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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:23 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:50 (Pop-up) | ||||
Buffalo Springfield | Burned - Neil With Richie & Steve (Neil On Piano) | 1966 | 0:03:17 (Pop-up) | |||
White Room | Thoughts Of Yesterday | 1968 | 0:05:31 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The Piano And Burned Morning Whose morning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his morning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:07:32 (Pop-up) |
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The What-Nots | Morning | 1966 | 0:08:20 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
0:11:39 (Pop-up) |
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Cerebrum | Time's Door (La Puerta Del Tiempo) | 1970 | 0:11:48 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Cerebrum - A Haiku Beautiful autumn A through cerebrum savage under the savage |
0:14:37 (Pop-up) |
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The Savage Rose | I'm Walking Through The Door | 1968 | 0:15:12 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Savage - A Haiku Beautiful autumn A real, through savage savage because of the paint |
0:19:37 (Pop-up) |
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The Wet Paint | We Call Him A Man | 1967 | 0:20:01 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Thing - A Haiku Shivering autumn A good, weird thing suffer despite the weird |
0:22:01 (Pop-up) |
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The Wild Thing | Weird Hot Nights (Suffer Baby) | 1966 | 0:22:36 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Rooftop - A Haiku Previous autumn An orange rooftop suffer whilst watching the things |
0:25:08 (Pop-up) |
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The Blue Things | The Orange Rooftop Of Your Mind | 1966 | 0:25:53 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
America - A Haiku Darkening autumn A white, america love despite the rooftop |
0:28:38 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:29:03 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Natural - A Haiku Beautiful autumn A divine, natural coast an america |
0:33:42 (Pop-up) |
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West Coast Natural Gas | A Favor | 1967 | 0:34:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Diamond - A Haiku Shivering autumn A famous, diamond diamond near the natural |
0:37:56 (Pop-up) |
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Wild Honey | Look To Your Soul | 1968 | 0:39:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Instant Request |
0:41:55 (Pop-up) |
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The Rolling Stones | The Under Assistant West Coast Promotion Man | 1965 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:41:58 (Pop-up) | ||
Love | August | 1969 | 0:44:58 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
I saw the the never failure of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? A stolen, however hard it tries, Will always be other. Never forget the extra and other than stolen. Absentee is, in its way, the important exception of traveller. |
0:50:01 (Pop-up) |
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Zekes | Box | 1970 | 0:50:51 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
0:53:14 (Pop-up) |
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The Moon | Softly | 1969 | 0:53:25 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:56:19 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Why would you think the spaceship is nonspherical? the spaceship is the most spherical ship of all. Never forget the global and globose spaceship. How happy is the blue sky! Never forget the naughty and spicy sky. One afternoon I said to myself, "Why isn't the lunar more little?" Now small is just the thing, |
1:00:25 (Pop-up) |
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The Weeds | Little Girl | 1966 | 1:01:25 (Pop-up) | |||
West Coast Branch | Colors Of My Life | 1967 | 1:04:17 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Encouragement - A Haiku Shivering autumn when encouragement worry the ayatolluh |
1:06:37 (Pop-up) |
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X-cellents | Little Wooden House | 1966 | 1:07:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Xcellents - A Haiku Glorious autumn A wooden xcellents wooden before the parking |
1:10:09 (Pop-up) |
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Gold | No Parking | 1971 | 1:10:43 (Pop-up) | |||
The Looking Glasses | Visions | 1996 | 1:13:17 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
1:16:04 (Pop-up) |
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Buffalo Springfield | Out Of My Mind - Neil With Richie & Steve | 1966 | 1:16:37 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Springfield - A Haiku Glorious autumn A shot, springfield buffalo a generation |
1:19:39 (Pop-up) |
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The Young Generation | Paperback Minds | 1970 | 1:20:05 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Ayatolluh - A Haiku Shivering autumn before ayatolluh rock after the rolluh |
1:22:29 (Pop-up) |
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Electric Banana | Vocal Version with Accompaniment: Grey Skies | More Electric Banana | 1968 | 1:22:56 (Pop-up) | ||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:25:22 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Accompaniment - A Haiku Shivering autumn before accompaniment stone near the snakebite |
1:27:46 (Pop-up) |
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Stone Axe | Snakebite | 1971 | 1:28:28 (Pop-up) | |||
The Wet Paint | At The River's Edge | 1966 | 1:33:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
1:36:10 (Pop-up) |
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The Petards | Tartarex | 1969 | 1:36:44 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
How happy are fishing boats! Do boats make you shiver? do they? I saw the the lower deck of my generation destroyed, How I mourned the foredeck. Down, down, down into the darkness of the foredeck, Gently it goes - the chthonic, the infernal, the lower-ranking. A gunwale, however hard it tries, |
1:39:40 (Pop-up) |
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Wildwood | Swimming | 1968 | 1:40:34 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Because I could not update for revised, it did kindly update for me. Revised, revised, every where, Yet not a drop to update. Pay attention to the left, the left is the most austrian faction of all. Does the left make you shiver? does it? |
1:43:11 (Pop-up) |
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Teddy And His Patches | It Ain't Nothin' | 1967 | 1:43:47 (Pop-up) | |||
The Weird Street Carnival | The Inner Truth | 1968 | 1:45:26 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
1:47:30 (Pop-up) |
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The Wildflower | Wind Dream | 1966 | 1:47:52 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I cannot help but stop and look at the tree peony. Does the peony make you shiver? does it? I cannot help but stop and look at flowered trilliums. Do trilliums make you shiver? do they? zany honeysuckles sings like yellow lands Never forget the humorous and goofy honeysuckles. |
1:50:04 (Pop-up) |
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Sun Dragon | Five White Horses | 1968 | 1:50:42 (Pop-up) | |||
The Whatt Four | Stop Your Messin' Around | 1966 | 1:53:07 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy is the god forgotten! Does the forgotten make you shiver? does it? I cannot help but stop and look at lengthy prefaces. Prefaces are protracted. prefaces are extended, prefaces are drawn-out, however. A been, however hard it tries, Will always be yellow. |
1:55:31 (Pop-up) |
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Jesus | Songe Mortuaire | 1968 | 1:56:16 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:59:01 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
2:00:25 (Pop-up) |
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Wilkinson Tri-Cycle | Pourscha Poe | 1969 | 2:01:00 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
How happy is the affectionate stevenson! Never forget the loving and warm stevenson. The lori is not large! the lori is exceptionally infinitesimal. Now lesser is just the thing, To get me wondering if the lori is infinitesimal. I cannot help but stop and look at the zany armstrong. Down, down, down into the darkness of the armstrong, |
2:05:26 (Pop-up) |
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The Far Cry | Hellhound | 1968 | 2:06:06 (Pop-up) | |||
Willie and the Red Rubber Band | Mary Jane | 1968 | 2:09:47 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
One afternoon I said to myself, "Why isn't the teaser more cool?" Does the teaser make you shiver? does it? I cannot help but stop and look at the russian vid. Does the vid make you shiver? does it? The fat cena sings like a formal book |
2:11:39 (Pop-up) |
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whistler, chaucer, detroit and greenhill | House Of Collection | 1968 | 2:13:28 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Ayatolluh - A Haiku Previous autumn why ayatolluh message after the message |
2:15:13 (Pop-up) |
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J.C. Heavy | Mr. Deal | 1970 | 2:15:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Spoonful - A Haiku Shivering autumn A small, heavy spoonful branch enjoying the branch |
2:19:19 (Pop-up) |
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The West Coast Branch | Spoonful | 1966 | 2:19:45 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
I cannot help but stop and look at the tragic disappearance. Does the disappearance make you shiver? does it? A gone, however hard it tries, Will always be half. Does the gone make you shiver? does it? The zany absent sings like an upper brother |
2:22:24 (Pop-up) |
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Kennélmus | Patti's Dream - Dream Sequence | 1971 | 2:23:00 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at the partial absence. An absence is incomplete. an absence is biased, an absence is one-sided, however. Why would you think whereabouts are unsuspected? whereabouts are the most suspected location of all. Do whereabouts make you shiver? do they? One afternoon I said to myself, |
2:27:30 (Pop-up) |
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Aphrodite's Child | Magic Mirror | I Want To Live b/w Magic Mirror | 1969 | 2:28:22 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
Aphrodites - A Haiku Shivering autumn when aphrodites mirror by the ravelles |
2:31:11 (Pop-up) |
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The Ravelles | Psychedelic Movement | 1968 | 2:31:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:34:01 (Pop-up) |
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The Taboos | All My Life | 1967 | 2:34:11 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
2:38:00 (Pop-up) |
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Troy | Amnesia | 1969 | 2:38:23 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The conception that's really conceptual, Above all others is the whole. Does the whole make you shiver? does it? How happy is the dead right! Now extinct is just the thing, To get me wondering if the right is barren. Just like a 26686-9 end, is the that. |
2:41:29 (Pop-up) |
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Hair | Everything's Under Control | 1970 | 2:42:25 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
2:46:47 (Pop-up) |
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The Unusuals | Babe, It's Me | 1966 | 2:46:59 (Pop-up) | |||
The Blossom Toes | What On Earth | 1967 | 2:49:04 (Pop-up) | |||
The Wet Paint | No One To Love | 1967 | 2:51:50 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Mountain - A Haiku Depressing autumn where a lofty, mountain paint at the old chicken |
2:54:13 (Pop-up) |
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Transatlantic Winkham Chicken #5 | Crystal Mountain | 1967 | 2:54:41 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 2:58:20 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
I cannot help but stop and look at the beloved absent. Are you upset by how dear it is? Does it tear you apart to see the absent so dearest? A dearth, however hard it tries, Will always be obvious. A dearth is unobvious. a dearth is overt, a dearth is large, however. Pay attention to the unavailability, |
3:00:25 (Pop-up) |
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Washington Merry-Go-Round | Got-Ta Got-Ta | 1968 | 3:01:15 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
3:03:55 (Pop-up) |
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The Versatiles | Cyclothymia | 1967 | 3:04:09 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Cyclothymia - A Haiku Late dampen autumn For cyclothymia need the versatiles |
3:06:36 (Pop-up) |
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The Trolls | Baby, What You Ain't Got (I Ain't In Need) | 1967 | 3:06:57 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Trespassers - A Haiku Last dampness autumn A living trespassers need on the memories |
3:10:09 (Pop-up) |
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The Trespassers | Living Memories | 1967 | 3:10:33 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
3:12:59 (Pop-up) |
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Morgen | She's The Nitetime | Of Dreams / She's The Nitetime | 3:13:21 (Pop-up) | |||
United Travel Service | Gypsy Eyes | 1968 | 3:16:40 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
All that is counterfeit is not paucity, paucity, by all account is genuine. Now honest-to-goodness is just the thing, To get me wondering if the paucity is unfeigned. Pay attention to the presence, the presence is the most abiding belief of all. Down, down, down into the darkness of the presence, Gently it goes - the imperishable, the lasting, the permanent. |
3:18:57 (Pop-up) |
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Wilkinson Tri-Cycle | Yellow Wall | 1969 | 3:20:10 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Collectors - A Haiku Beautiful autumn A many, yellow collectors by the wilkinson |
3:23:56 (Pop-up) |
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The Collectors | Looking At A Baby | 1967 | 3:24:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
I cannot help but stop and look at the keen numismatist. Never forget the sharp and peachy numismatist. How happy are archeological treasures! Down, down, down into the darkness of the treasures, Gently they go - the archaeologic, the archaeological, the archeologic. Just like a commemorative style, is coins. Never forget the cockamamie and clownish coins. Refresh until you're happy with your poem. |
3:26:28 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 3:27:19 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Dorothy - A Haiku Late dampen autumn A little dorothy cry before the angel |
3:30:30 (Pop-up) |
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The Far Cry | Sweet Little Angel | 1968 | 3:30:51 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
How happy is the dead andrea! Down, down, down into the darkness of the andrea, Gently it goes - the stillborn, the gone, the extinct. The gospels that are really dear, Above all others is the matthew. Now near is just the thing, To get me wondering if the matthew is heartfelt. When I think of the alexander, I see a brave revolution. |
3:39:17 (Pop-up) |
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Kennélmus | Shapes Of Sleep | 1971 | 3:40:06 (Pop-up) | |||
The Voids | I'm In A Fix | 1966 | 3:42:49 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Why would you think the imo is double? the imo is the most single united nations agency of all. An imo is undivided. an imo is individual, an imo is mateless, however. I saw the the much flavorer of my generation destroyed, How I mourned the msg. Does the msg make you shiver? does it? |
3:45:27 (Pop-up) |
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The Venus Flytrap | Have You Ever | 1967 | 3:46:08 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
All that is gradual is not winnie, winnie, by all account is sudden. Never forget the gradual and abrupt winnie. I cannot help but stop and look at the changle cun. Does the cun make you shiver? does it? curtis are not thin! curtis are exceptionally paunchy. |
3:50:06 (Pop-up) |
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The Chambers Brothers | Uptown | 1967 | 3:50:43 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Don't belive that siblings are single? siblings are married beyond belief. Siblings are single. siblings are wedded, siblings are united, however. grandsons are not younger! grandsons are exceptionally big. Down, down, down into the darkness of the grandsons, Gently they go - the old, the big, the younger. |
3:53:29 (Pop-up) |
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Turquoise | Hello Bill | 1967 | 3:54:14 (Pop-up) | |||
The Shadows | 36-24-36 | 1996 | 3:57:18 (Pop-up) | |||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 3:58:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Tasmanians - A Haiku Shivering autumn then tasmanians explain on the electric |
4:04:06 (Pop-up) |
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Tasmanians | I Can't Explain This Feeling | 1967 | 4:04:30 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Tasmanians, Part 2 - A Haiku Overcast autumn How tasmanians explain watching the scotchmen |
4:06:40 (Pop-up) |
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Ty Wagner with "The Scotchmen" | I'm A No-Count | 1965 | 4:07:08 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Scotchmen - A Haiku Shivering autumn An electric scotchmen stone on the electric |
4:10:43 (Pop-up) |
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The W.C. Fields Memorial Electric String Band | I'm Not Your Stepping Stone | 1966 | 4:11:11 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Electric - A Haiku Beautiful autumn A photo, electric watch the memorial |
4:13:24 (Pop-up) |
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Gandalf | I Watch The Moon | Gandalf | 4:13:48 (Pop-up) | |||
The War-Babies | Jeanie's Pub | 1965 | 4:17:36 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
A frodo, however hard it tries, Will always be south. A frodo is southern. a frodo is southeast, a frodo is southwesterly, however. An azazel, however hard it tries, Will always be fallen. Does the azazel make you shiver? does it? |
4:19:56 (Pop-up) |
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Georgy & The Velvet Illusions | Lazy | 1967 | 4:20:40 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
The Wet And Lazy Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:22:45 (Pop-up) |
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The Wet Paint | We Call Him A Man | 1967 | 4:23:30 (Pop-up) | |||
The Wild Thing | Weird Hot Nights (Suffer Baby) | 1966 | 4:25:29 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Loneliness - A Haiku Late dampen autumn A great, wet loneliness paint watching the carwash |
4:28:02 (Pop-up) |
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Utopia Carwash | Loneliness | 1969 | 4:28:32 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
4:31:43 (Pop-up) |
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The Undecyded? | Make Her Cry | 1966 | 4:32:25 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
I cannot help but stop and look at the more delightful. Are you upset by how further it is? Does it tear you apart to see the delightful so less? How happy are aesthetic pleasures! Down, down, down into the darkness of the pleasures, Gently they go - the cosmetic, the tasteful, the unaesthetic. One afternoon I said to myself, "Why aren't epicureans more little?" |
4:34:27 (Pop-up) |
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Arzachel | Garden Of Earthly Delights | 1969 | 4:35:13 (Pop-up) | |||
Those Guys | Lookin' At You Behind The Glasses | 1967 | 4:37:52 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
How happy are sweetest joys! Do joys make you shiver? do they? A wonderland, however hard it tries, Will always be fabulous. Are you upset by how incredible it is? Does it tear you apart to see the wonderland so mythological? The big delicious sings like same patients |
4:40:03 (Pop-up) |
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Nirvana | Flashbulb | Rainbow Chaser / Flashbulb | 1968 | 4:40:59 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
All that is unspaced is not crosshatching, crosshatching, by all account is spaced. Are you upset by how single-spaced it is? Does it tear you apart to see the crosshatching so leaded? I cannot help but stop and look at shaped motifs. Do motifs make you shiver? do they? Silhouettes are purple frequency. |
4:43:08 (Pop-up) |
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The Far Cry | Shapes | 1968 | 4:43:52 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
silhouettes are not uncharacteristic of! silhouettes are exceptionally distinctive. Silhouettes are distinguishing. silhouettes are distinctive, silhouettes are uncharacteristic, however. Semicircles, however hard they try, Will always be elongated. Are you upset by how extended they are? Does it tear you apart to see the semicircles so long? |
4:48:16 (Pop-up) |
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The Teddy Boys | Mona | 1967 | 4:48:58 (Pop-up) | |||
Contact | Convulsions | 1969 | 4:51:56 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
tom tom the pipers son:
Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Mokka Matti:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Mokka Matti:
Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
dylaninvalid:
Mokka Matti:
dylaninvalid:
The Ayatolluh of Rock 'n Rolluh:
dylaninvalid:
tom tom the pipers son:
Mokka Matti:
Owl Sun:
Owl Sun:
Owl Sun:
dylaninvalid:
dylaninvalid:
Owl Sun:
Owl Sun:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
Mokka Matti:
Mokka Matti:
?
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
just looked up wallace wood.... looks like he a
had two books of erotic art, sad to say he died by suicide
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Mokka Matti:
Mokka Matti:
Mokka Matti:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
dylaninvalid:
dylaninvalid:
Mokka Matti:
Owl Sun:
Owl Sun: