The Night Owl Show with Owl Sun:
Playlist
from March 8, 2022
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
||||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:26 (Pop-up) | ||||
| Nirvana |
C Side of Ocho Rios
|
0:02:52 (Pop-up) | |||||
| bo grumpus |
Travelin' In The Dark
|
1968 |
|
0:03:21 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address
|
Travelin - A Haiku Turbid wintertime before dark travelin knight beyond the shadows |
|
0:05:56 (Pop-up) |
|||
| The Shadows of Knight |
Oh Yeah
|
1966 |
|
0:06:26 (Pop-up) | |||
| The Unspoken Word |
Rossby
|
1968 |
|
0:09:10 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
The material that's really opaque, Above all others is the scrim. Down, down, down into the darkness of the scrim, Gently it goes - the glaucous, the whitish, the milky. How happy are faint ghosts! Are you upset by how vague they are? Does it tear you apart to see the ghosts so cowardly? The protection that's really wooly, |
|
0:11:43 (Pop-up) |
|||
| Chrysalis |
Cynthia Gerome
|
1968 |
|
0:13:15 (Pop-up) | |||
| Paper Blitz Tissue |
Boy Meets Girl
|
1967 |
|
0:17:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
0:19:32 (Pop-up) |
||||
| The Children |
Don't Ever Lose It
|
1968 |
|
0:19:48 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
0:22:56 (Pop-up) |
||||
| The Oxford Circle |
The Raven
|
1997 |
|
0:23:06 (Pop-up) | |||
| Rotary Connection |
Trip II: Teach Me How To Fly
|
Aladdin | 1968 |
|
0:25:43 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
Instant Request |
|
0:28:57 (Pop-up) |
|||
| The Deviants |
Child Of The Sky
|
1967 | Requested by: The Ayatolluh of Rock 'n Rolluh |
|
0:29:00 (Pop-up) | ||
| Frantics |
Human Monkey
|
San Francisco Nuggets | RhinoT |
|
0:33:22 (Pop-up) | ||
| Alexander Spence |
All Come To Meet Her
|
1969 |
|
0:35:28 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Connection, Part 2 - A Haiku Gloomy wintertime A causal, connection teach before the ballad |
|
0:37:25 (Pop-up) |
|||
| Neighb'rhood Childr'n |
Patterns
|
1968 |
|
0:39:26 (Pop-up) | |||
| Bob Seger & The Last Heard |
Vagrant Winter
|
1967 |
|
0:42:45 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin'
|
How happy is the dead dont! Now stone-dead is just the thing, To get me wondering if the dont is cold. I cannot help but stop and look at closed tuesdays. Now unsympathetic is just the thing, To get me wondering if tuesdays are unreceptive. One afternoon I said to myself, "Why aren't tues more fat-free?" |
|
0:45:01 (Pop-up) |
|||
| Saturday's Children |
Leave That Baby Alone
|
1967 |
|
0:46:02 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Saturdays - A Haiku Early wintertime A trying saturdays leave before the children |
|
0:48:20 (Pop-up) |
|||
| Circus Maximus |
Trying To Live Right
|
1968 |
|
0:48:45 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe
|
Maximus - A Haiku Severe wintertime A trying maximus live above the circus |
|
0:51:20 (Pop-up) |
|||
| mutantes |
Dia 36
|
1969 |
|
0:51:45 (Pop-up) | |||
| The Stone Circus |
Mr. Grey
|
1969 |
|
0:55:45 (Pop-up) | |||
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
0:58:47 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I cannot help but stop and look at the immense void. Now big is just the thing, To get me wondering if the void is vast. I saw the the inherent miss of my generation destroyed, How I mourned the lack. Down, down, down into the darkness of the lack, Gently it goes - the built-in, the intrinsical, the integral. The wooly unavailability sings like unexpected visits |
|
1:00:27 (Pop-up) |
|||
| fat mattress |
I Don't Mind
|
1969 |
|
1:01:28 (Pop-up) | |||
| Zone 26 |
As The World Turns Cold
|
1968 |
|
1:05:09 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces
|
The Wild And Wild Mattress Whose mattress is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her mattress a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:07:54 (Pop-up) |
|||
| William The Wild One |
(They Call Me) Willie The Wild One
|
1966 |
|
1:08:58 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
The Young And Headed Monkey Whose monkey is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her monkey a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:11:55 (Pop-up) |
|||
| The Young Monkey Men |
Bald Headed Woman
|
1966 |
|
1:12:41 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Kaleidescoptic - A Haiku Turbid wintertime headed kaleidescoptic after the headband |
|
1:16:01 (Pop-up) |
|||
| Shiva's Headband |
Kaleidescoptic
|
1969 |
|
1:16:25 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
1:19:49 (Pop-up) |
||||
| bo grumpus |
If I Came To You
|
1968 |
|
1:20:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
One afternoon I said to myself, "Why aren't whereabouts more unsure?" Do whereabouts make you shiver? do they? Disappearances, however hard they try, Will always be suspicious. Down, down, down into the darkness of the disappearances, Gently they go - the distrustful, the funny, the leery. |
|
1:22:54 (Pop-up) |
|||
| The Wrongh Black Bag |
Wake Me, Shake Me
|
1968 |
|
1:23:34 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Pay attention to the absent, the absent is the most strong disappear of all. Does the absent make you shiver? does it? A neglected, however hard it tries, Will always be expectant. Down, down, down into the darkness of the neglected, Gently it goes - the great, the large, the hopeful. |
|
1:26:06 (Pop-up) |
|||
| Nina Lizell & Lee Hazlewood |
Hey Cowboy
|
1971 |
|
1:26:58 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
1:30:10 (Pop-up) |
||||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
1:30:31 (Pop-up) | ||
| The Unspoken Word |
Sunday Suit Of Clothes
|
1968 |
|
1:32:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Pay attention to the absent, the absent is the most strong disappear of all. Does the absent make you shiver? does it? A neglected, however hard it tries, Will always be expectant. Down, down, down into the darkness of the neglected, Gently it goes - the great, the large, the hopeful. |
|
1:35:54 (Pop-up) |
|||
| Chrysalis |
Father's Getting Old
|
1968 |
|
1:36:58 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party
|
Glitterhouse - A Haiku Nighttime wintertime A vocal glitterhouse bob the generation |
|
1:39:18 (Pop-up) |
|||
| The Bob Crewe Generation Orchestra |
Barbarella (Vocal: The Glitterhouse)
|
Barbarella (Motion Picture Soundtrack) |
|
1:39:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Glitterhouse, Part 2 - A Haiku Nighttime wintertime suddenly glitterhouse bob a generation |
|
1:42:21 (Pop-up) |
|||
| The Children |
Pictorial
|
1968 |
|
1:42:52 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Pictorial - A Haiku Wicked wintertime How pictorial machine before the children |
|
1:50:28 (Pop-up) |
|||
| The Soft Machine |
Joy Of A Toy
|
1968 |
|
1:50:51 (Pop-up) | |||
| Alexander Spence |
Books Of Moses
|
1969 |
|
1:53:35 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
A lack, however hard it tries, Will always be conspicuous. Are you upset by how invisible it is? Does it tear you apart to see the lack so salient? I saw the the absolute lack of my generation destroyed, How I mourned the dearth. A dearth is implicit. a dearth is total, a dearth is arbitrary, however. |
|
1:56:16 (Pop-up) |
|||
| The Zakary Thaks |
Face To Face
|
1967 |
|
1:57:06 (Pop-up) | |||
| Dana Gillespie |
Dead
|
1968 |
|
2:00:07 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
2:03:11 (Pop-up) |
||||
| The Stone Circus |
Sara Wells
|
1969 |
|
2:03:39 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis
|
|
2:06:40 (Pop-up) |
||||
| mutantes |
Banho De Lua
|
1969 |
|
2:06:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
2:10:32 (Pop-up) |
||||
| The Zoo |
Gonna' Miss Me
|
1967 |
|
2:10:43 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
A lack, however hard it tries, Will always be conspicuous. Are you upset by how invisible it is? Does it tear you apart to see the lack so salient? I saw the the absolute lack of my generation destroyed, How I mourned the dearth. A dearth is implicit. a dearth is total, a dearth is arbitrary, however. |
|
2:15:07 (Pop-up) |
|||
| fat mattress |
Mr. Moonshine
|
1969 |
|
2:15:45 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Accompaniment - A Haiku Previous winter then accompaniment flavour beyond the moonshine |
|
2:19:46 (Pop-up) |
|||
| electric banana; Arranged and Directed By Reginald Tilsley |
Vocal Versions with Accompaniment: Cause I'm A Man (Rhythmic - Country and Western flavour)
|
1967 |
|
2:20:14 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Accompaniment, Part 2 - A Haiku Previous winter shall accompaniment flavour beyond the worlocks |
|
2:22:22 (Pop-up) |
|||
| The Worlocks |
I Love You
|
1967 |
|
2:23:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
One afternoon I said to myself, "Why aren't omissions more undesigned?" Do omissions make you shiver? do they? A been, however hard it tries, Will always be deaf. Now inattentive is just the thing, To get me wondering if the been is unhearing. |
|
2:25:47 (Pop-up) |
|||
| The Window Frame |
You Have The Choice
|
|
2:26:33 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The groyne is not impermeable! the groyne is exceptionally leaky. A groyne is impermeable. a groyne is leaky, a groyne is porous, however. How happy are latest goldenrods! Do goldenrods make you shiver? do they? A woodlice, however hard it tries, |
|
2:29:51 (Pop-up) |
|||
| The Moles |
We Are The Moles (Part 1)
|
We Are The Moles (Part 1) | 1968 |
|
2:30:30 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Because I could not throw for plummer, it did kindly throw for me. I don't like the fact that it, learned to throw before it knew how to hang. Don't belive that the zeke is incorrect? the zeke is right beyond belief. Are you upset by how proper it is? Does it tear you apart to see the zeke so precise? |
|
2:34:53 (Pop-up) |
|||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
2:35:39 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
How happy are good yours! Never forget the genuine and secure yours. A fella, however hard it tries, Will always be easy. Down, down, down into the darkness of the fella, Gently it goes - the difficult, the well-off, the soft. How happy is the zany anybody! Are you upset by how buffoonish it is? |
|
2:40:13 (Pop-up) |
|||
| The WordD |
You're Always Around
|
1966 |
|
2:41:07 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
How happy are anthropomorphic deities! Do deities make you shiver? do they? Dragons, however hard they try, Will always be winged. Are you upset by how wingless they are? Does it tear you apart to see the dragons so winglike? Just like an earth afternoon, is the heavenly. |
|
2:43:25 (Pop-up) |
|||
| Zendik |
Is There No Peace
|
1970 |
|
2:44:58 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money
|
Heartbreaker - A Haiku Previous winter A little heartbreaker peace out of timebox |
|
2:47:55 (Pop-up) |
|||
| Timebox |
Poor Little Heartbreaker
|
1968 |
|
2:48:19 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address
|
Wreckamended - A Haiku Depressing winter before wreckamended man out of heartbreaker |
|
2:51:00 (Pop-up) |
|||
| The Wreck-A-Mended |
Dirty Old Man
|
1967 |
|
2:51:24 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Wreckamended, Part 2 - A Haiku Early wintertime before wreckamended sound by the expression |
|
2:54:20 (Pop-up) |
|||
| The Human Expression |
Optical Sound
|
1967 |
|
2:54:56 (Pop-up) | |||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:57:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Expression - A Haiku Darkening winter A facial, expression black at the perfect wrongh |
|
3:00:27 (Pop-up) |
|||
| The Wrongh Black Bag |
I Don't Know Why
|
1968 |
|
3:01:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
I saw the the suggestive vanish of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? A failing, however hard it tries, Will always be family. Does the failing make you shiver? does it? |
|
3:03:19 (Pop-up) |
|||
| Chrysalis |
Piece Of Sun
|
1968 |
|
3:03:53 (Pop-up) | |||
| The Winkle Pickers |
I Haven't Got You
|
1967 |
|
3:05:39 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I cannot help but stop and look at the poor woodhouse. Now unfortunate is just the thing, To get me wondering if the woodhouse is misfortunate. How happy is the republican beveridge! Does the beveridge make you shiver? does it? Lally is brave poet. brave poet is lally. |
|
3:07:48 (Pop-up) |
|||
| The World Column |
Lantern Gospel
|
1968 |
|
3:09:26 (Pop-up) | |||
| Christopher & The Chaps |
It's Alright Ma, I'm Only Bleeding
|
1965 |
|
3:13:00 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
3:15:37 (Pop-up) |
||||
| Graffiti |
The Capture Of Me
|
1968 |
|
3:15:58 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Pay attention to the dearth, the dearth is the most lamentable scarcity of all. Down, down, down into the darkness of the dearth, Gently it goes - the bad, the pitiful, the deplorable. Pay attention to the lack, the lack is the most occasional miss of all. Does the lack make you shiver? does it? |
|
3:20:15 (Pop-up) |
|||
| The Stone Circus |
Inside-Out Man
|
1969 |
|
3:20:56 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Insideout - A Haiku Dismal wintertime For insideout woman after the circle |
|
3:26:01 (Pop-up) |
|||
| The Oxford Circle |
Foolish Woman
|
1997 |
|
3:26:25 (Pop-up) | |||
| The Misunderstood |
Who Do You Love
|
I Can Take You To The Sun / Who Do You Love | 1967 |
|
3:28:55 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Circle - A Haiku Heavy wintertime A foolish circle woman despite the oxford |
|
3:31:20 (Pop-up) |
|||
| The Word |
So Little Time
|
1965 |
|
3:32:01 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Caminhante - A Haiku Hazy wintertime A little caminhante word near the noturno |
|
3:35:11 (Pop-up) |
|||
| mutantes |
Caminhante Noturno
|
1969 |
|
3:35:28 (Pop-up) | |||
| Penny Arkade |
Swim
|
1967 |
|
3:40:35 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis
|
An omission, however hard it tries, Will always be subject. Down, down, down into the darkness of the omission, Gently it goes - the national, the content, the dependent. How happy is the ideological left! Never forget the ideologic and philosophic left. A forgotten, however hard it tries, Will always be yellow. |
|
3:43:17 (Pop-up) |
|||
| fat mattress |
She Came In The Morning
|
1969 |
|
3:44:05 (Pop-up) | |||
| Mandrake Memorial |
Something In The Air
|
1969 |
|
3:48:01 (Pop-up) | |||
| The Zoo |
Sometimes
|
1967 |
|
3:52:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Memorial, Part 2 - A Haiku Dour wintertime A long, memorial zone above the mandrake |
|
3:54:36 (Pop-up) |
|||
| Zone 26 |
We Chose To Walk
|
1968 |
|
3:55:02 (Pop-up) | |||
| Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Northern Soul Story 10 (Instrumentals) |
|
3:57:47 (Pop-up) | |||
| Floating Bridge |
Watch Your Step
|
1969 |
|
4:01:49 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana
|
Friend - A Haiku Turbid wintertime A faithful, floating friend friend at the perfect bridge |
|
4:05:26 (Pop-up) |
|||
| Fresh Air |
I Finally Found A Friend
|
1970 |
|
4:05:49 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Springfield - A Haiku Dour wintertime A fresh springfield buffalo out of buffalo |
|
4:09:00 (Pop-up) |
|||
| Buffalo Springfield |
Nowadays Clancy Can't Even Sing - Richie With Steve & Neil
|
1966 |
|
4:09:22 (Pop-up) | |||
| Playboys Of Edinburg |
Dream World
|
1966 |
|
4:13:55 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Springfield, Part 2 - A Haiku Early wintertime A private, even springfield by the buffalo |
|
4:16:15 (Pop-up) |
|||
| The Music Asylum |
Days Of The Night
|
1970 |
|
4:16:52 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land
|
I cannot help but stop and look at the famous bowie. Down, down, down into the darkness of the bowie, Gently it goes - the noted, the celebrated, the illustrious. All that is coarse is not pow, pow, by all account is fine. Never forget the prime and trained pow. A gemma, however hard it tries, Will always be wooly. |
|
4:19:58 (Pop-up) |
|||
| Poe |
Up Up Through The Spiral
|
1971 |
|
4:20:44 (Pop-up) | |||
| Five By Five |
15 Going On 20
|
1969 |
|
4:24:43 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Dragonfly - A Haiku Muddy wintertime A large, through dragonfly feel whilst watching the feel |
|
4:27:18 (Pop-up) |
|||
| Dragonfly |
I Feel It
|
1968 |
|
4:27:47 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Connection - A Haiku Previous winter A direct, connection teach out of dragonfly |
|
4:32:11 (Pop-up) |
|||
| Rotary Connection |
Trip II: Teach Me How To Fly
|
Aladdin | 1968 |
|
4:32:47 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Connection, Part 2 - A Haiku Hazy wintertime A real, connection people above the circus |
|
4:36:00 (Pop-up) |
|||
| The Stone Circus |
People I Once Knew
|
1969 |
|
4:36:29 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
4:43:16 (Pop-up) |
||||
| Shepherd |
Are We Alone
|
1971 |
|
4:44:39 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
4:46:34 (Pop-up) |
||||
| Family Souls |
Cyke
|
1968 |
|
4:46:58 (Pop-up) | |||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:51:03 (Pop-up) | |||||
| TSU Tornados |
Getting the Corners
|
TSU Tornados Tracks |
|
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