WFMU: The Stork Club with Stork: Playlist from January 9, 2022

Listener comments!
	11:36am Stork: Hey Yooz!! It's Sunday. Hang that 'gone clubbing' sign on the door and get on in here!
	🥁 11:59am redkayak: Happy Sunday all!
	12:00pm Stork: Hullo-ya, redkayak!!
	12:00pm Andrew in Toronto: Hi there Stork and all other listeners!! Let`s get all moody!
	12:01pm Irene Trudel: Heya Stork! Happy Sunday!
	12:01pm chresti: Hello Stork and loaded swells!
	12:01pm StringOFperils: Awww. I'm gonna weep. Jeez.
	12:02pm Stork: chresti! Irene! Andrew in Toronto! howdeeez!
	12:02pm TDK60: Hola Stork! Scott W! I have to leave for early part of show. Thank goddesses for the Archive. Back a bit later..
	12:02pm Uncle Michael: Lulu was my favorite talking head in the Scott Walker "30 Century Man" documentary.
	12:02pm Stork: Hurry on back, TDK60!!
	12:03pm Tome: Stork, Irene ! wow , Uncle M! , yes this is Sunday afternoon ,, for all of you and all of you yoots out there too !<>!
	12:04pm Jeff Golick: Walk(er) on, @Stork!
	12:04pm Listener Robert: Had to pause & restart the radiorethink player with the show turnover. I remember having to do that routinely with Uncle Michael's.
	12:05pm doctorjazz: Pretty color and cool photo gallery, Stork. I just want a Belgian beer, thanks
	12:05pm Listener Robert: I can guess only that an artifact gets sent like an end-of-file that tends to stop players. Used to get that way a lot at automated stations -- or an artifact would prematurely start the next tape!
	12:06pm Franco Twinkie: Hey Stork! My parents took me and my sister to see To Sir With Love when it came out in 1967. I think it was the first movie I every cried at.
	12:07pm coelacanth∅: bambi was my first
	12:07pm Listener Robert: It was a deliberate part of the cueing system that could get artificially triggered, similarly to the way the flyback and frame resets would sometimes result in artifacts in NTSC video.
	12:08pm coelacanth∅: hi Stork and Storklers
	12:08pm adamdoesit: Hello from the neighborhood tire shop, Stork and clubgoers! I’ll have to take mine to go, so better make it one of those beer hats… or perhaps just a cocktail beanie.
	12:08pm Stork: StringOFperils: I may run outta hankies today.
	12:08pm Doug Schulkind: Oi! Oi! Oi!
	12:09pm chresti: The Nutty Professor
	🥁 12:09pm David (in London): Do I hear 21, 21, 21? Afternoon Stork and assembled groovers.
	12:09pm Stork: Hell-LOW, doctorjazz, Listener Robert, Jeff Gee Whiz!! And welcome up to the bar, Tome!
	🥁 12:10pm David (in London): Irene, Chrestikins, doctorjazz, Coela, Franco, String, Doug, Robert et al. Salutations good people.
	12:12pm Stork: Uncle Michael - must admit I ain't seen that SW doc yet. Lulu always struck me as totes kewl, though.
	12:12pm chresti: Lady and the Tramp, we saw in a theatre, too. Good hello to David in Londonkins!
	12:13pm Stork: @Doug: The countersign is vay! vay! vay!
	12:14pm Uncle Michael: Then I won't spoil Lulu asking the question that was on everyone's minds.
	12:14pm coelacanth∅: hey David(iL) hey adam, here take take this wine bag with a hose extension so you can conceal it under clothing and keep drinking. you can fill it with wine, or vodka with orange, or harveywallbanger, or whatever you'd like.
	12:15pm Stork: Heya, David in London!!
	12:16pm coelacanth∅: chresti the nutty professor? i've never seen it but -there's a sad scene?
	12:17pm Stork: Hup, two, three, coelacanth∅ !
	12:18pm chresti: coel, scary scenes when the "nutty professor" Jerry, turns into "suave Jerry" I had to cover my eyes
	12:20pm Uncle Michael: When Jerry turns into a not-at-all-veiled dig at Dean Martin.
	🥁 12:21pm redkayak: This is wild
	12:21pm Stork: adamdoesit - how bout a back-pack size bag of mai tais that you can strap on your back and two mouth-hoses - with a pump system?
	12:22pm coelacanth∅: i saw To Sir With Love on a tv set with my siblings so if i cried -which i most likely did -i had to pretend to need to use the bathroom or something at that moment so they wouldn't see.
	12:22pm adamdoesit: coel, brilliant! If I tuck it under my sweater, it’ll be a Wallbanger and a chest-thumper, too.
	12:23pm coelacanth∅: oh, chresti okay. i've never cried for scary stuff...or covered my eyes -though that doesn't mean i didn't get scared
	12:23pm Stork: @redkayak - check out the lineup in this octet.
	🥁 12:25pm redkayak: @stork - music like this is why your show is terrific. I learn something new every Sunday!
	12:25pm chresti: I was spooked by a lot of things when I was a tot. Clowns, for instance.
	12:26pm adamdoesit: chresti, children are wise like that, before the world drills it out of them.
	12:27pm Stork: It's all the stuff I learn each week in the run-up to the show that makes it such a joy for me, too, redkayak
	12:27pm coelacanth∅: adam haha yeah! -Stork's idea though...electric pump to take the work out of extracting that mother's milk like fluid... can't argue.
	12:28pm Jeff Golick: I just bought a bio of Derek Bailey. Looking forward to getting to know him better.
	12:29pm StringOFperils: Note the bludgeoning Stork
	🥁 12:29pm David (in London): Chresti, I was absolutely scared witless by The Sea Devils on Dr Who. Well, it was Britain in the 70s... My dad once memorably tried to allay my fears with the immortal line, "Don't worry Bobby, they're only fishy persons."
	12:29pm coelacanth∅: chresti, clowns are liars by their very nature -so they shouldn't be trusted. children know this.
	12:29pm adamdoesit: Stork, coel, how did I miss that? Stork’s fluid dynamics are so advanced, I failed to grasp them.
	12:30pm chresti: Thanks adamdoesit, I'm still pretty spooked about monster gelatinous creatures covering faces.
	12:30pm Stork: Hey, Jeff LOVED the set you did with the British guys - Neil Ardley, Don Rendell et al - am planning some too real soon!!
	🥁 12:30pm redkayak: @stork - Awesome. Isn't that one the best things about life on Earth? They can't possibly be having this much fun on Mars! Unless Bowie is already up there ;)
	🥁 12:31pm David (in London): Jeff, Bailey used play the old Vortex Jazz Club in Stoke Newington (my neighbourhood) regularly. Chatted to him several times over the years. He was very nice to chat to. Sadly both he and that old venue are gone now.
	12:31pm Jeff Golick: Great you got that chance to see - and speak with! - him, David.
	12:31pm Franco Twinkie: Coel, hiding while I'm crying is still a tactic I use to this day!
	🥁 12:32pm David (in London): Bailey playing with Will Gains, the venerable old jazz tap dancer was a particular highlight.
	12:32pm chresti: Ha, you're so right, coel
	12:35pm Stork: adamdoesit - I hope my fluid dynamics remain intact for a few decades more.
	12:35pm Stork: Wow, awfully cool, David in L.
	12:36pm Stork: Hail to The Franco Twinkie - I missed your entrance back there
	12:37pm Andrew in Toronto: Thanks for that @David(in London).
	12:37pm Listening Out There: This I can agree with. That’s all I can say. Ahem…
	🥁 12:39pm David (in London): Evan Parker played on our first album, and I very nearly broached the subject of Bailey and the 'great rupture'. but I got distinct 'Back off! vibes, so decided not to. In retrospect, a wise move. Loving this Toru Takemitsu Stork.
	12:39pm Stork: Hi Listening Out There, in here !
	12:40pm coelacanth∅: i am confused about something, David... "Bobby"?
	🥁 12:42pm David (in London): Coela, first middle name is Robert, so it's an old family nickname.
	12:42pm chresti: Ha David @12:29, sea devils on the face are especially frightening.
	12:44pm coelacanth∅: right on. Thanks. i considered maybe it's an english general nickname (like "bub">"bubby") but you capitalised it.
	12:49pm Stork: Love it when Mary H plays that twilight-zone chord!
	12:49pm TDK60: Back in the club. Thanks for saving my seat, Chresti.
	🥁 12:51pm David (in London): Hey TDK.
	12:51pm Stork: TDK60 Retour !
	12:52pm chresti: You bet, let me get rid of the gelatinous monster trying to steal your seat, TDK60.
	12:53pm Stork: Gelatinous monsters always welcome at The Stork.
	12:53pm TDK60: David, from Stoke Newington in tonight!
	🥁 12:59pm listener james from westwood: Hey hey hey, Stork and all!
	1:05pm Uncle Michael: My pleasure.
	1:07pm coelacanth∅: hey listener james
	1:08pm Stork: Hey-o, listener james from westwood !
	1:08pm Stork: Hey UM - could u possibly throw the link to that show you did on the playlist? I'm not certain which one.
	1:09pm Uncle Michael: Sure thing: wfmu.org...
	1:10pm Stork: Thanxxx!!
	1:10pm Uncle Michael: Thanks for the turning wheels of promotion!
	1:11pm adamdoesit: Best thing about gelatinous monsters at the Stork: you can break off a bit of tentacle and do it as a shot.
	1:11pm Franco Twinkie: The Walker Brothers taught me a fundamental life lesson very early on: If you look like that and sing like that you get all the girls.
	1:11pm Stork: Hey Um, if I can boost yer stock price, we all do well, amirite?
	1:16pm Uncle Michael: A rising tide...
	1:17pm Uncle Michael: Any Day Now is one of the albums from a period Scott disavowed. I'm not sure all of the albums from that period ever saw a reissue in the CD era.
	1:17pm Stork: Exactly, Captain M.
	1:18pm TDK60: Hey UM, Listener James, adamdoesit, Franco. This show is swell; drinks, bright lights, dames! It can only be a fine mellow evneing here at the Stork..
	1:18pm Listening Out There: Scott Walker? Not Andy Williams?!?!?
	1:19pm Stork: Yeah, SW tried to stop what he could of that mid-70's period, but i think it all came out eventually.
	1:20pm adamdoesit: Hiya TDK!
	🥁 1:20pm David (in London): Scott Walker's dark and unhappy 70s only makes me love him more. Listening to that 'Stretch' album, for example, you can see why he was later so distant from them. But Lord above did he find the path again...
	🥁 1:21pm David (in London): I was one of the Drifting & Tilting shows he did at the Barbican in 2008. And who sang this one? Damon F***ing Albarn. Unbelievable.
	1:22pm Stork: Yeah, David (in London) - and even though they were conceived badly (not by SW, but by the suits), there's a couple each from them that's worth it. Hard to go all wrong with that voice!
	1:24pm Stork: Farmer in the City is a pop song, compared with the rest of Tilt.
	1:24pm coelacanth∅: adam i followed your example and did a tentacle shot. it tasted at least as good as jägermeister but it wasn't having it and after a few minutes forced it's way back up my throat and out my mouth and now is at the bar talking shit about me to the bartender.
	🥁 1:27pm WR: Hello Stork and clubbers.
	1:28pm coelacanth∅: Franco @111 i never heard of Scott Walker until sometime in the 21st century - on wfmu. but i did note that example set by others
	1:29pm Stork: Yeah, The Tentacle is a real pain in the ass, coel. I just tossed him, but I know he'll be back. He's a a terrible influence on the gelatinous monsters. Gets 'em all stirred up.
	1:30pm adamdoesit: coel, I'm sorry that didn't go better for you. If it calls you a sucker, just tell it that it takes one to know one.
	1:31pm coelacanth∅: haha Stork thanks but yeah, they always come back. hey WR
	1:31pm coelacanth∅: adam hahaha!
	1:32pm Franco Twinkie: Coel, I saw The Walker Brothers on television in 1966 and got it right away. I was ten years old, and just starting to realize what star power was.
	1:33pm StringOFperils: Why must this be SO compelling?!!!! I really want to get a bike ride in before the temperature plummets later today, but i cannot leave. No
	1:34pm Franco Twinkie: Me too SoP! I'm dressed and ready to go...but I just can't!
	1:35pm Stork: Not to discourage your ambitions toward physical fitness, StringOFperils, but there's WAAAY more to come! Just give in. I mean be strong!
	1:36pm Franco Twinkie: Damn you Stork!
	1:36pm StringOFperils: It's a character flaw. I blame myself. Sad really.
	1:37pm adamdoesit: SOP, same. I'm compromising by setting up to ride the rollers even as we speak. My next Comment! will likely be that of my face hitting the keyboard.
	1:37pm Stork: We'll always (hopefully) have the archives. Even so, SW kind of roots one to the spot.
	1:38pm doctorjazz: Also didn't know much of Scott Walker aside from the Walker Brother hits until relatively recently, hearing him on WFMU.
	1:38pm Listening Out There: The archive, fellow, cyclists, the archive. Pedal now, listen later…
	1:38pm Franco Twinkie: You're just doing your job.....double damn you.
	1:39pm fred: Until recently I knew more about the bad Scott Walker than the good one
	1:39pm TDK60: Anyone know if Scott W read music notation for singing? I've been thinking of what connects between the earlier pop and later. Maybe a serious commitment to lyrics with some substance?
	1:39pm doctorjazz: It's 39 degrees here in Central Joisey, SOp, too cold for me to bike. You're made of tough stuff!
	1:40pm doctorjazz: Got errands to do, take you along in the car.
	1:41pm Stork: I once answered the phone at WFMU - Scott Walker calling to talk to Ken Freedman - in, like 1994, to find out what this radio station that was playing so much of his music. How he even found out - who knows?
	1:41pm StringOFperils: Back in the 60s, while still I mere stripling left in the car with nothing but the dashboard radio, I didn't get Scott at all. Couldn't distinguish between Engelbert Humperdickschädel and Engel.
	🥁 1:41pm David (in London): TDK, he memorably spent years writing the lyrics, and only when he was happy with them, would he record the music to go under them. Amazing. Faber recently published a selection of them called Sundog. It's ace.
	1:42pm Listener Robert: I remember when you used to answer the phone there!
	1:43pm Franco Twinkie: Okay, I found a solution: I'll dig around for something epic, literary AND romantic for my trip to the farmers market.
	1:45pm chresti: Jeez the production/orchestration
	1:46pm Stork: Thanks Uncle Michael for this rekkid!!!
	1:47pm Listening Out There: Andy Williams, I say…
	1:50pm Stork: Was SW channeling Jacques Brel when he wrote Montgue Terrace! Mais oui, methinks.
	🥁 1:50pm WR: @Franco: my partner hasn't seen To Sir with Love, as I was giving her an overview while reading the Wikipedia plot summary I teared up over the funeral scene.
	1:54pm StringOFperils: Is there complete scored notation for pieces like Printing Press/On the Way.. out there; and did he learn the skills to score all the orchestral part voicing and harmony...I know he worked things out with musicians while recording, but.... I saw 30th Century Man about 10 years ago, and can't remember much beyond and punching a side of pork to get a desired percussive sound...on The Drift
	🥁 1:54pm David (in London): Climate of Hunter in 1983.
	1:58pm adamdoesit: I'm feeling a little dickschedelbleu. I should probably lower my saddle a smidge.
	2:02pm coelacanth∅: so here comes the Scott Walker i like.
	2:02pm Uncle Michael: Stork, you're welcome. Scott was the first English speaker to record Brel translations, if I recall correctly. Brel's influence on him was profound.
	2:03pm Stork: omg, StringOfperils - now I remember i DID see that doc! You don't forget a musician whaling on a side of beef in a recording studio. Wonder if it went on his resume.
	2:04pm Uncle Michael: Now I can share the Lulu quote!
	2:04pm coelacanth∅: ...i wonder if in 1994 after learning of wfmu playing his music he started listening to the station which then influenced him to go in this direction.
	2:05pm Uncle Michael: Lulu asked: "Is he still cute?"
	2:05pm Stork: Actually, Scott was following the translations done by Mort Schumann (Jacques Brel is Alive and Well and Living in Paris) which were done in the early sixties. There's a great original cast record from that time - 1964 i think.
	2:06pm fred: @Uncle Michael: Don't forget Mort Shuman's part in this, he wrote many of the English versions of Brel's songs
	🥁 2:07pm David (in London): Rod McKuen needs a shout-out for Brel translations, too. As ludicrous as he could be, he could also be fantastic.
	🥁 2:08pm David (in London): Scott's birthday message to Bowie is also an absolute gem if you've never heard it: www.youtube.com...
	2:09pm Stork: Oh, yes, David (in London)! A friend's mom had all of McKuen's records - and he was singing those same translations, and even trying some original French (Ne me Quitte-Pas). He's ridiculous, or sublime, or - at his best - both.
	2:09pm Uncle Michael: Correction: Scott was the first recording artist to tackle Brel in English.
	2:11pm Stork: He and Bowie are both excellent interpreters of Brel.
	2:11pm TDK60: Just a footnote that Judy Collins did a Brel on her In My Life album, 1966: La Colombe and an intense reading it is.
	2:12pm StringOFperils: Mort Shuman, again. I had no idea his career was so diverse. The teamwork w Doc Pomus, the British invasion stuff (only learned about the origin of 'Machines' just yesterday), and now the Brel. I really do live under a rock.
	2:13pm fred: @StringOfPerils: He was also a quite popular singer in France in the '70s
	2:14pm StringOFperils: Incroiable!
	🥁 2:16pm David (in London): They knew their record company was about to go down the tubes, so they unleashed this on the world. Utter genius.
	2:17pm Uncle Michael: I didn't know Judy beat Scott! Thanks, TDK!
	🥁 2:18pm WR: Bark bark
	2:19pm Stork: Wow - din't know of Schumann's connection to Pomus, StringOFperils ! Thanks!!
	2:20pm Uncle Michael: His connection to Pomus is how he could afford to run off to France and become an artiste!
	2:20pm chresti: What year is Scott 2 from? 1968.
	2:21pm TDK60: No prob, UM. / In a documentary on Scott, Eno said one Scott album has never been surpassed in rock since. I forget which he mentioned. Was that his more out ones on Nite Flights or Climate of Hunter? Other?
	2:22pm Uncle Michael: I love Scott 4 beyond all reason. 1969, chresti.
	2:22pm StringOFperils: I can't even tell you how deeply I love this recording/song. It takes my breath away every time.
	2:23pm Stork: Oh, it's a top-fave of mine, too, SOp - so glad you feel it too!
	2:24pm TDK60: In hindsight, "4" reveals a lot. His sincere inhabiting the words. The music here sounds like folk-rock meets sentimental strings.
	🥁 2:26pm David (in London): Pola X is a pretty indifferent film in the main, but Scott's music for it is utterly sublime. Love this one.
	2:26pm Stork: Inhabiting the words . . really well-put, TDK60. There was a big step forward with that record. Unfortunately the suits fired him for it.
	🥁 2:28pm David (in London): Stork, don't know if you've seen this, but my friend Rob did a book and lecture series about Scott a few years back: www.thewire.co.uk...
	2:29pm fred: Suits gotta suit
	2:29pm Stork: David (in London) - thanks for the link!! I will check that out! I heard one person (my sample size) say Pola X was mildly interesting. But yeah, the music is really excellent.
	2:30pm Stork: Hey, fred!!
	2:30pm Uncle Michael: haunted jacuzzis churn
	2:32pm Stork: UM, that's simply what haunted jacuzzis do! Hello?! Ya gotta churn, ya gotta churn!
	🥁 2:33pm David (in London): Scott deploys the estimable British word 'Bollocks' to absolute master level here.
	2:36pm Stork: I'm stuck at middle-grade use of the word Bollocks, and I've been studying for years. Shoulda moved to the UK all those years ago- bet i'd have my Bollocks diploma by now.
	2:37pm StringOFperils: Take that,accidentally, in the bollocks, for a start
	2:37pm Listener Robert: "Take that accidentally in the bollocks for a start." I love it!
	2:37pm StringOFperils: Yo, LR! *high five
	2:38pm Listener Robert: Pinkie lock!
	🥁 2:38pm David (in London): Don't worry Stork, it's a life's work to get that one right. Like perfecting one's trumpet technique. Keep at it.
	2:39pm Listener Robert: Pronounce the "zoo" part like there's a dieresis over the 2nd o.
	2:39pm StringOFperils: Zo-awt-ics
	2:40pm Listener Robert: We pronounce "zoo" as in "the zoo" as "zoo", but all the other words that are the longer version of "zoologic" as "zo-o".
	2:41pm chresti: Haha haunted jacuzzis churn
	2:43pm Stork: Zo-awt-ics - is that right SOp? Thanks!
	2:45pm fred: I'm always confused by the nuances of diaeresis vs umlaut vs metal umlaut
	🥁 2:47pm David (in London): Höw sö Fred?
	2:47pm Stork: I can barely master the 3 little umlauts in German, fred.
	2:48pm StringOFperils: Technicaly, the zootics pronunciation is between mine and Listener Roberts, like zoo and zo at the same time...they're all accepted, I think (and now that dead horse needs no more flogging. Amen)
	🥁 2:49pm David (in London): The legendary Quarr Abbey key hanging round Scott's neck in that great photo.
	2:52pm Stork: Duchess is taken at so slow a tempo, I can imagine the douchie suits saying "where are we, Scottie, at a fuckin' funeral? Pep it up once in while, kid!"
	2:57pm Stork: Love the lightly detuned guitar.
	2:58pm fred: @Stork: don't worry, two of my bosses are German, and they disagree about umlauts. One says ö and oe are the same thing, the other insists they are very different. To be honest, the one who says both spellings are the same is influenced by having his name spelled in different ways on official German paperwork (leading to hours of administrative "fun")
	3:02pm Uncle Michael: This is the music for Warner Bros. cartoon I'd like to see.
	3:03pm StringOFperils: This music really deserves to be brought out into brighter light by 'new music' ensembles around the world. It should be repertoire. Maybe that will happen, in time.
	3:05pm adamdoesit: The last hour kept me entranced while cycling standing still -- no mean feat. It must be Walker's Belgian tinge that makes him good for the bike.
	3:05pm fred: @StringOfPerils: nice sentiment, but there is no repertoire. All they care about is premiere, so most contemporary music is played exactly once
	3:05pm coelacanth∅: this album made me start listening to Scott Walker
	3:06pm Listener Robert: So Stravinski + someone singing in sprechstimme + Moondog = Scott Walker?
	3:07pm Stork: That's an interesting way in to the Scott Walker oevre, coel! Absolutely GREAT collab !!
	🥁 3:08pm David (in London): That's the great thing, there's a Scott for whatever mood you're in...
	3:10pm coelacanth∅: hey David Thanks for that link to his message to Bowie. very moving.
	3:10pm Stork: David (in London) - his range was truly phenomenal.
	🥁 3:10pm David (in London): I went to an album promotional playback session for Soused. Played at deafening volume at a church in Hackney. It was practically a religious experience in its own right.
	3:12pm Uncle Michael: What I love is that the journey from Scott Engel 45s to Soused is entirely progressive, one small step at a time.
	3:12pm Stork: Thanks also from me, David. I played that bit on a marathon fundraising show last March, with Irene as my co-host :) Bowie was moved to- or near tears. His love for SW, and vice versa, was beautiful.
	3:12pm fred: Most of what Stephen O'Malley does should be played at deafening volume
	3:15pm TDK60: That sounds like a night in church, DavidiL. I had to see what Soused sounds like on cassette.
	3:15pm StringOFperils: @fred > 'modern' repertoire. True. I live in the past. Ha ha
	3:16pm coelacanth∅: for the record... or oblivion- i'd love to hear a Jacques Brel special, interpretations of his songs by the diverse variety that covered him.
	3:18pm Mike Cooper: @fred: Elliott Sharp’s new music compositions get played more than once by ensembles from time to time.
	3:19pm Uncle Michael: I could do Bel as a songwriter tribute in October.
	3:19pm Uncle Michael: Hello, Mike.
	🥁 3:20pm David (in London): Hoped you might play this one.
	3:20pm Stork: Great idea, coel.
	3:20pm adamdoesit: coel, I was having much the same thought. UM, that would be superbe!
	3:20pm Mike Cooper: Hi uncle😎
	3:20pm TDK60: I have an extra LP of the Brel Alive and Well play if anyone is interested. Don't think in bad shape; could check..
	3:20pm coelacanth∅: i've seen some bands in church-night clubs, but nothing along those lines. (come, i think; and Katell Keineg...maybe brian jonestown massecre... some others) ...not to say they weren't religious experiences, in their ways.
	3:21pm Uncle Michael: I'll steal the idea if Stork doesn't beat me too it. I have another songwriter special already in mind.
	3:21pm Stork: Mike Cooper in attendance! 🤣
	3:22pm Mike Cooper: @Stork : been here all along. Great.
	🥁 3:22pm David (in London): Coela, that church does amazing shows on an occasional basis. Saw Faust and Nurse with Wound there. Just the perfect environment for it.
	3:23pm Mike Cooper: Helps to keep my addition in shape 🤣
	3:24pm StringOFperils: I can't get up off the floor of the Stork Club.
	3:27pm coelacanth∅: Stork it's just "sun"
	3:27pm Uncle Michael: Sunn O))) is pronounced "sun", just for the record.
	3:27pm fred: The church next to my workplace held great diverse shows. The new priest is having none of that, so it's over
	🥁 3:27pm listener james from westwood: First Scott Walker song I heard was, oddly enough, not on WFMU like all the others, but on WDRE/WLIR out of Long Island, then an alternative/modern rock station, which for some reason got "Jackie" into its rotation.
	🥁 3:27pm listener james from westwood: Just "sun"? Oh!
	🥁 3:28pm David (in London): The Methodist Central Hall is an absolutely beautiful venue. Lord knows the organ must sound incredible when you're in there.
	3:30pm coelacanth∅: David @322 wow, i can imagine those. the limelight in nyc likely had shows like that but when i was spending time in clubs in the city my then-girlfriend was in charge of who'd we go see (with some input) so i never even looked at the schedules. Come was certainly a religious experience for me -right after don't ask don't tell was released. so was Katell, but that was at st.anne's cathedral.
	🥁 3:31pm David (in London): Gotta sign out now and finish the day's business. Thank you Stork, that was superbly enjoyable and motivating. Toodles groovers, and have a good week ahead.
	3:32pm Stork: Sun? OK.
	3:32pm TDK60: Night, David.
	3:32pm coelacanth∅: ta ta David
	3:33pm doctorjazz: Been listening on and off while getting some errands done. Fine tribute, Stork. Back for the home stretch.
	3:33pm Stork: Thank you very kindly, David in London - a pleasure - see you soon!
	3:34pm coelacanth∅: Stork they named it after the amplifier company, that was "sun" with a picture of a sun with ))) being the rays coming off it
	3:34pm StringOFperils: See you later, David in London. I think it's time for me to bail as well; one last shot at bicycling before that arctic blast...so thank you so much, Stork! Really great shew.
	3:36pm coelacanth∅: ('sorry, "sunn" amplifiers, not "sun")
	3:36pm fred: @coel: Was that name also a nod to Earth?
	3:36pm doctorjazz: Looked back a bit-the best "church' concert I've been to was at St Anne's in Brooklyn Heights. Aaron Neville was there with just piano back up, and it was, dare I say it, heavenly (He did Ave Maria, man.....). Also saw Richard Thompson there, and he rarely takes second place in my book, but the Neville show...
	3:37pm Stork: coelacanth∅ - cool - thanks.
	3:39pm Guido from Cologne: Great show! Enjoyed every second! :-)
	3:39pm adamdoesit: Super cool Scott Walker tribute, Stork. I know I'm always saying this, but I'd never listened to him before. Meanwhile, I had no idea I was among so many Jacques Brel fans. I should have known, from the way Herr Barkeep calls out "Au suivant!" each time he pours a shot.
	3:40pm headcleaner: fine stuff, Herr Stork, judging by the playlist. am in another acoustic rabbithole presently but looks like I'll definitely have to come back to this set in the near future + start from the beginning. hopefully in the very near future.
	3:40pm coelacanth∅: doc, st. anne's was gorgeous and wonderful acoustics. i may have also seen Sarah McLaughlin there.
	3:41pm Stork: @adamdoesit - 😜
	3:41pm Stork: headcleaner - greetz, and thank you!!
	3:42pm Stork: Hey Guido from Köln!! Almost missed ya!
	3:45pm coelacanth∅: whoaaa i've never heard this version
	3:46pm doctorjazz: This is a lovely version of Sir, sir!
	3:46pm coelacanth∅: holy shit this is great!
	3:47pm Stork: I kinda prefer this version, though I love Lulu's as well.
	3:49pm coelacanth∅: definitely at least neck-and-neck
	🥁 3:49pm listener james from westwood: That album art on the Gaye!
	3:50pm coelacanth∅: i dated/lived with someone c.1989 who said she hung at the actual sugar shack -said that picture on the front of Gaye's album is exactly accurate.
	3:51pm fred: Is Scott Williams taking over?
	🥁 3:51pm listener james from westwood: My first exposure was the form used behind the closing credits on Good Times.
	3:53pm Stork: O, Clubbies, All!! So sweet and good and right to be these 4 golden hours tah-geh-thuh!!! Leave us undertake to repeat this action next Sundy.
	3:53pm doctorjazz: That Marvin Gaye album is a good'n! Thanks, Stork!
	3:53pm Stork: Sundy, or Sunday, whichever works for you.
	3:54pm coelacanth∅: ...i'm not actually sure that the sugar shack she hung out in came before that painting, or the painting inspired the club. i thought she said it was in newark, nj, but that seems unlikely to me.
	🥁 3:55pm WR: Thank you Stork!
	🥁 3:55pm listener james from westwood: Excellent news indeed!
	3:56pm adamdoesit: Oughta be Allen Toussaint Boulevard, if you ask me. Thanks, Stork! Thanks, clubgoers! You swing away my Sunday blues.
	3:56pm TDK60: Thanks, Stork.
	🥁 3:57pm listener james from westwood: Many thanks, Stork!
	3:58pm Uncle Michael: Thanks, Stork.
	3:59pm chresti: Thank you Stork!
	3:59pm coelacanth∅: Thanks Stork!
	3:59pm Franco Twinkie: Excellent show Stork, Thanky!
	4:00pm Stork: Multi Gratz again everybody!!
	4:00pm Listener Robert: Couldn't pull myself away for The Hound until now, thanks!
	🥁 4:00pm WR: @3:56 @adamdoesit: Oughta be Allen Toussaint Boulevard, if you ask me. It is Blvd. adamdoesit. they followed your guideline.

The Stork Club with Stork: Playlist from January 9, 2022

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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.

Sunday Noon - 3pm (EST) | On WFMU's Give the Drummer Radio
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January 9, 2022: Scott Walker: A dickschädel Blue
Celebrating the 79th birthday of musical changeling Scott Walker - from his days as a teen-pop serenader to avant-garde songsmith and soundtrack composer. Also a reluctant goodbye to sweet Sidney Poitier, and a happy hopeful happenin' in NOLA..

Listen to this show: Pop-up listen Pop-up player!

Artist	Track	Album	Comments	Approx. start time
Lulu	To Sir With Love "To Sir With Love" by "Lulu"	Love Loves To Love Lulu	Arranged By – John Paul Jones, Peter Knight > > > Producer – Mickie Most - - 1967	0:00:00 (Pop-up)
Your basic wading shore-DJ	"Your basic wading shore-DJ"			0:03:35 (Pop-up)
Polar Bear	Of Hi Lands "Of Hi Lands" by "Polar Bear"	Same as You	Mark Lockheart – tenor saxophone • Pete Wareham – tenor saxophone • Tom Herbert – double bass • Leafcutter John – electronics • Sebastian Rochford – drums, vocals - - - - 2015	0:06:09 (Pop-up)
Dennis González Yells At Eels	Interlude: Internal Dialogue, Eternal Pulse	Cape of Storms	Percussion [Gongs, Sleigh Bells, Shakers, Pao Do Chuva, Goat Hooves] – Dennis González* >>>Drums, Voice – Louis Moholo-Moholo >>>Drums, Congas, Drums [Rototoms], Balafon, Djembe, Bells [Temple], Gong [Gongs], Bells [School Bell], Cymbal [Splash], Cymbal [Cymbals] – Stefan González - -Recorded on 9, 10 and 13 February 2010 in Dallas and New Orleans	0:13:47 (Pop-up)
The Peter Brötzmann Octet	Responsible (2nd take)	Machine Gun	Peter Brötzmann (tenor and baritone saxophones) • Evan Parker (saxophone) • Willem Breuker (reeds) • Peter Kowald (bass) • Buschi Niebergall (bass) • Sven-Åke Johansson (drums) • Han Bennink (drums) • Fred Van Hove (piano) Recorded May 1968 at the "Lila Eule" in Bremen	0:19:20 (Pop-up)
Derek Bailey / Han Bennink	Who Is That?	Derek Bailey / Han Bennink	DEREK BAILEY – guitar > >HAN BENNINK – drums, percussion - - - Selections from live performances at Verity's Place, June 16-17, 1972	0:27:33 (Pop-up)
Toru Takemitsu	Kaseki No Mori 化石の森 [The Petrified Forest, 1973]	Film Music By Toru Takemitsu vol. 2: Films directed by Masahiro Shinoda 武満徹映画音楽２篠田正浩監督作品篇		0:31:21 (Pop-up)
Sylvie Courvoisier & Mary Halvorson	Woman In The Dunes	Crop Circles	Piano – Sylvie Courvoisier > >Guitar – Mary Halvorson - - Recorded August 21, 2016, Brooklyn NY	0:43:30 (Pop-up)
The Alegre All Stars	Ay Camina Y Ven	The Alegre All Stars	Bass – Bobby Rodriguez > > >Congas – Marcelino Valdes > > Cover – Abel Navarro > > >Flute – Johnny Pacheco > > >Guiro – Julian Cabrera >. > >Other [Booze Getter] – Juanchu Feliciano Merceron > > >Piano – Charlie Palmieri >> >Producer – Al Santiago > > >Tenor Saxophone – Chombo Silva > > Timbales – Kako (2) > > > Trombone – Barry Rogers > > > Vocals – Dioris Valladares, Rudy Calzado, Yayo “El Indio” Pequero. - - 1961	0:50:11 (Pop-up)
DJ Dickschädel	"DJ Dickschädel"			0:56:30 (Pop-up)
The Walker Brothers	The Sun Ain't Gonna Shine Anymore	Portrait	Gary Walker - drums, vocals • John Walker - guitar, vocals • Scott Walker - vocals, guitar, keyboards with: • Ivor Raymonde, Reg Guest - music director - - 1966	1:07:10 (Pop-up)
Scott Walker	When Joanna Loved Me	Scott	Scott Walker - vocals • Wally Stott – arrangements, conductor - -1967	1:10:13 (Pop-up)
Scott Walker	If "If" by "Scott Walker"	Any Day Now	Scott Walker - vocals • Peter Knight - arrangements, conductor - - written by David Gates - - recorded in 1973 • John Franz - producer • Peter J. Olliff - engineer - - 1973	1:13:22 (Pop-up)
Scott Walker	Copenhagen "Copenhagen" by "Scott Walker"	Scott 3	Peter Olliff producer: John Franz conductor: Wally Stott arranger: Wally Stott recording of: Copenhagen writer: Scott Engel (singer-songwriter, musician and producer)	1:16:36 (Pop-up)
Scott Walker	Farmer in the City "Farmer in the City" by "Scott Walker"	Tilt	Strings of Sinfonia of London, arranged and conducted by Brian Gascoigne ◦ Elizabeth Kenny – Chitarrone ◦ Roy Carter – Oboe - - 1995	1:18:53 (Pop-up)
Scott Walker	Printing Press / On the Way to the Meeting / Opening	The Childhood of a Leader	Bass Trombone – Adrian Hallowell, Andy Wood (2), Dave Stewart (2), Ed Tarrant, John Higginbotham, Roger Argente >>>Cello – Dom Pecheur, Frank Schaefer, Jacqueline Phillips, Jamie Pringle, Joely Koos, Jonathan Tunnell, Nerys Richards, Phil Taylor (19), Tamsy Kaner, Vicky Matthews > > >Composed By, Producer – Scott Walker > > >Double Bass – Alice Kent, Enno Seft, Stacey Watton, Stephen Warner, Steve Rossell > > >French Horn – Corinne Bailey, Matt Gunner, Nick Korth, Richard Bayliss, Simon RaynerSimon Rayner  > > > Orchestrated By, Conductor – Mark Warman > > > Trumpet – Andy Gathercole, John Barclay, Mike Lovatt, Owain Harries, Pat White (2) > > > Viola – Chris Pitsilledes, Ian Anderson (15), Jim Sleigh, Polly Wiltshire, Rachel Robson, Reiad Chibah, Sarah Chapman (2), Suzanne Evans >> > Violin – Abigail Young, Brian Wright, Charlie Brown (18), Clive Dobbins, Dave Smith (45), Dave Ogden, Debbie Widdup, Elizabeth Wexler, Emil Chackalov, Jeff Moore, Julian Tear, Julian Trafford, Laura Melhuish, Marianne Haynes, Matthew Elston, Matthew Scrivener, Michael Keelan, Nikki Gleed, Nina Foster, Richard George, Ruth Ehrlich, Steve Bentley-Klein, Steve Morris, Tim Warburton, Tina Jacobs-Lim, Tom Pigott-Smith > > Violin, Leader – Paul Willey - -Orchestra recorded at Angel Studios, London - 2016	1:25:24 (Pop-up)
The Walker Brothers	Deadlier Than The Male	Portrait	Gary Walker - drums, vocals • John Walker - guitar, vocals • Scott Walker - vocals, guitar, keyboards with: • Ivor Raymonde, Reg Guest - music director - - 1966	1:32:59 (Pop-up)
Scott Walker	The War Is Over (Sleepers - Epilogue)	'Til The Band Comes In	John Franz - Producer • Wally Stott – Musical director - - 1970	1:35:24 (Pop-up)
Scott Walker	Plastic Palace People	Scott 2		1:38:58 (Pop-up)
Scott Walker	Come Saturday Morning	The Moviegoer	From the film: "The Sterile Cuckoo" Scott Walker – Vocals • Johnny Franz – Producer • Peter J. Olliff – Engineering • Robert Cornford – Orchestra director - - 1972	1:44:59 (Pop-up)
Scott Walker	Montague Terrace (In Blue)	Scott	Scott Walker - vocals • Wally Stott – arrangements, conductor - -1967	1:48:32 (Pop-up)
DJ Gelatinous	"DJ Gelatinous"			1:51:53 (Pop-up)
Scott Walker	Psoriatic "Psoriatic" by "Scott Walker"	The Drift	Bass – Steve Pearce > > >Cello [Electric] – Philip Sheppard > > > Drums – Ian Thomas > > > Electric Guitar – Hugh Burns >>. >Flute [Di-zi] – Andrew Cronshaw > > > Guitar [Hi Sus Guitar] – James Stevenson > > > Guitar [Sitar Guitar], Technician [Sound Treatment] – Peter Walsh > > > Percussion – Alasdair Malloy >. > >Technician [Sound Treatment] – Brian Gascoigne > > > Written-By [The Words 'Ja-da Ja-da Ja-da Ja-da Jing Jing Jing'] – Bob Carleton - - 2006	2:00:15 (Pop-up)
Scott Walker	The Darkest Forest "The Darkest Forest" by "Scott Walker"	Pola X	Jean-Claude Dubois - Orchestra Direction • Paris Philharmonic Orchestra • Brian Gascoigne - Orchestration • Scott Walker - Producer - -1999	2:05:58 (Pop-up)
Scott Walker	A Face In The Crowd "A Face In The Crowd" by "Scott Walker"	The Moviegoer	(Theme from Pookie) Scott Walker – Vocals • Johnny Franz – Producer • Peter J. Olliff – Engineering • Robert Cornford – Orchestra director - - 1972	2:11:38 (Pop-up)
The Walker Brothers	Fat Mama Kick	Nite Flights	Bass – Mo Foster >>>Drums – Frank Gibson (2) >>>Guitar – Jim Sullivan* >>>>Keyboards – Dave MacRae >>>Tenor Saxophone [Solo] – Alan Skidmore >>>>Vocals – John Walker (3), Scott Walker - - 1978	2:14:55 (Pop-up)
Scott Walker	The Girls And The Dogs	Scott 2	Scott Walker - vox • Reg Guest – arrangements and conductor - - acques Brel, Gérard Jouannest and Mort Shuman	2:17:43 (Pop-up)
Scott Engel	Angels of Ashes "Angels of Ashes" by "Scott Engel"	Scott 4	producer: John Franz recording of: Angels of Ashes writer: Scott Engel (singer-songwriter, musician and producer)	2:00:00 (Pop-up)
Scott Walker	Light "Light" by "Scott Walker"	Pola X	ean-Claude Dubois - Orchestra Direction • Paris Philharmonic Orchestra • Brian Gascoigne - Orchestration • Scott Walker - Producer - -1999	2:25:02 (Pop-up)
Scott Walker	Epizootics! "Epizootics!" by "Scott Walker"	Bish Bosch	GO HERE FOR INFO ON MASSIVE ENSEMBLE: https://www.discogs.com/release/4045296-Scott-Walker-Bish-Bosch - - Recorded at Kore Studios, London. - -2012 Session preparation, pre-mixing, Protools editing at KHS Studios Dusseldorf.	2:28:20 (Pop-up)
Dee-Jada-Jada-Jada Jing-Jing-Jing	"Dee-Jada-Jada-Jada Jing-Jing-Jing"			2:37:50 (Pop-up)
The Walker Brothers	No Sad Songs For Me	Portrait	Gary Walker - drums, vocals • John Walker - guitar, vocals • Scott Walker - vocals, guitar, keyboards with: • Ivor Raymonde, Reg Guest - music director - - 1966	2:42:13 (Pop-up)
Scott Walker	When The World Was Young	Sings Songs From His T.V. Series	Scott Walker – Vocals • John Franz – Producer • Peter Knight – Music Director of accompaniment - - 1969	2:45:50 (Pop-up)
Scott Engel	Duchess "Duchess" by "Scott Engel"	Scott 4	producer: John Franz recording of: Duchess writer: Scott Engel (singer-songwriter, musician and producer)	2:49:48 (Pop-up)
Scott Walker	Black Sheep Boy "Black Sheep Boy" by "Scott Walker"	Scott 2		2:52:36 (Pop-up)
Scott Walker	A Lover Loves "A Lover Loves" by "Scott Walker"	The Drift	Acoustic Guitar, vocals – Scott Walker - - 2006	2:55:09 (Pop-up)
Scott Walker	Part 4 "Part 4" by "Scott Walker"	And Who Shall Go to the Ball? And What Shall Go to the Ball?	London Sinfonietta – orchestra • Philip Sheppard – cello • Alasdair Malloy – percussion • Bradley Grant – saxophone, flute • Andy Findon – saxophone, flute • • Peter Walsh – programming, effects, sound manipulation • Mark Warman – orchestration, programming, effects - - — Instrumental music written for the dance piece "And Who Shall Go To The Ball? And What Shall Go To The Ball?". • Dance performed by CandoCo Dance Company. • • Music recorded at Metropolis Studios, London. Orchestra recorded at Angel Recording Studios, London. Music mixed at Air-Edel Studios, London. - 2007	2:58:14 (Pop-up)
Scott Walker + Sunn O)))	Fetish (Flip 'n Zip)	Soused	Drums – Ian Thomas > > >Effects [Keyboards Fx] – Peter Walsh > > > Guitar [Guitars] – Greg Anderson > > > Guitar [Guitars], Bass Guitar, Guitar [Feedback Guitar] – Stephen O'Malley > > > Keyboards, Shaker – Mark Warman > > > Lead Guitar, Guitar [Riff Guitars] – Tos Nieuwenhuizen > >. >Trumpet – Guy Barker	3:04:25 (Pop-up)
Scott Walker	The Cockfighter "The Cockfighter" by "Scott Walker"	Tilt	Hugh Burns – Guitar ◦ Alasdair Malloy – Percussion ◦ Louis Jardim – Percussion ◦ Andrew Cronshaw – Horns and Reeds ◦ Brian Gascoigne – Celeste and Organ of the Methodist Central Hall - -1995	3:13:24 (Pop-up)
Scott Walker	It's Raining Today "It's Raining Today" by "Scott Walker"	Scott 3	producer: John Franz conductor: Wally Stott arranger: Wally Stott recording of: It's Raining Today writer: Scott Engel (singer-songwriter, musician and producer)	3:19:17 (Pop-up)
DJ Walker	"DJ Walker"			3:23:15 (Pop-up)
Love Childs Afro Cuban Blues Band	Life And Death In G&A	Out Among 'Em	Arranged By, Conductor – Michael Zager Musician – Alan P. Rubin, Alfred V. Brown, Alfred J. Ellis, Arnie Lawrence, Arthur Eugene Jenkins, Barbara Massey, Bernard Purdie, Bert Collins, Christopher A. Parker, Emily "Sissy" Houston, Cornell Dupree, David Carey, David A. Spinozza, Donald Grolnick, Emanuel Green, Emanuel Vardi, Gene Orloff, George Ricci, Gordon Edwards, Harry Lookofsky, Janet Hamilton, James Buffington, Joe Beck, John E. Gatchell, Joseph Malignaggi, Kermit Moore, Leo Kahn, Maretha Stewart, Matthew Raimondi, Milton Grayson, Richard Tee, Sanford Allen, Richard S. Clarke, William Salter	3:30:06 (Pop-up)
The Undisputed Truth	What It Is "What It Is" by "The Undisputed Truth"	Face To Face With The Truth	Producer – Norman Whitfield > > Backing Vocals – Billie Rae Calvin, Brenda Joyce Evans > > Bass – James Jamerson > > Bongos, Congas – Eddie Brown > > Drums – Aaron Smith, Andrew Smith, Richard Allen > > Guitar – Eddie Willis, Joe Messina, Melvin Ragin, Robert White > > Lead Guitar – Dennis Coffey > > Lead Vocals – Joe Harris > > Organ – Johnny Griffith > > Piano – Earl Van Dyke > > Tambourine, Maracas, Percussion – Jack Ashford > > Timpani, Vibraslap, Bells, Percussion – Jack Brokensha - - 1971	3:34:16 (Pop-up)
Roberta Flack	Go Up Moses "Go Up Moses" by "Roberta Flack"	Quiet Fire	Arranged By, Piano, Vocals – Roberta Flack > > Bass – Chuck Rainey > > Drums – Bernard Purdie > > Guitar – Hugh McCracken > > Organ – Richard Tee > > Percussion – Grady Tate, Ralph McDonald Recorded at Atlantic Recording Studios, Regent Studios & Hit Factory, New York, N.Y., 1971	3:39:16 (Pop-up)
Madeline Bell	To Sir With Love "To Sir With Love" by "Madeline Bell"	Doin' Things	Accompanied By – Arthur Greenslade - - 1969	3:44:33 (Pop-up)
Marvin Gaye	Soon I’ll Be Loving You Again	I Want You	Artwork: Ernie Barnes, Frank Mulvey • String and horn arrangements: Coleridge-Taylor Perkinson • Bass: Chuck Rainey, Henry Davis, Ron Brown, Wilton Felder • Bongos, Congas: Bobbye Hall Porter, Eddie "Bongo" Brown • Drums: James Gadson • Piano, Fender Rhodes: Jerry Peters, John Barnes, Sonny Burke, Marvin Gaye • Engineer: Fred Ross, Art Stewart • Executive Producer: Berry Gordy, Marvin Gaye • Guitar: David T. Walker, Dennis Coffey, Jay Graydon, Melvin "Wah Wah" Watson, Ray Parker Jr. • Percussion: Gary Coleman, Jack Arnold • Producer: Leon Ware, Marvin Gaye, Arthur "T-Boy" Ross (co-produced tracks: A1, A3, B1, B2, B4-B6) • Synthesizer: Marvin Gaye • Vocals: Marvin Gaye - - -Recorded 1975–1976 Studio Marvin's RoomHitsville West (Los Angeles)	3:47:31 (Pop-up)
Allen Toussaint	Cast Your Fate to the Wind	Toussaint	Bass – Eddie Hohner Drums – Ed Greene (2), Freddie Staehle, John Boudreaux Guitar – Terry Kellman *Piano – Allen Toussaint ———Recorded at Dimension Sound Studios, Los Angeles, 1970 ———Recorded at Dimension Sound Studios, Los Angeles, 1970	3:50:27 (Pop-up)
DJ's Away!	"DJ's Away!"			3:53:42 (Pop-up)

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Listener comments!
	11:36am Stork: Hey Yooz!! It's Sunday. Hang that 'gone clubbing' sign on the door and get on in here!
	🥁 11:59am redkayak: Happy Sunday all!
	12:00pm Stork: Hullo-ya, redkayak!!
	12:00pm Andrew in Toronto: Hi there Stork and all other listeners!! Let`s get all moody!
	12:01pm Irene Trudel: Heya Stork! Happy Sunday!
	12:01pm chresti: Hello Stork and loaded swells!
	12:01pm StringOFperils: Awww. I'm gonna weep. Jeez.
	12:02pm Stork: chresti! Irene! Andrew in Toronto! howdeeez!
	12:02pm TDK60: Hola Stork! Scott W! I have to leave for early part of show. Thank goddesses for the Archive. Back a bit later..
	12:02pm Uncle Michael: Lulu was my favorite talking head in the Scott Walker "30 Century Man" documentary.
	12:02pm Stork: Hurry on back, TDK60!!
	12:03pm Tome: Stork, Irene ! wow , Uncle M! , yes this is Sunday afternoon ,, for all of you and all of you yoots out there too !<>!
	12:04pm Jeff Golick: Walk(er) on, @Stork!
	12:04pm Listener Robert: Had to pause & restart the radiorethink player with the show turnover. I remember having to do that routinely with Uncle Michael's.
	12:05pm doctorjazz: Pretty color and cool photo gallery, Stork. I just want a Belgian beer, thanks
	12:05pm Listener Robert: I can guess only that an artifact gets sent like an end-of-file that tends to stop players. Used to get that way a lot at automated stations -- or an artifact would prematurely start the next tape!
	12:06pm Franco Twinkie: Hey Stork! My parents took me and my sister to see To Sir With Love when it came out in 1967. I think it was the first movie I every cried at.
	12:07pm coelacanth∅: bambi was my first
	12:07pm Listener Robert: It was a deliberate part of the cueing system that could get artificially triggered, similarly to the way the flyback and frame resets would sometimes result in artifacts in NTSC video.
	12:08pm coelacanth∅: hi Stork and Storklers
	12:08pm adamdoesit: Hello from the neighborhood tire shop, Stork and clubgoers! I’ll have to take mine to go, so better make it one of those beer hats… or perhaps just a cocktail beanie.
	12:08pm Stork: StringOFperils: I may run outta hankies today.
	12:08pm Doug Schulkind: Oi! Oi! Oi!
	12:09pm chresti: The Nutty Professor
	🥁 12:09pm David (in London): Do I hear 21, 21, 21? Afternoon Stork and assembled groovers.
	12:09pm Stork: Hell-LOW, doctorjazz, Listener Robert, Jeff Gee Whiz!! And welcome up to the bar, Tome!
	🥁 12:10pm David (in London): Irene, Chrestikins, doctorjazz, Coela, Franco, String, Doug, Robert et al. Salutations good people.
	12:12pm Stork: Uncle Michael - must admit I ain't seen that SW doc yet. Lulu always struck me as totes kewl, though.
	12:12pm chresti: Lady and the Tramp, we saw in a theatre, too. Good hello to David in Londonkins!
	12:13pm Stork: @Doug: The countersign is vay! vay! vay!
	12:14pm Uncle Michael: Then I won't spoil Lulu asking the question that was on everyone's minds.
	12:14pm coelacanth∅: hey David(iL) hey adam, here take take this wine bag with a hose extension so you can conceal it under clothing and keep drinking. you can fill it with wine, or vodka with orange, or harveywallbanger, or whatever you'd like.
	12:15pm Stork: Heya, David in London!!
	12:16pm coelacanth∅: chresti the nutty professor? i've never seen it but -there's a sad scene?
	12:17pm Stork: Hup, two, three, coelacanth∅ !
	12:18pm chresti: coel, scary scenes when the "nutty professor" Jerry, turns into "suave Jerry" I had to cover my eyes
	12:20pm Uncle Michael: When Jerry turns into a not-at-all-veiled dig at Dean Martin.
	🥁 12:21pm redkayak: This is wild
	12:21pm Stork: adamdoesit - how bout a back-pack size bag of mai tais that you can strap on your back and two mouth-hoses - with a pump system?
	12:22pm coelacanth∅: i saw To Sir With Love on a tv set with my siblings so if i cried -which i most likely did -i had to pretend to need to use the bathroom or something at that moment so they wouldn't see.
	12:22pm adamdoesit: coel, brilliant! If I tuck it under my sweater, it’ll be a Wallbanger and a chest-thumper, too.
	12:23pm coelacanth∅: oh, chresti okay. i've never cried for scary stuff...or covered my eyes -though that doesn't mean i didn't get scared
	12:23pm Stork: @redkayak - check out the lineup in this octet.
	🥁 12:25pm redkayak: @stork - music like this is why your show is terrific. I learn something new every Sunday!
	12:25pm chresti: I was spooked by a lot of things when I was a tot. Clowns, for instance.
	12:26pm adamdoesit: chresti, children are wise like that, before the world drills it out of them.
	12:27pm Stork: It's all the stuff I learn each week in the run-up to the show that makes it such a joy for me, too, redkayak
	12:27pm coelacanth∅: adam haha yeah! -Stork's idea though...electric pump to take the work out of extracting that mother's milk like fluid... can't argue.
	12:28pm Jeff Golick: I just bought a bio of Derek Bailey. Looking forward to getting to know him better.
	12:29pm StringOFperils: Note the bludgeoning Stork
	🥁 12:29pm David (in London): Chresti, I was absolutely scared witless by The Sea Devils on Dr Who. Well, it was Britain in the 70s... My dad once memorably tried to allay my fears with the immortal line, "Don't worry Bobby, they're only fishy persons."
	12:29pm coelacanth∅: chresti, clowns are liars by their very nature -so they shouldn't be trusted. children know this.
	12:29pm adamdoesit: Stork, coel, how did I miss that? Stork’s fluid dynamics are so advanced, I failed to grasp them.
	12:30pm chresti: Thanks adamdoesit, I'm still pretty spooked about monster gelatinous creatures covering faces.
	12:30pm Stork: Hey, Jeff LOVED the set you did with the British guys - Neil Ardley, Don Rendell et al - am planning some too real soon!!
	🥁 12:30pm redkayak: @stork - Awesome. Isn't that one the best things about life on Earth? They can't possibly be having this much fun on Mars! Unless Bowie is already up there ;)
	🥁 12:31pm David (in London): Jeff, Bailey used play the old Vortex Jazz Club in Stoke Newington (my neighbourhood) regularly. Chatted to him several times over the years. He was very nice to chat to. Sadly both he and that old venue are gone now.
	12:31pm Jeff Golick: Great you got that chance to see - and speak with! - him, David.
	12:31pm Franco Twinkie: Coel, hiding while I'm crying is still a tactic I use to this day!
	🥁 12:32pm David (in London): Bailey playing with Will Gains, the venerable old jazz tap dancer was a particular highlight.
	12:32pm chresti: Ha, you're so right, coel
	12:35pm Stork: adamdoesit - I hope my fluid dynamics remain intact for a few decades more.
	12:35pm Stork: Wow, awfully cool, David in L.
	12:36pm Stork: Hail to The Franco Twinkie - I missed your entrance back there
	12:37pm Andrew in Toronto: Thanks for that @David(in London).
	12:37pm Listening Out There: This I can agree with. That’s all I can say. Ahem…
	🥁 12:39pm David (in London): Evan Parker played on our first album, and I very nearly broached the subject of Bailey and the 'great rupture'. but I got distinct 'Back off! vibes, so decided not to. In retrospect, a wise move. Loving this Toru Takemitsu Stork.
	12:39pm Stork: Hi Listening Out There, in here !
	12:40pm coelacanth∅: i am confused about something, David... "Bobby"?
	🥁 12:42pm David (in London): Coela, first middle name is Robert, so it's an old family nickname.
	12:42pm chresti: Ha David @12:29, sea devils on the face are especially frightening.
	12:44pm coelacanth∅: right on. Thanks. i considered maybe it's an english general nickname (like "bub">"bubby") but you capitalised it.
	12:49pm Stork: Love it when Mary H plays that twilight-zone chord!
	12:49pm TDK60: Back in the club. Thanks for saving my seat, Chresti.
	🥁 12:51pm David (in London): Hey TDK.
	12:51pm Stork: TDK60 Retour !
	12:52pm chresti: You bet, let me get rid of the gelatinous monster trying to steal your seat, TDK60.
	12:53pm Stork: Gelatinous monsters always welcome at The Stork.
	12:53pm TDK60: David, from Stoke Newington in tonight!
	🥁 12:59pm listener james from westwood: Hey hey hey, Stork and all!
	1:05pm Uncle Michael: My pleasure.
	1:07pm coelacanth∅: hey listener james
	1:08pm Stork: Hey-o, listener james from westwood !
	1:08pm Stork: Hey UM - could u possibly throw the link to that show you did on the playlist? I'm not certain which one.
	1:09pm Uncle Michael: Sure thing: wfmu.org...
	1:10pm Stork: Thanxxx!!
	1:10pm Uncle Michael: Thanks for the turning wheels of promotion!
	1:11pm adamdoesit: Best thing about gelatinous monsters at the Stork: you can break off a bit of tentacle and do it as a shot.
	1:11pm Franco Twinkie: The Walker Brothers taught me a fundamental life lesson very early on: If you look like that and sing like that you get all the girls.
	1:11pm Stork: Hey Um, if I can boost yer stock price, we all do well, amirite?
	1:16pm Uncle Michael: A rising tide...
	1:17pm Uncle Michael: Any Day Now is one of the albums from a period Scott disavowed. I'm not sure all of the albums from that period ever saw a reissue in the CD era.
	1:17pm Stork: Exactly, Captain M.
	1:18pm TDK60: Hey UM, Listener James, adamdoesit, Franco. This show is swell; drinks, bright lights, dames! It can only be a fine mellow evneing here at the Stork..
	1:18pm Listening Out There: Scott Walker? Not Andy Williams?!?!?
	1:19pm Stork: Yeah, SW tried to stop what he could of that mid-70's period, but i think it all came out eventually.
	1:20pm adamdoesit: Hiya TDK!
	🥁 1:20pm David (in London): Scott Walker's dark and unhappy 70s only makes me love him more. Listening to that 'Stretch' album, for example, you can see why he was later so distant from them. But Lord above did he find the path again...
	🥁 1:21pm David (in London): I was one of the Drifting & Tilting shows he did at the Barbican in 2008. And who sang this one? Damon F***ing Albarn. Unbelievable.
	1:22pm Stork: Yeah, David (in London) - and even though they were conceived badly (not by SW, but by the suits), there's a couple each from them that's worth it. Hard to go all wrong with that voice!
	1:24pm Stork: Farmer in the City is a pop song, compared with the rest of Tilt.
	1:24pm coelacanth∅: adam i followed your example and did a tentacle shot. it tasted at least as good as jägermeister but it wasn't having it and after a few minutes forced it's way back up my throat and out my mouth and now is at the bar talking shit about me to the bartender.
	🥁 1:27pm WR: Hello Stork and clubbers.
	1:28pm coelacanth∅: Franco @111 i never heard of Scott Walker until sometime in the 21st century - on wfmu. but i did note that example set by others
	1:29pm Stork: Yeah, The Tentacle is a real pain in the ass, coel. I just tossed him, but I know he'll be back. He's a a terrible influence on the gelatinous monsters. Gets 'em all stirred up.
	1:30pm adamdoesit: coel, I'm sorry that didn't go better for you. If it calls you a sucker, just tell it that it takes one to know one.
	1:31pm coelacanth∅: haha Stork thanks but yeah, they always come back. hey WR
	1:31pm coelacanth∅: adam hahaha!
	1:32pm Franco Twinkie: Coel, I saw The Walker Brothers on television in 1966 and got it right away. I was ten years old, and just starting to realize what star power was.
	1:33pm StringOFperils: Why must this be SO compelling?!!!! I really want to get a bike ride in before the temperature plummets later today, but i cannot leave. No
	1:34pm Franco Twinkie: Me too SoP! I'm dressed and ready to go...but I just can't!
	1:35pm Stork: Not to discourage your ambitions toward physical fitness, StringOFperils, but there's WAAAY more to come! Just give in. I mean be strong!
	1:36pm Franco Twinkie: Damn you Stork!
	1:36pm StringOFperils: It's a character flaw. I blame myself. Sad really.
	1:37pm adamdoesit: SOP, same. I'm compromising by setting up to ride the rollers even as we speak. My next Comment! will likely be that of my face hitting the keyboard.
	1:37pm Stork: We'll always (hopefully) have the archives. Even so, SW kind of roots one to the spot.
	1:38pm doctorjazz: Also didn't know much of Scott Walker aside from the Walker Brother hits until relatively recently, hearing him on WFMU.
	1:38pm Listening Out There: The archive, fellow, cyclists, the archive. Pedal now, listen later…
	1:38pm Franco Twinkie: You're just doing your job.....double damn you.
	1:39pm fred: Until recently I knew more about the bad Scott Walker than the good one
	1:39pm TDK60: Anyone know if Scott W read music notation for singing? I've been thinking of what connects between the earlier pop and later. Maybe a serious commitment to lyrics with some substance?
	1:39pm doctorjazz: It's 39 degrees here in Central Joisey, SOp, too cold for me to bike. You're made of tough stuff!
	1:40pm doctorjazz: Got errands to do, take you along in the car.
	1:41pm Stork: I once answered the phone at WFMU - Scott Walker calling to talk to Ken Freedman - in, like 1994, to find out what this radio station that was playing so much of his music. How he even found out - who knows?
	1:41pm StringOFperils: Back in the 60s, while still I mere stripling left in the car with nothing but the dashboard radio, I didn't get Scott at all. Couldn't distinguish between Engelbert Humperdickschädel and Engel.
	🥁 1:41pm David (in London): TDK, he memorably spent years writing the lyrics, and only when he was happy with them, would he record the music to go under them. Amazing. Faber recently published a selection of them called Sundog. It's ace.
	1:42pm Listener Robert: I remember when you used to answer the phone there!
	1:43pm Franco Twinkie: Okay, I found a solution: I'll dig around for something epic, literary AND romantic for my trip to the farmers market.
	1:45pm chresti: Jeez the production/orchestration
	1:46pm Stork: Thanks Uncle Michael for this rekkid!!!
	1:47pm Listening Out There: Andy Williams, I say…
	1:50pm Stork: Was SW channeling Jacques Brel when he wrote Montgue Terrace! Mais oui, methinks.
	🥁 1:50pm WR: @Franco: my partner hasn't seen To Sir with Love, as I was giving her an overview while reading the Wikipedia plot summary I teared up over the funeral scene.
	1:54pm StringOFperils: Is there complete scored notation for pieces like Printing Press/On the Way.. out there; and did he learn the skills to score all the orchestral part voicing and harmony...I know he worked things out with musicians while recording, but.... I saw 30th Century Man about 10 years ago, and can't remember much beyond and punching a side of pork to get a desired percussive sound...on The Drift
	🥁 1:54pm David (in London): Climate of Hunter in 1983.
	1:58pm adamdoesit: I'm feeling a little dickschedelbleu. I should probably lower my saddle a smidge.
	2:02pm coelacanth∅: so here comes the Scott Walker i like.
	2:02pm Uncle Michael: Stork, you're welcome. Scott was the first English speaker to record Brel translations, if I recall correctly. Brel's influence on him was profound.
	2:03pm Stork: omg, StringOfperils - now I remember i DID see that doc! You don't forget a musician whaling on a side of beef in a recording studio. Wonder if it went on his resume.
	2:04pm Uncle Michael: Now I can share the Lulu quote!
	2:04pm coelacanth∅: ...i wonder if in 1994 after learning of wfmu playing his music he started listening to the station which then influenced him to go in this direction.
	2:05pm Uncle Michael: Lulu asked: "Is he still cute?"
	2:05pm Stork: Actually, Scott was following the translations done by Mort Schumann (Jacques Brel is Alive and Well and Living in Paris) which were done in the early sixties. There's a great original cast record from that time - 1964 i think.
	2:06pm fred: @Uncle Michael: Don't forget Mort Shuman's part in this, he wrote many of the English versions of Brel's songs
	🥁 2:07pm David (in London): Rod McKuen needs a shout-out for Brel translations, too. As ludicrous as he could be, he could also be fantastic.
	🥁 2:08pm David (in London): Scott's birthday message to Bowie is also an absolute gem if you've never heard it: www.youtube.com...
	2:09pm Stork: Oh, yes, David (in London)! A friend's mom had all of McKuen's records - and he was singing those same translations, and even trying some original French (Ne me Quitte-Pas). He's ridiculous, or sublime, or - at his best - both.
	2:09pm Uncle Michael: Correction: Scott was the first recording artist to tackle Brel in English.
	2:11pm Stork: He and Bowie are both excellent interpreters of Brel.
	2:11pm TDK60: Just a footnote that Judy Collins did a Brel on her In My Life album, 1966: La Colombe and an intense reading it is.
	2:12pm StringOFperils: Mort Shuman, again. I had no idea his career was so diverse. The teamwork w Doc Pomus, the British invasion stuff (only learned about the origin of 'Machines' just yesterday), and now the Brel. I really do live under a rock.
	2:13pm fred: @StringOfPerils: He was also a quite popular singer in France in the '70s
	2:14pm StringOFperils: Incroiable!
	🥁 2:16pm David (in London): They knew their record company was about to go down the tubes, so they unleashed this on the world. Utter genius.
	2:17pm Uncle Michael: I didn't know Judy beat Scott! Thanks, TDK!
	🥁 2:18pm WR: Bark bark
	2:19pm Stork: Wow - din't know of Schumann's connection to Pomus, StringOFperils ! Thanks!!
	2:20pm Uncle Michael: His connection to Pomus is how he could afford to run off to France and become an artiste!
	2:20pm chresti: What year is Scott 2 from? 1968.
	2:21pm TDK60: No prob, UM. / In a documentary on Scott, Eno said one Scott album has never been surpassed in rock since. I forget which he mentioned. Was that his more out ones on Nite Flights or Climate of Hunter? Other?
	2:22pm Uncle Michael: I love Scott 4 beyond all reason. 1969, chresti.
	2:22pm StringOFperils: I can't even tell you how deeply I love this recording/song. It takes my breath away every time.
	2:23pm Stork: Oh, it's a top-fave of mine, too, SOp - so glad you feel it too!
	2:24pm TDK60: In hindsight, "4" reveals a lot. His sincere inhabiting the words. The music here sounds like folk-rock meets sentimental strings.
	🥁 2:26pm David (in London): Pola X is a pretty indifferent film in the main, but Scott's music for it is utterly sublime. Love this one.
	2:26pm Stork: Inhabiting the words . . really well-put, TDK60. There was a big step forward with that record. Unfortunately the suits fired him for it.
	🥁 2:28pm David (in London): Stork, don't know if you've seen this, but my friend Rob did a book and lecture series about Scott a few years back: www.thewire.co.uk...
	2:29pm fred: Suits gotta suit
	2:29pm Stork: David (in London) - thanks for the link!! I will check that out! I heard one person (my sample size) say Pola X was mildly interesting. But yeah, the music is really excellent.
	2:30pm Stork: Hey, fred!!
	2:30pm Uncle Michael: haunted jacuzzis churn
	2:32pm Stork: UM, that's simply what haunted jacuzzis do! Hello?! Ya gotta churn, ya gotta churn!
	🥁 2:33pm David (in London): Scott deploys the estimable British word 'Bollocks' to absolute master level here.
	2:36pm Stork: I'm stuck at middle-grade use of the word Bollocks, and I've been studying for years. Shoulda moved to the UK all those years ago- bet i'd have my Bollocks diploma by now.
	2:37pm StringOFperils: Take that,accidentally, in the bollocks, for a start
	2:37pm Listener Robert: "Take that accidentally in the bollocks for a start." I love it!
	2:37pm StringOFperils: Yo, LR! *high five
	2:38pm Listener Robert: Pinkie lock!
	🥁 2:38pm David (in London): Don't worry Stork, it's a life's work to get that one right. Like perfecting one's trumpet technique. Keep at it.
	2:39pm Listener Robert: Pronounce the "zoo" part like there's a dieresis over the 2nd o.
	2:39pm StringOFperils: Zo-awt-ics
	2:40pm Listener Robert: We pronounce "zoo" as in "the zoo" as "zoo", but all the other words that are the longer version of "zoologic" as "zo-o".
	2:41pm chresti: Haha haunted jacuzzis churn
	2:43pm Stork: Zo-awt-ics - is that right SOp? Thanks!
	2:45pm fred: I'm always confused by the nuances of diaeresis vs umlaut vs metal umlaut
	🥁 2:47pm David (in London): Höw sö Fred?
	2:47pm Stork: I can barely master the 3 little umlauts in German, fred.
	2:48pm StringOFperils: Technicaly, the zootics pronunciation is between mine and Listener Roberts, like zoo and zo at the same time...they're all accepted, I think (and now that dead horse needs no more flogging. Amen)
	🥁 2:49pm David (in London): The legendary Quarr Abbey key hanging round Scott's neck in that great photo.
	2:52pm Stork: Duchess is taken at so slow a tempo, I can imagine the douchie suits saying "where are we, Scottie, at a fuckin' funeral? Pep it up once in while, kid!"
	2:57pm Stork: Love the lightly detuned guitar.
	2:58pm fred: @Stork: don't worry, two of my bosses are German, and they disagree about umlauts. One says ö and oe are the same thing, the other insists they are very different. To be honest, the one who says both spellings are the same is influenced by having his name spelled in different ways on official German paperwork (leading to hours of administrative "fun")
	3:02pm Uncle Michael: This is the music for Warner Bros. cartoon I'd like to see.
	3:03pm StringOFperils: This music really deserves to be brought out into brighter light by 'new music' ensembles around the world. It should be repertoire. Maybe that will happen, in time.
	3:05pm adamdoesit: The last hour kept me entranced while cycling standing still -- no mean feat. It must be Walker's Belgian tinge that makes him good for the bike.
	3:05pm fred: @StringOfPerils: nice sentiment, but there is no repertoire. All they care about is premiere, so most contemporary music is played exactly once
	3:05pm coelacanth∅: this album made me start listening to Scott Walker
	3:06pm Listener Robert: So Stravinski + someone singing in sprechstimme + Moondog = Scott Walker?
	3:07pm Stork: That's an interesting way in to the Scott Walker oevre, coel! Absolutely GREAT collab !!
	🥁 3:08pm David (in London): That's the great thing, there's a Scott for whatever mood you're in...
	3:10pm coelacanth∅: hey David Thanks for that link to his message to Bowie. very moving.
	3:10pm Stork: David (in London) - his range was truly phenomenal.
	🥁 3:10pm David (in London): I went to an album promotional playback session for Soused. Played at deafening volume at a church in Hackney. It was practically a religious experience in its own right.
	3:12pm Uncle Michael: What I love is that the journey from Scott Engel 45s to Soused is entirely progressive, one small step at a time.
	3:12pm Stork: Thanks also from me, David. I played that bit on a marathon fundraising show last March, with Irene as my co-host :) Bowie was moved to- or near tears. His love for SW, and vice versa, was beautiful.
	3:12pm fred: Most of what Stephen O'Malley does should be played at deafening volume
	3:15pm TDK60: That sounds like a night in church, DavidiL. I had to see what Soused sounds like on cassette.
	3:15pm StringOFperils: @fred > 'modern' repertoire. True. I live in the past. Ha ha
	3:16pm coelacanth∅: for the record... or oblivion- i'd love to hear a Jacques Brel special, interpretations of his songs by the diverse variety that covered him.
	3:18pm Mike Cooper: @fred: Elliott Sharp’s new music compositions get played more than once by ensembles from time to time.
	3:19pm Uncle Michael: I could do Bel as a songwriter tribute in October.
	3:19pm Uncle Michael: Hello, Mike.
	🥁 3:20pm David (in London): Hoped you might play this one.
	3:20pm Stork: Great idea, coel.
	3:20pm adamdoesit: coel, I was having much the same thought. UM, that would be superbe!
	3:20pm Mike Cooper: Hi uncle😎
	3:20pm TDK60: I have an extra LP of the Brel Alive and Well play if anyone is interested. Don't think in bad shape; could check..
	3:20pm coelacanth∅: i've seen some bands in church-night clubs, but nothing along those lines. (come, i think; and Katell Keineg...maybe brian jonestown massecre... some others) ...not to say they weren't religious experiences, in their ways.
	3:21pm Uncle Michael: I'll steal the idea if Stork doesn't beat me too it. I have another songwriter special already in mind.
	3:21pm Stork: Mike Cooper in attendance! 🤣
	3:22pm Mike Cooper: @Stork : been here all along. Great.
	🥁 3:22pm David (in London): Coela, that church does amazing shows on an occasional basis. Saw Faust and Nurse with Wound there. Just the perfect environment for it.
	3:23pm Mike Cooper: Helps to keep my addition in shape 🤣
	3:24pm StringOFperils: I can't get up off the floor of the Stork Club.
	3:27pm coelacanth∅: Stork it's just "sun"
	3:27pm Uncle Michael: Sunn O))) is pronounced "sun", just for the record.
	3:27pm fred: The church next to my workplace held great diverse shows. The new priest is having none of that, so it's over
	🥁 3:27pm listener james from westwood: First Scott Walker song I heard was, oddly enough, not on WFMU like all the others, but on WDRE/WLIR out of Long Island, then an alternative/modern rock station, which for some reason got "Jackie" into its rotation.
	🥁 3:27pm listener james from westwood: Just "sun"? Oh!
	🥁 3:28pm David (in London): The Methodist Central Hall is an absolutely beautiful venue. Lord knows the organ must sound incredible when you're in there.
	3:30pm coelacanth∅: David @322 wow, i can imagine those. the limelight in nyc likely had shows like that but when i was spending time in clubs in the city my then-girlfriend was in charge of who'd we go see (with some input) so i never even looked at the schedules. Come was certainly a religious experience for me -right after don't ask don't tell was released. so was Katell, but that was at st.anne's cathedral.
	🥁 3:31pm David (in London): Gotta sign out now and finish the day's business. Thank you Stork, that was superbly enjoyable and motivating. Toodles groovers, and have a good week ahead.
	3:32pm Stork: Sun? OK.
	3:32pm TDK60: Night, David.
	3:32pm coelacanth∅: ta ta David
	3:33pm doctorjazz: Been listening on and off while getting some errands done. Fine tribute, Stork. Back for the home stretch.
	3:33pm Stork: Thank you very kindly, David in London - a pleasure - see you soon!
	3:34pm coelacanth∅: Stork they named it after the amplifier company, that was "sun" with a picture of a sun with ))) being the rays coming off it
	3:34pm StringOFperils: See you later, David in London. I think it's time for me to bail as well; one last shot at bicycling before that arctic blast...so thank you so much, Stork! Really great shew.
	3:36pm coelacanth∅: ('sorry, "sunn" amplifiers, not "sun")
	3:36pm fred: @coel: Was that name also a nod to Earth?
	3:36pm doctorjazz: Looked back a bit-the best "church' concert I've been to was at St Anne's in Brooklyn Heights. Aaron Neville was there with just piano back up, and it was, dare I say it, heavenly (He did Ave Maria, man.....). Also saw Richard Thompson there, and he rarely takes second place in my book, but the Neville show...
	3:37pm Stork: coelacanth∅ - cool - thanks.
	3:39pm Guido from Cologne: Great show! Enjoyed every second! :-)
	3:39pm adamdoesit: Super cool Scott Walker tribute, Stork. I know I'm always saying this, but I'd never listened to him before. Meanwhile, I had no idea I was among so many Jacques Brel fans. I should have known, from the way Herr Barkeep calls out "Au suivant!" each time he pours a shot.
	3:40pm headcleaner: fine stuff, Herr Stork, judging by the playlist. am in another acoustic rabbithole presently but looks like I'll definitely have to come back to this set in the near future + start from the beginning. hopefully in the very near future.
	3:40pm coelacanth∅: doc, st. anne's was gorgeous and wonderful acoustics. i may have also seen Sarah McLaughlin there.
	3:41pm Stork: @adamdoesit - 😜
	3:41pm Stork: headcleaner - greetz, and thank you!!
	3:42pm Stork: Hey Guido from Köln!! Almost missed ya!
	3:45pm coelacanth∅: whoaaa i've never heard this version
	3:46pm doctorjazz: This is a lovely version of Sir, sir!
	3:46pm coelacanth∅: holy shit this is great!
	3:47pm Stork: I kinda prefer this version, though I love Lulu's as well.
	3:49pm coelacanth∅: definitely at least neck-and-neck
	🥁 3:49pm listener james from westwood: That album art on the Gaye!
	3:50pm coelacanth∅: i dated/lived with someone c.1989 who said she hung at the actual sugar shack -said that picture on the front of Gaye's album is exactly accurate.
	3:51pm fred: Is Scott Williams taking over?
	🥁 3:51pm listener james from westwood: My first exposure was the form used behind the closing credits on Good Times.
	3:53pm Stork: O, Clubbies, All!! So sweet and good and right to be these 4 golden hours tah-geh-thuh!!! Leave us undertake to repeat this action next Sundy.
	3:53pm doctorjazz: That Marvin Gaye album is a good'n! Thanks, Stork!
	3:53pm Stork: Sundy, or Sunday, whichever works for you.
	3:54pm coelacanth∅: ...i'm not actually sure that the sugar shack she hung out in came before that painting, or the painting inspired the club. i thought she said it was in newark, nj, but that seems unlikely to me.
	🥁 3:55pm WR: Thank you Stork!
	🥁 3:55pm listener james from westwood: Excellent news indeed!
	3:56pm adamdoesit: Oughta be Allen Toussaint Boulevard, if you ask me. Thanks, Stork! Thanks, clubgoers! You swing away my Sunday blues.
	3:56pm TDK60: Thanks, Stork.
	🥁 3:57pm listener james from westwood: Many thanks, Stork!
	3:58pm Uncle Michael: Thanks, Stork.
	3:59pm chresti: Thank you Stork!
	3:59pm coelacanth∅: Thanks Stork!
	3:59pm Franco Twinkie: Excellent show Stork, Thanky!
	4:00pm Stork: Multi Gratz again everybody!!
	4:00pm Listener Robert: Couldn't pull myself away for The Hound until now, thanks!
	🥁 4:00pm WR: @3:56 @adamdoesit: Oughta be Allen Toussaint Boulevard, if you ask me. It is Blvd. adamdoesit. they followed your guideline.

The Stork Club with Stork: Playlist from January 9, 2022

Listener comments!

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