The Night Owl Show with Owl Sun:
Playlist
from November 19, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | ||||
| Neighb'rhood Childr'n |
Happy World Of Captain K
|
1968 |
|
0:03:17 (Pop-up) | ||
| Chrysalis |
Piece Of Sun
|
1968 |
|
0:06:08 (Pop-up) | ||
| The Children |
Dreaming Slave
|
1968 |
|
0:07:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Neighbrhood - A Haiku Showery autumn A plastic neighbrhood captain watching the plastic |
|
0:11:52 (Pop-up) |
||
| Alexander Spence |
Grey/Afro
|
1969 |
|
0:13:19 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Pay attention to the absent, the absent is the most inappropriate vanish of all. An absent is incorrect. an absent is wrong, an absent is appropriate, however. Pay attention to the disappearance, the disappearance is the most probable leaving of all. Are you upset by how equiprobable it is? Does it tear you apart to see the disappearance so plausible? |
|
0:22:57 (Pop-up) |
||
| Fugitive Five |
(I Ain't Gonna Give Up) My Way Of Life
|
1966 |
|
0:23:42 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
I saw the the suggestive go away of my generation destroyed, How I mourned the absent. Down, down, down into the darkness of the absent, Gently it goes - the significative, the indicative, the meaningful. I cannot help but stop and look at laudatory prefaces. Now complimentary is just the thing, To get me wondering if prefaces are praiseful. A been, however hard it tries, |
|
0:26:17 (Pop-up) |
||
| mutantes |
Banho De Lua
|
1969 |
|
0:27:04 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Pay attention to the absent, the absent is the most inappropriate vanish of all. Are you upset by how incompatible it is? Does it tear you apart to see the absent so improper? I cannot help but stop and look at the latter omission. Never forget the last and former omission. I cannot help but stop and look at the big inability. Does the inability make you shiver? |
|
0:30:43 (Pop-up) |
||
| The Stone Circus |
Inside-Out Man
|
1969 |
|
0:31:36 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Insideout - A Haiku Showery autumn then insideout woman above the circle |
|
0:36:42 (Pop-up) |
||
| The Oxford Circle |
Foolish Woman
|
1997 |
|
0:37:06 (Pop-up) | ||
| The Dovers |
The Third Eye
|
1966 |
|
0:39:36 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Instant Request |
|
0:41:50 (Pop-up) |
||
| The Beach Boys |
Surfin' Safari (with cold ending)
|
1962 | Requested by: tom tom the pipers son |
|
0:41:53 (Pop-up) | |
| fat mattress |
She Came In The Morning
|
1969 |
|
0:44:07 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The living thing that's really plain, Above all others is the somebody. Never forget the chaste and literal somebody. The organism that's really else, Above all others is the someone. Never forget the additional and other someone. Fella is, in its way, the smart ones of male person. Does the fella make you shiver? |
|
0:48:58 (Pop-up) |
||
| The WordD |
You're Always Around
|
1966 |
|
0:49:57 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
A deceased, however hard it tries, Will always be late. Are you upset by how early it is? Does it tear you apart to see the deceased so middle? Whereabouts, however hard they try, Will always be last. Now high is just the thing, To get me wondering if whereabouts are parthian. |
|
0:52:15 (Pop-up) |
||
| Raw Material |
Days Of The Fighting Cocks
|
1970 |
|
0:52:52 (Pop-up) | ||
| The Wrongh Black Bag |
Wake Me, Shake Me
|
1968 |
|
0:55:53 (Pop-up) | ||
| Melvin Carter |
Midnight Brew
|
Welfare Cadillac / Midnight Brew |
|
0:58:25 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Material - A Haiku Showery autumn A much, material peace before the zendik |
|
1:00:25 (Pop-up) |
||
| Zendik |
Is There No Peace
|
1970 |
|
1:01:06 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
|
1:04:02 (Pop-up) |
|||
| The World Column |
Lantern Gospel
|
1968 |
|
1:04:16 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
1:07:50 (Pop-up) |
|||
| Graffiti |
The Capture Of Me
|
1968 |
|
1:08:03 (Pop-up) | ||
| The Zoo |
Sometimes
|
1967 |
|
1:13:49 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Costumes, however hard they try, Will always be exotic. Down, down, down into the darkness of the costumes, Gently they go - the strange, the unusual, the foreign. All that is white is not tailcoat, tailcoat, by all account is red. Does the tailcoat make you shiver? does it? |
|
1:16:00 (Pop-up) |
||
| The Capes Of Good Hope |
Lady Margaret
|
1967 |
|
1:16:43 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
How happy are oriental costumes! Now asian is just the thing, To get me wondering if costumes are eastern. I cannot help but stop and look at gauzy frocks. Now cobwebby is just the thing, To get me wondering if frocks are transparent. dresses are not fat-free! dresses are exceptionally potbellied. |
|
1:19:15 (Pop-up) |
||
| Chrysalis |
Dr. Root's Garden
|
1968 |
|
1:20:12 (Pop-up) | ||
| Zone 26 |
We Chose To Walk
|
1968 |
|
1:24:22 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
1:27:07 (Pop-up) |
|||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:27:46 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Why would you think the presence is infrequent? the presence is the most frequent manner of all. Now prevailing is just the thing, To get me wondering if the presence is infrequent. An inability, however hard it tries, Will always be persistent. Now lasting is just the thing, To get me wondering if the inability is caducous. |
|
1:30:21 (Pop-up) |
||
| The Ravelles |
Psychedelic Movement
|
1968 |
|
1:31:14 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Ravelles - A Haiku Overcast autumn suddenly ravelles come after the movement |
|
1:33:41 (Pop-up) |
||
| Zakary Thaks |
Won't Come Back
|
1967 |
|
1:34:04 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
I saw the the whom imperfection of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? The going away that's really mysterious, Above all others is the disappearance. A disappearance is secret. a disappearance is cryptic, a disappearance is esoteric, however. |
|
1:37:43 (Pop-up) |
||
| mutantes |
Caminhante Noturno
|
1969 |
|
1:38:22 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Caminhante - A Haiku Depressing autumn before caminhante picture above the richard |
|
1:43:29 (Pop-up) |
||
| The Old Exciting Scot Richard Case |
Get The Picture
|
1968 |
|
1:43:54 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Willowing - A Haiku Previous autumn before willowing picture before the richard |
|
1:46:06 (Pop-up) |
||
| Shape of the Rain |
Willowing Trees
|
1971 |
|
1:46:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
1:50:09 (Pop-up) |
|||
| 3rd Power |
We, You, I
|
1968 |
|
1:50:31 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Friend - A Haiku Early dampish fall An intimate, fresh friend friend because of the fresh |
|
1:53:52 (Pop-up) |
||
| Fresh Air |
I Finally Found A Friend
|
1970 |
|
1:54:13 (Pop-up) | ||
| Fathers Angels |
Bok to Bach
|
Bok To Bach / Disco Trucking |
|
1:57:23 (Pop-up) | ||
| T K Os |
The Charge
|
The Charge |
|
2:00:03 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Mattress - A Haiku Glorious autumn A lumpy, fresh mattress friend whilst watching the friend |
|
2:00:25 (Pop-up) |
||
| fat mattress |
How Can I Live
|
1969 |
|
2:01:07 (Pop-up) | ||
| Playboys Of Edinburg |
Fair-Haired Lady
|
1968 |
|
2:05:29 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Mattress, Part 2 - A Haiku Overcast autumn A lumpy, black mattress black because of the wrongh |
|
2:08:01 (Pop-up) |
||
| The Wrongh Black Bag |
I Don't Know Why
|
1968 |
|
2:08:31 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Springfield - A Haiku Depressing autumn A black springfield buffalo by the buffalo |
|
2:12:06 (Pop-up) |
||
| Buffalo Springfield |
Nowadays Clancy Can't Even Sing - Richie With Steve & Neil
|
1966 |
|
2:12:28 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Springfield, Part 2 - A Haiku Overcast autumn A nearby, even springfield out of buffalo |
|
2:15:50 (Pop-up) |
||
| The Move |
Something
|
1968 |
|
2:16:36 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Going - A Haiku Overcast autumn A school, going going move because of the five |
|
2:19:42 (Pop-up) |
||
| Five By Five |
15 Going On 20
|
1969 |
|
2:20:05 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
2:22:39 (Pop-up) |
|||
| Poe |
Sons Of Belial
|
1971 |
|
2:22:53 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
2:26:27 (Pop-up) |
|||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
2:26:48 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
I cannot help but stop and look at the british seeley. Does the seeley make you shiver? does it? I cannot help but stop and look at the gwinnett mcintosh. Does the mcintosh make you shiver? does it? How happy is the big ashford! Now expectant is just the thing, |
|
2:29:59 (Pop-up) |
||
| The Moody Blues |
King And Queen
|
1968 |
|
2:30:38 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Bridge - A Haiku Beautiful autumn A covered, floating bridge bridge because of the wrong |
|
2:34:17 (Pop-up) |
||
| Floating Bridge |
Brought Up Wrong
|
1969 |
|
2:34:38 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Bridge, Part 2 - A Haiku Overcast autumn A nasal, floating bridge bridge in spite of the wrong |
|
2:39:20 (Pop-up) |
||
| The Zoo |
444
|
1969 |
|
2:39:53 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Because I could not nest for swallows, they did kindly nest for me. Swallows, swallows, every where, Yet not a drop to nest. How happy is the lonely cuckoo! Now lonesome is just the thing, To get me wondering if the cuckoo is unfrequented. I saw the the montana finch of my generation destroyed, |
|
2:42:08 (Pop-up) |
||
| Bee Gees |
When The Swallows Fly
|
1968 |
|
2:43:01 (Pop-up) | ||
| The Wildflower |
Baby Dear
|
1966 |
|
2:45:24 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Ensemble - A Haiku Overcast autumn A small, new ensemble roll despite the swallows |
|
2:47:40 (Pop-up) |
||
| New York Rock & Roll Ensemble |
Sing Lady Sing
|
1969 |
|
2:48:30 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
How happy is the other stolen! Down, down, down into the darkness of the stolen, Gently it goes - the early, the remaining, the different. I cannot help but stop and look at the notice gone. Does the gone make you shiver? does it? The wooly lost sings like a concerned show Are you upset by how muzzy it is? |
|
2:51:43 (Pop-up) |
||
| Whatt Four |
Dandelion Wine
|
1967 |
|
2:52:36 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Dandelion - A Haiku Overcast autumn A bright dandelion wine despite the ministr |
|
2:55:41 (Pop-up) |
||
| West Minist'r |
Bright Lights, Windy City
|
1969 |
|
2:56:06 (Pop-up) | ||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:59:03 (Pop-up) | |
Music behind DJ: The Shadows |
Wonderful Land
|
|
3:00:24 (Pop-up) |
|||
| Ex Ovo |
Crazy Nature
|
1971 |
|
3:00:55 (Pop-up) | ||
| The-Xtreems |
Facts Of Life
|
1969 |
|
3:04:43 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
3:07:12 (Pop-up) |
|||
| The Mopptops |
Our Lives
|
1968 |
|
3:07:39 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
3:10:43 (Pop-up) |
|||
| The Werp's |
Love's A Fire
|
1967 |
|
3:10:56 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
A disappearance, however hard it tries, Will always be apparent. Down, down, down into the darkness of the disappearance, Gently it goes - the plain, the obvious, the ostensible. All that is same is not stolen, stolen, by all account is other. Now some other is just the thing, To get me wondering if the stolen is different. |
|
3:14:03 (Pop-up) |
||
| Pärson Sound |
Tio Minuter (Ten Minutes)
|
1967 |
|
3:14:52 (Pop-up) | ||
| Playboys Of Edinburg |
Dream World
|
1966 |
|
3:25:14 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
I cannot help but stop and look at the deaf been. Down, down, down into the darkness of the been, Gently it goes - the inattentive, the stone-deaf, the unhearing. An absent, however hard it tries, Will always be calcium. Does the absent make you shiver? does it? An omission, however hard it tries, |
|
3:27:34 (Pop-up) |
||
| The Worlocks |
I Love You
|
1967 |
|
3:28:21 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
3:31:02 (Pop-up) |
|||
| The Trees |
Don't Miss The Turn
|
1996 | 3:31:19 (Pop-up) | |||
| The Collectors |
Looking At A Baby
|
1967 |
|
3:33:29 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
A been, however hard it tries, Will always be poor. Now resourceless is just the thing, To get me wondering if the been is inadequate. I cannot help but stop and look at the half forgotten. Does the forgotten make you shiver? does it? Pay attention to the omission, |
|
3:35:38 (Pop-up) |
||
| Buffalo Springfield |
Everybody's Wrong - Richie & Steve With Neil
|
1966 |
|
3:36:20 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The Wet And Wrong Buffalo Whose buffalo is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his buffalo a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:39:33 (Pop-up) |
||
| The Wet Paint |
Shame
|
1966 |
|
3:40:19 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
A donald, however hard it tries, Will always be mai. Does the donald make you shiver? does it? How happy is the immortal willie! A willie is unfading. a willie is mortal, a willie is deific, however. When I think of the bubba, I see a poor faith. |
|
3:42:37 (Pop-up) |
||
| Yankee Dollar |
Catch the Wind
|
1968 |
|
3:43:19 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
One afternoon I said to myself, "Why isn't the dern more new?" Never forget the yellow and middle-aged dern. I cannot help but stop and look at first phillies. Are you upset by how foremost they are? Does it tear you apart to see the phillies so firstborn? When I think of the carribean, I see western groups. Never forget the tricky and foxy carribean. |
|
3:46:06 (Pop-up) |
||
| Poe |
Automatic Writing
|
1971 |
|
3:46:49 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
3:49:50 (Pop-up) |
|||
| Dragonfly |
Celestial Dreams
|
1968 |
|
3:50:00 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
3:54:06 (Pop-up) |
|||
| The Wildlife |
Hard, Hard Year
|
1967 |
|
3:54:19 (Pop-up) | ||
| The Tornadoes |
Hymn for Teenagers
|
1997 |
|
3:56:53 (Pop-up) | ||
| Rivieras |
H.B. Goose Step
|
California Sun-The Best Of The Rivieras | 2000 |
|
3:59:16 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Hypodermic, Part 2 - A Haiku Overcast autumn How hypodermic needle at the old whazoos |
|
4:04:10 (Pop-up) |
||
| The Whazoos |
Inside Of Me
|
1968 |
|
4:04:48 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Yesterdays - A Haiku Overcast autumn An inside yesterdays be under the children |
|
4:07:51 (Pop-up) |
||
| Yesterday's Children |
To Be Or Not To Be
|
1966 |
|
4:08:25 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
A today, however hard it tries, Will always be many. Are you upset by how numerous it is? Does it tear you apart to see the today so umteen? Pay attention to the morning, the morning is the most still amount of time of all. A morning is motionless. a morning is unruffled, a morning is calm, however. |
|
4:11:23 (Pop-up) |
||
| The Weeds |
It's Your Time
|
1966 |
|
4:12:06 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
All that is big is not corey, corey, by all account is little. Does the corey make you shiver? does it? How happy are famous robbins! Now illustrious is just the thing, To get me wondering if robbins are known. Just like a sine paterson, is the gordon. |
|
4:14:20 (Pop-up) |
||
| Emil Richards & the Microtonal Blues Band |
Journey to Bliss - Parts V & Vl
|
1968 |
|
4:15:00 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Francis, however hard they try, Will always be french. Do francis make you shiver? do they? Matthews, however hard they try, Will always be dir. Do matthews make you shiver? do they? |
|
4:20:06 (Pop-up) |
||
| Epoca |
No estoy bien
|
1971 |
|
4:20:51 (Pop-up) | ||
| T. Swift & The Electric Bag |
Are You Experienced
|
1968 |
|
4:24:11 (Pop-up) | ||
| Fugitive Five |
(I Ain't Gonna Give Up) My Way Of Life
|
1966 |
|
4:28:44 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
An absence, however hard it tries, Will always be apparent. Now visible is just the thing, To get me wondering if the absence is plain. An absentee, however hard it tries, Will always be precious. Never forget the wanted and artful absentee. When I think of the disappearance, I see a tragic surface. |
|
4:31:19 (Pop-up) |
||
| Alexander Spence |
Grey/Afro
|
1969 |
|
4:32:08 (Pop-up) | ||
| The Whatt Four |
Our Love Should Last Forever
|
1966 |
|
4:41:46 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
|
4:44:08 (Pop-up) |
|||
| The-Xtreems |
Substitute
|
1969 |
|
4:44:27 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
4:47:09 (Pop-up) |
|||
| Koobas |
Mr Claire
|
1969 |
|
4:47:20 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:58 (Pop-up) | ||||
| Egyptian Combo |
Gale Winds
|
Greaser Instrumentals 03 |
|
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Listener comments!
Owl Sun:
tom tom the pipers son:
Owl Sun:
Owl Sun:
tom tom the pipers son:
Owl Sun: