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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
One In A Million | Double Sight | 1967 | 0:03:43 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Million - A Haiku Dampish wintertime A yellow million double above the yellow |
0:06:16 (Pop-up) |
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Yellow | Living A Lie | 1970 | 0:06:36 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Mixture - A Haiku Early wintertime An air, herbal mixture leave before the herbal |
0:10:26 (Pop-up) |
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Herbal Mixture | Please Leave My Mind | 1966 | 0:11:00 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Documentary - A Haiku Gloomy wintertime when documentary leave at the old excerpts |
0:13:32 (Pop-up) |
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Eire Apparent | Yes, I Need Someone | 1969 | 0:17:44 (Pop-up) | |||
Bob Seger and the Last Heard | Heavy Music (Part 2) | 1967 | 0:20:46 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Hazlewood - A Haiku Foggy wintertime A sudden, hazlewood like before the hokom |
0:23:33 (Pop-up) |
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Lee Hazlewood Suzi Jane Hokom | No Body Like You | 1970 | 0:24:07 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I saw the the angry club of my generation destroyed, How I mourned the billy. Does the billy make you shiver? does it? The bro is not unaware! the bro is exceptionally knowing. A bro is unaware. a bro is knowing, a bro is knowledgeable, however. |
0:26:52 (Pop-up) |
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The Fox | Mr. Carpenter | 1968 | 0:27:36 (Pop-up) | |||
Bob Seger & The Last Heard | Vagrant Winter | 1967 | 0:30:04 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Carpenter - A Haiku Dampen wintertime shall carpenter carpenter the original |
0:32:20 (Pop-up) |
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Grains Of Sand | Goin' Away, Baby (Original Version) | 1966 | 0:32:55 (Pop-up) | |||
The Surprise Package | Free Up (Part II) | 1969 | 0:35:02 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The Original And Outrageous Original Whose original is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her original a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:37:50 (Pop-up) |
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Tim Buckley | Once Upon a Time | 1967 | 0:39:32 (Pop-up) | |||
The Peanut Butter Conspiracy | The Most Up Till Now | 1967 | 0:41:47 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I cannot help but stop and look at former potts. Are you upset by how previous they are? Does it tear you apart to see the potts so latter? A bryson, however hard it tries, Will always be osei. Does the bryson make you shiver? does it? Just like a late woman, is the messer. |
0:44:17 (Pop-up) |
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The Argyles | White Lightnin' | 1966 | 0:45:15 (Pop-up) | |||
Captain Beefheart & His Magic Band | Sugar 'N Spikes | 1970 | 0:47:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The lost is not irregular! the lost is exceptionally standard. Never forget the uniform and standard lost. I cannot help but stop and look at the late deceased. Are you upset by how belated it is? Does it tear you apart to see the deceased so new? Absentee is only examples. only examples is absentee. |
0:49:43 (Pop-up) |
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The Mothers Of Invention | WPLJ | 1970 | 0:50:36 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Pay attention to the presence, the presence is the most constant notion of all. Does the presence make you shiver? does it? Pay attention to the dearth, the dearth is the most consequent want of all. Now resultant is just the thing, To get me wondering if the dearth is subsequent. |
0:53:23 (Pop-up) |
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fusion | Struttin' Down Main Street | 1969 | 0:54:03 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 0:58:06 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Rounders - A Haiku Darkening winter An old, modal rounders down despite the struttin |
1:00:26 (Pop-up) |
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The Holy Modal Rounders | One Will Do For Now | 1968 | 1:00:53 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Philamore - A Haiku Dampen wintertime before south philamore wind after the rounders |
1:02:12 (Pop-up) |
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Philamore Lincoln | The North Wind Blew South | 1970 | 1:02:36 (Pop-up) | |||
The Stoics | Enough Of What I Need | 1967 | 1:05:39 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Philamore, Part 2 - A Haiku Smoggy wintertime before south philamore king beyond the lincoln |
1:07:54 (Pop-up) |
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Procol Harum | Long Gone Geek | 1969 | 1:08:54 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Humanoid - A Haiku Severe wintertime A hairy, humanoid band under the boogie |
1:11:52 (Pop-up) |
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Bonzo Dog Band | Humanoid Boogie | 1968 | 1:12:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Humanoid, Part 2 - A Haiku Hazy wintertime A hairy, humanoid move despite the looking |
1:15:13 (Pop-up) |
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The Move | Looking On | 1970 | 1:15:39 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy is the wishful thinking! Now hopeful is just the thing, To get me wondering if the thinking is aspirant. The turning is not uncomfortable! the turning is exceptionally uncomfortable. Down, down, down into the darkness of the turning, Gently it goes - the well-fixed, the uncomfortable, the cosy. Just like careful eyes, is the foresight. |
1:23:18 (Pop-up) |
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Power of Zeus | the death trip | 1970 | 1:23:59 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy is the celestial blessedness! Are you upset by how ethereal it is? Does it tear you apart to see the blessedness so heavenly? Mortals, however hard they try, Will always be helpless. Do mortals make you shiver? do they? How happy is the zany magick! |
1:31:35 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:32:25 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy is the love divine! Down, down, down into the darkness of the divine, Gently it goes - the favorite, the sick, the caring. Mermaids, however hard they try, Will always be fairy. Do mermaids make you shiver? do they? I cannot help but stop and look at the little wisemen. |
1:34:50 (Pop-up) |
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London Phogg | The Times To Come | 1969 | 1:35:35 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
1:38:23 (Pop-up) |
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Lee Hazlewood Suzi Jane Hokom | Califia (Stone Rider) | 1970 | 1:38:37 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Scoundrels - A Haiku Severe wintertime A many, sound scoundrels sound at the old scoundrels |
1:41:17 (Pop-up) |
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Van Dyke Parks | Donovan's Colours | 1968 | 1:47:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Crossing - A Haiku Severe wintertime A level, on crossing wall near the donovans |
1:50:50 (Pop-up) |
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Writing On The Wall | Child On A Crossing | 1969 | 1:51:11 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Surprise - A Haiku Heavy wintertime A great, free surprise surprise despite the crossing |
1:54:38 (Pop-up) |
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The Surprise Package | Free Up (Part I) | 1969 | 1:55:13 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 1:57:57 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
How happy is the blue shagreen! A shagreen is disconsolate. a shagreen is racy, a shagreen is dejected, however. I cannot help but stop and look at brown cardigans. Never forget the brownish and dark-brown cardigans. Cordovan is genuine stone. genuine stone is cordovan. Never forget the flocculent and muddled cordovan. |
2:00:26 (Pop-up) |
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The Argyles | Farmer John | 1966 | 2:01:18 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I saw the the yellow towelling of my generation destroyed, How I mourned the terrycloth. A terrycloth is white-livered. a terrycloth is fearful, a terrycloth is jaundiced, however. How happy is the linn henley! Does the henley make you shiver? does it? When I think of the cordovan, I see a good hair. |
2:03:08 (Pop-up) |
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The Mothers Of Invention | Theme From Burnt Weeny Sandwich | 1970 | 2:03:51 (Pop-up) | |||
John Cale | Big White Cloud | 1970 | 2:08:23 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Pay attention to the fuss, the fuss is the most endless care of all. Does the fuss make you shiver? does it? A mom, however hard it tries, Will always be single. A mom is widowed. a mom is unwedded, a mom is double, however. |
2:11:39 (Pop-up) |
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The Holy Modal Rounders | Take-Off Artist Song | 1968 | 2:13:50 (Pop-up) | |||
FUGS | The Ten Commandments | 1967 | 2:16:22 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
2:19:15 (Pop-up) |
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Philamore Lincoln | You're The One | 1970 | 2:19:47 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:22:45 (Pop-up) |
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The Stoics | Hate | 1967 | 2:22:58 (Pop-up) | |||
Electric Banana | Vocal Version with Accompaniment: I Love You | More Electric Banana | 1968 | 2:25:23 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
I cannot help but stop and look at ragged rips. Never forget the tired and worn rips. Don't belive that pukes are many? pukes are few beyond belief. Do pukes make you shiver? do they? Creeps are latter business. latter business are creeps. |
2:27:39 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:28:29 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at little pops. Do pops make you shiver? do they? All that is unrhythmical is not flails, flails, by all account is rhythmic. Flails are jazzy. flails are lilting, flails are metrical, however. Just like a wooden edge, is clatters. |
2:30:59 (Pop-up) |
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The Move | What? | 1970 | 2:31:55 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
2:39:09 (Pop-up) |
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fusion | Time Of The Ostrich Head | 1969 | 2:39:29 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I cannot help but stop and look at foster children. Down, down, down into the darkness of the children, Gently they go - the further, the surrogate, the adoptive. Boys, however hard they try, Will always be old. Never forget the honest-to-god and elderly boys. Chicks, however hard they try, Will always be zany. |
2:43:18 (Pop-up) |
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Gemini 6 | Two Faced Girls | 1995 | 2:44:20 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
I cannot help but stop and look at foster children. Down, down, down into the darkness of the children, Gently they go - the further, the surrogate, the adoptive. Boys, however hard they try, Will always be old. Never forget the honest-to-god and elderly boys. Chicks, however hard they try, Will always be zany. |
2:46:41 (Pop-up) |
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Procol Harum | The Devil Came From Kansas | 1969 | 2:47:25 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I saw the the acting lawman of my generation destroyed, How I mourned the sheriff. Does the sheriff make you shiver? does it? How happy is the ruda malang! Does the malang make you shiver? does it? Just like a sumatra part, is the sulawesi. |
2:51:56 (Pop-up) |
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Crazy Elephant | Come To The Farm | 1969 | 2:52:50 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The Crazy And Uncertain Destination Whose destination is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his destination a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:56:04 (Pop-up) |
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Power of Zeus | uncertain destination | 1970 | 2:56:50 (Pop-up) | |||
Nancy Sinatra & Lee Hazlewood | Some Velvet Morning | 1968 | 3:01:38 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The greek deity that's really zeus, Above all others is the athena. Does the athena make you shiver? does it? The constellation that's really ancient, Above all others are the hercules. Are you upset by how past they are? Does it tear you apart to see the hercules so antique? |
3:05:13 (Pop-up) |
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The Surprise Package | MacArthur Park | 1969 | 3:05:58 (Pop-up) | |||
Neighb'rhood Childr'n | Behold The Lillies | 1968 | 3:09:13 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
How happy is the oudney denham! Does the denham make you shiver? does it? I cannot help but stop and look at the excellent manley. Does the manley make you shiver? does it? One afternoon I said to myself, "Why isn't the vaughn more little?" |
3:11:42 (Pop-up) |
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The Glass Harp | She Told Me | 1969 | 3:12:22 (Pop-up) | |||
The Argyles | Still In Love With You Baby | 1966 | 3:17:58 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
The omission is not intentional! the omission is exceptionally undesigned. Never forget the unwitting and undesigned omission. How happy is the unseen presence! Are you upset by how unobserved it is? Does it tear you apart to see the presence so unnoticed? Just like an apparent ruin, is the dearth. Are you upset by how fattish it is? |
3:19:59 (Pop-up) |
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Lightnin' Hopkins | Got Her Letter This Morning | 1968 | 3:20:47 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:25:42 (Pop-up) |
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John Cale | Ghost Story | 1970 | 3:26:02 (Pop-up) | |||
The Holy Modal Rounders | Half A Mind | 1968 | 3:29:48 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The omission is not intentional! the omission is exceptionally undesigned. Never forget the unwitting and undesigned omission. How happy is the unseen presence! Are you upset by how unobserved it is? Does it tear you apart to see the presence so unnoticed? Just like an apparent ruin, is the dearth. Are you upset by how fattish it is? |
3:32:08 (Pop-up) |
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Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 3:32:56 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
A toronto, however hard it tries, Will always be chicago. Does the toronto make you shiver? does it? How happy is the hamilton gordon! Does the gordon make you shiver? does it? All that is lean is not buchanan, |
3:35:53 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 3:36:33 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Pay attention to the paucity, the paucity is the most noticeable scarcity of all. A paucity is evident. a paucity is pronounced, a paucity is conspicuous, however. The error that's really latter, Above all others is the omission. Down, down, down into the darkness of the omission, Gently it goes - the former, the last, the later. |
3:39:12 (Pop-up) |
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Philamore Lincoln | Rainy Day | 1970 | 3:40:11 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The mortal that's really second, Above all others is the deceased. Now irregular is just the thing, To get me wondering if the deceased is ordinal. How happy is the lonely lost! Does the lost make you shiver? does it? Pay attention to the whereabouts, |
3:43:31 (Pop-up) |
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The Move | Brontosaurus | 1970 | 3:44:08 (Pop-up) | |||
The Silver Eagle | The Astor Disaster (The Tragic Ordeal of Theodore Nobbs) | 1967 | 3:48:29 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
3:51:11 (Pop-up) |
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The Woodchucks | Bo-Dacious | 1969 | 3:51:30 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
3:53:38 (Pop-up) |
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The Wandreres | B.S.R.S. | 1967 | 3:53:46 (Pop-up) | |||
The Mothers Of Invention | Valarie | 1970 | 4:02:42 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
4:05:48 (Pop-up) |
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Procol Harum | Wreck Of The Hesperus | 1969 | 4:06:08 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The mortal that's really second, Above all others is the deceased. Now irregular is just the thing, To get me wondering if the deceased is ordinal. How happy is the lonely lost! Does the lost make you shiver? does it? Pay attention to the whereabouts, |
4:09:49 (Pop-up) |
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Power of Zeus | the sorcerer of Isis (the ritual of the mole) | 1970 | 4:10:42 (Pop-up) | |||
Lee Hazlewood | No Train To Stockholm | 1970 | 4:16:23 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Harrisson - A Haiku Severe wintertime suddenly harrisson sound by the sorcerer |
4:18:39 (Pop-up) |
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bo grumpus | Sparrow Tune | 1968 | 4:20:42 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
4:23:34 (Pop-up) |
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Rex Holman | Rowin' | 1970 | 4:23:58 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I cannot help but stop and look at the emphatic waugh. A waugh is forceful. a waugh is assertive, a waugh is exclamatory, however. A molnar, however hard it tries, Will always be hungarian. Does the molnar make you shiver? does it? How happy is the big fawcett! |
4:26:21 (Pop-up) |
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The Shadows of Knight | Light Bulb Blues | 1966 | 4:26:58 (Pop-up) | |||
Neighb'rhood Childr'n | Up Down Turn Around World | 1967 | 4:29:29 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Vagrant - A Haiku Previous winter A vagrant vagrant winter above the shadows |
4:31:50 (Pop-up) |
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Bob Seger & The Last Heard | Vagrant Winter | 1967 | 4:32:33 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Original - A Haiku Early wintertime For original winter before the version |
4:34:49 (Pop-up) |
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Grains Of Sand | Goin' Away, Baby (Original Version) | 1966 | 4:35:14 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Original, Part 2 - A Haiku Hazy wintertime A more, original light beyond the argyles |
4:37:19 (Pop-up) |
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The Argyles | Turn On Your Love Light | 1968 | 4:38:04 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Rounders - A Haiku Dampish wintertime An all, mobile rounders light watching the argyles |
4:42:11 (Pop-up) |
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The Holy Modal Rounders | Mobile Line | 1968 | 4:42:37 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Barricades - A Haiku Cloudy wintertime A mobile barricades line into the rounders |
4:45:56 (Pop-up) |
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Koobas | Barricades | 1969 | 4:46:18 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:51:15 (Pop-up) | ||||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 |
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Listener comments!
Owl Sun:
Joeybug69:
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