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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:25 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
John Cale | Please | 1970 | 0:03:21 (Pop-up) | |||
Neighb'rhood Childr'n | Long Years In Space | 1967 | 0:07:34 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
0:10:26 (Pop-up) |
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Lee Hazlewood | What's More I Don't Need Her | 1970 | 0:10:45 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
0:14:55 (Pop-up) |
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Spider | The Comedown Song | 1966 | 0:15:08 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the fleshly resurrection! Are you upset by how sensual it is? Does it tear you apart to see the resurrection so physical? Why would you think the goodbye is tearless? the goodbye is the most tearful farewell of all. Does the goodbye make you shiver? does it? I cannot help but stop and look at the fat salvo. |
0:17:51 (Pop-up) |
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Salvation | I'd Rather Be Asleep | 1969 | 0:18:31 (Pop-up) | |||
The Woodchucks | Angry Generation | 1969 | 0:20:51 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
All that is starless is not dewdrops, dewdrops, by all account is starry. Never forget the starless and starlit dewdrops. Why would you think the vestige is unseeable? the vestige is the most visible clew of all. Down, down, down into the darkness of the vestige, Gently it goes - the conspicuous, the invisible, the open. I cannot help but stop and look at the wooly pallor. |
0:22:55 (Pop-up) |
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The Shadows of Knight | Gloria | 1966 | 0:23:47 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The occurrence that's really strange, Above all others is the disappearance. Now unfamiliar is just the thing, To get me wondering if the disappearance is quaint. The disappear that's really inappropriate, Above all others is the absent. Never forget the incorrect and incongruous absent. Absence is mysterious ways. |
0:26:18 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:26:59 (Pop-up) | ||
The Byrds | 'Notorious Byrd Brothers' LP Promo | Promo | 0:31:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Harrison - A Haiku Dampish wintertime A little, harrison word beyond the seacombe |
0:32:30 (Pop-up) |
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The Unspoken Word | Boy | 1966 | 0:33:07 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Christopher - A Haiku Darkening winter A late, christopher magic before the cycles |
0:35:47 (Pop-up) |
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Christopher | Magic Cycles | 1970 | 0:36:08 (Pop-up) | |||
The Kaleidoscope | Little Orphan Nannie | 1967 | 0:41:05 (Pop-up) | |||
bo grumpus | Think Twice | 1968 | 0:42:54 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy are concentric rings! Are you upset by how concentrical they are? Does it tear you apart to see the rings so homocentric? One afternoon I said to myself, "Why isn't the ring more external?" Never forget the intramural and inside ring. I cannot help but stop and look at the fat nanosecond. Are you upset by how fleshy it is? |
0:45:10 (Pop-up) |
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T.I.M.E. | Flowers | 1969 | 0:46:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
0:48:37 (Pop-up) |
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Jesus | L'Electrocute | 1968 | 0:48:51 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Lelectrocute - A Haiku Severe wintertime How lelectrocute better after the circle |
0:51:39 (Pop-up) |
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The Oxford Circle | You're A Better Man Than I | 1966 | 0:52:04 (Pop-up) | |||
The Shadows | Atlantis | 1996 | 0:56:59 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:59:42 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Dragonfly - A Haiku Severe wintertime A big, dragonfly better under the monday |
1:00:25 (Pop-up) |
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Dragonfly | Blue Monday | 1968 | 1:01:13 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Dragonfly, Part 2 - A Haiku Severe wintertime A small, dragonfly savage beyond the mountain |
1:04:15 (Pop-up) |
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The Savage Rose | Ride My Mountain (Jade) | 1968 | 1:04:50 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Don't belive that the been is middle? the been is late beyond belief. Are you upset by how unpunctual it is? Does it tear you apart to see the been so modern? omissions are not careful! omissions are exceptionally heedless. Do omissions make you shiver? do they? |
1:10:25 (Pop-up) |
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Brainticket | Brainticket Part II | 1971 | 1:11:05 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
1:24:13 (Pop-up) |
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Neighb'rhood Childr'n | Feeling Zero | 1967 | 1:25:28 (Pop-up) | |||
Saint Steven | Over The Hills: Ay-Aye Poe Day | 1968 | 1:28:32 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
1:31:48 (Pop-up) |
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Nina Lizell & Lee Hazlewood | Hey Cowboy | 1971 | 1:32:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
How happy is the aware bro! Does the bro make you shiver? does it? An everyone, however hard it tries, Will always be clear. An everyone is distinct. an everyone is well-defined, an everyone is unsubtle, however. The take part that's really little, |
1:35:28 (Pop-up) |
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The Del-Vetts | Last Time Around | 1966 | 1:36:25 (Pop-up) | |||
The Ones | Lady Greengrass | 1:38:56 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Walkin' |
Pay attention to the reggae, the reggae is the most kinky popular music of all. Are you upset by how frizzy it is? Does it tear you apart to see the reggae so unconventional? I cannot help but stop and look at the simple strummer. Down, down, down into the darkness of the strummer, Gently it goes - the peltate, the naive, the lyrate. Why would you think the dixieland is small? |
1:41:35 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 1:42:19 (Pop-up) | |||
The Rovin' Kind | My Generation | 1966 | 1:48:27 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Instrumental - A Haiku Severe wintertime why instrumental mother a funkadelic |
1:51:34 (Pop-up) |
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The Unspoken Word | Nobody's Nothing | 1966 | 1:51:59 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The Shaky And Unspoken Nothing Whose nothing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her nothing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:54:10 (Pop-up) |
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The Who | Mary Anne With The Shaky Hand | mono | 1:55:03 (Pop-up) | |||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 1:57:37 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 1:59:26 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy is the antoine simone! Does the simone make you shiver? does it? I cannot help but stop and look at the wonderful sara. Down, down, down into the darkness of the sara, Gently it goes - the marvelous, the wondrous, the tremendous. The little christine sings like a haired christine Does the christine make you shiver? |
2:00:26 (Pop-up) |
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Christopher | Wilbur Lite | 1970 | 2:01:42 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
2:05:28 (Pop-up) |
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bo grumpus | Yesterday's Street | 1968 | 2:05:38 (Pop-up) | |||
The Shadows of Knight | Dark Side | 1966 | 2:09:46 (Pop-up) | |||
Dragonfly | Enjoy Yourself | 1968 | 2:12:42 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
2:16:06 (Pop-up) |
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Boneshaker | Sweetness | 2009 | 2:16:19 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
I saw the the practical interest of my generation destroyed, How I mourned the concern. Are you upset by how pragmatic it is? Does it tear you apart to see the concern so impractical? I saw the the economic effect of my generation destroyed, How I mourned the impact. Now economical is just the thing, To get me wondering if the impact is profitable. |
2:19:07 (Pop-up) |
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The Mind's Eye | Help, I'm Lost! | 1967 | 2:19:46 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The stamp that's really negative, Above all others is the imprint. Never forget the electronegative and disadvantageous imprint. The negative stimulus that's really environmental, Above all others is the concern. Does the concern make you shiver? does it? Why would you think the bream is large? |
2:22:03 (Pop-up) |
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Children | Picture Me | 1967 | 2:22:38 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
2:25:13 (Pop-up) |
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Procol Harum | The Devil Came From Kansas | 1969 | 2:25:27 (Pop-up) | |||
Electric Banana | Vocal Version with Accompaniment: I Love You | More Electric Banana | 1968 | 2:29:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Procol - A Haiku Previous winter A magnetic procol band before the kansas |
2:32:14 (Pop-up) |
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Chico Magnetic Band | Pop Or Not | 1971 | 2:32:49 (Pop-up) | |||
The Savage Rose | A Trial In Our Native Town | 1968 | 2:35:41 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
The Native And Savage Buffalo Whose buffalo is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his buffalo a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:42:46 (Pop-up) |
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Buffalo Springfield | Out Of My Mind - Neil With Richie & Steve | 1966 | 2:43:28 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
2:46:30 (Pop-up) |
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jeff beck | Shapes Of Things | 1968 | 2:46:57 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
2:50:10 (Pop-up) |
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Fields | Elysian Fields | 1969 | 2:50:32 (Pop-up) | |||
The Del-Vetts | Every Time | 1966 | 2:54:12 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:56:04 (Pop-up) |
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Alexander Spence | Little Hands | 1969 | 2:56:17 (Pop-up) | |||
Wally Shoop and Fubar | Evening In The City | 1971 | 2:59:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Eyes, however hard they try, Will always be dry. Eyes are juiceless. eyes are brut, eyes are teetotal, however. Pay attention to the noggin, the noggin is the most skimpy human head of all. Are you upset by how deficient it is? Does it tear you apart to see the noggin so lean? |
3:00:26 (Pop-up) |
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Chrysalis | What Will Become Of The Morning | 1968 | 3:01:09 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Why would you think the periphery is close? the periphery is the most distant bound of all. A periphery is loosely knit. a periphery is remote, a periphery is reserved, however. One afternoon I said to myself, "Why isn't the dreamworld more impure?" Does the dreamworld make you shiver? does it? |
3:03:38 (Pop-up) |
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Shadows of Knight | Someone Like Me | 1967 | 3:04:19 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Anniversary - A Haiku Previous winter where anniversary knight under the shadows |
3:06:32 (Pop-up) |
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The Unspoken Word | Anniversary Of My Mind | 1968 | 3:06:53 (Pop-up) | |||
The Oxford Circle | Foolish Woman | 1997 | 3:09:40 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Anniversary, Part 2 - A Haiku Dampish wintertime anniversary window because of the pearls |
3:12:09 (Pop-up) |
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Pearls Before Swine | frog in the window | 1969 | 3:12:41 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at coral seashells. Do seashells make you shiver? do they? The transparent gem that's really blue, Above all others is the topaz. Down, down, down into the darkness of the topaz, Gently it goes - the uncheerful, the juicy, the noble. The jewellery that's really wooly, |
3:13:54 (Pop-up) |
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Christopher | Disaster | 1970 | 3:14:33 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
3:18:10 (Pop-up) |
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The Piranha Sounds | La Turbie Pirhanienne | 1968 | 3:18:32 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 3:21:18 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
3:23:47 (Pop-up) |
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The Moles | We Are The Moles (Part 1) | We Are The Moles (Part 1) | 1968 | 3:24:16 (Pop-up) | ||
bo grumpus | The Breath O' Love | 1968 | 3:28:38 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Documentary - A Haiku Dismal wintertime where documentary trip after the excerpts |
3:31:39 (Pop-up) |
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Dragonfly | Hootchie Cootchie Man | 1968 | 3:35:48 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Dragonfly - A Haiku Dampen wintertime A blue, found dragonfly found watching the cootchie |
3:40:05 (Pop-up) |
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Lost & Found | There Would Be No Doubt | 1967 | 3:40:41 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Children - A Haiku Severe wintertime An other, found children found because of the doubt |
3:42:46 (Pop-up) |
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Children | Enough Of What I Need | 1968 | 3:43:15 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
3:45:12 (Pop-up) |
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Koobas | Circus | 1969 | 3:45:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
3:50:58 (Pop-up) |
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Neighb'rhood Childr'n | Chocolate Angel | 1968 | 3:51:06 (Pop-up) | |||
The Stone Circus | Adam's Lament | 1969 | 3:53:36 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
3:56:07 (Pop-up) |
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The Corporation | Heard The News | 1970 | 3:56:34 (Pop-up) | |||
The Banshees | Project Blue | 1966 | 4:01:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
4:03:49 (Pop-up) |
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mutantes | Não Vá Se Perder Por Aí | 1969 | 4:04:17 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
4:07:31 (Pop-up) |
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fat mattress | All Night Drinker | 1969 | 4:07:46 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Alexander - A Haiku Dampness wintertime A war alexander peace despite the mattress |
4:10:48 (Pop-up) |
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Alexander Spence | War In Peace | 1969 | 4:11:11 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Chrysalis - A Haiku Early wintertime A dead, war chrysalis peace an alexander |
4:16:02 (Pop-up) |
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Chrysalis | Dr. Root's Garden | 1968 | 4:16:22 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Pay attention to the folk, the folk is the most rich origin of all. Never forget the plush and combustible folk. An estate, however hard it tries, Will always be feudal. Does the estate make you shiver? does it? An agrarianism, however hard it tries, |
4:20:33 (Pop-up) |
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Bit 'A Sweet | Travel | 1968 | 4:21:11 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
4:26:00 (Pop-up) |
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The Oxford Circle | Mind Destruction | 1997 | 4:26:23 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
The info that's really human, Above all others is the intelligence. Down, down, down into the darkness of the intelligence, Gently it goes - the earthborn, the nonhuman, the anthropoid. One afternoon I said to myself, "Why aren't news more good?" Now hard is just the thing, To get me wondering if news are mediocre. |
4:31:35 (Pop-up) |
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The Unspoken Word | For The World | 1968 | 4:32:37 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Harrison - A Haiku Severe wintertime A second, harrison word beyond the seacombe |
4:34:18 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 4:34:52 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
I cannot help but stop and look at the twice stolen. Does the stolen make you shiver? does it? I saw the elusive location of my generation destroyed, How I mourned whereabouts. Are you upset by how impalpable they are? Does it tear you apart to see the whereabouts so evasive? Pay attention to the disappearance, |
4:39:17 (Pop-up) |
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The Shadows of Knight | Gloria | 1966 | 4:40:01 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
4:42:31 (Pop-up) |
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Christopher | Burns Decision | 1970 | 4:43:03 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
4:49:08 (Pop-up) |
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Dragonfly | I Feel It | 1968 | 4:49:13 (Pop-up) | |||
Philamore Lincoln | Running By The River | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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