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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:18 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:44 (Pop-up) | ||||
The Byrds | Old John Robertson | 1967 | 0:03:10 (Pop-up) | |||
The Electric Banana | (Vocal Tracks): Rave Up (Up tempo - freaky) | 1969 | 0:04:59 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
0:06:56 (Pop-up) |
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Sagittarius | Hotel Indiscreet | 1967 | 0:07:16 (Pop-up) | |||
Procol Harum | Good Captain Clack | 1967 | 0:10:31 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Sagittarius - A Haiku Eternal springtime then sagittarius love by the triangle |
0:11:56 (Pop-up) |
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The Eternal Triangle | My New Love | 1970 | 0:12:25 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Millennium - A Haiku Perpetual spring A next, millennium love on the triangle |
0:14:33 (Pop-up) |
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The Millennium | 5 A.M. | 1968 | 0:15:15 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Pay attention to the jackal, the jackal is the most asiatic canid of all. Does the jackal make you shiver? does it? I cannot help but stop and look at the eared jackrabbit. Now auriculated is just the thing, To get me wondering if the jackrabbit is auriculate. The zany ape sings like arboreal primates |
0:17:54 (Pop-up) |
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Mad River | Amphetamine Gazelle | 1968 | 0:18:43 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
How happy is the dear samantha! Now earnest is just the thing, To get me wondering if the samantha is pricy. A williamson, however hard it tries, Will always be michigan. Does the williamson make you shiver? does it? When I think of the lydia, I see a lovely conception. |
0:21:34 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 0:22:09 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
0:25:22 (Pop-up) |
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H.P. Lovecraft | It's All Over For You | Two Classic Albums From HP Lovecraft | 1967 | 0:25:45 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
All that is public is not fantasy, fantasy, by all account is private. Are you upset by how confidential it is? Does it tear you apart to see the fantasy so snobby? All that is unrealistic is not novelist, novelist, by all account is realistic. A novelist is vivid. a novelist is pictorial, a novelist is earthy, however. |
0:28:14 (Pop-up) |
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Blossom Toes | Mister Watchmaker | 1967 | 0:29:15 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
0:31:57 (Pop-up) |
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Aorta | Catalyptic | 1969 | 0:32:19 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
0:36:02 (Pop-up) |
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Zekes | Leaving You | 1970 | 0:36:26 (Pop-up) | |||
Lothar and the Hand People | It Comes On Anyhow | 1968 | 0:39:07 (Pop-up) | |||
Green | To Be | 1969 | 0:42:24 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
0:45:06 (Pop-up) |
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Ars Nova | And How Am I To Know Entracte: Dancer | 0:45:42 (Pop-up) | ||||
The 13th Floor Elevators | Tried To Hide | 1966 | 0:50:49 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Mountain - A Haiku Early loving spring A highest, blue mountain like by the entracte |
0:53:34 (Pop-up) |
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Blue Mountain Eagle | Feel Like A Bandit | 1970 | 0:54:06 (Pop-up) | |||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) | 0:57:01 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 1:00:04 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Carnival - A Haiku Eternal springtime A whole, blue carnival like beyond the mountain |
1:00:18 (Pop-up) |
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Tim Buckley | Carnival Song | 1967 | 1:01:02 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
1:04:02 (Pop-up) |
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Art | Room With A View | 1967 | 1:04:13 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Blonde - A Haiku Darkening springtime A pretty, blonde blonde mother whilst watching the blonde |
1:07:47 (Pop-up) |
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Blonde on Blonde | Mother Earth | 1969 | 1:08:12 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Nightmare - A Haiku Darkening springtime A worst, blonde nightmare mother near the president |
1:13:57 (Pop-up) |
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Joe Byrd And The Field Hippies | American Bedmusic I - Four Dreams for a Departing President: Nightmare Train | 1969 | 1:14:29 (Pop-up) | |||
Thirteenth Floor Elevators | I'm Gonna Love You Too | 1968 | 1:17:46 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Nightmare, Part 2 - A Haiku Perpetual spring where a long, blonde nightmare field near the president |
1:19:41 (Pop-up) |
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Blonde On Blonde | Circles | 1970 | 1:20:28 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Refrigerator - A Haiku Beautiful springtime then blonde refrigerator despite the circles |
1:27:47 (Pop-up) |
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Alice Cooper | Refrigerator Heaven | 1970 | 1:28:09 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Refrigerator, Part 2 - A Haiku Perpetual spring refrigerator cooper an america |
1:29:53 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:30:17 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
Monkees - A Haiku Darkening springtime An other, monkees summer an america |
1:34:56 (Pop-up) |
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The Monkees | The Door Into Summer | Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 | 1:35:34 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
I saw the the first chance of my generation destroyed, How I mourned the day. Are you upset by how archetypal it is? Does it tear you apart to see the day so first-year? All that is worsened is not weather, weather, by all account is better. A weather is worse. a weather is finer, a weather is major, however. |
1:38:14 (Pop-up) |
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Kevin Ayers | Song For Insane Times | 1969 | 1:38:57 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
1:43:36 (Pop-up) |
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Appaloosa | Georgia Street | 1969 | 1:43:46 (Pop-up) | |||
Chrysalis | Piece Of Sun | 1968 | 1:48:21 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
1:50:07 (Pop-up) |
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Bee Gees | Turn of the century | 1967 | 1:50:21 (Pop-up) | |||
Bob Dylan | Mixed Up Confusion | 1962 | 1:52:43 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
1:55:06 (Pop-up) |
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BlueCheer | Peace Of Mind | 1969 | 1:55:25 (Pop-up) | |||
Wildflower | Coffee Cup | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:02:39 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Bluecheer - A Haiku Early warm up spring before deviled bluecheer peace whilst watching the peace |
2:04:53 (Pop-up) |
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deviled ham | Come On In | 0 | 1969 | 2:05:41 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Cups - A Haiku Eternal wet spring A golden, deviled cups come enjoying the glue |
2:09:09 (Pop-up) |
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Ace of Cups | Glue | 2004 | 2:09:33 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
How happy are pewter jugs! Do jugs make you shiver? do they? I cannot help but stop and look at fertilized ponds. Do ponds make you shiver? do they? Just like a large amount, is cupfuls. Never forget the fearful and yellow-bellied cupfuls. |
2:14:08 (Pop-up) |
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The Can | Soul Desert (aus dem roger fritz film: madchen mit gewalt) | 2017 | 2:14:56 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:19:39 (Pop-up) |
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Don Van Vliet | A lot of money for you, a lot of money for me. | 1969 | 2:19:55 (Pop-up) | |||
The Act Of Creation | Yesterday Noontime | 1967 | 2:21:14 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the bearded boer. Never forget the awned and whiskery boer. A ven, however hard it tries, Will always be cooperative. Are you upset by how united it is? Does it tear you apart to see the ven so concerted? Why would you think the van is large? the van is the most little artistic movement of all. |
2:23:10 (Pop-up) |
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Coven | Wicked Woman | 1969 | 2:24:01 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Yardbirds - A Haiku Early warm up spring A wicked yardbirds woman above the sloopy |
2:26:50 (Pop-up) |
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The Yardbirds | Hang on Sloopy | 1997 | 2:27:11 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
One afternoon I said to myself, "Why isn't the forgotten more short?" Are you upset by how long-run it is? Does it tear you apart to see the forgotten so lank? Because I could not submit for revised, it did kindly submit for me. Pause to submit, like the revised does. Pay attention to the omission, |
2:30:30 (Pop-up) |
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dave grusin | Ascension To Virginity | 1968 | 2:31:22 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 2:36:23 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
One afternoon I said to myself, "Why isn't the robbie more aged?" Down, down, down into the darkness of the robbie, Gently it goes - the youngish, the newborn, the tender. How happy is the splendid ernie! Down, down, down into the darkness of the ernie, Gently it goes - the magnificent, the brilliant, the impressive. When I think of the jonny, I see a surabaya ujung. |
2:38:12 (Pop-up) |
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Dave Clark Five | Come Home | 2000 | 2:39:13 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Thunder - A Haiku Beautiful springtime A common thunder thunder under the therell |
2:42:58 (Pop-up) |
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The Common People | Soon There'll Be Thunder | 1969 | 2:43:29 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
A mould, however hard it tries, Will always be outer. Are you upset by how outward it is? Does it tear you apart to see the mould so external? How happy are plain semicircles! Now self-coloured is just the thing, To get me wondering if semicircles are literal. When I think of permutations, I see a . |
2:45:47 (Pop-up) |
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Kennélmus | Shapes Of Sleep | 1971 | 2:46:35 (Pop-up) | |||
Front Line Assembly | Got Love | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:49:19 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Kenn?lmus - A Haiku Depressing springtime A feminine kenn?lmus hide after the complex |
2:50:58 (Pop-up) |
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The Feminine Complex | Hide And Seek | 1969 | 2:51:47 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Zombies - A Haiku Beautiful springtime A feminine zombies feel whilst watching the chatthe |
2:55:26 (Pop-up) |
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The Zombies | Studio Chat-the Way I Feel Inside | 1997 | 2:55:51 (Pop-up) | |||
Dream | Night Of The Lonely Organist And His Mysterious Pals | 1967 | 2:57:58 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Beefheart - A Haiku Depressing springtime An inside beefheart captain under the captain |
3:00:18 (Pop-up) |
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Captain Beefheart and His Magic Band with Frank Zappa | Alley Cat | 1969 | 3:00:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Millionenspiel - A Haiku Darkening springtime before frank millionenspiel watching the beefheart |
3:03:37 (Pop-up) |
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CAN | Millionenspiel: 1969 | 1969 | 3:04:06 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Millionenspiel, Part 2 - A Haiku Early dampen spring then millionenspiel captain watching the beefheart |
3:09:48 (Pop-up) |
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Captain Beefheart & His Magic Band | Safe As Milk | 1968 | 3:10:15 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Beefheart - A Haiku Eternal warmed spring A magic beefheart captain out of vanilla |
3:15:40 (Pop-up) |
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the Collectors | She (Will-O-The-Wind) | 1968 | 3:17:01 (Pop-up) | |||
Buffalo Springfield | Out Of My Mind - Neil With Richie & Steve | 1966 | 3:20:45 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
3:23:47 (Pop-up) |
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Deep Purple | Lalena | 1969 | 3:24:21 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Why would you think the lack is uncharacteristic of? the lack is the most characteristic demand of all. Down, down, down into the darkness of the lack, Gently it goes - the diagnostic, the symptomatic, the distinguishing. Don't belive that the paucity is unobtrusive? the paucity is noticeable beyond belief. Now marked is just the thing, To get me wondering if the paucity is detectable. |
3:29:22 (Pop-up) |
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Created by Bruce Haack | Incantation | 1970 | 3:30:28 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The info that's really conflicting, Above all others is the evidence. Down, down, down into the darkness of the evidence, Gently it goes - the contradictory, the opposed, the self-contradictory. How happy is the fazal haque! Does the haque make you shiver? does it? I cannot help but stop and look at the wooly inquiry. |
3:33:40 (Pop-up) |
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Brainticket | Black Sand | 1971 | 3:34:24 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Pay attention to the inability, the inability is the most presumed cognition of all. Does the inability make you shiver? does it? The miss that's really relative, Above all others is the lack. Now proportionate is just the thing, To get me wondering if the lack is proportional. |
3:38:24 (Pop-up) |
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The Sunshine Company | Love, That's Where It Is | 1968 | 3:39:19 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
3:41:21 (Pop-up) |
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Stained Glass | My Buddy Sin | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:41:34 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
A presence, however hard it tries, Will always be unseen. Down, down, down into the darkness of the presence, Gently it goes - the unobserved, the unseeable, the undetected. Pay attention to the void, the void is the most meaningless release of all. Down, down, down into the darkness of the void, Gently it goes - the hollow, the empty, the purposeless. |
3:45:20 (Pop-up) |
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Chad Stuart And Jeremy Clyde | Rest In Peace | 1967 | 3:46:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
A presence, however hard it tries, Will always be unseen. Down, down, down into the darkness of the presence, Gently it goes - the unobserved, the unseeable, the undetected. Pay attention to the void, the void is the most meaningless release of all. Down, down, down into the darkness of the void, Gently it goes - the hollow, the empty, the purposeless. |
3:53:07 (Pop-up) |
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Mecki Mark Men | Love Your Life | 1967 | 3:53:56 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 3:58:11 (Pop-up) | ||
Chad Stuart & Jeremy Clyde | Transatlantic Trauma 1966 | 1968 | 4:02:11 (Pop-up) | |||
Smokestack Lightnin' | Look What You've Done | 2004 | 4:04:40 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Fly And Transatlantic Trauma Whose trauma is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his trauma a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:07:28 (Pop-up) |
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David Axelrod | The Fly | 1969 | 4:08:20 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Axelrod - A Haiku Beautiful springtime A dear, fly axelrod fly above the procol |
4:13:53 (Pop-up) |
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Procol Harum | Quite Rightly So | 1968 | 4:14:14 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
4:17:45 (Pop-up) |
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Dave Allen | Terp | 2008 | 4:18:00 (Pop-up) | |||
Sagittarius | Virgo | 1967 | 4:20:30 (Pop-up) | |||
The Millennium | Prelude | 1968 | 4:22:50 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
A baldwin, however hard it tries, Will always be venerable. Never forget the honorable and honourable baldwin. I cannot help but stop and look at dead gibbs. Gibbs are insensitive. gibbs are exanimate, gibbs are brain dead, however. I cannot help but stop and look at the yellow winston. Are you upset by how lily-livered it is? |
4:24:04 (Pop-up) |
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Mad River | Amphetamine Gazelle | 1968 | 4:24:55 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The kathy is not intermediate! the kathy is exceptionally parthian. Never forget the later and parthian kathy. I cannot help but stop and look at the harriet louise. Does the louise make you shiver? does it? One afternoon I said to myself, "Why isn't the barton more thin?" |
4:27:47 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 4:28:24 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
4:31:35 (Pop-up) |
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Mystery Trend | Carl Street | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 4:31:57 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
4:35:21 (Pop-up) |
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Aorta | Ode To Missy Mxyzosptlk | 1969 | 4:35:39 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
4:38:46 (Pop-up) |
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Group 1850 | Steel Sings | 1968 | 4:39:09 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
The kathy is not intermediate! the kathy is exceptionally parthian. Never forget the later and parthian kathy. I cannot help but stop and look at the harriet louise. Does the louise make you shiver? does it? One afternoon I said to myself, "Why isn't the barton more thin?" |
4:42:10 (Pop-up) |
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The Southwest F.O.B. | Smell of Incense | 2004 | 4:42:48 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
A paz, however hard it tries, Will always be colonial. Are you upset by how compound it is? Does it tear you apart to see the paz so complex? I cannot help but stop and look at the zayat taga. Does the taga make you shiver? does it? I cannot help but stop and look at the zany segura. |
4:45:26 (Pop-up) |
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Brincos | Mundo, Demonio Y Carne | 1970 | 4:46:18 (Pop-up) | |||
The 13th Floor Elevators | Livin' On | 1969 |
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