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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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The Teddy Boys | Where Have All the Good Times Gone | 1966 | 0:00:00 (Pop-up) | |||
The United Travel Service | Drumer Of Your Mind | 1967 | 0:06:16 (Pop-up) | |||
The Unusuals | I Could Go On | 1966 | 0:09:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Dorns - A Haiku Beautiful springtime Surprisingly gone dorns need despite the teddy |
0:11:54 (Pop-up) |
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The W. C. Dorns | I Need You | 1967 | 0:12:28 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I cannot help but stop and look at the notice gone. Does the gone make you shiver? does it? Pay attention to the deceased, the deceased is the most late human of all. Are you upset by how belated it is? Does it tear you apart to see the deceased so after-hours? I saw the the fat traveler of my generation destroyed, |
0:15:02 (Pop-up) |
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The Element | Open The Door To Your Mind | 1967 | 0:15:44 (Pop-up) | |||
Tasmanians | If I Don't | 1967 | 0:17:41 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Element - A Haiku Early dampish spring A made element travel on the agency |
0:19:41 (Pop-up) |
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The Travel Agency | Made For You | 1967 | 0:20:10 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Squeelin - A Haiku Perpetual spring A soft squeelin machine watching the machine |
0:22:15 (Pop-up) |
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The Soft Machine | Feelin' Reelin' Squeelin' | The Soft Machine | 1967 | 0:22:41 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
Waphphle - A Haiku Depressing springtime before going waphphle machine by the squeelin |
0:25:27 (Pop-up) |
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The Waphphle | Going Down | 1967 | 0:26:03 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Waphphle, Part 2 - A Haiku Eternal springtime Surprisingly sweet waphphle smoke betrayed by the smoke |
0:27:36 (Pop-up) |
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Sweet Smoke | Mary Jane Is To Love | 1968 | 0:28:08 (Pop-up) | |||
Twiggs | Moon Maiden | 1969 | 0:30:40 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
American - A Haiku Darkening springtime A pan, american smoke on the electric |
0:33:27 (Pop-up) |
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the Electric Flag, an American Music Band | A Little Head | Original Motion Picture Sound Track: The Trip | 1967 | 0:34:03 (Pop-up) | ||
The Trillium | News | 1968 | 0:35:42 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
American, Part 2 - A Haiku Perpetual spring A young, american band out of electric |
0:38:01 (Pop-up) |
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Family | From Past Archives | 1969 | 0:38:47 (Pop-up) | |||
Waterproof Tinkertoy | Satisfaction | 1967 | 0:42:06 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Electric - A Haiku Beautiful springtime A diesel, electric round a memorial |
0:44:58 (Pop-up) |
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The W.C. Fields Memorial Electric String Band | Round World | 1966 | 0:45:25 (Pop-up) | |||
Peanut Gallery | Out Of Breath | 1966 | 0:47:46 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Illusions - A Haiku Perpetual spring A certain, illusions round on the electric |
0:49:47 (Pop-up) |
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Velvet Illusions | She Was The Only Girl | 1967 | 0:50:19 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Vejtables - A Haiku Perpetual spring before last vejtables mind on the illusions |
0:52:52 (Pop-up) |
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The Vejtables | The Last Thing On My Mind | 1965 | 0:53:17 (Pop-up) | |||
Turquoise | Steel Glass | 1967 | 0:55:43 (Pop-up) | |||
Dream | Night Of The Lonely Organist And His Mysterious Pals | 1967 | 0:58:10 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Vejtables, Part 2 - A Haiku Perpetual spring before last vejtables note before the flytrap |
1:00:19 (Pop-up) |
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The Venus Flytrap | The Note | 1967 | 1:00:54 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Flytrap - A Haiku Overcast springtime A great, wally flytrap head into the fubar |
1:04:00 (Pop-up) |
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Wally Shoop and Fubar | Words In My Head | 1971 | 1:04:34 (Pop-up) | |||
We The People... | When I Arrive | 1968 | 1:08:19 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Institute - A Haiku Darkening springtime For institute institute on the national |
1:11:21 (Pop-up) |
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The Wanted & Co. | Why | 1968 | 1:12:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
1:15:55 (Pop-up) |
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the sub | Ma-Mari-Huana | 1969 | 1:16:07 (Pop-up) | |||
Transatlantic Winkham Chicken #5 | You'll Never Find Her | 1967 | 1:20:53 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
1:23:07 (Pop-up) |
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The Unusuals | I'm Walkin', Babe | 1966 | 1:23:25 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Disappearances, however hard they try, Will always be odd. Never forget the funny and strange disappearances. One afternoon I said to myself, "Why isn't the failing more unlikeable?" Are you upset by how charitable it is? Does it tear you apart to see the failing so unsympathetic? Disappearance is probable paradox. |
1:26:25 (Pop-up) |
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The Rustics | Can't Get You Out Of My Heart | 1966 | 1:27:17 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Initial - A Haiku Beautiful springtime suddenly initial shock under the rustics |
1:29:25 (Pop-up) |
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The Initial Shock | You've Been A Long Time Comin' | 1967 | 1:30:06 (Pop-up) | |||
Tyde | Psychedelic Pill | 1969 | 1:32:48 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
English - A Haiku Eternal springtime An initial english shock near the initial |
1:35:31 (Pop-up) |
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The Tangerine Zoo | Wake Up Sun | 1968 | 1:36:40 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
1:40:53 (Pop-up) |
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the glitterhouse | Tinkerbell's Mind | 1968 | 1:41:03 (Pop-up) | |||
Tasmanians | Baby | 1967 | 1:45:42 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
1:47:58 (Pop-up) |
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Karel ?ernoch . Juventus | 18 Minut | 1968 | 1:48:15 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
1:50:53 (Pop-up) |
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Tarantula | Love Is For Peace | 1969 | 1:51:06 (Pop-up) | |||
Gene Pitney | Last Chance To Turn Around TRACK | 1:58:37 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Walkin' |
All that is lowborn is not george, george, by all account is noble. Does the george make you shiver? does it? One afternoon I said to myself, "Why isn't the mikhail more older?" A mikhail is junior. a mikhail is elder, a mikhail is little, however. |
2:00:19 (Pop-up) |
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Georgy & The Velvet Illusions | The Stereo Song | 1967 | 2:01:04 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The Brown And Stereo Victor Whose victor is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his victor a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:02:54 (Pop-up) |
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victor brady | Brown Rain | 1970 | 2:03:51 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Sweetwater - A Haiku Eternal wet spring A platte, brown sweetwater rain watching the rainbow |
2:15:22 (Pop-up) |
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Sweetwater | In A Rainbow | 1968 | 2:15:53 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Sweetwater, Part 2 - A Haiku Early dampen spring An old, sound sweetwater sound near the harrisson |
2:19:05 (Pop-up) |
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TIME | Elin Experience | 1968 | 2:21:04 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Experience - A Haiku Overcast springtime A past, thin experience after the ballad |
2:25:23 (Pop-up) |
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Grass Roots | Mr. Jones (A Ballad Of A Thin Man) | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:25:44 (Pop-up) | |||
Toad Hall | Storybook Love | 1968 | 2:28:35 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Dragonfly - A Haiku Darkening springtime A huge, thin dragonfly grass beyond the portrait |
2:31:13 (Pop-up) |
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Dragonfly | Portrait Of Youth | 1968 | 2:31:52 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
An omission, however hard it tries, Will always be conspicuous. Never forget the exhibitionistic and attention-getting omission. A forgotten, however hard it tries, Will always be best. A forgotten is optimum. a forgotten is unexceeded, a forgotten is optimal, however. When I think of omissions, I see a consonant figure. |
2:34:26 (Pop-up) |
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the souls of inspyration | Sun Shines In The Winter | 1970 | 2:35:16 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Morning - A Haiku Perpetual spring A filthy morning flower after the flower |
2:38:25 (Pop-up) |
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The Dirty Filthy Mud | Morning Sun Flower | 1968 | 2:39:02 (Pop-up) | |||
Jimmy Gordon | 1980 | 1967 | 2:41:36 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Morning, Part 2 - A Haiku Overcast springtime A filthy morning flower at the old flower |
2:43:50 (Pop-up) |
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The Sound Sandwich | Apothecary Dream | 1967 | 2:45:09 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Apothecary - A Haiku Overcast springtime apothecary sandwich above the sandwich |
2:47:52 (Pop-up) |
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The Move | Omnibus | Flyback 3 - The Best Of The Move | 2:48:15 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Tangerine - A Haiku Depressing springtime A rotten, tangerine cant by the omnibus |
2:52:05 (Pop-up) |
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The Tangerine Zoo | Can't You See | 1968 | 2:52:26 (Pop-up) | |||
Medicine Mike | I've Never Been (So High) | 1969 | 2:56:13 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:58:59 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Tangerine, Part 2 - A Haiku Perpetual spring A fresh, sixth tangerine cant on the creation |
3:00:20 (Pop-up) |
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Sixth Day Creation | Cherry Pie | 1969 | 3:01:04 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Lightening - A Haiku Eternal wet spring A white, light lightening light near the creation |
3:03:29 (Pop-up) |
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The Shy Guys | Black Lightening Light | 1968 | 3:03:53 (Pop-up) | |||
The Society | High And Mighty | 1967 | 3:08:21 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Lightening, Part 2 - A Haiku Depressing springtime A great, light lightening light beyond the cowsills |
3:11:06 (Pop-up) |
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The Sky | I'm Not A Fool | 1966 | 3:13:35 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The Fool And Unknown Destination Whose destination is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his destination a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:16:01 (Pop-up) |
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The Lewis and Clarke Expedition | Destination Unknown | 1967 | 3:16:46 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
All that is offensive is not donovan, donovan, by all account is defensive. Never forget the antisubmarine and justificative donovan. The sea rover that's really american, Above all others are the roberts. Do roberts make you shiver? do they? How happy is the yellow ronnie! |
3:19:31 (Pop-up) |
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The Soul Trippers | King Bee | 1966 | 3:20:09 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Trippers - A Haiku Beautiful springtime A vulgar, small trippers sound a society |
3:22:08 (Pop-up) |
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The Small Society | Live For A Real Good Sound | 1968 | 3:22:31 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Jackson - A Haiku Eternal springtime A pro, funky jackson sound a society |
3:24:53 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 3:25:28 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
The Better And Growing Concern Whose concern is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his concern a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:30:18 (Pop-up) |
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The Growing Concern | Mister You're A Better Man Than I | 1968 | 3:31:04 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Sweetwater - A Haiku Overcast springtime A light, sweetwater concern above the cyrstal |
3:35:56 (Pop-up) |
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Sweetwater | My Cyrstal Spider | 1968 | 3:36:21 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Sweetwater, Part 2 - A Haiku Early dampness spring An old, light sweetwater light despite the morning |
3:41:02 (Pop-up) |
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The Sons Of May | Morning Dew (And the Light Turned Red) | 1968 | 3:41:40 (Pop-up) | |||
The Birds | How Can It Be | 1965 | 3:45:12 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Dragonfly - A Haiku Overcast springtime A huge, dragonfly woman beyond the morning |
3:48:07 (Pop-up) |
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Dragonfly | Crazy Woman | 1968 | 3:48:39 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Dragonfly, Part 2 - A Haiku Eternal springtime A red, dragonfly picture above the picture |
3:51:19 (Pop-up) |
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The Source | You Don't Know What's Going On - From the Motion Picture "Joe" | 1971 | 3:51:44 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Smokestack - A Haiku Overcast springtime A going smokestack picture under the lightnin |
3:54:28 (Pop-up) |
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Smokestack Lightnin' | Look What You've Done | 1967 | 3:54:56 (Pop-up) | |||
The Shadows | Dance On | 1996 | 3:57:51 (Pop-up) | |||
Skip Battyn and The Group | Night Time Girl | 1966 | 4:01:37 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
4:03:46 (Pop-up) |
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Soul Inc. | Love Me When I'm Down | 1968 | 4:04:02 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
4:06:05 (Pop-up) |
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The Tangerine Zoo | Another Morning | 1968 | 4:06:17 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Tangerine - A Haiku Overcast springtime A whole, tangerine flower despite the morning |
4:09:58 (Pop-up) |
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After Tea | Not Just A Flower In Your Hair | 1967 | 4:10:23 (Pop-up) | |||
The Birdwatchers | I'm Gonna Do It To You | 1966 | 4:12:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Society - A Haiku Eternal springtime shall society flower into the flower |
4:14:39 (Pop-up) |
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Soul Society | Psychedelic Cycle | 1968 | 4:15:09 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Goodbye - A Haiku Overcast springtime A proper, goodbye cycle the society |
4:18:02 (Pop-up) |
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The Shy Guys | Goodbye To You | 1968 | 4:18:28 (Pop-up) | |||
Tasmanians | If I Don't | 1967 | 4:21:49 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Goodbye, Part 2 - A Haiku Darkening springtime A sad, made goodbye travel out of agency |
4:23:50 (Pop-up) |
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The Travel Agency | Made For You | 1967 | 4:24:21 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
A country, however hard it tries, Will always be basque. Does the country make you shiver? does it? Why would you think the europe is intercontinental? the europe is the most continental continent of all. Down, down, down into the darkness of the europe, Gently it goes - the continent-wide, the intercontinental, the transcontinental. |
4:26:26 (Pop-up) |
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Sir Winston & The Commons | Not The Spirit Of India | 1967 | 4:27:12 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Because I could not anger for mans, they did kindly anger for me. I don't like the fact that they, learned to anger before they knew how to race. How happy is the great lunk! Never forget the peachy and distinguished lunk. Pay attention to the fella, the fella is the most okay male of all. |
4:30:28 (Pop-up) |
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The Sheppards | Poor Man's Thing | 1966 | 4:31:06 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Because I could not race for mans, they did kindly race for me. Pause to race, like mans do. All that is unchristian is not cant, cant, by all account is christian. Never forget the christly and christlike cant. How happy is the blond lunk! A lunk is fairish. a lunk is nordic, |
4:33:16 (Pop-up) |
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it's all meat | Sunday Love | 1970 | 4:33:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Senders - A Haiku Overcast springtime An active, white senders wear despite the sunday |
4:43:11 (Pop-up) |
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The Senders | Sometimes Good Guys Don't Wear White | 1967 | 4:43:33 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Senders, Part 2 - A Haiku Perpetual spring An active, white senders friend at the perfect friend |
4:46:06 (Pop-up) |
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the glitterhouse | I Lost Me A Friend | 1968 | 4:46:49 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:59 (Pop-up) | ||||
The Beach Boys | Wild Honey | Wild Honey | 1968 |
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Listener comments!
spodiodi:
Owl Sun:
Fatherflot:
spodiodi:
katharsis:
spodiodi:
Owl Sun:
spodiodi:
David (in London):
Good morning Owl Sun.
Owl Sun: