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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
fat mattress | How Can I Live | 1969 | 0:03:21 (Pop-up) | |||
Buffalo Springfield | Burned - Neil With Richie & Steve (Neil On Piano) | 1966 | 0:07:43 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Mattress - A Haiku Depressing springtime A lumpy, live mattress tune in spite of the tune |
0:09:55 (Pop-up) |
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Poe | Tune In | 1971 | 0:10:38 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Wildlife - A Haiku Beautiful springtime A local, hard wildlife tune at the perfect year |
0:15:07 (Pop-up) |
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The Wildlife | Hard, Hard Year | 1967 | 0:15:29 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
0:18:03 (Pop-up) |
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Family | Voyage | 1968 | 0:18:15 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Hypodermic - A Haiku Overcast springtime How hypodermic needle despite the kapelle |
0:21:41 (Pop-up) |
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Novaks Kapelle | Hypodermic Needle - Dedicated to Eric Burdon | 1968 | 0:22:15 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Hypodermic, Part 2 - A Haiku Overcast springtime why hypodermic needle before the kapelle |
0:25:12 (Pop-up) |
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The Weeds | It's Your Time | 1966 | 0:25:49 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
0:28:04 (Pop-up) |
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The Galaxies IV | Piccadilly Circus | 1966 | 0:28:18 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:30:56 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
0:33:27 (Pop-up) |
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Uppåt Väggarna | Jag Hatar Politik | 1971 | 0:33:47 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Documentary - A Haiku Perpetual spring For documentary trip watching the excerpts |
0:37:12 (Pop-up) |
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Biggy Rat, vocal Shirley Stahara | Look Inside Yourself | 1970 | 0:41:13 (Pop-up) | |||
The Velvet Underground | The Murder Mystery | 1969 | 0:43:27 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The go away that's really suggestive, Above all others is the absent. Down, down, down into the darkness of the absent, Gently it goes - the connotative, the significative, the implicational. A lost, however hard it tries, Will always be six. Are you upset by how 6 it is? Does it tear you apart to see the lost so half a dozen? |
0:52:19 (Pop-up) |
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Epoca | No estoy bien | 1971 | 0:53:12 (Pop-up) | |||
The Shadows | Dance On | 1996 | 0:56:31 (Pop-up) | |||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 0:58:50 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
How happy are literary existentialists! Existentialists are formal. existentialists are literate, existentialists are well-written, however. I cannot help but stop and look at prominent intellectuals. Do intellectuals make you shiver? do they? Why would you think the watercolourist is large? the watercolourist is the most little painter of all. |
1:00:25 (Pop-up) |
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White Lightning | Of Paupers And Poets | 1969 | 1:01:26 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The watercolourist is not wicked! the watercolourist is exceptionally proficient. Does the watercolourist make you shiver? does it? I cannot help but stop and look at famous orators. Now famed is just the thing, To get me wondering if orators are noted. When I think of the landscapist, I see modern times. |
1:03:52 (Pop-up) |
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The Mopptops | Our Lives | 1968 | 1:04:41 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Pay attention to the lost, the lost is the most worth people of all. Does the lost make you shiver? does it? One afternoon I said to myself, "Why isn't the gone more multivalent?" Are you upset by how replicate it is? Does it tear you apart to see the gone so equivocal? |
1:07:23 (Pop-up) |
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The Whatt Four | Our Love Should Last Forever | 1966 | 1:07:59 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Documentary, Part 2 - A Haiku Beautiful springtime when documentary trip under the excerpts |
1:09:37 (Pop-up) |
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Wildwood | Plastic People | 1968 | 1:13:40 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Honeybus - A Haiku Overcast springtime before honeybus people after the wildwood |
1:16:53 (Pop-up) |
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Honeybus | Under The Silent Tree | 1969 | 1:17:27 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Pay attention to the omission, the omission is the most apparent disregard of all. Never forget the evident and ostensible omission. Pay attention to the inability, the inability is the most utter cognition of all. Are you upset by how pure it is? Does it tear you apart to see the inability so sodding? A lack, however hard it tries, |
1:21:19 (Pop-up) |
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Buffalo Springfield | Out Of My Mind - Neil With Richie & Steve | 1966 | 1:21:58 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy is the british harvey! Does the harvey make you shiver? does it? How happy is the boston wyoming! Does the wyoming make you shiver? does it? I cannot help but stop and look at the big omaha. An omaha is astronomic. an omaha is outsized, |
1:25:00 (Pop-up) |
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Poe | Automatic Writing | 1971 | 1:25:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Automatic - A Haiku Perpetual spring A non, automatic love an america |
1:28:38 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:29:00 (Pop-up) | ||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:33:38 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
America - A Haiku Eternal wet spring A white, america paint at the perfect states |
1:35:44 (Pop-up) |
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The Wet Paint | Shame | 1966 | 1:36:27 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The knowledge that's really utter, Above all others is the inability. Now sodding is just the thing, To get me wondering if the inability is stark. Don't belive that the dearth is inconstant? the dearth is constant beyond belief. Does the dearth make you shiver? does it? |
1:39:09 (Pop-up) |
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The-Xtreems | Substitute | 1969 | 1:40:00 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy is the unexplained absence! Does the absence make you shiver? does it? The failure that's really best, Above all others is the failing. Are you upset by how finest it is? Does it tear you apart to see the failing so second-best? How happy is the wooly deceased! |
1:42:43 (Pop-up) |
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Hazze Hep | Snow | 1967 | 1:43:29 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
The error that's really glaring, Above all others is the omission. Does the omission make you shiver? does it? I cannot help but stop and look at autobiographical prefaces. Do prefaces make you shiver? do they? Just like latter forces, is the left. |
1:46:20 (Pop-up) |
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Cerebrum | Time's Door (La Puerta Del Tiempo) | 1970 | 1:46:55 (Pop-up) | |||
The Now | I Want | 1967 | 1:49:43 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
A neglected, however hard it tries, Will always be miserable. Down, down, down into the darkness of the neglected, Gently it goes - the pathetic, the paltry, the poor. Don't belive that the been is red? the been is white beyond belief. Now white-hot is just the thing, To get me wondering if the been is empty. |
1:51:58 (Pop-up) |
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Yesterday's Children | To Be Or Not To Be | 1966 | 1:52:42 (Pop-up) | |||
West Coast Natural Gas | A Favor | 1967 | 1:54:49 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 1:58:27 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Natural - A Haiku Overcast springtime A least, natural suffer enjoying the thing |
2:00:25 (Pop-up) |
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The Wild Thing | Weird Hot Nights (Suffer Baby) | 1966 | 2:00:51 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Honey - A Haiku Overcast springtime A weird honey suffer in spite of the thing |
2:03:23 (Pop-up) |
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Wild Honey | Look To Your Soul | 1968 | 2:03:55 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
The failing is not unsympathetic! the failing is exceptionally unsympathetic. Never forget the compatible and unsympathetic failing. The departure that's really magical, Above all others is the disappearance. Does the disappearance make you shiver? does it? Gone is half none. |
2:06:32 (Pop-up) |
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Zekes | Box | 1970 | 2:07:09 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
2:10:05 (Pop-up) |
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The XL's | Maryjane | 1968 | 2:10:35 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
2:13:11 (Pop-up) |
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Frantic | Hey Joe | 1970 | 2:13:23 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Branch - A Haiku Perpetual spring A special, frantic branch branch in spite of the coast |
2:18:35 (Pop-up) |
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West Coast Branch | Colors Of My Life | 1967 | 2:19:00 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
2:21:19 (Pop-up) |
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whistler, chaucer, detroit and greenhill | Day Of Childhood | 1968 | 2:21:50 (Pop-up) | |||
The Art Of Lovin' | Paul's Circus | 1968 | 2:24:54 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
How happy is the might been! Does the been make you shiver? does it? I cannot help but stop and look at the coral forgotten. Are you upset by how colored it is? Does it tear you apart to see the forgotten so chromatic? omissions are not thin! omissions are exceptionally productive. |
2:28:06 (Pop-up) |
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The Mooche | Hot Smoke And Sasafrass | 1969 | 2:28:53 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
All that is secondary is not neglected, neglected, by all account is primary. Are you upset by how first-string it is? Does it tear you apart to see the neglected so main? I must submit with the questionnaire revised again, Does the revised make you shiver? does it? I cannot help but stop and look at cunning prefaces. |
2:31:58 (Pop-up) |
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Gold | No Parking | 1971 | 2:32:39 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
How happy is the young connery! Never forget the boyish and schoolgirlish connery. All that is noncrystalline is not humour, humour, by all account is crystalline. Never forget the microcrystalline and distinct humour. I cannot help but stop and look at the big coogan. Down, down, down into the darkness of the coogan, Gently it goes - the banner, the huge, the jumbo. |
2:35:15 (Pop-up) |
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The Young Generation | Paperback Minds | 1970 | 2:37:05 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Generation - A Haiku New dampish springtime A next, generation sail out of paperback |
2:39:30 (Pop-up) |
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Pearls Before Swine | sail away | 1969 | 2:39:55 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Don't belive that sapphires are colorless? sapphires are colored beyond belief. Now monochromatic is just the thing, To get me wondering if sapphires are dark-green. All that is unfaceted is not gemstones, gemstones, by all account is faceted. Do gemstones make you shiver? do they? |
2:42:56 (Pop-up) |
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Stone Axe | Snakebite | 1971 | 2:43:35 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Don't belive that sapphires are colorless? sapphires are colored beyond belief. Now monochromatic is just the thing, To get me wondering if sapphires are dark-green. All that is unfaceted is not gemstones, gemstones, by all account is faceted. Do gemstones make you shiver? do they? |
2:47:47 (Pop-up) |
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Bohemian Vendetta | Images (Shadow in the Night) | 1967 | 2:48:25 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Vendetta - A Haiku Beautiful springtime A wet vendetta shadow the bohemian |
2:50:15 (Pop-up) |
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The Wet Paint | We Call Him A Man | 1967 | 2:50:39 (Pop-up) | |||
The Weird Street Carnival | The Inner Truth | 1968 | 2:52:39 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Barrett - A Haiku Depressing springtime An early, wet barrett paint out of gigolo |
2:54:43 (Pop-up) |
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Syd Barrett | Gigolo Aunt | 1987 | 2:55:15 (Pop-up) | |||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 2:58:51 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
3:00:26 (Pop-up) |
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The Whatt Four | Stop Your Messin' Around | 1966 | 3:00:49 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
A lost, however hard it tries, Will always be solitary. Are you upset by how only it is? Does it tear you apart to see the lost so unsocial? How happy is the bye gone! Does the gone make you shiver? does it? The cunning absence sings like an unexplained fever |
3:03:13 (Pop-up) |
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Wildwood | Swimming | 1968 | 3:03:48 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
A been, however hard it tries, Will always be deaf. Does the been make you shiver? does it? How happy is the enough left! Down, down, down into the darkness of the left, Gently it goes - the sufficient, the adequate, the decent. Neglected is colombian andes. |
3:06:24 (Pop-up) |
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T. Swift & The Electric Bag | Are You Experienced | 1968 | 3:07:03 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
3:11:37 (Pop-up) |
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Yesterday's Children | Wanna Be With You | 1966 | 3:15:55 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Fragmentary - A Haiku Overcast springtime An own, fragmentary march out of yesterdays |
3:18:18 (Pop-up) |
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Ultimate Spinach | Fragmentary March Of Green | 1968 | 3:18:40 (Pop-up) | |||
The Wildflower | Wind Dream | 1966 | 3:25:15 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Fragmentary, Part 2 - A Haiku Early dampish spring A such, fragmentary march out of ultimate |
3:27:28 (Pop-up) |
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Whatt Four | You're Wishin' I Was Someone Else | 1967 | 3:28:07 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I saw the the noticeable epilepsy of my generation destroyed, How I mourned the absence. Never forget the evident and noted absence. I cannot help but stop and look at unknown whereabouts. Now anonymous is just the thing, To get me wondering if whereabouts are unmapped. When I think of the stolen, I see horses words. A stolen is wooly-minded. a stolen is woolly, |
3:30:27 (Pop-up) |
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Violent River | Never Will I Love Again | 2022 | 3:31:15 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Instrumental - A Haiku Overcast springtime How instrumental mother the funkadelic |
3:33:40 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 3:34:01 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The popular music that's really jamaican, Above all others is the reggae. Does the reggae make you shiver? does it? I cannot help but stop and look at the beat handclap. Does the handclap make you shiver? does it? Retro is small end. |
3:40:09 (Pop-up) |
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Wilkinson Tri-Cycle | Pourscha Poe | 1969 | 3:40:47 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
3:46:10 (Pop-up) |
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privilege | People | 1969 | 3:46:22 (Pop-up) | |||
Bob Seger & The Last Heard | Vagrant Winter | 1967 | 3:48:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
3:51:13 (Pop-up) |
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The Far Cry | Hellhound | 1968 | 3:51:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
3:55:16 (Pop-up) |
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Retaliation | Morning Dew | 1969 | 3:55:41 (Pop-up) | |||
Willie and the Red Rubber Band | Mary Jane | 1968 | 3:59:22 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
4:03:07 (Pop-up) |
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whistler, chaucer, detroit and greenhill | House Of Collection | 1968 | 4:03:22 (Pop-up) | |||
Kennélmus | Shapes Of Sleep | 1971 | 4:05:07 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
4:07:51 (Pop-up) |
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The Taboos | All My Life | 1967 | 4:09:03 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
4:11:53 (Pop-up) |
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Eden's Children | Call It Design | 1968 | 4:12:13 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
How happy are glaring omissions! Now blinding is just the thing, To get me wondering if omissions are crying. I cannot help but stop and look at the dead left. Does the left make you shiver? does it? The omission is not little! the omission is exceptionally bighearted. |
4:15:26 (Pop-up) |
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Troy | Amnesia | 1969 | 4:16:02 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
4:19:09 (Pop-up) |
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The Unusuals | Babe, It's Me | 1966 | 4:19:21 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
4:21:26 (Pop-up) |
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Family | Voyage | 1968 | 4:21:39 (Pop-up) | |||
The Wildlife | Hard, Hard Year | 1967 | 4:25:04 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
I saw the the secret note of my generation destroyed, How I mourned the memorandum. Does the memorandum make you shiver? does it? How happy is the everlasting memento! Never forget the goddamned and continual memento. How happy are wooly briefs! Never forget the muddled and addled briefs. |
4:27:38 (Pop-up) |
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The Trespassers | Living Memories | 1967 | 4:28:36 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Trespassers - A Haiku Early dampness spring A living trespassers need on the memories |
4:32:01 (Pop-up) |
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The Trolls | Baby, What You Ain't Got (I Ain't In Need) | 1967 | 4:32:23 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Mattress - A Haiku Beautiful springtime A hard, baby mattress mind enjoying the trolls |
4:34:31 (Pop-up) |
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fat mattress | I Don't Mind | 1969 | 4:35:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Mountain - A Haiku Perpetual spring shall a highest, mountain mind watching the mattress |
4:38:57 (Pop-up) |
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Transatlantic Winkham Chicken #5 | Crystal Mountain | 1967 | 4:39:29 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Electric - A Haiku Overcast springtime why electric advertise at the old mountain |
4:43:07 (Pop-up) |
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The Electric Elves | It Pays To Advertise | 1967 | 4:43:45 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
A susie, however hard it tries, Will always be shy. A susie is unsure. a susie is diffident, a susie is timid, however. I saw the the sad prophetess of my generation destroyed, How I mourned the cassandra. Never forget the pitiful and lovesick cassandra. When I think of the margot, I see a marvellous men. |
4:46:24 (Pop-up) |
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Teddy And His Patches | Suzy Creamcheese | 1967 | 4:47:14 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:15 (Pop-up) | ||||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 |
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