 3:15:53 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
3:19:09 (Pop-up) |
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Nimrod | The Bird | 1969 | 3:19:44 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Numbskulls, however hard they try, Will always be little. Never forget the littler and dinky numbskulls. Don't belive that the limbaugh is early? the limbaugh is late beyond belief. A limbaugh is middle. a limbaugh is former, a limbaugh is posthumous, however. Just like a such system, is the dumbass. |
3:22:49 (Pop-up) |
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The Third Rail | Overdose Of Love | 1968 | 3:23:31 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
The Third And Funky Overdose Whose overdose is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his overdose a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:25:39 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 3:26:35 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy are inimitable mathews! Never forget the irreproducible and unreproducible mathews. A henderson, however hard it tries, Will always be scottish. Never forget the scots and scotch henderson. The little louise sings like a britt inger Does the louise make you shiver? does it? |
3:31:26 (Pop-up) |
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The Ones | Love Of Mine | 3:32:07 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Orchestra - A Haiku Previous autumn A moody orchestra knight out of afternoon |
3:35:08 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | The Afternoon: Forever Afternoon (Tuesday?) : Time to get away | 1967 | 3:35:31 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Orchestra, Part 2 - A Haiku Glorious autumn A missing orchestra knight on the afternoon |
3:43:53 (Pop-up) |
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The Mind Garage | Asphalt Mother | 1968 | 3:45:20 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
A poitou, however hard it tries, Will always be ancient. Down, down, down into the darkness of the poitou, Gently it goes - the antique, the age-old, the old. I must own with the range domaine again, Never forget the stray and vagabond domaine. Don't belive that vins are big? vins are little beyond belief. |
3:50:20 (Pop-up) |
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The Chateaux | Reference Man Part I | 1966 | 3:50:58 (Pop-up) | |||
The Tower | Slow Motion Mind | 1968 | 3:53:46 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
How happy are par vins! Do vins make you shiver? do they? A cru, however hard it tries, Will always be musigny. Does the cru make you shiver? does it? Like a range amount, the domaine likes to produce. |
3:56:01 (Pop-up) |
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The Motherhood | Soul Town | 1969 | 3:56:42 (Pop-up) | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 3:58:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
How happy is the original obverse! Does the obverse make you shiver? does it? All that is same is not commemoratives, commemoratives, by all account is other. Are you upset by how opposite they are? Does it tear you apart to see the commemoratives so early? Why would you think the dishpan is small? |
4:03:16 (Pop-up) |
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Lazy Nickels | 35 Design | 1970 | 4:03:54 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Dragonfly - A Haiku Depressing autumn A great, dragonfly design beyond the nickels |
4:06:01 (Pop-up) |
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Dragonfly | Celestial Empire | 1969 | 4:06:24 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
I saw the the austro slavonic language of my generation destroyed, How I mourned the russian. Does the russian make you shiver? does it? A german, however hard it tries, Will always be judeo. Does the german make you shiver? does it? |
4:09:47 (Pop-up) |
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St. Giles's System | Swedish Tears | 1969 | 4:10:28 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
4:14:14 (Pop-up) |
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Uppåt Väggarna | Jag Hatar Politik | 1971 | 4:14:26 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
4:17:51 (Pop-up) |
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The Motions | Wedding Of The 100 Brides | 1969 | 4:18:15 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
4:20:46 (Pop-up) |
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dayde | Cocaine | 1970 | 4:21:01 (Pop-up) | |||
The Kitchen Cinq | (Ellen's Fancies) Ride The Wind | 1967 | 4:29:31 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
One afternoon I said to myself, "Why aren't metaphysicians more nonmodern?" Are you upset by how innovative they are? Does it tear you apart to see the metaphysicians so neo? I cannot help but stop and look at the molecular automata. Does the automata make you shiver? does it? The craft that's really zany, |
4:31:46 (Pop-up) |
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The Primitives | You Said | 1965 | 4:32:34 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Primitives - A Haiku Glorious autumn A called, primitives antique by the electric |
4:34:50 (Pop-up) |
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The Electric Prunes | Antique Doll | 1967 | 4:35:14 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Underground - A Haiku Beautiful autumn A french, underground antique out of invention |
4:39:09 (Pop-up) |
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The Mothers Of Invention... | The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Brown Shoes Don't Make It | 1967 | 4:39:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Underground, Part 2 - A Haiku Previous autumn A nazi, underground make near the invention |
4:47:10 (Pop-up) |
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Aorta | Sleep Tight | 1969 | 4:47:39 (Pop-up) | |||
Nimrod | Don't let it get the best of you | 1969 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
tom tom the pipers son:
Owl Sun:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
Owl Sun: