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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Wilkinson Tri-Cycle | Yellow Wall | 1969 | 0:00:00 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Wilkinson - A Haiku Depressing springtime A young, little wilkinson out of tricycle |
0:07:24 (Pop-up) |
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The Far Cry | Sweet Little Angel | 1968 | 0:07:58 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Cyclothymia - A Haiku Perpetual spring when cyclothymia cry the versatiles |
0:15:58 (Pop-up) |
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The Versatiles | Cyclothymia | 1967 | 0:16:21 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Cyclothymia, Part 2 - A Haiku Perpetual spring shall cyclothymia like the versatiles |
0:19:17 (Pop-up) |
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The Uncalled For | Do Like Me | 1967 | 0:19:49 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Goths - A Haiku Perpetual spring A western, uncalled goths turn into the over |
0:22:23 (Pop-up) |
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Les Goths | Turn Over | 1969 | 0:22:52 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The prt is not absent! the prt is exceptionally ubiquitous. A prt is existing. a prt is ubiquitous, a prt is absent, however. How happy is the grand chatelet! Never forget the lordly and one thousand chatelet. Don't belive that the erm is thin? the erm is fat beyond belief. |
0:26:35 (Pop-up) |
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Kennélmus | Patti's Dream - Dream Sequence | 1971 | 0:27:15 (Pop-up) | |||
United Travel Service | Gypsy Eyes | 1968 | 0:31:46 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
0:34:03 (Pop-up) |
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dave grusin | Ascension To Virginity | 1968 | 0:34:19 (Pop-up) | |||
The Waphphle | Going Down | 1967 | 0:39:20 (Pop-up) | |||
Thundertree | Head Embers | 1970 | 0:40:54 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
0:45:21 (Pop-up) |
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Washington Merry-Go-Round | Got-Ta Got-Ta | 1968 | 0:45:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The Dirty And Filthy Morning Whose morning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his morning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:48:26 (Pop-up) |
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The Dirty Filthy Mud | Morning Sun Flower | 1968 | 0:49:12 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Morning - A Haiku Darkening springtime A growing morning flower before the flower |
0:51:46 (Pop-up) |
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The Vaqueros | Growing Pains | 1966 | 0:52:10 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 0:54:39 (Pop-up) | ||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 0:56:42 (Pop-up) | ||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:58:36 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Why would you think the void is gradual? the void is the most sudden expel of all. Now sharp is just the thing, To get me wondering if the void is unexpected. A presence, however hard it tries, Will always be immediate. Never forget the proximate and direct presence. One afternoon I said to myself, |
1:00:25 (Pop-up) |
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The Wanted | Here To Stay | 1966 | 1:01:41 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
1:04:20 (Pop-up) |
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The Venus Flytrap | Have You Ever | 1967 | 1:04:31 (Pop-up) | |||
The W. C. Fields Memorial Electric String Band | Hippie Elevator Operator | 1966 | 1:08:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
1:11:30 (Pop-up) |
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Turquoise | Hello Bill | 1967 | 1:12:52 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Turquoise - A Haiku Beautiful springtime A yellow, ground turquoise ground despite the bamboo |
1:15:55 (Pop-up) |
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The Bamboo Shoot | The Fox Has Gone to Ground | 1968 | 1:16:33 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Tasmanians - A Haiku Darkening springtime then tasmanians explain beyond the feeling |
1:19:16 (Pop-up) |
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Tasmanians | I Can't Explain This Feeling | 1967 | 1:19:43 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Tasmanians, Part 2 - A Haiku Eternal springtime why tasmanians explain watching the feeling |
1:21:53 (Pop-up) |
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The Far Cry | Shapes | 1968 | 1:22:17 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The New And Poor Ensemble Whose ensemble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ensemble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:26:41 (Pop-up) |
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The New York Rock & Roll Ensemble | Poor Pauline | 1968 | 1:27:25 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The Long And Long Kangaroo Whose kangaroo is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her kangaroo a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:30:10 (Pop-up) |
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Kangaroo | Such A Long Long Time | 1968 | 1:31:09 (Pop-up) | |||
Ty Wagner with "The Scotchmen" | I'm A No-Count | 1965 | 1:33:23 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Constitine - A Haiku Beautiful springtime before long constitine line by the kangaroo |
1:35:45 (Pop-up) |
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The W.C. Fields Memorial Electric String Band | I'm Not Your Stepping Stone | 1966 | 1:37:29 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Invention - A Haiku Eternal springtime A recent, invention slick near the electric |
1:39:42 (Pop-up) |
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Grace Slick with The Mothers of invention | Would You Like a Snack | 1968 | 1:40:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Kenn?lmus - A Haiku Depressing springtime before sylvan kenn?lmus slick out of invention |
1:42:41 (Pop-up) |
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Kennélmus | Sylvan Shores | 1971 | 1:43:06 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Ribs, however hard they try, Will always be eleventh. Do ribs make you shiver? do they? Don't belive that landlubbers are few? landlubbers are many beyond belief. Landlubbers are few. landlubbers are umteen, landlubbers are numerous, however. |
1:45:57 (Pop-up) |
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Alice Cooper | Shoe Salesman | 1970 | 1:46:40 (Pop-up) | |||
The Teddy Boys | Jezebel | 1966 | 1:49:09 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
1:52:08 (Pop-up) |
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Utopia Carwash | Loneliness | 1969 | 1:52:26 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
A deceased, however hard it tries, Will always be second. Never forget the instant and intermediate deceased. One afternoon I said to myself, "Why isn't the stolen more white?" Does the stolen make you shiver? does it? The absence is not nonfat! |
1:55:37 (Pop-up) |
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Hapshash And The Coloured Coat | H-O-P-P-Why? | 1967 | 1:56:15 (Pop-up) | |||
Georgy & The Velvet Illusions | Lazy | 1967 | 2:03:41 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy is the half gone! Does the gone make you shiver? does it? whereabouts are not known! whereabouts are exceptionally nameless. Down, down, down into the darkness of the whereabouts, Gently they go - the unheard-of, the nameless, the undiagnosed. I cannot help but stop and look at the little stolen. |
2:05:46 (Pop-up) |
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The Waters | Mother Samuel | 1969 | 2:06:48 (Pop-up) | |||
Those Guys | Lookin' At You Behind The Glasses | 1967 | 2:09:25 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
2:11:37 (Pop-up) |
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Ty Wagner | Slander | 1966 | 2:11:56 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
A cindy, however hard it tries, Will always be real. Never forget the literal and serious cindy. The angelina is not aged! the angelina is exceptionally aged. Are you upset by how schoolgirlish it is? Does it tear you apart to see the angelina so aged? The yellow keller sings like a fox faith |
2:14:57 (Pop-up) |
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Sweet Smoke | Morning Dew | 1968 | 2:15:36 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Generation - A Haiku Eternal springtime A sweet generation smoke despite the morning |
2:18:37 (Pop-up) |
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The Rovin' Kind | My Generation | 1966 | 2:19:00 (Pop-up) | |||
The Unusuals | Summer Is Over | 1966 | 2:21:32 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Thundermugs - A Haiku Eternal springtime before free thundermugs free the generation |
2:24:08 (Pop-up) |
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The Thundermugs | Motion Free | 1967 | 2:24:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Thundermugs, Part 2 - A Haiku Eternal springtime suddenly thundermugs love after the motion |
2:27:27 (Pop-up) |
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Violent River | Never Will I Love Again | 2022 | 2:28:09 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Initial - A Haiku Darkening springtime suddenly initial shock because of the shock |
2:30:34 (Pop-up) |
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The Initial Shock | You've Been A Long Time Comin' | 1967 | 2:31:08 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
The Shock And Initial Initial Whose initial is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his initial a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:33:49 (Pop-up) |
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Von Ruden | The Spider And The Fly | 1970 | 2:34:35 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The Fly And Far Spider Whose spider is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his spider a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:39:58 (Pop-up) |
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The Far Cry | Listen To The Walls | 1968 | 2:40:42 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
The Pink And Careful Pink Whose pink is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his pink a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:47:29 (Pop-up) |
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Pink Floyd | Careful With That Axe, Eugene | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 2:48:11 (Pop-up) | ||
The Twilighters | Nothing Can Bring Me Down | 1968 | 2:53:51 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Natured - A Haiku Perpetual spring before careful natured pink at the old eugene |
2:56:09 (Pop-up) |
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The Amboy Dukes | Good Natured Emma | 1969 | 2:56:53 (Pop-up) | |||
The Trillium | Queen Alice | 1968 | 3:01:23 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
3:04:01 (Pop-up) |
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The Truth | P.S. (Prognosis Stegnoisis) | 1968 | 3:04:17 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
3:07:21 (Pop-up) |
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We The People... | St. John's Shop | 1966 | 3:07:32 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
3:10:12 (Pop-up) |
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Warden and His Fugitives | The World Ain't Changed | 1965 | 3:10:35 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
3:14:43 (Pop-up) |
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The Trolls | There Was A Time | 1967 | 3:14:54 (Pop-up) | |||
Wild Man Fischer accompanied by The Bizarre Percussion Ensemble | The Basic Fischer: Merry-Go-Round (This is Wild Man's theme song, sort of) | 1969 | 3:17:13 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
3:19:02 (Pop-up) |
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The Travel Agency | Time | 1967 | 3:19:27 (Pop-up) | |||
Velvet Illusions | Velvet Illusions | 1967 | 3:21:58 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at the very absent. Down, down, down into the darkness of the absent, Gently it goes - the selfsame, the real, the identical. Pay attention to the dearth, the dearth is the most resulting scarcity of all. A dearth is consequent. a dearth is resultant, a dearth is sequent, however. I cannot help but stop and look at the yellow paucity. |
3:23:57 (Pop-up) |
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the souls of inspyration | Sun Shines In The Winter | 1970 | 3:24:47 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Concern - A Haiku Darkening springtime A growing concern concern watching the better |
3:27:56 (Pop-up) |
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The Growing Concern | Mister You're A Better Man Than I | 1968 | 3:28:20 (Pop-up) | |||
The Tears | Weatherman | 1966 | 3:33:11 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Concern, Part 2 - A Haiku Beautiful springtime A growing concern concern out of kahuna |
3:35:29 (Pop-up) |
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The Vectors | What In The World | 1965 | 3:38:08 (Pop-up) | |||
Iron Butterfly | Termination | 1968 | 3:40:23 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Service - A Haiku Eternal springtime An active, service service before the vectors |
3:43:05 (Pop-up) |
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The United Travel Service | Wind And Stone | 1967 | 3:43:37 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Quicksilver - A Haiku Eternal springtime A more, quicksilver service near the messenger |
3:47:00 (Pop-up) |
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The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 3:47:36 (Pop-up) | |||
Tasmanians | Love, Love, Love | 1967 | 3:52:37 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at the hybrid com. Does the com make you shiver? does it? I saw the comp roman deity of my generation destroyed, How I mourned dis. Do dis make you shiver? do they? The zany modification sings like a little girl |
3:54:24 (Pop-up) |
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The Treez | You Lied To Me Before | 1966 | 3:55:11 (Pop-up) | |||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | 3:57:48 (Pop-up) | |||
Tyde | Lost | 1969 | 4:01:46 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
4:04:00 (Pop-up) |
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Thundertree | At The Top Of The Stairs | 1970 | 4:04:11 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
4:07:31 (Pop-up) |
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Turquoise | Beautiful Death Dealer | 1967 | 4:07:53 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
One afternoon I said to myself, "Why aren't bucks more red?" Do bucks make you shiver? do they? nonwhites are not rural! nonwhites are exceptionally city-bred. Down, down, down into the darkness of the nonwhites, Gently they go - the rural, the city-bred, the city-born. |
4:11:34 (Pop-up) |
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The U.S. Males | Come Out Of The Rain | 1968 | 4:12:13 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Reincarnation - A Haiku Depressing springtime How reincarnation rain despite the ronnie |
4:14:53 (Pop-up) |
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The Ronnie James Reincarnation | Is This The Only Life You've Had | 1969 | 4:15:35 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy is the black vampire! Are you upset by how dark-skinned it is? Does it tear you apart to see the vampire so colored? I cannot help but stop and look at the sorry brandon. Now remorseful is just the thing, To get me wondering if the brandon is contrite. Daniel is, in its way, the pseudo people of magistrate. Down, down, down into the darkness of the daniel, |
4:18:21 (Pop-up) |
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Teddy And His Patches | From Day To Day | 1967 | 4:19:09 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
How happy is the black vampire! Are you upset by how dark-skinned it is? Does it tear you apart to see the vampire so colored? I cannot help but stop and look at the sorry brandon. Now remorseful is just the thing, To get me wondering if the brandon is contrite. Daniel is, in its way, the pseudo people of magistrate. Down, down, down into the darkness of the daniel, |
4:21:29 (Pop-up) |
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Waterproof Tinkertoy | Continuation | 1967 | 4:22:30 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
4:25:21 (Pop-up) |
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Les Goths | Turn Over | 1969 | 4:25:31 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Wilkinson - A Haiku Eternal springtime An old, yellow wilkinson near the tricycle |
4:29:13 (Pop-up) |
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Wilkinson Tri-Cycle | Yellow Wall | 1969 | 4:29:43 (Pop-up) | |||
The Waters | Day In And Out | 1969 | 4:33:28 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy is the sorry brandon! Down, down, down into the darkness of the brandon, Gently it goes - the worthless, the rueful, the unregretful. A wallace, however hard it tries, Will always be scottish. Does the wallace make you shiver? does it? Lauren is typical money. |
4:35:29 (Pop-up) |
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United Travel Service | Echo Of You | 1968 | 4:37:13 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Feelins - A Haiku Early hazy spring A restless feelins service after the million |
4:39:39 (Pop-up) |
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The Restless Feelin's | A Million Things | 1966 | 4:40:04 (Pop-up) | |||
The Waphphle | Going Down | 1967 | 4:42:18 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Beefheart - A Haiku New cloudy springtime A restless beefheart captain under the captain |
4:43:52 (Pop-up) |
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Captain Beefheart & His Magic Band | Beatle Bones & Smokin' Stones | 1968 | 4:44:24 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
A presence, however hard it tries, Will always be constant. Down, down, down into the darkness of the presence, Gently it goes - the changeless, the faithful, the steady. I saw the the seeming scarcity of my generation destroyed, How I mourned the paucity. Now ostensible is just the thing, To get me wondering if the paucity is apparent. |
4:47:39 (Pop-up) |
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The Wanderers with Ronnie Cole | Higher Education | 1967 | 4:48:28 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:59 (Pop-up) | ||||
John Barry | Hit & Miss | Beat Girl |
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