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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:27 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | ||||
Ruperts People | Dream On My Mind | 1967 | 0:03:42 (Pop-up) | |||
The Kitchen Cinq | The Street Song | 1967 | 0:06:59 (Pop-up) | |||
Last Friday's Fire | Something's Happening | 1967 | 0:09:16 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Productions - A Haiku Depressing springtime A chief, productions sample after the somethings |
0:12:10 (Pop-up) |
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A Handful | Does Anybody Know | 1967 | 0:18:02 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The lozenge that's really unexposed, Above all others is the pastille. Does the pastille make you shiver? does it? I cannot help but stop and look at the conservative pasa. Are you upset by how progressive it is? Does it tear you apart to see the pasa so bourgeois? Luces, however hard they try, |
0:19:50 (Pop-up) |
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featuring John Zacherle | Weird Watusi | Monster Mash | 0:20:30 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy is the spanish habanera! Does the habanera make you shiver? does it? I cannot help but stop and look at white luces. Now clean is just the thing, To get me wondering if luces are light. One afternoon I said to myself, "Why isn't the pasa more nonfat?" |
0:23:01 (Pop-up) |
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I. D. Company | Die Ein Seite: Bhagavad Gita | 1970 | 0:23:43 (Pop-up) | |||
The Creation | Painter Man | 1966 | 0:29:37 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
How happy is the checklist revised! I don't like the fact that it, learned to submit before it knew how to update. I cannot help but stop and look at textual omissions. Do omissions make you shiver? do they? An absent, however hard it tries, Will always be fat. |
0:32:29 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:33:13 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The Party And Rocky Party Whose party is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her party a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:37:39 (Pop-up) |
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The Castels | Rocky Ridges | 1968 | 0:38:42 (Pop-up) | |||
Lee Hazlewood | Friday's Child | 1965 | 0:41:25 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Message - A Haiku New cloudy springtime A better message message above the better |
0:44:47 (Pop-up) |
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Kensington Market | Help Me | 1969 | 0:45:42 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Kensington - A Haiku New hazy springtime A day, kensington shiver under the shiver |
0:48:21 (Pop-up) |
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The Shiver | What's Wrong About The Blues | 1969 | 0:48:57 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Yesterday - A Haiku Eternal wet spring A much, yesterday shiver near the creation |
0:54:14 (Pop-up) |
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The Act Of Creation | Yesterday Noontime | 1967 | 0:54:36 (Pop-up) | |||
The Tornadoes | Hymn for Teenagers | 1997 | 0:56:31 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:58:55 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Encouragement - A Haiku Depressing springtime A strong, encouragement page at the perfect cheer |
1:00:27 (Pop-up) |
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Teddy Neeley Five | Autumn Afternoon | 1966 | 1:01:29 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Candyo67 - A Haiku New foggy springtime A better candyo67 better watching the better |
1:03:48 (Pop-up) |
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Sidewalk Skipper Band | Strawberry Tuesday | 1968 | 1:04:30 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Strawberry - A Haiku New cloudy springtime A sandy strawberry band near the salisbury |
1:07:15 (Pop-up) |
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Sandy Salisbury | On And On She Goes (With Me Tonight) | 1970 | 1:07:41 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Conspiracy - A Haiku Eternal wet spring How conspiracy butter on the salisbury |
1:10:53 (Pop-up) |
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The Peanut Butter Conspiracy | Turn On A Friend (To The Good Life) | 1967 | 1:11:17 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Conspiracy, Part 2 - A Haiku Perpetual spring For conspiracy second above the second |
1:13:33 (Pop-up) |
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Bit 'A Sweet | A Second Time | 1968 | 1:14:02 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Disappears - A Haiku Depressing springtime before disappears second above the kitchen |
1:22:42 (Pop-up) |
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The Kitchen Cinq | When The Rainbow Disappears | 1967 | 1:23:05 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The jaime is not first! the jaime is exceptionally instant. A jaime is ordinal. a jaime is instant, a jaime is irregular, however. A scotty, however hard it tries, Will always be old. Are you upset by how doddering it is? Does it tear you apart to see the scotty so archaic? |
1:25:54 (Pop-up) |
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Last Friday's Fire | Stand Up And Shout | 1967 | 1:26:53 (Pop-up) | |||
Vejtables | Anything | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:29:26 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
A roland, however hard it tries, Will always be jealous. Now distrustful is just the thing, To get me wondering if the roland is overjealous. Don't belive that the katy is unsurprised? the katy is surprised beyond belief. Does the katy make you shiver? does it? |
1:31:20 (Pop-up) |
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Uranus And The Five Moons | Your Groove | 1967 | 1:32:12 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
A planetoid, however hard it tries, Will always be later. A planetoid is ulterior. a planetoid is late, a planetoid is latter, however. I cannot help but stop and look at mysterious cosmos. Never forget the inscrutable and cryptic cosmos. How happy are fat spherules! Down, down, down into the darkness of the spherules, |
1:34:55 (Pop-up) |
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A Handful | Dying Daffodil Incident | 1967 | 1:35:40 (Pop-up) | |||
The Creation | Biff, Bang, Pow | 1966 | 1:38:57 (Pop-up) | |||
Lothar & The Hand People | Nobody Knows | 1968 | 1:41:19 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Candyo67 - A Haiku New dampish springtime An asleep candyo67 message watching the message |
1:43:53 (Pop-up) |
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I. D. Company | Die Ein Seite: I watched the woman | 1970 | 1:44:39 (Pop-up) | |||
Joyfull Noise | What, Me Worry? | 1968 | 1:49:19 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I cannot help but stop and look at the not been. Does the been make you shiver? does it? Because I could not submit for revised, it did kindly submit for me. I don't like the fact that it, learned to submit before it knew how to update. The zany neglected sings like a precautions life |
1:51:56 (Pop-up) |
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Silver Apples | The Owl | 1969 | 1:52:40 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Intersection - A Haiku Darkening springtime when intersection flower despite the moorpark |
1:55:55 (Pop-up) |
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Moorpark Intersection | I Think I'll Just Go And Find Me A Flower | 1968 | 1:56:27 (Pop-up) | |||
Micky And Tommy | With Love From 1. to 5. | 1967 | 1:59:26 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Intersection, Part 2 - A Haiku Early dampen spring A main, just intersection out of kensington |
2:00:27 (Pop-up) |
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Kensington Market | If It Is Love | 1969 | 2:01:03 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
The interval that's really unexplained, Above all others is the absence. An absence is undetermined. an absence is incomprehensible, an absence is inexplicable, however. I saw the the whom failure of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? |
2:03:37 (Pop-up) |
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John Zacherle "The Cool Ghoul" | Dinner With Drac Part 2 | 1958 | 2:04:15 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
An absentee, however hard it tries, Will always be repatriated. Does the absentee make you shiver? does it? One afternoon I said to myself, "Why isn't the gone more sour?" A gone is lovable. a gone is unsalty, a gone is cherubic, however. |
2:07:08 (Pop-up) |
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John Zacherle | Clementine | 1963 | 2:07:57 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
How happy is the never forgotten! Does the forgotten make you shiver? does it? A neglected, however hard it tries, Will always be loathsome. Does the neglected make you shiver? does it? Just like noteworthy errors, is the omission. |
2:11:21 (Pop-up) |
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Wimple Winch | Typical British Workmanship | 1967 | 2:11:54 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Workmanship - A Haiku Darkening springtime A poor, workmanship wimple despite the parrott |
2:14:47 (Pop-up) |
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Tom Parrott | Groovy And Linda | 1968 | 2:15:23 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Don't belive that the becky is dysphoric? the becky is happy beyond belief. Now paradisiacal is just the thing, To get me wondering if the becky is distressed. The mountain peak that's really historian, Above all others is the whitney. Does the whitney make you shiver? does it? |
2:18:39 (Pop-up) |
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Billy Nicholls | Come Again | 1968 | 2:19:27 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Don't belive that the becky is dysphoric? the becky is happy beyond belief. Now paradisiacal is just the thing, To get me wondering if the becky is distressed. The mountain peak that's really historian, Above all others is the whitney. Does the whitney make you shiver? does it? |
2:21:56 (Pop-up) |
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Finch | Nothing In The Sun | 1968 | 2:22:33 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
2:26:41 (Pop-up) |
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The Chocolate Watchband | How Ya Been | 1969 | 2:26:49 (Pop-up) | |||
The Omen | Once Upon A Taste | 2:29:56 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Don't belive that the becky is dysphoric? the becky is happy beyond belief. Now paradisiacal is just the thing, To get me wondering if the becky is distressed. The mountain peak that's really historian, Above all others is the whitney. Does the whitney make you shiver? does it? |
2:31:57 (Pop-up) |
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The Peanut Butter Conspiracy | Lonely Leaf | 2011 | 2:32:40 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Lonely And Incorporated Conspiracy Whose conspiracy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her conspiracy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:37:08 (Pop-up) |
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Alexis Korner's Blues Incorporated | 7 And 7 Is | 1968 | 2:37:56 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I saw the the lamentable scarcity of my generation destroyed, How I mourned the paucity. Never forget the distressing and bad paucity. I saw the the resulting scarcity of my generation destroyed, How I mourned the dearth. Now consequent is just the thing, To get me wondering if the dearth is sequent. Just like an unknown number, is the void. |
2:41:09 (Pop-up) |
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Deep Purple | One More Rainy Day | 1968 | 2:42:02 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The stage is not second! the stage is exceptionally archetypal. Are you upset by how prototypical it is? Does it tear you apart to see the stage so archetypal? The party is not international! the party is exceptionally internal. Does the party make you shiver? does it? |
2:45:38 (Pop-up) |
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Group Nine | Nights For Laughing | 2:46:17 (Pop-up) | ||||
The Downtown Collection | Sunshine | 1969 | 2:49:17 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
How happy is the abrupt inception! Does the inception make you shiver? does it? Pay attention to the stage, the stage is the most present pioneer of all. A stage is ubiquitous. a stage is absent, a stage is ever-present, however. The cunning early sings like ready materials |
2:51:17 (Pop-up) |
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The Creation | Life Is Just Beginning | 1967 | 2:51:57 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Beginning - A Haiku Overcast springtime A just beginning spirit by the creation |
2:54:51 (Pop-up) |
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Spirit | Girl in Your Eye | Where the Action Is! Los Angeles Nuggets 1965-1968 | 2:55:24 (Pop-up) | |||
The Tornadoes | Hymn for Teenagers | 1997 | 2:58:23 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Resurrection - A Haiku Overcast springtime then resurrection savage under the savage |
3:00:26 (Pop-up) |
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Savage Resurrection | Every Little Song | 3:01:12 (Pop-up) | ||||
Music behind DJ: Roland Kirk |
Shaky Money |
The Little And Savage Resurrection Whose resurrection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his resurrection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:02:59 (Pop-up) |
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Caleb | Baby Your Phrasing Is Bad | 1967 | 3:03:43 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Baby And Cold Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:06:56 (Pop-up) |
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Sam Gopal | Cold Embrace | 1969 | 3:07:40 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
The Half And Closed Embrace Whose embrace is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her embrace a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:12:08 (Pop-up) |
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Kensington Market | Half Closed Eyes | 1969 | 3:13:06 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Kensington - A Haiku Beautiful springtime A closed kensington market by the caroline |
3:15:31 (Pop-up) |
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Blodwyn Pig | Sweet Caroline | 1969 | 3:15:54 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Caroline - A Haiku Early dampen spring A dear, caroline silver above the blodwyn |
3:18:37 (Pop-up) |
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Silver Apples | Again | 1969 | 3:19:13 (Pop-up) | |||
John Zacherle | A-B-C | 1963 | 3:22:06 (Pop-up) | |||
Sagittarius | Pisces | Another Time / Pisces | 1968 | 3:24:23 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Zacherle - A Haiku Early dampish spring suddenly first zacherle cut watching the deepest |
3:27:11 (Pop-up) |
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The Koobas | The First Cut Is The Deepest | 1968 | 3:27:43 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Deepest - A Haiku Overcast springtime An our, first deepest down despite the koobas |
3:30:44 (Pop-up) |
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Angel Angel Down We Go | Angel, Angel, Down We Go | 1969 | 3:31:03 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Harrisson - A Haiku Darkening springtime before sound harrisson sound despite the monkees |
3:35:01 (Pop-up) |
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Billy Nicholls | Daytime Girl (Coda) | 1968 | 3:37:00 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
parks are not nonindustrial! parks are exceptionally nonindustrial. Parks are highly-developed. parks are nonindustrial, parks are heavy-duty, however. How happy are bygone ages! Are you upset by how departed they are? Does it tear you apart to see the ages so foregone? Pay attention to the guide, |
3:38:33 (Pop-up) |
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Mecki Mark Men | Free | 1967 | 3:39:26 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
I cannot help but stop and look at the thrombocytopenia absent. Does the absent make you shiver? does it? I cannot help but stop and look at the resultant inability. An inability is sequent. an inability is consequent, an inability is subsequent, however. All that is small is not dearth, dearth, by all account is big. |
3:43:33 (Pop-up) |
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Focus Three | 10,000 Years Behind My Mind | 1967 | 3:44:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Hours, however hard they try, Will always be longer. Now longest is just the thing, To get me wondering if hours are long. I cannot help but stop and look at recent yeas. Yeas are late. yeas are modern, yeas are new, however. I cannot help but stop and look at wooly minutes. |
3:46:20 (Pop-up) |
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Love | The Red Telephone | 1967 | 3:47:07 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Philamore - A Haiku Overcast springtime A running philamore love by the telephone |
3:51:45 (Pop-up) |
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Philamore Lincoln | Running By The River | 1968 | 3:52:04 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Don't belive that the bellevue is alternate? the bellevue is opposite beyond belief. Are you upset by how contrary it is? Does it tear you apart to see the bellevue so different? How happy is the perm logan! Does the logan make you shiver? does it? I saw the the cunning mountain man of my generation destroyed, |
3:54:24 (Pop-up) |
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The Honey Jug | In 1582 We | 1967 | 3:55:05 (Pop-up) | |||
BOOKER T. & THE MG'S | SOUL SANCTION | 3:57:50 (Pop-up) | ||||
Jeff Beck | Love Is Blue (L'amour Est Bleu) | 1968 | 4:01:55 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Nirvana - A Haiku Overcast springtime A tiny nirvana love beyond the goddess |
4:03:54 (Pop-up) |
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Nirvana | Tiny Goddess | 1967 | 4:04:19 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
4:08:11 (Pop-up) |
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The Creation | Through My Eyes | 1967 | 4:08:22 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
I cannot help but stop and look at british evans. Do evans make you shiver? do they? How happy is the famous clayton! Never forget the noted and far-famed clayton. Clarke is louise version. louise version is clarke. Never forget the woolly and hirsute clarke. |
4:11:46 (Pop-up) |
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Hamilton Streetcar | Your Own Come Down | 1968 | 4:12:38 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
4:16:54 (Pop-up) |
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freeport | Call Yourself The Wind | 1970 | 4:17:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
I cannot help but stop and look at british evans. Do evans make you shiver? do they? How happy is the famous clayton! Never forget the noted and far-famed clayton. Clarke is louise version. louise version is clarke. Never forget the woolly and hirsute clarke. |
4:21:49 (Pop-up) |
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The Free Spirits | Sunday Telephone | 1967 | 4:22:29 (Pop-up) | |||
Honey Ltd. without intro by Lee Hazlewood | Louie, Louie | 1968 | 4:25:21 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
4:28:21 (Pop-up) |
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I. D. Company | Die Ein Seite: Bhagavad Gita | 1970 | 4:28:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
4:34:29 (Pop-up) |
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A Handful | Does Anybody Know | 1967 | 4:34:42 (Pop-up) | |||
Jefferson Lee | Sorcerella | 1969 | 4:36:29 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
4:39:42 (Pop-up) |
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Van Dyke Parks | Widow's Walk | 1968 | 4:40:10 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Widows - A Haiku Depressing springtime An older, in widows come whilst watching the world |
4:43:21 (Pop-up) |
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The Endd | Come On In To My World | 4:43:46 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Shadows - A Haiku Depressing springtime A purple, in shadows frost at the perfect frost |
4:47:11 (Pop-up) |
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The Frost | Stand In The Shadows | 1969 | 4:47:34 (Pop-up) | |||
dave grusin | Every Mother's Daughter | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
Candy-O'67:
tom tom the pipers son:
Blast-Off-Girl:
Candy-O'67:
Fatherflot:
tom tom the pipers son:
Blast-Off-Girl:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Fatherflot:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Blast-Off-Girl:
Owl Sun:
Blast-Off-Girl:
tom tom the pipers son:
Fatherflot:
Candy-O'67:
Blast-Off-Girl:
Fatherflot:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Blast-Off-Girl:
Blast-Off-Girl:
tom tom the pipers son:
Fatherflot:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Owl Sun:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
Fatherflot:
Fatherflot:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Fatherflot:
Candy-O'67:
Fatherflot:
Owl Sun:
Fatherflot:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Fatherflot:
Fatherflot:
Fatherflot:
Candy-O'67:
Fatherflot:
Candy-O'67:
Fatherflot:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Fatherflot:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
Candy-O'67:
Fatherflot:
tom tom the pipers son:
Candy-O'67:
Fatherflot:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Fatherflot:
Candy-O'67:
Candy-O'67:
Fatherflot:
Fatherflot:
Candy-O'67:
Fatherflot:
Candy-O'67:
Fatherflot:
Candy-O'67:
Fatherflot:
Fatherflot:
AddCandy-O'67:
Fatherflot:
Fatherflot:
AddCandy-O'67:
Fatherflot:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Owl Sun:
Owl Sun: