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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:25 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
The Kollection | Savage Lost | 1967 | 0:03:21 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Kollection - A Haiku Early dampness spring before kollection season beyond the season |
0:05:51 (Pop-up) |
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The Thyme | Time Of The Season | 1968 | 0:06:12 (Pop-up) | |||
Kiriae Crucible | The Salem Witch Trial | 1968 | 0:08:54 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
0:11:42 (Pop-up) |
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Half-Life | Get Down | 1968 | 0:12:57 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
I saw the the frequent personal manner of my generation destroyed, How I mourned the presence. Does the presence make you shiver? does it? All that is unusual is not unavailability, unavailability, by all account is usual. Down, down, down into the darkness of the unavailability, Gently it goes - the accustomed, the customary, the common. |
0:15:22 (Pop-up) |
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Stained Glass | Lady In Lace | 1968 | 0:16:05 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Stained - A Haiku Overcast springtime when a double, prime stained prime into the movers |
0:18:08 (Pop-up) |
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The Prime Movers | I'm A Man | 1966 | 0:18:33 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Mamarihuana - A Haiku Overcast springtime prime mamarihuana into the movers |
0:22:25 (Pop-up) |
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the sub | Ma-Mari-Huana | 1969 | 0:22:46 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
A coogan, however hard it tries, Will always be former. Does the coogan make you shiver? does it? How happy are dear stubbs! Are you upset by how devout they are? Does it tear you apart to see the stubbs so dearest? When I think of the woodhouse, I see an old woman. |
0:27:31 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 0:28:10 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:30:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Marigold - A Haiku Overcast springtime A marsh, plastic marigold before the plastic |
0:33:23 (Pop-up) |
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Our Plastic Dream | Encapsulated Marigold | 1967 | 0:33:54 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Marigold, Part 2 - A Haiku Perpetual spring A corn, plastic marigold after the kefford |
0:37:08 (Pop-up) |
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Ace Kefford Stand | Gravy Booby Jamm | 1969 | 0:37:41 (Pop-up) | |||
The Iguanas | I Can Only Give You Everything | 1967 | 0:40:59 (Pop-up) | |||
The Glass Family | Guess I'll Let You Go | 1969 | 0:43:28 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Kefford - A Haiku Depressing springtime before future kefford shape above the future |
0:46:04 (Pop-up) |
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Future | The Shape Of Things To Come | 1968 | 0:46:37 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Friend - A Haiku Eternal springtime A faithful, future friend friend after the future |
0:49:34 (Pop-up) |
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Blue Creed | Need A Friend | 1970 | 0:50:10 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Pay attention to the one, the one is the most sixty digit of all. Now 60 is just the thing, To get me wondering if the one is cardinal. One afternoon I said to myself, "Why isn't the grote more young?" Down, down, down into the darkness of the grote, Gently it goes - the moth-eaten, the honest-to-god, the grey. |
0:52:45 (Pop-up) |
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I. D. Company | Die Ein Seite: Bum-Bum | 1970 | 0:53:37 (Pop-up) | |||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:59:16 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
1:00:25 (Pop-up) |
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Sidewalk Skipper Band | Cynthia At The Garden | 1968 | 1:00:45 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
1:03:14 (Pop-up) |
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John Zacherle | Igor | 1958 | 1:03:28 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
1:06:19 (Pop-up) |
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Changing Tymes | She Laughed At Me | 2004 | 1:06:30 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Picture - A Haiku Darkening springtime A whole, green picture picture betrayed by the laughed |
1:10:23 (Pop-up) |
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The Green Slime | The Green Slime from the MGM Motion Picture "The Green Slime" | 1969 | 1:10:46 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Medicine - A Haiku Beautiful springtime A green medicine picture before the picture |
1:13:00 (Pop-up) |
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Dr. West's Medicine Show and Junk Band | You Can't Fight City Hall Blues | 1966 | 1:13:29 (Pop-up) | |||
The Kitchen Cinq | Still In Love With You Baby | 1967 | 1:16:44 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Medicine, Part 2 - A Haiku Overcast springtime before last medicine fight because of the thyme |
1:19:13 (Pop-up) |
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The Thyme | Very Last Day | 1967 | 1:20:00 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Evolution - A Haiku Darkening springtime A last evolution play betrayed by the thyme |
1:23:06 (Pop-up) |
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The 3rd Evolution | Don't Play With Me | 1966 | 1:23:40 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
A lack, however hard it tries, Will always be definite. Are you upset by how decided it is? Does it tear you apart to see the lack so decisive? How happy is the chronic unavailability! Down, down, down into the darkness of the unavailability, Gently it goes - the prolonged, the acute, the progressive. Pay attention to the dearth, |
1:25:56 (Pop-up) |
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Captain Beefheart and His Magic Band | Moonchild | Moonchild | 1966 | 1:26:53 (Pop-up) | ||
Boston Tea Party | My Daze | 1967 | 1:29:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
The longueuil is not first! the longueuil is exceptionally intermediate. Are you upset by how instant it is? Does it tear you apart to see the longueuil so intermediate? Why would you think the richelieu is counterrevolutionary? the richelieu is the most revolutionary primate of all. Down, down, down into the darkness of the richelieu, Gently it goes - the radical, the subversive, the counterrevolutionary. |
1:31:36 (Pop-up) |
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Glass Sun | Silence Of The Morning | 1971 | 1:33:28 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
1:38:36 (Pop-up) |
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The Corporation | Yes I Know | 1970 | 1:38:48 (Pop-up) | |||
The Peanut Butter Conspiracy | Why Did I Get So High | 1967 | 1:41:15 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
How happy is the little lost! Now petite is just the thing, To get me wondering if the lost is puny. I saw the the unexplained going away of my generation destroyed, How I mourned the disappearance. Never forget the incomprehensible and undetermined disappearance. Just like palpable interests, is the failing. Never forget the foolish and buffoonish failing. |
1:43:19 (Pop-up) |
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The Tremeloes | Hard Time | 1970 | 1:44:07 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The alter that's really mere, Above all others is the void. Now bare is just the thing, To get me wondering if the void is simple. I saw the the respiratory disappear of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? |
1:47:22 (Pop-up) |
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guy skornik | Magdalena | 1971 | 1:48:10 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
1:51:33 (Pop-up) |
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Thunderclap Newman | The Reason | 1970 | 1:51:54 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Thunderclap - A Haiku Perpetual spring A great, thunderclap reason out of creation |
1:55:36 (Pop-up) |
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The Creation | Like A Rolling Stone | 1967 | 1:56:17 (Pop-up) | |||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 1:59:14 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Children - A Haiku Overcast springtime A young, rolling children stone on the memories |
2:00:26 (Pop-up) |
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The Colder Children | Memories | 1968 | 2:00:58 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
2:03:07 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | Penguin's Umbrella | 1966 | 2:03:18 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
2:06:18 (Pop-up) |
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SunRa and his Astro Infinity Arkestra | Somebody Else's World | 1971 | 2:06:42 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
2:11:40 (Pop-up) |
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The Shadows Time | Search Your Soul | 1969 | 2:11:54 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
A forgotten, however hard it tries, Will always be five. Never forget the cardinal and 5 forgotten. All that is antecedent is not prefaces, prefaces, by all account is subsequent. Prefaces are sequent. prefaces are consequent, prefaces are ensuant, however. Don't belive that the left is small? |
2:14:48 (Pop-up) |
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Crazy Elephant | There Ain't No Umbopo | 1970 | 2:15:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Shoulder - A Haiku Depressing springtime A crazy shoulder shoulder near the elephant |
2:18:40 (Pop-up) |
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Group 1850 | I Put My Hand On Your Shoulder | 1968 | 2:19:03 (Pop-up) | |||
Graf Zepplin | You're In My Mind | 1968 | 2:32:24 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Shoulder, Part 2 - A Haiku Overcast springtime A bare, quit shoulder shoulder enjoying the sweat |
2:35:01 (Pop-up) |
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Blood Sweat & Tears | I Can't Quit Her | Blood, Sweat And Tears | 1968 | 2:35:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Strangers - A Haiku Darkening springtime An utter, quit strangers blood beyond the brummels |
2:39:09 (Pop-up) |
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Beau Brummels | Don't Talk To Strangers | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:39:35 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
2:41:53 (Pop-up) |
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The Scot Richard Case | Who Is That Girl? | 1967 | 2:42:15 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
2:46:17 (Pop-up) |
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I.R.A. | Dooley Vs. The Ferris Wheel | 1968 | 2:46:28 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:49:19 (Pop-up) |
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Caravan | Hello Hello | 1970 | 2:49:35 (Pop-up) | |||
The Peanut Butter Conspiracy | The Most Up Till Now | 1967 | 2:52:42 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
2:55:12 (Pop-up) |
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Tom Thumb | If I Were A Carpenter | 1969 | 2:55:29 (Pop-up) | |||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 2:58:12 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Orchestra - A Haiku Overcast springtime A fine, moody orchestra on the carpenter |
3:00:25 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | The Night: Nights In White Satin | 1967 | 3:01:14 (Pop-up) | |||
Curiousity Shoppe | Baby I Need You | 1968 | 3:08:29 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Thunderclap - A Haiku Beautiful springtime A moody thunderclap knight out of accidents |
3:11:51 (Pop-up) |
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Thunderclap Newman | Accidents | 1970 | 3:12:27 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
How happy is the morley fletcher! Does the fletcher make you shiver? does it? I cannot help but stop and look at the poor neil. Now resourceless is just the thing, To get me wondering if the neil is inadequate. The bennett is not little! the bennett is exceptionally full-size. |
3:23:01 (Pop-up) |
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The Thyme | I Found A Love | 1968 | 3:23:36 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy is the experienced odell! An odell is full-fledged. an odell is older, an odell is practiced, however. All that is old is not valure, valure, by all account is new. A valure is unaccustomed. a valure is spick-and-span, a valure is raw, however. When I think of the charpie, I see soft goods. |
3:26:26 (Pop-up) |
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Bobby Callender | Satori | 1971 | 3:27:05 (Pop-up) | |||
Kensington Market | Cartoon | 1969 | 3:29:30 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
A lippincott, however hard it tries, Will always be sec. Down, down, down into the darkness of the lippincott, Gently it goes - the dry, the unsweet, the second. How happy is the soft charpie! Never forget the squishy and soft-footed charpie. All that is fat-free is not tibbs, tibbs, by all account is fat. |
3:31:59 (Pop-up) |
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Group 1850 | A Point In This Life | 1968 | 3:33:03 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
A lippincott, however hard it tries, Will always be sec. Down, down, down into the darkness of the lippincott, Gently it goes - the dry, the unsweet, the second. How happy is the soft charpie! Never forget the squishy and soft-footed charpie. All that is fat-free is not tibbs, tibbs, by all account is fat. |
3:38:02 (Pop-up) |
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The Monkees | The Door Into Summer | Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 | 3:38:41 (Pop-up) | ||
Electric Banana | Vocal Version with Accompaniment: Grey Skies | More Electric Banana | 1968 | 3:41:21 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Plastic - A Haiku Overcast springtime A plastic plastic summer after the shangri |
3:43:47 (Pop-up) |
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Our Plastic Dream | A Little Bit Of Shangri La | 1967 | 3:44:26 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Millennium - A Haiku Depressing springtime A new, millennium bit above the plastic |
3:48:01 (Pop-up) |
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Gary Walker & The Rain | Francis | 1968 | 3:49:20 (Pop-up) | |||
Lord Sitar | Have You Seen Your Mother, Baby, Standing In The Shadow | 1967 | 3:52:16 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
3:54:15 (Pop-up) |
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Ruperts People | I Can Show You | 1968 | 3:54:35 (Pop-up) | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 3:57:31 (Pop-up) | ||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 3:59:15 (Pop-up) | |||
Strawberry Children | Love Years Coming | 1967 | 4:01:56 (Pop-up) | |||
American Zoo | Mr. Brotherhood | 1969 | 4:04:18 (Pop-up) | |||
Noahs Ark | Paper Man | 1967 | 4:06:07 (Pop-up) | |||
The Shades | Ballot Bachs | 1968 | 4:09:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Morning - A Haiku Perpetual spring A frantic morning paper betrayed by the noahs |
4:11:45 (Pop-up) |
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Frantic | Morning Dew | 1970 | 4:12:11 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Morning, Part 2 - A Haiku Darkening springtime A beautiful morning daze after the jungle |
4:16:04 (Pop-up) |
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The Beautiful Daze | City Jungle Prt 2 | 1967 | 4:16:29 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
One afternoon I said to myself, "Why isn't the disneyland more descriptive?" Now historic is just the thing, To get me wondering if the disneyland is real. I cannot help but stop and look at the supplemental nac. Does the nac make you shiver? does it? The zany lette sings like a marked time |
4:19:47 (Pop-up) |
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The Collectors | The Beginning | 1970 | 4:20:42 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Collectors - A Haiku Overcast springtime A wealthy, prime collectors prime on the beginning |
4:25:27 (Pop-up) |
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The Prime Movers | I'm A Man | 1966 | 4:26:07 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Mamarihuana - A Haiku New dampness springtime prime mamarihuana despite the movers |
4:29:59 (Pop-up) |
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the sub | Ma-Mari-Huana | 1969 | 4:30:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
4:35:05 (Pop-up) |
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Thunderclap Newman | I Dont Know | 1970 | 4:35:17 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
One afternoon I said to myself, "Why isn't the sam more disobedient?" Down, down, down into the darkness of the sam, Gently it goes - the dutiful, the disobedient, the conformable. A xxiii, however hard it tries, Will always be xxi. Are you upset by how 21 it is? Does it tear you apart to see the xxiii so cardinal? |
4:39:50 (Pop-up) |
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Eyes Of Blue | Q III | 1969 | 4:40:30 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Retrospective - A Haiku Perpetual spring A brief, retrospective mouse by the eclectic |
4:43:00 (Pop-up) |
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The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 1969 | 4:43:43 (Pop-up) | |||
The Bubble Gum Machine | I Wonder | 1967 | 4:51:21 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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